Tag: Viacom 18

  • Madagascar 3 grosses Rs 53 mn in first weekend

    Madagascar 3 grosses Rs 53 mn in first weekend

    MUMBAI: Paramount Pictures‘ Madagascar 3, released in India by Viacom18 Motion Pictures, has secured the 3rd highest weekend opening for any animation film in India, the movie company said.

    The film, which hit the theatres across the nation on 8 June, opened up to packed screens.

    With multiplexes witnessing packed houses, the film has done a business of Rs 53 million at the box office in its first weekend, Viacom18 said.

    The third installment of the film scored better than the first two films of the series.

    The success of Madagascar 3 comes close on the recent successes of Kahaani and Blood Money in Hindi and Mission Impossible: Ghost Protocol for Viacom 18 Motion Pictures.

  • Bollywood takes IPL head on

    Bollywood takes IPL head on

    MUMBAI: Bollywood is refusing to take evasive action from the mighty attack of the Indian Premier League (IPL). Having learnt the hard way with films falling right, left and centre in the last four seasons of the IPL, Bollywood has decided to take the most popular and extensive annual cricketing event head on by releasing 24 films.

    Of the 24, ten are big-ticket films from banners like Viacom 18, Reliance Motion Pictures, Yash Raj Films, UTV Spot Boy, Nadiadwala Grandsons and Ram Gopal Varma’s RGV Films.

    The first film released on 5 April is Sajid Nadiadwala’s Housefull 2. This is to be followed by Kumar Mangat and Viacom 18’s Bittoo Boss (13 April), Life Ki Toh Lag Gayi and John Abraham’s Vicky Donor (20 April), Venus Records and Tapes’ Priyadarshan-directed Tezz (27 April), Mukesh Bhatt’s Jannat 2 (4 May), BVG Films, DAR Motion Pictures and Reliance Entertainment’s Karisma Kapur-starrer Dangerous Ishq (11 May) and Ram Gopal Varma’s Department, YRF’s Ishaqzaade and UTV Spotboy and Anurag Kashyap’s Love Suv Te Chicken Khurana (all on 18 May).


    Opines UTV Motion Pictures CEO Siddharth Roy Kapoor, “The IPL has now become a regular part of the annual calendar and producers and distributors have realised that movie releases and cricket can co-exist since audiences watching cricket don’t stop going to cinema. Hence, we are seeing many big-ticket releases during the IPL. The general opinion is that if a film is good, it will run despite the IPL happening concurrently.”

    Last year the only big-ticket films to release during the IPL were Dum Maro Dum and Thank You. Incidentally, both proved duds at the box office while a string of smaller productions like Shor In The City, Chalo Dilli, I Am, Love Ka The End, Ragini MMS, Stanley Ka Dabba and Pyar Ka Punchnama managed to find a release window during the IPL.

    Industry officials expect the first quarter of this fiscal to be better in terms of revenue than the previous year due to a stronger lineup of films.

    Explains producer Mukesh Bhatt, “The IPL has lost its shine. Now we are confident to take it head on. After lying low for four years in
    a row, Bollywood has decided to release many ‘A’ ticket films. Both cricket and films are a religion in India. People who are aficionados of cricket will see the IPL while those who love films will definitely go to see a film. All said and done, our revenue during the IPL tournament is poised for a big jump.”

    Will not the IPL harm his upcoming film Jannat 2? “When IPL came for the first time, we were not afraid to release our film Jannat, then why should we be afraid this time? We are sure that our film will captivate the audience. We will storm the theatres, whatever be the match. Jannat 2 will prove to be a match-winning venture,” he says.


    Exhibitors are also unanimous with the view that the IPL can‘t scare away big movies from releasing. Says Cinemax India CEO Sunil Punjabi, “April to June has traditionally been the best movie months till IPL hit us. This is the period that is large on entertainment time since kids and teens have holidays. Last year we saw a shift in cinema consumption trends. This year too, it is going to be the same. This shift in consumption is showing signs of the movie market maturing to take on any challenge.”

