MUMBAI: Viacom18 today announced changes in its leadership team to focus on scaling and bolstering its digital and broadcast businesses. As part of the rejig, Ferzad Palia will head all SVoD services (Voot Select & Voot Kids) and International expansion for Voot and will report to Viacom18 Digital Ventures COO Gourav Rakshit.
The network’s youth, music and English entertainment business will now be led by Anshul Ailawadi, erstwhile strategy and project management lead at the group CEO’s office. Anshul will be reporting to Network18 MD Rahul Joshi in his new role.
Palia has led the growth of the network’s youth, music and English entertainment business for the past 16 years. More recently he launched Voot Select that has already raced to add 1 million plus subscribers within a year. He will now look to cohesively grow Viacom18’s SVoD and International digital businesses. Ailawadi has played a key role in the growth of Viacom18 over the last six years and is a strong proponent of the tremendous fandom, and the potential business opportunity that the YME brands of Viacom18 command. In a young country like India, these brands have a long runway for growth, especially given the proliferation of digital platforms.
Viacom18 forayed into digital subscription businesses in late 2019 with Voot Kids that was closely followed by Voot Select launched in March 2020. Voot Select recently reported acquiring over 1mn subscribers in its first year and though being a late entrant in the category it’s the fastest growing broadcaster-backed OTT service. Youth, Music and English Entertainment portfolio of Viacom18 consists of category leading channels like MTV, MTV Beats, Vh1, Comedy Central and Colors Infinity.
KOLKATA: Launched with the brand promise of ‘made for stories’ that are differentiated and compelling, Viacom18’s premium SVoD offering Voot Select has hit the landmark milestone of one million active direct paying subscribers in less than a year of its debut. The newest kid on the block has in a short period of time emerged as a formidable game changer by creating disruptive and innovative viewing experiences through fresh stories and category defining initiatives.
Digital first strategies like 24 hours before television windowing of network content, high decibel immersive experiences, international content and multi award winning originals have all been growth drivers for the platform. Adding to the content diversity, Voot Select will also be the new home to Showtime content in India and the exclusive destination for upcoming Paramount+ shows in the country. The diverse repertoire of international content will include much awaited titles such as Dexter (Limited Series), Ray Donavan Feature-Length Film,The First Lady from Showtime, and Frasier (Reboot) and Why Women Kill S2 from Paramount+ amongst others, expected to premiere on the platform in India.
Despite being launched at the cusp of the global health crisis, Voot Select has delivered a phenomenal first year. In an industry first innovation, the brand took their digital-first strategy a step ahead on the back of originals, before TV content and multi genre international offerings. With content available 24 hours before TV, access to 24 Hours Live channel of Bigg Boss and producing pandemic-based fiction thriller series ‘The Gone Game’ – the first series in the category to be shot during the lockdown, Voot Select drove high engagement throughout the year. The award-winning line up of originals like the breakthrough series Asur that emerged amongst the top three shows of 2020, Illegal, Raikar Case, Marzi, and Crackdown amongst others added to the diverse content experience of viewers on the platform.
With strengthened tech partnerships and more than 40 per cent of watch time on smart TVs, the platform has attracted a cohort of premium customers, providing them with an enhanced viewing experience.
Viacom18 Digital Ventures chief operating officer Gourav Rakshit said, “We launched Voot Select to engage and entertain audiences in India, with the most compelling stories from across the world. Despite being a recent entrant in the crowded subscription industry, we're thrilled to have made a mark, being the fastest to a million subscribers and delighting audiences on the back of our unique and innovative approach. Now that we have gotten a better sense of what they loved (and some of the stuff they didn't), we're excited to bring an even bigger and better entertainment extravaganza to their screens in 2021."
Voot Select, Viacom18 international business head Ferzad Palia added, “It has been a phenomenal year for Voot Select. We have, ahead of our estimates, made the fastest run to a million active paying direct to consumer subscribers in the category in less than a year of launch. Our success story through the year has been scripted on the back of a digital first strategy that keeps consumers at its core as well as a multi genre slate of originals and international content experiences. With our upcoming slate of content and partnerships, we aim to build our leadership position as we continue to entertain our members. We have had a fantastic start to this journey and will continue to invest in quality content and enhanced product experience driving Select towards new echelons of growth.”
