Tag: Viacom18

  • BCCI media rights auction: Viacom18 bags both digital and TV rights

    BCCI media rights auction: Viacom18 bags both digital and TV rights

    Mumbai: Viacom18 have secured both the TV and digital rights for international matches to be played in India for the next five years (2023-28 cycle).

    Sports18 will then telecast the matches, international and domestic, on TV while it will be live streamed on JioCinema as OTT platform.

    The broadcast cycle begins from September 2023 and goes until March 2028 for a grand total of 88 bilateral matches (could go up to 102 matches) involving India. It can be broken down into 25 Tests, 27 ODIs and 36 T20Is.

    Sony Pictures Networks India MD & CEO N.P Singh, congratulated the winners of the BCCI e-auction for the bilateral media rights by saying, “We extend our heartfelt congratulations to the BCCI for a transparent and efficient e-bidding process and to the winners for securing the bilateral media rights. Our disciplined bid was grounded in market forecasts and a long-term growth strategy. We remain committed to delivering top-tier sporting entertainment as we continue to see growing enthusiasm across various sports genres.”  

  • BCCI implements e-auction to determine future value of bilateral cricket engagements

    BCCI implements e-auction to determine future value of bilateral cricket engagements

    Mumbai: The BCCI is all set to  conduct an e-auction today for Team India’s home matches during the 2023-28 cycle.

    The BCCI has decided to sell digital and TV rights separately. The collective base price for TV and digital has been pegged at Rs 45 crore per match. According to media reports, the BCCI is expecting a minimum of Rs 60 crore per match from the media rights auction.

    The reserve price for digital is higher at Rs 25 crore per match, while it is Rs 20 crore per match for TV. In both IPL and ICC media rights auctions, digital valuation went marginally over TV.

    The three bidders, Disney Star, Viacom18, and Sony Pictures Networks India (SPNI), are hoping to once again relax their financial restraints.

    Disney Star was once more in the thick of things when the ICC (International Cricket Council) later auctioned off its rights for four years, purchasing the rights for $3.03 billion.

    After that, it made the decision to keep solely the digital rights and sublicensed the TV rights for almost $1.4 billion to Zee Entertainment Enterprises.

  • BCCI media rights auction set to commence on 31 August

    BCCI media rights auction set to commence on 31 August

    Mumbai: Board of Control for Cricket in India (BCCI) is all set to have an auction on 31 August 2023, for the media rights of international and domestic matches for the upcoming five-year cycle. A few weeks ago, the BCCI released an Invitation to Tender (ITT) seeking proposals from reputable organisations.

    The ITT, which was made available after payment of a non-refundable fee of Rs 15,00,000 along with applicable GST, included the specific rules and regulations regarding the tender process, including eligibility requirements, the method for submitting bids, rights and obligations, etc. The ITT was up for grabs until 25 August 2023.

    For the new cycle, the BCCI is offering two packages: Indian subcontinent TV rights and Indian subcontinent digital rights, both of which are bundled with the remainder of the world’s TV and digital rights. The television bundle has a starting price of Rs 20 crore per match, however, the digital package commences at Rs 25 crore per match. It has also been mentioned that the total amount per match must not be less than Rs 60 crore per game. The upcoming cycle includes a total of 88 games.

    Only three companies have reportedly submitted technical proposals for the BCCI media rights – Disney Star, Sony Sports Network, and Viacom18.

    According to media reports, other entities such as ZEE Entertainment Enterprises and FanCode, as well as two other international corporations, Google and Amazon are not believed to have participated. As a result, the highly anticipated media rights auction for international and domestic fixtures in India will be a three-way fight between Sony and Star, and Viacom18.

  • Colors Bangla Cinema presents “Bidaay Byomkesh” on TV

    Colors Bangla Cinema presents “Bidaay Byomkesh” on TV

    Mumbai: Colors Bangla Cinema is about to bring to the viewers the much-acclaimed film “Bidaay Byomkesh” for the first time on television. The film is set to air on 27 August at 1:00 pm, exclusively on Colors Bangla Cinema.

    “Bidaay Byomkesh” weaves an enthralling tale centred around an aged Byomkesh Bakshi, a name synonymous with mystery and intrigue, intricately weaving a narrative showcasing him at a crossroads. He takes a momentous decision to relinquish his role as a ‘Satyanweshi’ (Truth Seeker) and passes the mantle to his grandson, Satyaki Bakshi. Will this decision mark the end of an era for the celebrated detective, or will it herald the dawn of a new and equally riveting chapter?

