Tag: Varsha Jain

  • Disney India’s Broadway Style Musical Beauty and The Beast Red Carpet

    Disney India’s Broadway Style Musical Beauty and The Beast Red Carpet

    MUMBAI: Disney India brought back the magical experience of Beauty and the Beast live on stage at NSCI dome Worli with its second weekend of shows. The locally produced musical theatre extravaganza attracted a huge crowd of celebrities and once again left everyone mesmerized with their breath-taking performances.

    The show spotted Varun Dhawan, Boman Irani, Terrence Lewis, Vishal Dadlani, Karishma Tanna and others attending the grand musical.

    The highly anticipated show boasts of world class production values, extravagant sets, stunning costumes and over 100 of the finest musical theatre performers bringing alive the magical love story live on stage. Some of the prominent people who worked with Indian production include – Vikranth Pawar (Show Director and Creative Head, Live Entertainment at Disney India), Lesle Lewis (Music Direction), Terence Lewis (Choreography), Varsha Jain (Set Design), Gavin Miguel (Costume Design), Pallavi Devika (Hair & Make-up) and Suzanne D’Mello (Vocal Training). Most outstanding is the fact that this production of the Beauty and the Beast musical has been entirely developed locally but retains the original script and memorable music of the Broadway show.

    The show (in English) runs for 130 minutes in duration and has only select shows in Mumbai.

     

  • Disney India’s Broadway Style Musical Beauty and The Beast Red Carpet

    Disney India’s Broadway Style Musical Beauty and The Beast Red Carpet

    MUMBAI: Disney India brought back the magical experience of Beauty and the Beast live on stage at NSCI dome Worli with its second weekend of shows. The locally produced musical theatre extravaganza attracted a huge crowd of celebrities and once again left everyone mesmerized with their breath-taking performances.

    The show spotted Varun Dhawan, Boman Irani, Terrence Lewis, Vishal Dadlani, Karishma Tanna and others attending the grand musical.

    The highly anticipated show boasts of world class production values, extravagant sets, stunning costumes and over 100 of the finest musical theatre performers bringing alive the magical love story live on stage. Some of the prominent people who worked with Indian production include – Vikranth Pawar (Show Director and Creative Head, Live Entertainment at Disney India), Lesle Lewis (Music Direction), Terence Lewis (Choreography), Varsha Jain (Set Design), Gavin Miguel (Costume Design), Pallavi Devika (Hair & Make-up) and Suzanne D’Mello (Vocal Training). Most outstanding is the fact that this production of the Beauty and the Beast musical has been entirely developed locally but retains the original script and memorable music of the Broadway show.

    The show (in English) runs for 130 minutes in duration and has only select shows in Mumbai.

     

  • Revisit Disney India’s ‘Beauty and the Beast’ with season II

    Revisit Disney India’s ‘Beauty and the Beast’ with season II

    MUMBAI: With a successful season one, Disney India is all geared up to please audiences with season II of the timeless classic Beauty and the Beast. Developed locally in India, the new season will be back in the summer. The second edition of the show will retain the original script and the memorable music of the original Broadway show. Season II will run in Mumbai through May followed by Delhi in June.

     

    Beauty and the Beast season II promises to be the most immersive Broadway scale show. Globally, in most of the markets, Beauty and the Beast is a traveling show, but for India, unlike any other country, Disney decided to produce it locally at a scale and grandeur bigger than the original show. The format and staging of the show is exactly the same as that of the first season. With more than 100 local performers, the musical show will preserve the eminent names involved in the Indian production.

     

    Led by Disney India’s Live Entertainment show director and creative head Vikranth Pawar, the musical score for the Beauty and the Beast season II will be created by Lesle Lewis and Terence Lewis will be in-charge of the choreography. The extravagant set will be designed by Varsha Jain, the costumes will be designed by Gavin Miguel, while Pallavi Devika will take the audiences back in time and place with her hair and makeup skills. Suzanne D’mello has been roped in as the vocal trainer.

     

    Commenting on Beauty and the Beast season II, Disney India MD Siddharth Roy Kapur said, “Given the response received for season I, we are now bringing season II to Mumbai and Delhi because of popular demand the musical generated in both markets. The first season of the show last year, was an experiment in introducing a large scale Broadway-style musical to the country and it met with huge success. We are thrilled to have pioneered a new genre in live entertainment in India and to have been able to provide our audiences with the quality of entertainment experiences they deserve.”