The platform has accelerated its growth with an enhanced viewing experience and continues to be an industry disruptor. With a stellar growth trajectory and offerings such Bigg Boss being available on the platform before TV, launch of premium content and originals like The Gone Game, Asur, Raikar Case, and the robust multi-genre international slate, the platform is all set to further accelerate its growth with an enhanced viewing experience for its users.
MUMBAI: Colors is all set for an action-packed 2021.The beginning of the year witnessed the finale of its successful nonfiction property Bigg Boss. Post the conclusion of its tentpole programme, the channel has strengthened its weekend slot with the launch of dance reality show Dance Deewane Season 3. New fiction serial Bawara Dil, an adaptation of Colors Marathi’s ongoing popular show Jeev Zala Yeda Pisa, soon followed to shore up its primetime line-up.
Now, the channel is gearing up for the premiere of yet another fiction show, Udaariyaan – a story of hope, love, aspiration, and dreams. Udaariyaan is powered by Colgate and Suhana Masala and will hit the airwaves on 15 March and will air Monday – Saturday at 7 pm. The show is produced by television’s power couple Ravi Dubey and Sargun Mehta under the banner of Dreamiyata Entertainment and marks their first foray into creating a Hindi GEC show.
Udaariyaan is about the journey of the Sandhu family, who lead their lives in the heartland of Punjab, and nurse the dream of moving to Canada. The Sandhus’ unfulfilled dream from generations now lies in the hands of their daughters. The two protagonists of the show, Tejo (Priyanka Choudhary) and Jasmine (Isha Malviya) are like chalk and cheese. While the elder one Tejo is deeply rooted in her Punjabi culture and wants to be a professor one day, Jasmine feels like she belongs elsewhere. She is determined, strong-willed and will make destiny bend to her will. Fiercely ambitious, all that Jasmine wants is to move to Canada and will only marry someone who makes this dream a reality for her. This blazing ambition on Jasmine’s part affects the dynamics of the Sandhu family and eventually shapes their destiny. Enter Fateh (Ankit Gupta), an absolute romantic who is head over heels in love with Jasmine but does not know how to convey his feelings to her. As Tejo, Jasmine and Fateh’s lives become intertwined, so begins their journey of achieving their dreams. It remains to be seen how Jasmine’s dreams pan out and what happens when Tejo gets stuck in the middle of Jasmine and Fateh’s ambitions.
Viacom18 Hindi Mass Entertainment and Kids TV Network head Nina Elavia Jaipuria said, “At Colors, we always strive to create memorable and relatable stories to provide our audience wholesome entertainment. With a strong line-up of fiction and non-fiction shows across genres, we continue to provide premium variety content and the next endeavour in this direction is our new show Udaariyaan. The Punjabi flavour, the relatable characters and the reflection of Indian dreams will certainly enthral the viewers.”
Dreamiyata Entertainment producer Sargun Mehta shared that after a successful innings as actors, she and Ravi are thrilled to give flight to their little dream of turning producers and the couple couldn’t have asked for a better show than Udaariyan to make that into a reality.
"It is a very special feeling as we have been putting our heart and soul into this project for months and it is finally coming to fruition. We have worked very hard to create some really amazing characters and are now glad that the viewers will get to witness them,” said Mehta.
Dubey, on his part, loves collaborating with his wife, but finding talent to work with is a big challenge that he faces as a producer. In an interaction with a news portal, he mentioned, “I think getting a great team together is the only big challenge. When you know that you have the best people doing their respective jobs, then it takes a lot of loads away from your shoulders. The right kind of director, the right script, the right writers are crucial to churn out good content."
When asked if he feels that being both an actor and a producer puts him under tremendous pressure, he quipped, “The responsibility of an actor and a producer is similar. I want to give people the right content to live by. It’s not just about making aspirational stuff, it’s also about what you project to people and how you do it. Of course, the responsibility on our shoulders in order to do this has increased but we know that this will help us grow.”
The couple is eager to experiment with various formats and modes of content delivery. First on the agenda is making more content in Hindi and Punjabi. Whether it is OTT, television or movies, the duo wants to focus on giving viewers the content that will engage them.