    Colors Bangla and Colors Bangla Cinema business head Sagnik Ghosh said, “We are delighted to bring the acclaimed film ‘Bidaay Byomkesh’ to our viewers for the first time on television, as we believe diverse content resonates with our audiences’ preference. The film’s engaging storyline and stellar cast are sure to create a memorable viewing experience.”

    The film provides a unique and insightful perspective into director Debaloy Bhattacharjee reimagining the revered character, one that has consistently captivated generations of readers and viewers alike. “Bidaay Byomkesh” unravels the complexities of Byomkesh Bakshi’s character, taking audiences on a journey that probes the depths of family dynamics and legacy.

    The film boasts a stellar ensemble cast, each contributing their exceptional talents like Abir Chatterjee, Sohini Sarkar, Rahul Banerjee, Joy Sengupta, and Bidipta Chakraborty among others, to bring the characters to life.

  • For advertisers, the first half is for IPL, the second for Bigg Boss

    For advertisers, the first half is for IPL, the second for Bigg Boss

    Mumbai: Bigg Boss has proven to be a phenomenal franchisee, captivating audiences with its unique format and engaging content. The show, known for its blend of drama, entertainment, and strategic gameplay, becomes the centre of conversations for more than three months that it runs for. From CEOs of multinationals to society ladies to building watchmen, people across social strata, age groups and gender all want to know ‘Bigg Boss kya chahte hai’.

    Since its debut in 2006 on Sony TV, the franchise’s flagship, “Bigg Boss” (in Hindi), became a sensation. With the second season onwards, it switched to Viacom18’s Colors TV, where it continues to thrive.

    After years of triumph on traditional television, Bigg Boss made a bold leap to the Over-The-Top (OTT) realm with “Bigg Boss OTT” in the year 2021. This move strategically cemented the show’s standing in the digital sphere, reshaped its connection with a fresh viewer generation and gave advertisers an additional pre-season window.

    The show’s continued success can also be attributed to its ability to adapt to changing viewer preferences and content consumption habits. By utilising features such as live streaming, personalized content recommendations, and behind-the-scenes exclusives, Bigg Boss maximised its appeal to the digitally savvy audience. A potent mix of celebrities, meme-worthy content, and some smart digital marketing makes it a staple of online conversations and social media discussions for over 107 days that the show runs for. All this in addition to the ratings and reach the show garners on linear television!

    Delving deeper into the show’s insights, Indiantelevision.com in conversation with Colors revenue head Pavithra KR had a chat further on attracting brands, audiences connect, and much more…

    Edited Excerpts:

    On tentpole properties attracting a lot of brands as they are assured of better ROI and the brand’s connect with the consumer across geographies and demographics when it comes to in-brand integration

    Our approach to brand integration in Bigg Boss is to seamlessly weave it into the show’s narrative, creating authentic storylines that emerge naturally. Unlike obvious product placements, we incorporate brands into the show’s essence. For instance, with Hershey’s, we placed a chocolate box in the captain’s room with exclusive access for the captain. Contestants like Abdu Rozik attempted to steal them, organically shaping intriguing content and conversations.

    Bigg Boss uniquely offers this immersive experience due to its extended 107-day duration, airing during peak festive times. The show’s daily prime-time presence becomes a habit for viewers, making it an ideal platform for brands. We blend both passive and active integrations, ensuring engagement even in passive instances by sparking discussions. Our active integrations align with brand messages, creating resonant stories to captivate the audience. This holistic approach makes Bigg Boss a favoured partner for brands seeking intelligent, organic, and effective integration strategies.

    On brand building a strong understanding and affinity with the TG on long-running shows and the case studies where a brand has been with the show over the years

    Brands entering Bigg Boss view it as a long-term relationship, exemplified by L’Oréal’s 16-year association with the show. Their commitment showcases the value they find in this property, adapting strategies to changing consumer needs each year. For instance, L’Oréal’s branding aligns with personal care in the bathroom area, supplemented by engaging activities for Garnier Men.

    Similar to L’Oréal, brands like Vodafone (five years) and Appy Fizz (three years) also establish meaningful stays. Bigg Boss serves as both a launchpad and a sustained presence for brands. Much like IPL in sports, Bigg Boss stands as the entertainment equivalent, attracting brands that allocate resources for either half of the year. With 400 brands in the last three years alone, Bigg Boss’ significance is unquestionable, a trend we aim to magnify further this year.