     

    To bring alive the story, the company had chosen a stadium and not a conventional auditorium for the first season. In Mumbai, like last year, Beauty and the Beast season II will be performed at the Dome@NSCI SVP Stadium starting from 6 May extending to 15 May 2016. In Delhi also, the performance will be held at last year’s venue – the Thyagaraj Sports Complex.  Each of these venues can accommodate about 2500 people per show.

     

    The total ticketing revenue from Mumbai will count to approx. Rs. 77 lakhs with 2000 seats being sold out in the range of Rs-1500- 7500.

     

    Shedding some light on the new genre that Disney has experimented with ESP Properties national director Vinit Karnik said, “Theatre is a popular format globally. From an Indian perspective it is good to see Broadway shows here. Initially the issue was the infrastructure, but now both the infrastructure and the audience have matured. With the new age infrastructure, the viewers get a good experience”.

     

    Disney is in talks with multiple potential partners for this season. “There were many brands who reached out to us during and post season one who were keen to partner. We hope to engage with like-minded partners for this season too”, informed Kapur.

     

    Through the second season, Disney India plans to spread the magic of the show to kids and families who have the inclination and the ability to enjoy experiences of this kind. The company hopes to bring back audiences that loved the first edition of the show and would like to watch it again, and of course draw in audiences that missed out the first time around due to completely sold-out shows.

     

    Disney India has planned a specific targeted marketing approach on mass media through OOH, print, TV and digital. Direct marketing communications will be focused on reaching out to those who have experienced Beauty and the Beast in the previous season. The company believes that it is the audience’s’ word of mouth in the last season that promoted the show in a big way.

     

    “We are hopeful that the same will be the case this time too. Our experiment in bringing audiences a new genre of entertainment worked wonderfully well last year and we are hoping for the same response this time round as well,” said Kapur.

     

    The tickets of the shows are available on BookMyShow.

  • Revisit Disney India’s ‘Beauty and the Beast’ with season II

    Revisit Disney India’s ‘Beauty and the Beast’ with season II

    MUMBAI: With a successful season one, Disney India is all geared up to please audiences with season II of the timeless classic Beauty and the Beast. Developed locally in India, the new season will be back in the summer. The second edition of the show will retain the original script and the memorable music of the original Broadway show. Season II will run in Mumbai through May followed by Delhi in June.

     

    Beauty and the Beast season II promises to be the most immersive Broadway scale show. Globally, in most of the markets, Beauty and the Beast is a traveling show, but for India, unlike any other country, Disney decided to produce it locally at a scale and grandeur bigger than the original show. The format and staging of the show is exactly the same as that of the first season. With more than 100 local performers, the musical show will preserve the eminent names involved in the Indian production.

     

    Led by Disney India’s Live Entertainment show director and creative head Vikranth Pawar, the musical score for the Beauty and the Beast season II will be created by Lesle Lewis and Terence Lewis will be in-charge of the choreography. The extravagant set will be designed by Varsha Jain, the costumes will be designed by Gavin Miguel, while Pallavi Devika will take the audiences back in time and place with her hair and makeup skills. Suzanne D’mello has been roped in as the vocal trainer.

     

    Commenting on Beauty and the Beast season II, Disney India MD Siddharth Roy Kapur said, “Given the response received for season I, we are now bringing season II to Mumbai and Delhi because of popular demand the musical generated in both markets. The first season of the show last year, was an experiment in introducing a large scale Broadway-style musical to the country and it met with huge success. We are thrilled to have pioneered a new genre in live entertainment in India and to have been able to provide our audiences with the quality of entertainment experiences they deserve.”

     

    To bring alive the story, the company had chosen a stadium and not a conventional auditorium for the first season. In Mumbai, like last year, Beauty and the Beast season II will be performed at the Dome@NSCI SVP Stadium starting from 6 May extending to 15 May 2016. In Delhi also, the performance will be held at last year’s venue – the Thyagaraj Sports Complex.  Each of these venues can accommodate about 2500 people per show.

     

    The total ticketing revenue from Mumbai will count to approx. Rs. 77 lakhs with 2000 seats being sold out in the range of Rs-1500- 7500.

