Tag: Viacom18

  • Every platform needs a centrality to its content: VOOT’s Gourav Rakshit at Vidnet 2019

    Every platform needs a centrality to its content: VOOT’s Gourav Rakshit at Vidnet 2019

    MUMBAI: Viacom18’s digital venture VOOT is set to expand the horizon of its business with new moves such as the upcoming launch of its subscription-based model in this calendar year and the full-fledged commercial launch of VOOT Kids. While it will maintain equal focus on the advertising-led platform, Viacom18 Digital Ventures COO Gourav Rakshit thinks it is an opportune time to enter the SVOD play.

    At Indiantelevision.com’s Vidnet 2019, Rakshit spoke on industry issues as well as VOOT’s content strategy going forward in a candid fireside chat with Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari. Wanvari set the tone of the discussion by asking his lessons from Shaadi.com and his view on the industry as an outsider.

    Rakshit said that Shaadi.com was obviously a fascinating journey for him as he gained more insights on the history of India and communities of the country. It also helped him to touch India at a very core level while they signed up about 10-15k people every day which largely represents middle-class India.

    “I think from a learning point of view one of the things I can definitely bring is data science and AI models being used in match-making. They are very advanced. People talk about recommendations on OTT space. So, the order of magnitude of the algorithm on Shaadi is much higher than you have to in this space. Another thing is we ran the entire business on subscription model creating sufficient value to reach premium customers.”

    However, he also shed light on the new things he had to face as he switched industries. “I did underestimate the long-gestation period of content between concept, and execution or original launch. At Shaadi.com we were one week away from the idea of execution. This industry has to think where the ball will be one year from now. So, it definitely has a layer of complexity,” he added further.

    The other challenge is the supply-demand quotient. There has been a sudden burst of appetite but the growth in content creators can’t keep pace. However, he believes this is a short-term problem.

    According to him, the OTT industry is still finding its footing. The industry also has to discover the right price points. “As you start to move from the extremely western psychological demographic to what we call India, then Bharat, the nature of the content that we produce and we are going to put on these platforms needs to be fundamentally different. There, I think the broadcast industry, which has sharpened over years of understanding what these consumers want, is going to have an edge both by virtue of the library of content and understanding the sensibilities of the users. In the near term, clearly, the highest disposable income is with people that have a westernised psychography,” he said.

    He also added that every platform needs a centrality to its content that people want to consume and pay for. “We do daily digital soaps which are only available online and do exceedingly well. We have a base of extremely loyal people. In fact, we just concluded a season a few months ago. It is called Silsila and that had a massive fandom. So appointment-driven viewing on the internet as opposed to the only premise we are able to which is binge-watch is where we see a compelling case,” he also noted.

    Rakshit noted that the one thing that digital offers but television is unable to provide is on-demand viewing. According to him, if consumers are able to choose when they want to watch something then they can choose what and how they want to watch, and then they will be looking for something which is closer to their own liking. Hence, there has to be an understanding of writing what these new-age consumers are looking for.

    According to Rakshit, VOOT has an interesting content line up that is ready to hit the market. Moreover, the entry of fibre-to-home services will also help the platform at an ecosystem level. He also mentioned that as the industry progressed, the price discovery of subscription-based services would also be helpful for the platform.

    Speaking on VOOT’s kids’ strategy, he said, “It’s a departure from pure-play video streaming and primarily because we recognise that the target group in that is in the age group of 4-8 years and they are not using their own phones. They are using the device of their parents with their explicit permission. As a form of engagement, we got multiple-choice questions, audiobooks sort of narrative as well as large-format books which people can read in electronic media. Our early indications are that parents like that.”

  • Get ready to ‘Watch With The World’ on Comedy Central

    Get ready to ‘Watch With The World’ on Comedy Central

    MUMBAI: Make room for more, as Comedy Central extends its already exciting line-up with the latest seasons of Young Sheldon, The Good Place, Mom, Superstore and brand-new series – Bob Hearts Abishola. Premiering the latest episode every week, viewers can watch these light-hearted and hilarious shows right after their international telecast on ‘Watch With The World’ from Monday to Friday at 10pm, exclusively on Comedy Central.