Colors has designed the show’s campaign hinged on the well-known phenomenon of Punjab’s love for Canada and the aspiration of people from the region to migrate there. In an attempt to uniquely introduce the three lead characters – Tejo, Jasmine and Fateh – in an entertaining musical way, the channel has roped in rap maestro Badshah for a music video. Featuring him alongside the cast of the show, the music video has garnered eight million views across digital platforms. The channel has also planned a nine-day TV campaign across Hindi news, Hindi movies, Hindi music, kids and regional genres. A special focus is being put on the Badshah‘s music video as a part of the TV plan to give people a flavour of Punjab, and a sneak peek into the fun aspects of the show.
Additionally, for the true fans and members of Colors’ Golden Petal Club, a special digital event is planned on launch day showcasing the show’s cast and some behind the scene moments from the sets of Punjab. On the digital front, along with influencer outreach, a three-part video series will also be showcased which will include testimonial stories of real people and their dreams.
The channel already has a show named Chhoti Sarrdaarni which is also set against the backdrop of Punjab, it would be interesting to see how audiences react to Udaariyaan.
MUMBAI: Two of the most inspiring icons of Bollywood and Cricket, Taapsee Pannu and Mithali Raj, have come together to share the important message of challenging conventions on international women’s day. With Taapsee all geared up to play Mithali on the silver screen in Viacom18 Studio’s upcoming Shabaash Mithu, the duo collaborated to perform a powerful prose penned by Priya Aven, writer of Shabaash Mithu. In this women’s day special video, Taapsee and Mithali are encouraging women from all walks of life to stand up, challenge the norm and take charge of their own stories.
Mumbai: Viacom18 has appointed Kunal Gaur as chief commercial officer. Kunal will be taking over from Utpal Das who ends his stint at Viacom18 on 31stMarch 2021.
Through the past 7. 5 years, Utpal Das has led the commercial, facilities and corporate services functions at Viacom18. He was instrumental in not only shaping and leading these functions but also towards building Viacom18 into one of India’s top media networks through his role as a key member of the company’s leadership team.
Kunal Gaur, a chartered accountant by qualification, has over 19 years of experience across organisations like Star India, Netflix and PWC. Prior to joining Viacom18, Gaur was a part of the Netflix India’s leadership team in the capacity of director, production finance where he was instrumental in crafting budgeting strategies and leading production finance for all original series, film, non-fiction and documentaries.
Kunal Gaur will be reporting into Rahul Joshi, MD, Network18.
MUMBAI: It has not been the easiest of years and none of us ever dreamt that the last couple of months would be the way they have been. But I always believe that there is always a silver lining and that there is a lot to learn from what has transpired in the last ten months. Having said that, I think we have stayed true to our promise of keeping our viewers entertained, even in a crisis situation. We made sure that we were there for them when they needed us the most because there were no other entertainment outlets available.
We adopted different strategies across different genres to make sure that our viewers get what they want. But, the one big thing that stood out for us as an entertainment broadcast company and the franchise that I oversee, is that we were true to our DNA. We were true to our promise of continuing to narrate great and relatable stories and keep our viewers engaged and entertained in a time when they really needed us the most. That to my mind, brings true value to my organisation and our brand.
Looking back at 2020
We didn't have a single minute or day of blackout despite the lockdown, which happened overnight. We continued to run our channels with content that engaged and entertained our viewers across genres whether it was in GEC, Hindi movies, kids, music, English, youth and regional portfolio. So, I think, resilience, determination and entertainment stood out for us, as storytellers, to do what we do best. Definitely, we all pivoted our plans to adapt to the new normal.
If you look at Hindi GEC, which is the biggest and the most mass genre of them all, a big surge in non-prime time viewing was noticed because of the lockdown. We did lose out on some viewership to the other genres in the primetime slot due to lack of original content as a result of the shoots coming to a halt for some time. We witnessed a comeback strategy in Hindi GEC because we realised that there was a lot of family bonding and family viewing happening – a big trend that has continued to stay. Keeping this trend in mind, we went back into our libraries and brought back shows like Mahakali, Shani Dev and Jai Shri Krishna. We even looked at external libraries as well and aired Om Namah Shivay and Mahabharat. Some of our old legacy shows that brought back a lot of nostalgia included Balika Vadhu, and Uttaran, to name a few.