     

    Shedding some light on the new genre that Disney has experimented with ESP Properties national director Vinit Karnik said, “Theatre is a popular format globally. From an Indian perspective it is good to see Broadway shows here. Initially the issue was the infrastructure, but now both the infrastructure and the audience have matured. With the new age infrastructure, the viewers get a good experience”.

     

    Disney is in talks with multiple potential partners for this season. “There were many brands who reached out to us during and post season one who were keen to partner. We hope to engage with like-minded partners for this season too”, informed Kapur.

     

    Through the second season, Disney India plans to spread the magic of the show to kids and families who have the inclination and the ability to enjoy experiences of this kind. The company hopes to bring back audiences that loved the first edition of the show and would like to watch it again, and of course draw in audiences that missed out the first time around due to completely sold-out shows.

     

    Disney India has planned a specific targeted marketing approach on mass media through OOH, print, TV and digital. Direct marketing communications will be focused on reaching out to those who have experienced Beauty and the Beast in the previous season. The company believes that it is the audience’s’ word of mouth in the last season that promoted the show in a big way.

     

    “We are hopeful that the same will be the case this time too. Our experiment in bringing audiences a new genre of entertainment worked wonderfully well last year and we are hoping for the same response this time round as well,” said Kapur.

     

    The tickets of the shows are available on BookMyShow.

  • Disney’s theatrical production Beauty and the Beast makes an impressive debut

    Disney’s theatrical production Beauty and the Beast makes an impressive debut

    MUMBAI: When the history of Indian theatre is written sometime in the future, historians will make references to the pre- and the post Beauty and the Beast era. The date: 21 October 2015 will be enshrined as the day that changed the Indian musical theatre world.  That was the day that Disney India had an exclusive premier of its one-year in production international theatrical musical.

     

    It played to a packed house consisting of Bollywood stars, directors, producers, broadcasters, distributors and a select high net worth client list of Citibank credit cards (apparently it willingly shelled out Rs 5 crore plus to be associated with the musical) at the National Sports Club of India Dome  in Mumbai.

     

    Disney India MD Siddharth Roy Kapur  was cock-a-hoop with delight about the response to the first performance. “We have made an impression on an audience consisting of entertainers, I think the rest of the journey is going to go well,” he said. “Disney International chairman Andy Bird responded to my wanting to bring Disney’s Theatrical Production to India with Beauty and the Beast. I thank him for that.”

     

    Watching spell bound were film makers and artistes and industry barons like Subhash Ghai, Vishal Bhardwaj, Emraan Hashmi, Mini Mathur, Ashutosh Goawarikar, Kabir Khan, Vishal Bharadwaj, Rakeysh Omprakash Mehra, Vidya Balan, Soha Ali Khan, Imtiaz Ali, Anurag Basu, Nikhil Advani,Ayan Mukherji, Rajkumar Hirani, Shabhani Azmi, Aditya Roy Kapur, Madhur Bandarkar,  Anil Thadani and Raveena Tandon, Manyata Dutt, Ronnie and Zarina Screwvala, Amol Gupte, Ramesh Taurani, Nikhil Meswani, Sudanshu Vats, Tarun Katiyal, among scores of others.

     

    It’s not as if attempts at upping the ante for musical theatre have not been made in India before. We had the showman Alyque Padamsee period in the eighties during which shows like Evita (probably the longest running musical in India), Jesus Christ Superstar, Joseph and his Amazing Technicolor Dreamcoat, Greased Lightning,  The Wiz, sold out  in venues like the NCPA, Sophia, Homi Bhabha Auditorium in Mumbai. Then in recent times his daughter Rael Padamsee has been behind the production of  The Sound of Music and Grease. But while their efforts are praiseworthy, they pale in comparison to the scale that Beauty and the Beast was mounted upon.

     

    Estimates are that Disney India may have signed a cheque of Rs 22 crore for the production which will continue in Mumbai for 10 more shows till end this month. Delhi is slated to follow later. Most of the other Indian efforts at adaptations have budgets which are a fraction of that.

     

    The “different international” experience commenced at the venue itself with clear signage directing the traffic to the red carpet. And there was Siddharth Roy Kapur to greet his guests along with international Disney executives. Once you got past the gates with your bar coded ticket giving you entry you walked into a spacious dome theatre constructed for the Beauty and the Beast.  Rows upon rows of seats gave it a seating capacity of about 2,000-2,500.