    Elaborating on the same, Hashim D’Souza – Head of Programming, English Entertainment, Viacom18, said, “Comedy Central is the most-watched English entertainment channel on Indian television, and over the years has established a reputation of showcasing a rich programming line-up that delivers quality entertainment to viewers across the board. With an assortment of comedy and jaunty show, there’s something for everyone on our Watch With The World block.”

    Hashim further added, “Bringing fresh content every day of the week, within hours of its international premiere we’re airing popular and critically acclaimed shows like Young Sheldon, The Good Place, Mom, Superstore and Bob Hearts Abishola during the week, along with new episodes of the 2019 Emmy award-winning sketch series Saturday Night Live and multiple BAFTA winner The Graham Norton Show on the weekend for our comedy-loving audiences.”

    To infuse your primetime with some of the best and latest in comedy, tune-in to Comedy Central from Monday to Friday at 10pm and Watch With The World

  • LIVE Viacom18 and BookMyShow join hands to bring ‘Peppa Pig Musical’ to India

    LIVE Viacom18 and BookMyShow join hands to bring ‘Peppa Pig Musical’ to India

    MUMBAI: After running into packed houses across the US, UK, and Asia, ‘Peppa Pig Musical’, the live theatrical adaptation of the famed animated series on TV, is finally coming to India! LIVE Viacom18 and BookMyShow, India’s leading entertainment destination, have joined hands to bring Peppa along with her family and friends to the country, taking kids on a never-seen-before joyous ride. Presented by ICICI Bank Debit & Credit Cards, the all-new live stage show will keep fans talking, singing and dancing, wanting for more. The Peppa Pig Musical will tour 8 cities across 78 shows, starting this November.

    Making Children’s Day more exciting for the little ones, the most charming little piggy on the block will hit the stage making its debut with the preview show at Bal Gandharv Rang Mandir, Mumbai on November 14th.

    With this musical, LIVE Viacom18 and BookMyShow are set to provide a unique out-of-home entertainment experience to Peppa enthusiasts. This fully immersive musical with incredible life-sized characters with beautiful costumes will bring every kid’s favourite Peppa to life like never before and elevate their experience. Following its preview, LIVE Viacom18 and BookMyShow will roll out the carpet for the Peppa Pig Musical across seven other major cities including Delhi, Chennai, Bengaluru, Hyderabad, Pune, Ahmedabad and Jaipur.

    Peppa Pig has been one of the most loved international animated television series airing on India’s no.1 Kids Channel –Nickelodeon. The series has consistently been amongst the top 20 properties on a digital platform – VOOT.

    Mahesh Shetty, Head – Network Sales, Viacom18, said, “Ever since its launch Peppa Pig has become a household name and an important part of our ecosystem. Owing to its growing demand and popularity, we’re thrilled to bring a one-of-its-kind live musical for the audience to feel closer to their favourite characters and witness this wonderful experience. The announcement is an extension to Viacom18’s list of ‘firsts’, which includes – Viacom18 Consumer Products being the official merchandise partner for Peppa Pig in India to  broadcasting the iconic pre-school property on Nick Jr. and VOOT Kids; and now further venturing into bringing Peppa Pig, ‘LIVE’ with the first-ever Musical extravaganza. We are delighted to associate with ICICI Bank Debit & Credit Cards and BookMyShow LIVE for this unique property and are positive that this visual extravaganza filled with music and joy will be loved by everyone.”

    “The live entertainment industry in India is witnessing remarkable growth, with newer avenues of out-of-home entertainment opening up and being loved by audiences. BookMyShow is thrilled to collaborate with LIVE Viacom18 for the Peppa Pig Musical, adding another distinctive theatrical offering to our extensive repertoire of live entertainment experiences, all executed at par with global standards. We are certain that kids will love the musical, as much as they love the series.”, said Kumar Razdan, Head – Theatricals, BookMyShow.