Post the opening of the lockdown, we launched many new shows. Some of them were shows that had a social commentary and became household conversations. With shows like Molkki, Namak Issk Kaa, which is a romantic drama, or Ishq Mein Marjawan which is a romantic thriller, or Pinjara Khubsurti Ka, we managed to launch a lot of new content including our biggest reality television show Bigg Boss. So, variety in entertainment was a trend that we managed to keep. With the resumption of original content, viewership during primetime and non-primetime have more or less gone back to pre-Covid2019 levels now.
How shows have performed
Colors has had a fantastic run. We were the first ones to start with original content once shoots resumed. We are slot leaders with Ishq Mein Marjawaan and are slot leaders at 7 to 7:30 pm with Choti Sarrdaarni and then at 8 pm with Shakti. Bigg Boss continues to rule the roost from 10:30 pm onwards which is a very good slot for us. Barrister Babu has also given us superb ratings. Post the unlock, we have a robust 19 per cent market share. We are also a very strong number two in our all-day primetime. With a 22 per cent market share, we had great launches and out of the top five launches in the unlock, three of the launches belong to us, which includes Naagin, Pinjara Khubsurti Ka and Namak Issk Ka. All the shows have propelled our prime time viewership on weekdays and weekend viewership with Bigg Boss.
We couldn't be happier because our entire prime time from 7 pm onwards has kicked in. Molkki is doing very well for us at the 10 pm time slot. So, variety entertainment is at its peak across genres along with family drama, romantic thriller, romantic drama, social issues, and adventure. We even experimented and innovated during the lockdown with Khatron Ke Khiladi Made In India for the first time, followed by Hum Tum Aur Quarantine with Harsh and Bharati.
Some of these strengths have sort of rationalised themselves over a period and some of these trends, such as co-viewing, relatable, relevant characters and storyline continue in Hindi GEC. At Colors, we do our best in terms of fiction, as well as reality television. And we are hoping to launch our next reality show once Bigg Boss concludes.
Biggest Trends
Apart from that, we saw a lot of the viewership moving to kids, news and movies. Existing for almost two years now, Rishtey Cineplex, in a very short period of time, has acquired a seven per cent market share which is a great beginning as far as we are concerned. We have grown tremendously by focusing on premieres, festivals that we do every month. Movies is a genre that we at Viacom18 are very serious about. With the Freedish and FTA trend, we re-entered with Colors Rishtey and Rishtey Cineplex. I am glad we did so, because there has been a huge amount of growth in terms of viewership and in terms of monetisation in the FTA space. In a very short span both the channels have secured a 15 per cent market share in their respective genres. We are really very happy to see that because we are actually sweating our assets even more and that makes our ROI much better. So from that perspective, the Freedish trend is here to stay.
I think the other big piece which cannot be denied, is that the last ten months have reaffirmed our view that in India, unlike the western countries, OTT and digital is going to co-exist with linear television and broadcast television. This is particularly a market, which is an ‘and’ market and not an ‘either-or’ market. Thanks to this co-existence of digital and linear, as storytellers and content creators it is a fabulous opportunity for us, since there is a huge growth in demand and consumption of content. Therefore, as an organisation, we are looking at creating stories, shows and content that is sometimes pipe or screen agnostic. This is a huge and I think 2021 will only reaffirm this further as a trend.
Consuming content in regional languages is also seeing an upswing. As marketers, we have pivoted our plans to ensure that we engage and interact with our viewers outside of the formal mass media vehicle. We have moved our engagements to digital, to our websites and social media. We engaged and created communities in the online world and engaged our audiences and told stories with games, through Instagram and many other innovations.
Adapting to the new normal
We have already adapted to the new normal with shows that we launched in the recent past, which is Namak Issk Ka and Molkki. Some of these shows are already being stitched together with the fabric of the nation, which is about family bonding and family viewing. It is about catering to human emotions and narrating relatable and relevant stories. So, I think a large part of it has already been actioned. As far as we are concerned, I think we will continue to see this trend for a while until Covid2019 vaccines are in and life and economy comes back to normal. I think the economy is recovering and so is the broadcast industry and so is Viacom18 and all our brands.
So, one is of course, to tell relatable and relevant stories. The other one is to cater to the need of action, adventure, and voyeurism reality, which Colors is known for. Coming up in 2021 is the finale of Bigg Boss, followed by the launch of several impact properties, including Dance Deewane. Our machinery is on and we will see some disruptive content coming this year as well.