    So will IPL matches be screened in multiplexes? “The screening rights of IPL are being held back by the BCCI. Hence, like last year, there won‘t be screenings in multiplexes unless the rights are released,” avers Punjabi.

    It is not just Bollywood but also foreign films like James Cameron‘s Titanic (3D), Men in Black-3 and The Avengers that are opening up their release pipeline during the IPL.

    “Bollywood has realised that it can‘t stay shut for 45 days in a year without the release of big movies. They will have to bat along with the IPL and prove that they can score even in a tough wicket. That is why we are seeing more number of big releases this year,” says a media analyst.

    Film producers, however, are weary of releasing their big-ticket movies during crunch matches. Which is why Yash Raj Films has decided to release Ishaqzaade, a story about love brewing in a small town burning with hatred, on 11 May and not a week later as was originally planned.

    “With Ferrari ki Sawaari moving to a later date and the IPL crunch matches kicking in from 18 May, this shift will give Ishaqzaade a better window for release,” YRF says. Vidhu Vinod Chopra‘s Ferrari Ki Sawaari was to release on 11 May but has been delayed.

    “These kind of shuffles and strategies will take place, but the bigger truth is that Bollywood has woken up to the challenge,” says the head of a film production company who did not want his name to be revealed.

    Also Read:

    Weak IPL5 ratings cause for concern

  • cdubs for Bheeshma Pitamah

    cdubs for Bheeshma Pitamah

    MUMBAI: Jayantilal Gada‘s PEN India has taken the services of Amitabh Bachchan to lend his voice and face of Bheeshma Pitamah in its animation film Mahabharat. This is for the first time that the characters of the epic will resemble the stars who dub for them respectively.

    PEN claims that the budget of the movie is Rs 500 million.

    Talking about Bachchan lending his voice to his dream project, producer Gada said, “Amitabh Bachchan has lent his voice to the role of Bheeshma Pitamah in our animated film Mahabharat. He finished the entire recording in just one hour. He has such a command over the language that he even corrected minor grammatical mistakes in the dialogues.”

    Besides, the film has been dubbed by 15 other actors involved with the project. Each character has been made to look like the actor dubbing for it.

    Though it has been revealed that Sunny Deol has recorded for the role of Bheem, the other names involved with the project have been kept under wraps.

    It is interesting to note that Bachchan‘s Jodi Tor Dak Sune Keo Naa Ashe is the centre of attraction of PEN India and Viacom 18 Motion Pictures‘ joint venture Kahaani.

  • Colors adds 30 GRPs on the back of Screen Awards

    Colors adds 30 GRPs on the back of Screen Awards

    MUMBAI: Colors, the Hindi general entertainment channel from the Viacom 18 stable, has emerged as the biggest gainer in the week ended 28 January, as far as ratings are concerned.

    The channel added 30 GRPs (gross rating points) to its previous week‘s tally to end week with 230 GRPs as it was aided by the Screen Awards‘ telecast. However, it did not help the channel to better its position among the Hindi GEC ladder, and it remained behind Sony Entertainment Television (Set).

    As per TAM data for the week 4 of 2012 (HSM, C&S, 4+), the telecast of Colors Screen Awards on Sunday clocked an average TVR of 5.37 over a period of three-and-a-half hour. The repeat of the show was aired on Saturday, 28 January, which recorded 1.8 TVR. Colors also launched its sports entertainment reality show Ring Ka King on 28 January that registered a 2.2 TVR.

    Meanwhile, genre leader Star Plus has seen an improvement in its ratings. With addition of 13 GRPs, the channel has ended the week with 306 GRPs (last week 293). The top three most watched GEC properties were from Star Plus. After a long time, channel‘s fiction property Yeh Rishta…is at the No 1 position with 5.93 TVR while Saathiya Saath Nibhana has slipped to No 3 with 5.68 TVR.

    Set‘s ratings remained unchanged this week and the channel ended the week with 237 GRPs.