    Amarjit S. Walia, Product Head – Cards, ICICI Bank said, “We are delighted to partner with Viacom18 to bring alive one of the most loved characters, Peppa Pig, to India. Looking at the popularity of these characters, we believe that the audience would love the musical. This being India’s first-ever LIVE introduction to their journey, the shows will be an unforgettable experience for the fans who have made Peppa Pig a success in the country.”

  • Viacom18’s Gourav Rakshit on Colors Telugu digital-first launch, advertiser strategy, digital measurement

    Viacom18’s Gourav Rakshit on Colors Telugu digital-first launch, advertiser strategy, digital measurement

    MUMBAI: Viacom18 is taking two bulls by the horn. Not only has it targeted the regional market but is doing so in a digital-first manner. Colors Telugu is soon to be launched on VOOT, Viaom18’s over the top platform.

    The new language play of VOOT is set to go live on 23 September targeting a market which has the highest affinity for native language. While VOOT has always been focusing on the philosophy that regional is the new national, Viacom18 Digital Ventures COO Gourav Rakshit said the big shift is happening as advertisers also want to speak locally now.

    “As we don’t have a network channel, the marketing has to be a lot nearer to the consumers. So, the marketing has to be more local because the consumer has to feel this is a part of us. A slight change will be in the mix up we would normally do. We will also use conventional television, distribution, Voot to popularlise the content. But I think it’s important to be in and around the ecosystem there itself in Hyderabad. The other thing is we are launching a marquee show Feet Up with the Stars which is a very big property,” Rakshit commented on the marketing strategy.

    He also noted that the network is aware of what works in the Andhra Pradesh and Telangana market as the Telugu speaking audience watched Hindi content also which made the platform realise the need for Telugu content. Hence, the marketing strategy is more tilted to demonstrate presence, relevance and in the market rather than a pure acquisition.

    In comparison to previous times when players wouldn’t risk original content, the scenario today is different. Today, even advertisers speak in regional languages since running Hindi ads are a misfit.

    “The brand voice changes when they talk in regional languages. When you are trying to build credibility or enter the market, sometimes it’s more effective to do with regional creative than national. You can’t do that on a Hindi-based content,” Rakshit commented.

    While VOOT is planning a subscription-based service, it is expected the platform will predominantly focus on advertising in India. As there are other advertising-based video-on-demand platforms that are also chasing for the advertising pie, Rakshit thinks the connection to relevant audience and content will help them differ.

    “We have a significant skew towards youth and female audiences. There are enough advertisers, especially in consumer’s products etc., who will really like our audience. It is our content that attracts viewers and hence, advertisers,” he added.

    Speaking on the digital measurement system, Rakshit agreed that it was important and that many people are trying to solve the problem. The benefit here is that every time spent counts, which isn’t the case in the TV industry.

    “The TV industry is completely reliant on third party data. That’s why they had to give birth to that. Hotstar knows its own number. YouTube as well and I know Voot’s. So, we are not reliant on the third party. As a result, we are not forced to collaborate. Whether it will come or not, there will be a measurement system. The question is how credible they will be if the media industry will support those findings that are up to chance. It is not clear to me when it will be resolved,” he added.

    The new leader on the board of Viacom18’s digital arm joined the platform in May who was earlier serving as the president and CEO of People Group that owns and operates Shaadi.com. Although he is in the internet ecosystem for a very long time, from the content side the two worlds are very different. According to him, the long gestation period of content is really different in his new venture.