    On doing innovative kind of branding making sure the in-branding is not being plain vanilla, and facilitating it as a channel so that the consumer also feels connected to the brand

    Bigg Boss is an unmissable experience, touching audiences through various avenues. It pervades diverse platforms – from social media like LinkedIn and Instagram to newspapers, billboards on streets, and beyond. The show’s ubiquity is its charm, reaching you wherever you are. In the era of TV+, Bigg Boss encompasses television, digital, outdoor, and social realms.

    A case in point was our collaboration with MyGlamm last season. We devised a contest with Salman Khan’s endorsement, revealing winners on TV while executing the mechanics via the MyGlamm app. Coupled with cutouts of Salman and Bigg Boss at notable MyGlamm points of sale, we provided a 360-degree approach. This comprehensive strategy sets us apart, moving beyond the TV-only approach. Brands choose us for our ability to offer holistic solutions in today’s multifaceted integration landscape. No other show can provide this in India.

    On the brand looking beyond an ROI for itself

    It depends on what the life stage of the brand is. For established brands like L’Oréal, the focus extends beyond awareness to consideration. Brands like MyGlamm emphasize both awareness and consideration. Our decisions are substantiated by studies done by external agencies like Kantar and Nielsen gauging brand fit, pre/post-show growth, and visibility impact. Bigg Boss leverages multiple studies to underscore its success in driving brand growth and opportunities.

    On the kind of response from brands and their level of investment on Big Boss as the festive season approaching with events like the Asia Cup and the ICC World Cup coinciding this year

    Asia Cup is before Bigg Boss and the ICC World Cup coincides with Bigg Boss, but the actual overlap to consider is only of the seven India matches. Even then, the matches start at 2:30 PM, while our show begins at 10 o’clock at night. So in terms of commensurate metrics, it’s more like seven days as compared to 107 days.

    On the spends

    I think what Bigg Boss can do for a brand, no cricketing or sporting event can because of how we showcase the brand inside the show. I mean, you can’t engage with the brand on cricket and can’t really show brand attributes. Brands pay for this expanded exposure and deep engagement.

    On how many brands are already on board, other than the usual

    We have a few new brands that have already signed in. We have a few more brands that will get signed in another two – three weeks. We’ve had a raging success last year and thanks to that success, we have a a tremendous interest this year.

    On the upcoming Bigg Boss season now on TV and digital, how will it play out

    This year onwards, Bigg Boss will stream for free on JioCinema in addition to the TV airing on COLORS. With this strategy and based on the numbers of last season on TV and the recently concluded Bigg Boss OTT Season 2, we’re expecting to touch a reach of 400 million across platforms. We’re very excited because I think this Bigg Boss is going to be the largest that anyone has seen.

    On the show reaching tier two/ three markets, and linear TV’s reach over there, and what are brands looking at from that market, especially on a show like Big Boss

    Bigg Boss cuts across all audience segmentations that one can think of. It’s not a show that’s only Metro-specific, it reaches out to each and every region, which is why we have so many brands lining up to be associated with the show. So if you have a premium brand like Hershey’s and L’Oreal, you also have a brand like MyGlamm which is trying to democratise makeup for the masses.

    On any BTL /ATL activities for brands in these markets

    It depends on the needs of the brand. For example, with MyGlamm, we did some point-of-sale marketing. With Appy Fizz, we ran a contest with Bigg Boss branded bottles. Based on the brand’s requirements, we customise the entire solution for the brand – it depends on the brand’s needs and the life stage that they are in and what they want to achieve.

    On Bigg Boss’ scale of growth this year

    BB16 reached out to 175 million viewers on television last year and the recently concluded BB OTT Season 2 (which ran for 6 weeks) reached out to 100mn viewers. For BB17 we are expecting to reach out to 400mn viewers across TV+Digital. We are also expecting 20% more brands to sign up for the upcoming season.

    On the shift towards connected TV and cord-cutting, with OTT gaining preference over linear TV, and this trend impacting your TV strategy

    It’s not a choice between TV or digital, but a harmonious blend of both. Bigg Boss reaches viewers on both platforms – TV and digital. The show caters to those who prefer TV and those who catch up digitally. With JioCinema’s contribution this year, the audience potential has grown significantly. Last year’s 174 million TV viewers + this year’s 100mn OTT reach will rise to around 400 million, combining TV and JioCinema’s reach. Bigg Boss is poised to surpass its past successes, promising a bigger and better impact than ever before.

    On revenue increase this year

    Absolutely! We had ~400 brands last year. We’re talking at least another 20 per cent increase this year.

    On you living this show and your feelings about it

    This moment is exhilarating, especially as a channel revenue head, with Bigg Boss representing our grandest endeavour. Our substantial investment and commitment make it a hallmark Colors production. Bigg Boss has become synonymous with Colors. Its allure lies in perpetual innovation – last year’s success stemmed from novel approaches.