    For Zee TV, it was another black Wednesday, as the channel shed further 13 GRPs and closed with 172 GRPs (last week 185). Sab added one GRP and clocked 132 GRPs.

    Life OK, the second channel from the Star India stable, saw a dip in GRPs again. The channel that had reached to 100 GRPs in the third week of its launch has gone down to end the week with 85 GRPs (last week 87).

    Imagine TV with 61 GRPs (last week 65) and Sahara One with 45 GRPs (last week 42) followed.

  • Colors slips to No. 3, again

    Colors slips to No. 3, again

    MUMBAI: Viacom 18‘s flagship Hindi general entertainment channel Colors, which was the only gainer in the previous week (20 November- 26 November) in terms of GRPs (gross rating points), saw a 50 GRPs drop in the week ended 3 December.

    The channel closed the week with 227 GRPs (last week 277). The biggest fall came in the weekend as in the previous week, the channel had recorded around 40 GRPs just from Salman Khan starrer films, Ready and Dabbang. The channel again aired Ready on 3 December, which fetched a 2.6 TVR.

    Sony Entertainment Television (Set), meanwhile, grossed 240 GRPs (last week 231) hopping back to its No. 2 position. Channel‘s biggest fiction show, Bade Acche Lagte Hain garnered a 5.37 TVR, becoming second top rated show among the Hindi GECs after Star Plus‘ Saathiya Saath Nibhana which got a 6.26 TVR.
     
    Maintaining its lead, Star Plus collected 318 GRPs (last week 312). The channel aired Sasural Genda Phool‘s megaepisode on 3 November which recorded 1.7 TVR.

    Zee TV saw a marginal 3 GRPs increase and closed the week with 152 GRPs, while Sab adds on 12 GRPs becoming the highest gainer of the week. The family comedy entertainment channel clocked 120 GRPs this week (last week 108).

    The others that follow are-Imagine TV with 77 GRPs (last week 73), Sahara One with 39 GRPs (last week 36) and Star One with 39 GRPs (last week 42).

  • Viacom 18 to pre-release Loot in Bihar

    Viacom 18 to pre-release Loot in Bihar

    MUMBAI: Viacom18 Motion Pictures has decided that its upcoming film Loot will be released in Bihar two-days prior to its nationwide release.

    The Suniel Shetty, Govinda, Javed Jaffri-starrer Loot is scheduled to release all over on 4 November, while in Bihar it will now release on 2 November as a special gesture for filmgoers of Bihar on the occasion of Chatt Pooja.

    Film director Rajnish Thakur said, “I am also from Patna, I know the importance of Chatt Pooja in North India. I think releasing the film on the auspicious day will bring good luck to my film.”

    Loot is a tale of four extremely unskilled crooks (Shetty, Govinda, Jafferi and Mahakshay) who are out to steal precious jewels from Bangkok. Notorious for their inefficiency; the foursome are in for more trouble than what they preempt.

    The film, made by Popcorn Motion Pictures & Production, is being released by Viacom18 Motion Pictures.

  • Ormax predicts Bodyguard to net Rs 740 mn in opening weekend

    Ormax predicts Bodyguard to net Rs 740 mn in opening weekend

    MUMBAI: Ormax Media, which uses Moviescope predictive model, has forecast Atul Agnihotra’s Bodyguard to take a net opening weekend collection of approximatelyRs 740 million, assuming it releases across 1500 cinemas.


    The film will release on 31 August on the day of Eid.


    Salman Khan’s Dabangg that released on Eid last year had a weekend (3 days) net box office collection of Rs 487.5 million. His next film Ready, which released in June this year, was also a blockbuster collecting Rs 422.5 million in the opening weekend.


    Moviescope is a film research engine designed to take care of all the needs of a producer. This includes four components – Ad Pre-Test, Film Pre-Test, Awareness Tracking (Cinematix) and Exit Polls.