  • Viacom18 drives digital first strategy by launching COLORS Telugu on VOOT

    Viacom18 drives digital first strategy by launching COLORS Telugu on VOOT

    MUMBAI: India’s second largest advertising led Video on Demand platform VOOT is all set for its Telugu market foray with the launch of COLORS Telugu on VOOT. Leveraging the 80 million plus  Telugu speaking audience opportunity, Colors Telugu on VOOT marks Viacom18’s continued focus on its strategic “digital first” approach. The platform’s new language play will introduce the discerning Telugu audiences from AP/ Telangana and rest of India to 1200 + hours of limitless Telugu entertainment.  The diverse content line-up will include VOOT Originals, Popular Hindi and regional Viacom18 IPs and a massive library of 150+ Telugu movies for its viewers to begin with.  COLORS Telugu on VOOT is set to go live starting 23rd September 2019. 

     Speaking about VOOT’s regional strategy and Telugu launch, Gourav Rakshit – COO, Viacom18 Digital Ventures said, “Regional has been an important play for VOOT as well as Viacom18 and we continue to identify whitespaces in the category and pursue the regional growth opportunity.  We have been seeing significant offtake of network regional consumption on VOOT. The latest success of Bigg Boss Marathi with over 100 Million views establishes the scale of the regional content opportunity.”

    He further added “The market propensity of the Telugu market towards digital content as well the significant internet penetration in the 2 states of AP / Telangana make them a high value opportunity to be harnessed. We are sure that the diverse and expansive content slate curated after substantial audience mapping and market research will help us get love and support from the viewers.”

    Speaking about the launch of COLORS Telugu on VOOT, Akash Banerji – Head, AVOD Business, Viacom18 Digital Ventures said “Regional continues to be a key revenue driver for VOOT and with the new  COLORS Telugu on VOOT slate we will have added further depth to our very dynamic regional content proposition. Regional has also become the new national and plays a decisive role in the outreach strategy of many brands. Our presence in the segment hence allows us to serve our existing advertisers better while also tapping into new region-specific advertisers, thereby broad basing our base. We are already seeing significant response and going forward our innovative brand solutions will help us deliver substantial value to our advertisers and thereby garner their patronage.”  

    COLORS Telugu on VOOT will go live with blockbuster Telugu movies, a slew of network syndicated shows and the Telugu version of the popular VOOT Original IP “ace2three presents Feet Up with the Stars Telugu Co-Powered by Asian Paints” to start with. Bidding goodbye to the quintessential celebrity interviews, the chat show that sports a cozy and intimate setting with Tollywood Town celebrities kicking off their heels, putting their feet up and getting comfortable will be hosted by the popular Telugu movie actress and diva Lakshmi Manchu. Her sass and inquisitive questions are sure to get the audience excited to know more about their favorite Telugu stars. 

    With the latest language edition, Viacom18’s regional content footprint now comprises of Colors Kannada, Colors Super (Kannada), Colors Bangla, Colors Marathi, Colors Odia, Colors Tamil, Colors Gujarati and now COLORS Telugu on VOOT. 
     

  • Viacom18 partners with CMCA to conduct beach clean-up drive across Mumbai

    Viacom18 partners with CMCA to conduct beach clean-up drive across Mumbai

    Mumbai: The 10-day long Ganesh Chaturthi festivities are a highlight for the city of Mumbai and its residents. However, the sight on city-beaches post the visarjans (idol immersion) is one of apathy as they are strewn with POP idol remains and plastic. In an endeavour to drive awareness about the issue while supporting the city civic authority’s efforts, Viacom18 has partnered with Children’s Movement for Civic Awareness (CMCA) for the 4th consecutive year for a clean-up drive on city beaches. Over 600 children along with Nicktoon Shiva and Rudra created awareness towards to encourage people to celebrate festivals in an environment friendly way.

    As a part of its Chakachak Mumbai initiative, the media & entertainment network along with CMCA conducted clean-up drives in Juhu, Aksa and Girgaum Chowpatty beaches. Over the years, the initiative has seen more and more students coming forward to support the campaign.