Performance in terms of revenue
We did see a very soft q1 and Q2 because the economy had slowed down big time and now as the economy recovers and as unlock happens, we have had a great comeback in Q3. We saw a fabulous festive season. In fact, we were able to slightly surpass quarter three of last year. Q4 looks good. A lot of advertisers are coming back to us because we are the only means of reaching out to a mass audience in light of the other vehicles falling off. TV continues to deliver mass reach, relevant reach, captivated reach, and therefore a measurable reach as well. Due to this, advertisers have come back to us and continue to come back to us post festive season as well. When we launched Bigg Boss, we actually got 17 sponsors.
Ad spends in the foreseeable future
I think the ad spends will continue to remain stable because the economy is on a path of recovery. We have seen demand coming back, consumption going up. I think the power to spend is also returning and with that advertisers will have to continue to create and gain their share of voice. In my view, there is no better medium than television, which will continue to be one of the single largest mode of advertising in the future as well. There is a grown advertiser interest in digital too. But having said that, television will be advertisers’ favourite. We do see a trend of television continuing to monetise ourselves and advertiser interest continuing to be at an all-time high in Q4 as well.
Investment in Hindi GEC
When a lockdown happens, you can cut costs and you can shut down your factories and save and not spend or manufacture and therefore save your cost. But in the entertainment industry, there is no such thing as closing down a factory. We need to continue to grow and churn content every single day to ensure that we entertain our viewers. So there is no pulling back on content costs at all. We are preparing to enter 2021 with a whole new plethora of primetime and weekday and weekend content.
There is no lack of good investment in any of the genres. We will continue to buy movies and movie catalogues and premieres.
Creating other revenue streams
I believe ancillary revenue streams are here to stay and I think they will only be more relevant in the years to come. Advertisers are looking at innovative ways of reaching out to their audiences and for me, brand integrations, product licensing, promo licensing and brand solutions and brand integrations are a win-win for all the stakeholders because the advertisers are able to convey the message to viewers in a very interesting and clutter-breaking manner. (The author is head of Viacom18 Hindi mass entertainment & kids TV network. Indiantelevision.com may not subscribe to her views.)
MUMBAI: Viacom18's former EVP and head of product and technology – digital ventures Mohit Srivastava has joined Amazon as director for seller registrations.
Srivastava was responsible for getting the network’s OTT ventures Voot, Voot Select and Voot Kids off the ground. He moved on from the organisation in October last year.
With over 22 years of experience in the industry, Srivastava has had stints at multiple organisations in a technical role, including Snapdeal, Adobe and Wipro. He has worked towards building and managing products and technology in areas of recommendation, personalisation, search, online video, unified communication, and digital imaging. He also has expertise in software product development, product management, product planning, and strategy. He had helped in creating, building, mentoring, and leading cross-functional teams.
MUMBAI: The Covid2019 pandemic has given us an opportunity to reflect on how we go about our daily lives, and has taught us to be leaner and greener both at work and at home. The lockdown has brought many together, a few apart, and brought out the best and the worst in us. Cocooned in our homes with the spectre of Covid2019 looming over us has led to radical changes in our consumption habits across categories. Television is no exception and the way we consume media and entertainment has changed as well. The absence of original content has seen broadcasters rummaging through their larder for content and this search has manifested itself in dusting off legacy shows, a renewed love for movies, an insatiable appetite for news, a grudging acceptance of dubbed content and the emergence of user-generated content amongst others.
Whether these changes are transitory, quasi-permanent, or permanent, only time shall decide but a few crucial learnings during this period are highlighted below:
Curation is as powerful as creation
It has been an accepted norm that original content ratings are significantly higher than recycled content ratings. However, the careful curation of legacy shows, the introduction of dubbed shows and movies, and proactive FPC management have ensured that many truisms had to be revisited. There has been a blurring of prime time versus non-primetime ratings, original versus repeat ratings and discrete versus continuous content. So moving forward curation is at par with creation but both fundamentally require a deep understanding of viewers' sensibilities, need states, and cultural sensibilities and sensitivities.