    We tailor content for today’s snappy appetite, fostering virality. We tailor content for today’s audience, making it snackable and meme-worthy. Salman’s engagement transformed; his active presence within the house added new dimensions. The iconic Bigg Boss voice became more interactive. A diverse contestant mix, from celebrities to influencers like Abdu Rozik, kept the intrigue alive. MC Stan’s followers skyrocketed from 1 to 10 million, showcasing the show’s impact on participants.

    Exciting plans lay ahead, including a revamped house. With no scripting, Salman’s emotions are authentic. The show unravels human behaviour, and its charm is unparalleled. As we move forward, there’s a treasure trove of surprises waiting for you. Watch and witness the magic unfold.

  • Bodhi Tree Systems strengthens holdings with increased stake in Viacom18

    Bodhi Tree Systems strengthens holdings with increased stake in Viacom18

    Mumbai: Media sources have revealed that Bodhi Tree Systems, co-founded by Uday Shankar and James Murdoch, has increased its ownership in Viacom18 by an additional 2.89 per cent.

    The acquisition, valued at Rs 953.23 crore, has elevated Bodhi Tree Systems’ stake in Viacom18 to 15.97 per cent.

    Uday Shankar, who joined the Viacom18 board in April, is reportedly working on assembling a fresh leadership team, according to reports.

  • Kiran Mani to join Viacom18 as CEO digital

    Kiran Mani to join Viacom18 as CEO digital

    Mumbai: According to media reports, Viacom18 has appointed Kiran Mani from Google as the CEO of its digital division. Currently serving as Google’s general manager & MD for Android and Google Play in the APAC region, Mani will be responsible for driving the expansion of JioCinema.

    Having been with Google for about 13 years, he joined the company in March 2010 as head of sales-India.

    Notably, Mani has also been an Angel Investor at The Bodi Tree since 2014.

  • Viacom18 & MTV Staying Alive Foundation collaborate to roll out season 2 of MTV Nishedh

    Viacom18 & MTV Staying Alive Foundation collaborate to roll out season 2 of MTV Nishedh

    Mumbai: Viacom18 and the MTV Staying Alive Foundation are all set to bring back the behaviour change content campaign MTV Nishedh Season 2 following the ground-breaking success of season 1, which reached over 11 million people and beyond across India, and the unique digital-only spin-off — MTV Nishedh Alone Together in 2020. The show debuts on 19 November and can be seen whenever on Voot and every Saturday through Sunday at 8 p.m. on MTV.

    The multifaceted, media-led intervention focuses on relationships, sexual and reproductive health, the use of contraception, approaching abortion as a safe option when faced with an unplanned pregnancy, with support from The David and Lucile Packard Foundation, and tuberculosis awareness to encourage early testing, with support from Johnson & Johnson. It consists of a 10-episode TV series that blends challenging storylines with diverse messaging on these topics.

    Speaking about the campaign, Viacom18 Youth & English Entertainment head Anshul Ailawadi said, “We believe that doing good is good for business, and that ethos drives our content choices too. The maiden season of MTV Nishedh performed well with a consolidated viewership of over 11 million and a growing digital following. We are excited to push the boundaries when it comes to content narratives and to shine the spotlight on topics that might be considered taboo.

    MTV Staying Alive Foundation executive director Georgia Arnold said, “I’m excited that we’ll be able to reach even more young people, empowering them to make informed choices about the social and health issues they encounter. With partners like Viacom18, it gives the campaign monumental leverage in terms of reach and engagement.”

    “It’s important to speak up and break taboos. The youth of today have the spirit and fire to question societal conditioning; they just need a little support and awareness,” said actor Arjun Kapoor. “MTV Nishh arms them with exactly that, disguised in relatable content, and the show will open up the minds of young India and ensure that they aren’t afraid of #KhulKeBol!”

    Commenting on the partnership, Janssen India managing director Sarthak Ranade said, “Johnson & Johnson continues its fight against TB in India, building on our longstanding work in collaboration with the government, NGOs, and other partners. We believe that there is tremendous power in multi-sectoral partnerships to help turn the tide against this devastating disease. Through our partnership with the MTV Staying Alive Foundation on season 2 of MTV Nishedh, we aim to empower the youth of today to make a real change and champion the cause of a TB-free India.”

    The show, which is mostly aimed at young people and is set in the made-up, conservative town of Premnagar, follows a rebellious filmmaker, a married couple who discover they are expecting a child, and an influencer who is on the run as they work their way through a complex set of choices in life. The programme encourages young people to speak openly about taboo topics and seeks to positively alter views.