  • Ray Nayak launches entrepreneurial venture House of Cheer

    Ray Nayak launches entrepreneurial venture House of Cheer

    MUMBAI: In his inimitable cheerful style, former Viacom18 COO Raj Nayak has launched his debut entrepreneurial venture House of Cheer. It goes with the tagline ‘Create. Curate. Consult’. However, Nayak did not reveal any more information about his venture.

    Nayak has had an illustrious career of nearly three decades. Before Viacom18, he was the founder and managing director of Aidem Ventures, a media sales and marketing company. He was also the CEO of NDTV Media. He started his career in 1993 as EVP sales and marketing at Star India. He looked after the strategy, packaging and marketing of all the channels under the Star umbrella.

    During his time at Colors as the channel CEO, he was responsible for bringing to the channel its highlight shows such as Big Boss, 24, Rising Star and several award shows.

    In February 2019, Nayak quit Viacom18 after a 7-year stint to pursue his own interests

  • Netflix India ropes in Tanya Bami as director international originals

    Netflix India ropes in Tanya Bami as director international originals

    MUMBAI: Tanya Bami is the latest senior executive to join Netflix as the global streaming giant continues to beef up its India arm. Tanya, Indiantelevision.com has learnt, will join the streamer next week as director international originals. She will be part of the team which Monika Shergill leads.

    In July this year, Indiantelevision.com had reported that Tanya had stepped down from her role at Viacom Digital Ventures as head Voot Originals and vice president content.

    The veteran media executive joined Voot in November 2015 from Zee Entertainment Enterprises Ltd where she served as head – weekend content.

    Before joining ZEEL, Tanya spent over five years at Star India where she held the position of AVP content for the network’s flagship GEC Star Plus.

    Apart from stints at broadcasters like MTV, Channel V, and BBC, she has also worked at major production houses like Big Synergy and Optimystix Entertainment India.

  • Colors partners with vivo as presenting sponsor for Bigg Boss 2019

    Colors partners with vivo as presenting sponsor for Bigg Boss 2019

    MUMBAI: COLORS collaborates with the premium global smartphone manufacturer, vivo as the presenting sponsor for Bigg Boss 2019. Produced by Endemol Shine India, the show has attained a cult status over the years and has become one of the sought-after reality shows hosted by actor Salman Khan. 

    Promising to be packed with utmost thrill and excitement, the new all celebrity season will have many surprise elements that will make it a stellar watch for the audience. 

    Elaborating on the sponsorship, Viacom18 Head, Network Sales Mahesh Shetty said, “Bigg Boss is one of the largest platforms in the entertainment segment.  With every season, the show has set new benchmarks in the television reality space and has become one of the widely viewed shows of the country. The format and content of the show allows us to experiment with brand integrations and associations that reach out to a sizable number of audience across all age groups and  it is the only show that cuts across festivities. With its growing success and popularity, more and more brands have come forward to explore innovative customizations and partnerships to deliver their business ambitions. vivo is one of the trusted mobile phone brands with a growing consumer base and we are happy to welcome them on board as the presenting sponsor.”

    Talking about the collaboration,  vivo India Senior Vice President Jerome Chen said, “We at vivo are constantly looking for innovative ways to connect with our consumers and their interest areas. We always aim to create new and effective marketing platforms that will engage our audiences across the country. We are excited about our partnership with COLORS for Bigg Boss. The show is one of the most popular reality TV shows that brings the diverse audience together with its entertaining content.”

    Being the most anticipated and celebrated shows of Indian Television, the upcoming season of Bigg Boss will continue to entertain the audience with high octane drama and action. 

  • Viacom18 partners with Film Heritage Foundation for the 5th Film Preservation & Restoration Workshop India 2019 to save our cinematic heritage

    Viacom18 partners with Film Heritage Foundation for the 5th Film Preservation & Restoration Workshop India 2019 to save our cinematic heritage

    MUMBAI: Till a few years ago, most people were not aware that films needed to be preserved and that India had lost a colossal amount of our film heritage due to our ignorance of film preservation and restoration.