     

    A half moon shaped lavish and large set (160 ft x 70 ft – normally used only for big budgeted televised awards shows) with ramps bisecting the front audience vertically and horizontally (giving it an H-shape) from those in the middle greeted the fans. Constructed by art director Varsha Jain at a cost of around Rs 1.80 crore, it is the centre-piece of Beauty and the Beast’s Indian production. It probably is the biggest stage ever constructed by Disney for the show anywhere in the world.  Then there is the attention to detail and quality that Varsha has put into the set. You are almost lulled into believing that you are in the village with its marketplace, its main street, the roadside café, the bakery, the vendors, where Belle lives in her small home with her father.

     

    A few minutes later the stage transforms itself into the dark castle wherein resides the young prince who was cursed to be a beast on account of his arrogance with a beggar. From the dark exterior to a well lit dining room to the dungeon to the balcony to the porch the shifts happen quickly.

     

    3D Projection mapping, LEDs and large curtains, focused lighting – every trick in the book has been used to make the transitions easy and seamless. Additionally the props too have a sense of realism about them as compared to the shoddy fare that we often see in use in Indian theatrical productions.

     

    It obviously is director Vikranth Pawar ‘s (he of Jhumroo and Zangaroo fame) vision. And choreographer Terence Lewis has ridden with him and made use of every inch of the stage and beyond for the sequences during the play. And he has adapted the choreography including styles such as ballet, jazz, breakdance and even classical ballroom dance depending on the scene’s requirement.  One of the most memorable ones is the opening act  with the song “Belle” wherein there are more than 60 actors and dancers on stage and you can’t seem to get enough of any of them.  Overall the production has more than 250 dancers back stage through its 130 minute duration.

     

    The musical  score  – like the original by Alan Menken  – by Leslie Lewis for the Indian edition is flawless. Recorded in Prague with a Philharmonic Orchestra and mastered in Los Angeles, it is  Lewis at his best, something that even Menken has acknowledged.

     

     

    The costumes by Gavin Miguel – around 400 of them – for both the lead and support cast  again are a class apart and make the show probably the biggest costumed theatrical show in India so far. The impeccable make up and hair design by Pallavi Devika take us back to the time and the place of the fairy tale. Vocal trainer Suzanne D’Mello  is reported to have put her heart and soul into lifting the singing performances of the cast, and it shows for almost the entire duration of the show.

     

    The technical production and direction are another highlight of the show and credit for that should go to Vikas and Vevek Menon (from Production Crew). Apparently, the lighting is being technically directed and programmed by foreign crew while it is being manned by Beckett.

     

    Onto the cast. The deep, grain rich voice of Amitabh Bachchan as he introduces the long-loved fairy taile sets the tone for its quality. Meher Mistry as Belle fits  and plays her part to the T, effortlessly becoming self-assured, vulnerable, loving, distraught and then joyous as she progresses from her ennui with the boor Gaston to meeting up with the Beast and her disgust with him transforming into love. And her singing is near perfect throughout as she easily croons the demanding tracks with lyrics from famed writers such as Howard Ashman and Tim Rice.

     

    Edwin Joseph essays the role of the Beast with finesse and a gentle touch. His agony at being trapped in an ugly body, his realization of his love for Belle, his heroic battle while saving Belle from the wolves, and then his joy at his transformation into a handsome young prince are emotion-filled scenes. The young 21 year older is someone we will hear a lot more of both for his acting and singing prowess. Veteran actor Bugs Bhargava as Cogsworth and Nichols Brown as Lumiere, Sanjiv Desai as Maurice, and the actors who play Lefou, Gaston, Mrs Potts, Ayudh Jatin Parikh (as Chip) deserve a mention for fabulous performances.

     

    In summation,  Disney India’s Beauty and the Beast was made in India but better than world class. And that was echoed by almost all those who watched it to the end. Something that should warm the cockles of Narendra Modi’s heart.

  • Disney to bring Broadway shows to India

    Disney to bring Broadway shows to India

    MUMBAI: Broadway lovers in India need not travel anymore as Disney India gears up to bring Broadway shows to the country now. Starting with timeless classic Beauty and the Beast, Disney India will begin the Broadway journey in October from Mumbai and will then take it to Delhi in December.