    On the social media pages of MTV Nishedh, MTV India, and MTV Fully Faltoo, the campaign will also feature digital and social media material.

  • Viacom18 & Cricket South Africa announce long-term partnership

    Viacom18 & Cricket South Africa announce long-term partnership

    Mumbai: Viacom18 Sports, India’s newest sports network, today announced a seven-year partnership with Cricket South Africa (CSA) for exclusive digital and TV rights for all international cricket from 2024–2031. As part of the association, Viacom18 will present all senior men’s international and senior women’s international competitions played in South Africa. CSA’s previous broadcast partner was Disney Star.

    Viacom18’s portfolio includes the FIFA World Cup Qatar 2022, starting 20 November ending 18 December. All matches will be exclusively aired live on JioCinema and pay-TV channels Sports18 (1 SD and HD).

    The Cricket South Africa partnership deepens Viacom18’s commitment to present world-class cricket action from South Africa after they recently announced a 10-year partnership with SA20, South Africa’s newly-launched premier cricket league. Cricket South Africa and Viacom18 will work closely to enhance the showcase of international cricket from South Africa to the passionate fanbase in India.

    India and South Africa, the parties states, have a history of producing incredible contests, which have been complemented by mutual admiration, whether it was for India being the first nation to play against Proteas after apartheid or for touring the Rainbow Nation at the height of Omicron in December 2021.

    The partnership will cover all international cricket from South Africa, including the Mahatma Gandhi-Nelson Mandela Series between India and South Africa. The deal includes other series like the Basil D’Oliveira against England and tours from Sri Lanka, Pakistan, the West Indies, Australia, and Bangladesh.

    “South Africa is one of the most competitive and formidable teams across formats in world cricket, and this partnership will offer some great contests to the cricket-loving fans in India. The association with Cricket South Africa is a testament to our pursuit to offer fans an unrivalled, high-quality broadcast experience of some of the best cricket action in primetime,” said Viacom18 Sports CEO Anil Jayaraj.

    CSA CEO Pholetsi Moseki said, “CSA is pleased to partner with a broadcaster of Viacom18’s stature. This is an affirmation of our intention to beam to our waiting fans the flavour of cricket that South Africa has in store, which is always exhilarating and entertaining. This partnership is the beginning of a journey that will offer the thrill of watching cricket, brought to you by a broadcaster that values the viewer experience as supreme.”

    The addition of the Cricket South Africa rights strengthens Viacom18’s portfolio of sporting events, including the Indian Premier League, SA20, FIFA World Cup Qatar 2022, NBA, Diamond League, LaLiga, Serie A, Ligue 1, and top ATP and BWF events.

  • Pocket Aces onboards Parul Menghani as head of marcom & new initiatives

    Pocket Aces onboards Parul Menghani as head of marcom & new initiatives

    Mumbai:  Bolstering its leadership team, Pocket Aces, India’s leading digital entertainment company, has announced the appointment of Parul Menghani who takes charge as the head of marketing communications and new initiatives.

    A media veteran with over 18 years of experience across large global organizations and start-ups, Menghani brings with her a wealth of knowledge, experience and valuable industry relationships to further drive the vision of Pocket Aces to solidify its position as the leader in digital entertainment. Her career in a leadership role spans across organisations like ShareChat, Viacom18, Times Network, Disney, Reliance Broadcast Network Ltd (RBNL), Trell and Network18.

    In her new role, Menghani will be responsible for leading Pocket Aces’ overall brand building and communications. Additionally, she will be responsible for driving new initiatives such as the company’s innovations in content-to-commerce.

    Commenting on the appointment, Pocket Aces co-founder & CEO Aditi Shrivastava said, “Parul comes with a vast experience and network across the M&E sector. She shares our vision of being a culture creator, and our ambition of building cutting-edge products for audiences. We have always let our content speak for itself to grow our content brands, and you will now see some very exciting initiatives across offline and online from our umbrella brands at Pocket Aces. Getting Parul to focus on new initiatives is also a huge testament to our focus on innovation, to create new products for the strong communities we’ve built with our content.”

    “I am thrilled to embark on my new endeavour with Pocket Aces and honoured to be entrusted with a strategic charter. My quest for knowledge and learning has led me to take on diverse roles throughout my journey, as I have always looked for challenging yet exciting opportunities,” says Menghani. “Pocket Aces has delivered highly successful and relatable content across formats in this ever evolving content ecosystem, and I am looking forward to working with Aditi and the team on the new chapter of growth for the organisation.”