    Viacom18, India’s youngest Media & Entertainment company and Film Heritage Foundation have been partnering for 4 years now, to create awareness for the pressing need to preserve and restore both films and film-related photographic and paper materials to future-proof our cinematic heritage through intensive training conducted through the annual week-long film preservation and restoration workshops. Over the last 4 years, the partnership has enabled these unique workshops to be conducted annually around the country, beginning from Mumbai in 2015 and then moving to Pune in 2016, Chennai in 2017 and Kolkata in 2018. Acknowledging the rich legacy of the Telugu Film Industry and the fact that Hyderabad is a hub for cinema from all over the country, Viacom18 and Film Heritage Foundation (FHF) announce the 5th Film Preservation & Restoration Workshop India 2019 (FPRWI) in Hyderabad. Esteemed actors Nagarjuna and Amala were present to announce the workshop along with Founder of Film Heritage Foundation, Shivendra Singh Dungarpur, Sudhanshu Vats, Group CEO and MD, Viacom18 and Shri. Jayesh Ranjan, Principal Secretary, Government of Telangana.

    The workshop will take place in Hyderabad, India from December 8 to 15, 2019 and will have participation from India, Sri Lanka, Nepal, Bangladesh, Bhutan and for the first time from Afghanistan. Applications for the week-long workshop will be open from August 25 to October 20, 2019. Application forms can be downloaded from www.filmheritagefoundation.co.in. FPRWI 2019 will focus on the need to skill and train a resource of archivists to take on the challenge of preserving and archiving film heritage. 

    Speaking about the 5th edition of the Film Preservation & Restoration Workshop, Sudhanshu Vats, Group CEO and MD, Viacom18 said, “Cinema is an integral part of our country’s cultural DNA and we owe it to our future generations to pass it on. This is the reason why we have continued to partner with the Film Heritage Foundation. This time we have extended our partnership to  bring our message of preservation and training in this specialized field to the Telugu Film industry that has been an integral part of Indian cinema and has given the industry a galaxy of talented directors, actors and musicians not only on a regional level but also for the Indian film industry at large. Eminent film makers like Raghupati Venkaiah Naidu, H.M. Reddy, B.N. Reddy, Akkineni Nageswara Rao, L.V. Prasad, D. Ramanaidu, Ramoji Rao and N.T. Rama Rao et al were not just revered across the world as film personalities but also shaped the discourse of socio-political culture both within and outside of India. At Viacom18, we understand and believe it’s imperative that we preserve and restore the work done by these great personalities.”

    On the journey of FHF so far,  Shivendra Singh Dungarpur, Founder, Film Heritage Foundation said, “Film is an art form. It is history in motion and a reflection of the times we live in. That is why films must be saved. In keeping with Film Heritage Foundation’s mission to save every bit of India’s film heritage possible, we began conducting workshops in 2015 aimed at training individuals to preserve our celluloid heritage as well as how to tackle the challenges of digital preservation for the future. These workshops would not have been possible without the continuing support of Viacom18 and Martin Scorsese’s The Film Foundation right from 2015 and the Tata Trusts who came on board in 2017, not to mention the unstinting support of our brand ambassador Mr. Amitabh Bachchan. The Hyderabad workshop has been made possible thanks to the generosity of Nagarjuna and Amala who have offered the premises of Annapurna Studios and the Annapurna College of Film & Media to conduct the workshop. The Telugu film industry has come forward in force to support the cause including Chiranjeevi, Suresh Babu, S.S. Rajamouli, K. Vishwanath, K. Raghavendra Rao, Sowcar Janaki, B. Saroja Devi and Jamuna.