Recycle, repeat and reuse is the new mantra
Re-telecast of successful mythological shows delivered ratings in their original as well as dubbed avatar across markets. Channels across markets juggled their programming strategies over the past few months to give prominence to mythological shows such as Mahabharata, Ramayan, etc. The mythological shows bought in an element of hope and belonging during the time of unprecedented uncertainty. Gauging the audience’s response, reruns of erstwhile popular fiction shows also became a norm during the lockdown and were being aired alongside original shows.
Language is no longer a barrier
Thanks to the rising availability and popularity amongst viewers, regional language content has emerged as a key growth driver for TV viewership. Indian audiences are more than willing to consume content in their respective languages. In the past few years, rural electrification and smartphone penetration have also added to the popularity of regional language content.
Movies have found their mojo
Film-based content not only performed well in Hindi speaking markets but also in southern markets. According to BARC India data, the movie genre saw a 27 per cent growth in primetime viewership share in the south market as compared to the pre-Covid2019 period. Driven by the fact that movies, as a form of content, appeal to all age groups in a family and encourage co-viewing, the category emerged as the primary source of entertainment on GECs across markets.
Families are the new TG
Amidst the pandemic, during the time of lockdown, television cemented its role of bringing families together. Lockdown led channels to gradually move from ‘women-centric’ entertainment to ‘family-centric’ entertainment. Content consumption patterns have now changed from ‘me’ to ‘we’.
Senior citizens can pack a powerful punch
The population of senior citizens is projected to increase to 20 per cent by 2050. Pre-Covid2019, senior citizens were always underestimated as a target group. The lockdown phase defined them as a significant target group and led us to acknowledge them as an important audience while curating content.
To conclude, as Socrates said, “The secret of change is to focus all of your energy, not on fighting the old, but on building the new.” While this has been a tough year for everyone across markets, we have grown in a few and may have declined in a few others, but in either case, we have maintained our position for 2020. We are constantly learning from our viewers every day. As we move along, our lockdown learnings continue to provide us with an opportunity to become significant and far more meaningful.
(The author is business head, Viacom18 regional entertainment – Kannada and Marathi clusters. Indiantelevision.com may not subscribe to his thoughts.)
MUMBAI: Consumers’ viewing habits are changing, and it’s landed a clear impact on the overall broadcast sector. Despite the challenges posed by the Covid2019 pandemic and other setbacks, broadcasters are seeing virtue in launching new channels. Even during the lockdown, people turned to television to keep themselves engaged and entertained, with BARC reporting a 43 per cent increase in India's TV viewership during this period, compared to the pre-Covid2019 figures.
The rise in TV consumption signifies viewers’ appetite for content – and clearly, the time is ripe to green-flag new channels catering to different tastes and smaller sub-segments across geographies. Let’s have a look at all the new channels that arrived on the idiot box in 2020.
ZeeL
ZeeL’s first lifestyle channel Zee Zest started airing 1 October 2020. The channel presents content that is a perfect encapsulation of food, travel, lifestyle, home improvement, wellness, culture, and DIY. Zee Zest brings some original shows like 100% South Indian, India’s 50 Best Dishes, Ghar Sa Yummy – Swaad Familywala, Food Veda, and Meetha toh Banta Hai. Also in the pipeline are popular global shows making their debut in India, such as Anthony Bourdain Parts Unknown Season 5, Jaime: Keep Cooking & Carry On, Far Flung with Gary Mehigan, MasterChef Australia – Season 9, MasterChef USA Junior Season 5, and more programmes across various genres.
Hopping towards a wonderland of delicious experiences, the junior chefs have signed up for an adventurous and a fun filled ride!
Are you ready to join?
The broadcaster forayed into the regional music space with the launch of its Marathi music channel – Zee Vajwa. It will offer 3,000+ playlists, and also have a non-fiction show in the comedy genre, a category first. The network has already captured 57 per cent viewership share in Maharashtra with Zee Marathi, Zee Yuva and Zee Talkies.
ZeeL chief consumer officer Prathyusha Agarwal said, “With Zee Vajwa, we identified a need gap in the lifestyle genre to serve a holistic entertainment experience to the focused Sec A target audience. These viewers seek experiences from around the world but from the comfort of their own homes. That’s where Zee Zest seamlessly comes in, with diverse lifestyle content themes such as wellness, travel, lifestyle, food, home improvement, and culture.”