    Ormax Media partners with Yash Raj Films, Fox Star Studios, Viacom 18 Motion Pictures and DAR Media among others.

  • IBN18: Losses rise; operational efficiency improves

    IBN18: Losses rise; operational efficiency improves

    MUMBAI: Things appear to be looking up at an operational level for IBN18 if one considers the company’s financial results for the year ended 31 March 2010. There has been a healthy jump in revenues and a slight fall in costs on a standalone basis. This, after last fsical’s operational losses, is a positive sign. However, from the shareholders viewpoint further improvements will have to be done by the management since IBN18’s overall net loss has widened to Rs 821 million in the year, as compared to Rs 682.21 million in FY09.

    The standalone results include the performance of the two news channels CNN IBN and IBN7.

    The company has posted a 15.9 per cent jump in the revenue for the fiscal at Rs 2.1 billion, as compared to last fiscal’s Rs 1.81 billion. Also its expenses have dipped marginally to Rs 2.37 billion from Rs 2.41 billion in FY09.

    IBN18’s other income rose considerably this fiscal at Rs 536.51 million, as compared to Rs 39.86 million. Interest charges have also shot up and at Rs 433.92 million these are 126.6 per cent higher than FY09 where they were Rs 191.5 million. For FY10, the company posted an operating profit (Ebitda) of Rs 415.89 million as against an Ebitda loss of Rs 391.32 million.

    On a consolidated basis, IBN18’s revenue rose considerably from Rs 1.83 billion in FY09 to Rs 6.03 billion FY10, mainly because of accrual of its JV partner Viacom18’s revenue to its balance sheet. However, it also added to the expenses of the firm at Rs 6.55 billion, as against Rs 2.57 billion in FY09. The net loss the firm made on a consolidated basis is Rs 1.1 billion in FY10, up from last fiscal’s 920 million. However, after adding the other income of Rs 548 million in the fiscal, the company has turned Ebitda positive at Rs 239.61 million, as against an operating loss of Rs 512.31 million in previous fiscal.

    On a consolidated basis, IBN18 has included the financial results of its 50 per cent joint venture stakes in Viacom 18 and IBN Lokmat. Viacom18 which has had a net loss of Rs 429.9 million contributed Rs 168.8 million to IBN 18’s consolidated net loss in FY10. IBN Lokmat on the other hand sustained a net loss of Rs 210.9 million and contributed a further Rs 105.4 million to the firm’s consolidated net loss.

    One of the reasons the company’s net loss in FY10 has gone up even though its operational workings have improved, is due to a provision made for an expected diminution in value of investments, to the tune of Rs 658.94 million on a standalone basis and Rs 658.1 million on a consolidated basis.

    IBN18’s share price closed at Rs 83 on the Bombay Stock Exchange on Friday.

  • Innovation the mantra in a time of increasing fragmentation

    Before embarking on a discussion about the marketing strategies used by Indian TV channels in 2007, it will be worthwhile to see what the picture could be in a few years.

    A recent report says that India will have 700 TV channels by the end of 2009. “Broadcasters will be forced to slash advertising rates and spend heavily on improving technology to ensure their channels are carried into homes, or face the prospect of being swallowed up by rivals,” the report adds.

    In fact, TV advertising was at its peak during the third quarter of 2007, with the food and beverages sector leading with 15 per cent share of overall TV advertising. The medium also saw a 33 per cent increase in volumes during January-September 2007, over the corresponding period the previous year.

    For sure, this predicted crossfire from newly launching TV channels has already brought about a number of changes in the marketing strategies of the channels. Generally speaking, these changes or trends may be summarized as follows:

    1. Increased fragmentation due to more channels.
    2. More money going into mobile marketing (SMS) stealing share from traditional media.
    3. Increased use of online social marketing strategies – Orkut, MySpace.

    SMS voting in TV shows is not a new phenomenon. Based on the premise that if a person can afford a mobile phone, s/he can surely be a potential voter, channels encourage viewers to remotely participate in the shows and support their favourite contestants.