    Supporting the need of restoration of film heritage, Nagarjuna, one of the most revered actors of the Telegu film industry said, “Here at Annapurna Studios we have created a museum just for the countless awards my father won in his lifetime. When you look back on the incredible films he made – “Laila Majnu”, “Devadasu”, “Missamma”, “Mayabazar”, “Batasari”, “Premabhishekham”,  it is a magnificent body of work that we must keep alive for future generations to appreciate the work of a truly legendary actor of Indian cinema. If he were alive today, he would have been very proud that Annapurna Studios have partnered with Film Heritage Foundation and the best archives around the world to educate and train future film archivists who will go forward to save India’s film heritage. I am looking forward to welcoming the participants and the international faculty of eminent film archivists to Annapurna Studios as they come together to help us save our film heritage.”

    FPRWI 2019 is an initiative of Film Heritage Foundation and the International Federation of Film Archives (FIAF) in collaboration with Annapurna Studios and in association with The Film Foundation’s World Cinema Project, The Academy of Motion Picture, Arts & Sciences, Fondazione Cineteca di Bologna, L’ImmagineRitrovata, Bundesarchiv (German Federal Archives), Cinemateca Portuguesa, Institut National de L’Audiovisuel (INA), Haghefilm Digitaal, San Francisco Silent Film Festival, FIAT/IFTA, A.V. Preservation by Reto, Media Inventions s.c., The Criterion Collection, Prasad Digital Film Lab and ARRI.

    Covering every aspect of film preservation, the workshop is considered the most comprehensive of its kind in the world and has become the model for FIAF’s international training programs. The intensive week-long workshop, certified by FIAF, will cover both lectures and practical classes in the best practices of the preservation and restoration of both films and film-related paper and photographic material and will be taught by a faculty of international experts from leading institutions around the world. Classes will be followed by daily screenings of restored classics from around the world.

    The 5th edition of the workshop, will have basic and advanced courses running simultaneously. The advanced courses will focus on training alumni from the earlier workshops as well as those working in museums, archives and film facilities who would like to update their skills. The basic course is targeted at less experienced individuals who would like to explore film preservation as a possible career option. Fresh topics will be introduced in the digital preservation stream like open source tools and resources, metadata, born digital and data wrangling. Practical sessions in chemical treatment of film in serious condition will also be introduced in FPRWI 2019. Additionally, practical sessions with the latest and world class ARRISCAN XT will give participants hands-on training on scanning archival film.

    FPRWI 2019 will be conducted by a faculty of international experts from leading institutions around the world including:

    ·        David Walsh – FIAF – Film and digital technology and preservation strategies

    ·        Ray Edmondson – Archive strategy, management and business plans

    ·        Nora Kennedy – Metropolitan Museum of Art – Photographic conservation

    ·        AdelheidHeftberger – Bundesarchiv – Cataloguing

    ·        DavidePozzi – L’ImmagineRitrovata – Restoration ethics and practice

    ·        Rob Byrne – San Francisco Silent Film Festival – Digital restoration

    ·        Reto Kromer – Digital technology fundamentals and digitization

    ·        Brecht Declerq – International Federation of Television Archives – Running a digitization project

    ·        Etienne Marchand – Institut National de L’Audiovisual – Digital infrastructure and born digital

    ·        Mick Newnham – Disaster planning

    ·        Dawn Jaros – Academy of Motion Picture, Arts & Sciences – Paper conservation

    ·        Marianna de Sanctis – L’ImmagineRitrovata – Film repair

    ·        Benjamin Tucker – Film handling

    ·        Maura Pischedda – L’ImmagineRitrovata – Chemical treatment of film in serious condition

    ·        Guy Borlee –- Fondazione Cineteca di Bologna – Access, presentation and programming

    ·        ThiloGottschling – ARRI – Scanning archival film

    ·        Oliver Danner – Bundesarchiv – Soundtrack technology

    ·        Jakub Stadnik – Media Inventions s.c. – Reformatting and restoring soundtracks

    ·        Gerard de Haan – Haghefilm Digitaal – Colour correction

    Applications for the 2019 workshop will be open from August 25 to October 20, 2019. Selected applicants will be notified and scholarships will be presented to deserving local and international candidates.