Another offering, Zee Thirai was launched on 19 January 2020. The channel offers the latest blockbuster Kollywood movies and premieres.
Agarwal stated that all of Zeel’s new launches not only established themselves strongly in their respective markets but also aided market growth. Zee Punjabi captured a third of the viewership pie in the first four weeks of its debut, and consumption of Punjabi language content grew by 23 per cent compared to the one per cent growth in total TV viewership in Punjab/Chandigarh. Even during the lockdown, Zee Punjabi capitalised on the surge in demand for content as viewership grew by nearly 60 per cent (BARC data: weeks 12-15). The network’s new movie channels – Zee Biskope, Zee Picchar and Zee Thirai – captured a significant share in the movie genre, which rose by 28-29 per cent in a growing TV pie. (BARC data: weeks 12-15).
Enterr10 Television Network
The network expanded its footprint in south India with Dangal Kannada, close on the heels of its Bhojpuri offering, Enterr10 Rangeela.
Dangal Kannada underlines the network’s aggressive expansion into the growing regional broadcast entertainment space. Armed with dubbed versions of shows such as Ramayan, Mere Sai, Phir Laut Aayi Naagin,Tenali Rama, etc, the channel started airing from 30 September. Kannada film and TV actress Hariprriya is the brand ambassador for the channel and plays an integral part in its marketing campaigns.
After Bhojpuri Cinema, Enterr10 Rangeela is the network’s second offering for Bhojpuri audiences. The channel has launched a strong mix of fiction and non-fiction content ranging across series and reality shows, awards, and blockbuster films and world television premieres. Ramayan (Bhojpuri) is the channel’s launch pad serial.
Star Vijay, owned by Disney-Star, came out with Tamil music channel Vijay Music. Priced at Re 1 per month, Vijay Music hopes to compete with other channels in the segment such as Raj Television Network’s Raj Musix, Sun Network’s Sun Music, Jaya TV Network’s Jaya MAX.
Star India has also postponed the launch of three new channels, Star Movies Select, Star Sports 3 HD, and Disney Channel HD. It is also rebranding Movies OK as Star Gold 2. It has not provided a new date of release.
The broadcaster has decided to add Star Movies Select to cater the audiences in standard definition (SD) category as a premiere movies channel, in addition to Star Movies Select HD (high definition).
To give larger-than-life experience to customers, the broadcaster will offer Star Sports 3 HD at a price of Rs 5 per month, in addition to existing Star Sports 3 in the SD category. Meanwhile, it plans to launch a second HD kids’ channel, Disney Channel HD, that will cost around Rs 10 per month.
With the revamping of Movies OK to Star Gold 2, the broadcaster will end the ‘OK’ branding. Previously, it had renamed the Life OK channel to Star Bharat. Star Gold 2’s SD version will cost Rs 2 per month, while for its HD variant customers will need to shell out Rs 5 per month.
DD Free Dish
The state broadcaster run free-to-air DTH platform DD Free Dish added three new channels – ANB News, Aryan TV National, and News India 24×7 hese channels won the bid during the forty seventh e-auctions held on 26 August. They are allotted slots for the period between 1 September 2020 to 31 March 2021.
All three channels have a presence on other DTH platforms and fall under the news category – ANB News is a Punjab-based Hindi news channel, Aryan TV National caters primarily to Bihar, and News India 24×7 is a Hindi news channel focused on Rajasthan.
Tata Sky
In a move to further strengthen its regional slate, the DTH operator launched Tata Sky Malayalam Cinema, for which it joined forces with leading Malayali GEC Asianet.
Tata Sky Malayalam Cinema offers an uninterrupted movie-viewing experience to film enthusiasts, across the content spectrum – action, romance, drama, and comedy on television. The service will showcase the biggest blockbusters of Mollywood with exclusive movie premieres before television. The channel is now available to all subscribers on #1805 (SD) at a minimal cost of Rs 1.5 per day. With this, Tata Sky has regional cinema offerings in all four major south Indian languages – Tata Sky Telugu Cinema, Tata Sky Tamil Cinema, Tata Sky Kannada Cinema, and now Tata Sky Malayalam Cinema.