    The numbers speak for themselves. 2005 was a record year when more than 350 million messages and phone calls were zapped on account of television. With the number of singing and dancing and acting competitions on TV channels increasing every month, and adding sms activity by the news channels, the number of messages sent this year is estimated to be in the region of 750 million.

    Speaking of new channels, it is in the dominant general entertainment genre, whose Hindi-language soaps and movies corner about 40 per cent of all TV ad revenues, where the most serious action is.

    One thing, therefore that is certain, is that the Indian television industry is no longer run by a few monopolies. Star India will face new launches from rival Zee Entertainment Enterprises as well as from NDTV, Viacom 18, INX Media and who knows who else.

    The Star Network has shown considerable ingenuity in their marketing initiatives. As Star Network marketing head Prem Kamath said, “In order to target a wider section of audience, we shifted focus to smaller towns and organized ground events. Since cricket has a unifying influence on the large bulk of Indian populace, we used cricket-centric programmes to attract a greater viewership and will build on our strengths next year.”

    Indeed, this year cricket has been among the more widely used means of attracting audiences for a number of channels. For example, INX News has roped in Sourav Ganguly as their brand ambassador. INX Media founder and CEO Indrani Mukerjea says, “Sourav is one of the most loved stars from India’s collective passion, cricket. We are proud that Sourav, too, has been keen to be associated with the INX Network.” INX News will be launching an English news channel NewsX in early 2008.

    In a recent interview, INX Media group director, brand and communications, Anthony Pettifer told indiantelevision.com that their marketing campaigns were chiefly aimed at “creating a buzz and a permanent platform as well as entertaining the target audience”. “Since we started from ground zero, we needed a logo and a motto to carve a niche in the mass market of Hindi GEC. Our original logo ‘9X,’ with the ‘X’ in eye-catching orange, has proved to be hugely successful, while our motto ‘9 times more entertainment’ is in complete accord with the logo. To dramatize our positioning, we made sure that our marketing initiatives incorporated two elements of Indian life – cricket and Bollywood. We strategically planned our channel’s launch with the release of Om Shanti Om and made use of cinema screens as a vehicle for communication. To be a leader from day one, we also organized innovative ground activities in retail malls across Mumbai and Delhi,” he added.

    There was of course Sony Entertainment Television (SET India), which had its spell of cricket action with its telecast of ICC Cricket World Cup in March. That India’s early exit skewered Sony’s plans was of course a beyond everyone’s control.

    Commenting on his channel’s marketing strategies, SET India executive vice-president, sales and revenue management Rohit Gupta says, “Our programming has been tailored to cater to a young target audience belonging to the 15-35 age group. This year, we have been successful in offering a unique content. Amber Dhara, for example, is a first-of-its-kind serial that tells the story of two conjoined sisters; no other TV channels have ever dared to deal with this theme. We are also committed to offering viewers a package of Hindi blockbusters on weekends.” To revive SAB TV’s flagging fortunes, the channel has introduced 10 new shows in the last two months. Moreover, the channel has organized a number of ground events to promote its hugely successful Indian Idol 2007. Asked about the channel’s innovations in the field of marketing, pat replied Gupta, “We pioneered the concept of client servicing in the TV industry.

    Zee TV is confident that newer marketing initiatives will take the channel even higher. Indeed, with ingenious marketing strategies, Zee’s newest scion Zee Next organised a number of innovative on-ground activities. “Our outdoor activities have been a great success. We plan to build on our strengths in accordance with the viewers’ response,” says Zee Next marketing head Tarun Mehra.

    However, media experts opine that newcomers like NDTV Imagine and INX Media are serious contenders as well, and needless to say, with the launch of Zee Next, Zee TV is faced with an unavoidable competition with itself.

    The road ahead may be exciting and promising for those who dare to compete in the Hindi GEC space, but it sure is going to get tougher and rougher than ever before. Marketing will be as much about innovating on the run as about using time tested strategies.