In10 Media Network
The network recently ventured into the kids’ entertainment space on Children’s Day with a new premium Hindi channel, Gubbare — Masti Ke Phuwarre. The current programming includes a mix of Indian animation such as Appu – The Yogic Elephant, Love U Ganesha, Chhota Hatim and Seven Monsters, and has introduced Billa Jasoos, Marcus Khiladi, My Bhoot Friends, Leo and Tig, The Dabangg Girls, Atchoo to Indian audiences on the channel. Apart from cartoon shows, animated movies are telecast on weekends. Gubbare, a pay channel, is available on all major DTH and cable operators across India.
In10 Media Network MD Aditya Pittie shared that the network is focused on building scalable businesses and strategically expanding its footprint in the industry. He added, “In our country, television continues to be a primary viewing platform for kids’ entertainment among most households.”
Prior to this, the IN10 Media Network launched its first regional movie channel – Filamchi – Filman Ka Laalchi, a 24×7 linear broadcast channel for Bhojpuri cinema fans across the country. With an extensive collection of over 250 Bhojpuri blockbusters, the channel is available on DD FreeDish and will soon be accessible across all major cable operators and platforms.
Shemaroo Entertainment Media Network
On 1 May 2020, Shemaroo Entertainment Media Network launched Hindi GEC Shemaroo TV. CEO Hiren Gada mentioned that the network is always keen to experiment and set milestones in the media and entertainment space. With this industry-first initiative allowing viewers to tune into Shemaroo TV live on Facebook, Gada hopes to reach out to a new and wider set of audience and offer content that they would like to watch and enjoy in their free time.
Other channels that debuted in 2020 include Fun TV, Blue (Naaptol), Satya Movies, Surya Cinema, BDM Bhojpuri, Surya Bhojpuri, 9X Jalwa, Maha Punjabi, C7 and Lord Budhha TV.
MUMBAI: Hindi music channel MTV Beats is celebrating its fourth anniversary this December with a month long interactive campaign – #ShandaarChaar. The channel is spreading the cheer this month with fun and engaging contests for its young viewers. #ShandaarChaar will have 31 contests for 31 days and is being sponsored by The Originally Fresh Brand, Celio and Roadmaster Cycles. The campaign has already seen over 4 million participants in the first week.
For its anniversary celebrations, MTV Beats has integrated its on-air and digital promotions under the theme of #ShandaarChaar with contests based on Gibberish Puzzles which will be all about decoding the clues to guess the movie, the Bollywood star, the song, the singer etc. giving winners a chance to win exciting prizes. The campaign is being promoted across MTV Beats HD and SD as well as through its social media handles.
Viacom18 Voot select, youth, music & English entertainment head Ferzad Palia said, “MTV Beats has been a constant leader in the contemporary music category while also holding a strong 18 per cent market share in the overall music genre. Throughout the lockdown period this year, the channel witnessed over 60 billion+ minutes of total viewing and cumulative reach of over 320 million. In a genre that usually lacks differentiators, MTV Beats clearly stands out against its competitors as a result of its varied original programming.”
MTV Beats has been branching out to make mainstream music more inclusive, be it with a dedicated slot for Punjabi music – Punjabi Beats; a gender atypical music album – MTV Beats Love Duet; encouraging its platform for independent artists with MTV Beats Discover. The channel will continue to focus towards upping the ante in original content in the near to mid-term, added Palia.
MTV Beats has had a unique growth story through the lockdown period. Its lockdown programming, with five original shows, has been the biggest gainer in viewership & engagement in the entire genre with cumulative reach of 111 million with viewing minutes reaching 2.5 billion. The channel’s content-around-music saw weekly viewership skyrocket by 27 per cent. MTV Beats was the only channel in the genre to clock positive gains in east (three per cent), west (one per cent), north (three per cent), south (23 per cent) regions collectively. Most importantly, viewership growth was not skewed but equally distributed across markets, not even leaving behind the south region – an uncharacteristic phenomenon for Hindi music channels.
In terms of slot performance, popular shows like MTV Beats Sessions From Home, Dil Beats Lockdown Love, MTV Beats Pyaar Karo Na, Baba Ki Chowki Lockdown Edition have grown in the range of 60-80 per cent. MTV Beats just launched a brand-new show, House Party With DJ Cheats that revolves around Bollywood remixes curated specially for the channel, by India’s biggest Bollywood DJ – DJ Chetas.