     

    While Disney has had a 20 year Broadway journey across the globe, Disney India finally thought of venturing into it in order to give to the people a Disney immersive experience. “Broadway could just be the birth of a new culture in entertainment,” said Disney India managing director Siddharth Roy Kapur.

     

    Kapur is of the opinion that while the country had the vision, dream and talent for live English entertainment, what it actually lacked was infrastructure. Talking about the target group for Broadway in the country, Kapur said, “The audience that we are looking at is families and young adults who have the inclination and the ability to enjoy experiences of this kind.”

     

    According to Kapur, with Indians today travelling extensively to overseas, they have been exposed to theatre and Broadway. “People are looking at experiences to cherish as a family and unfortunately in our country we haven’t been able to offer them those experiences apart from cricket and Bollywood. But, they have the disposable income to be able to afford it and they have the interest and inclination to want to experience it as well,” he opined. 

     

    Disney India will be hosting a number of shows in both Dome at NSCI in Mumbai and Thyagaraj Sports Complex in Delhi. Not revealing the number of shows, Kapur said, “We are looking at an audience ranging from 2000-2500 per show.” 

     

    Explaining the reason behind bringing Broadway to the country with Beauty and the Beast, he said, “Beauty and the Beast has been that show that Disney has always started Broadway with and this is because of the beautiful story, which resonates in different cultures and is not difficult to understand. It has also got great music and performances. So, this seemed like the logical choice for us.” 

     

    Disney India has roped in local talent for the show. Leading it from the front is Disney India show director and creative head, live entertainment Vikranth Pawar. The company has roped in Lesle Lewis as music director, Terence Lewis as choreographer, Varsha Jain as set designer, Gavin Miguel as costume designer, Pallavi Devika for hair and make-up and Suzanne D’Mello as vocal trainer.

     

    “It is a local production with local cast and crew. We believe that we have got the talent in the country. All that was needed to give live English entertainment a boost was infrastructure,” he said.  

     

    Disney India had been mulling bringing Broadway to the country for the past three years. While the company got 8,000 entries from artistes, it conducted 1,000 physical auditions in five cities to get the final 18 artistes who will now perform.

  • Sonys Maha gamble

    Sonys Maha gamble

    MUMBAI: A look at Sony Entertainment’s TAM TV ratings from week 33 to week 34 shows that the channel has slipped to number six position with 292,684 television viewership ratings (TVTs) from its earlier score of 349,377 TVTs.

     

    With yo-yoing TVTs to contend with, Sony is betting big on the seventh season of Kaun Banega Crorepati, which comes to drawing rooms in a new and improved avatar.

    Big B to play Sapt Koti Mahadhani… Kaun Banega Maha Crorepati starting 6 September

     

    Sapt Koti Mahadhani… Kaun Banega Maha Crorepati premieres on Sony on September 6 at 8.30pm and will be aired over 13 weekends, with the aim of creating a platform of opportunities for Indians across ages, genders and socio-economic groups.

     

    The channel is looking for a big change in viewership numbers through the show. “Yes, we are not satisfied with a few of our currently running shows. Also the TAM TV ratings have moved to a new currency and we will take time to stabilise. The show will surely help us gain momentum,” says Multi Screen Media CEO Man Jit Singh.

     

    A measure of just how much is riding on the show is the many changes it has undergone in terms of its format, level of audience engagement, prize money and so on.

     

    For starters, not only has the set moved base from Film City to Yash Raj Films Studio, the set design too has had a complete makeover.
    Sneha Rajani is hopeful that the format, its simplicity and Big B will surely make it tick

     

    This time round, audiences will get to hear a different sound track as well. While the music has been scored by Sawan Dutta, Varsha Jain has done the set designing.

     

    Explaining why they’ve changed the set, Sony EVP & business head Sneha Rajani says: “We had booked YRF Studios last year to shoot this season of KBC. The set this time is bigger, better and grander. We have added more elements.”

     

    Adding to this, Big Synergy Media CMD Siddhartha Basu says: “It was a challenging task, but we achieved it. The licensors loved the changes and accepted the change in format and set. They have also suggested that it be used in other countries, if affordable.”

     

    The biggest change comes in the form of the prize money, which has been increased from Rs five crore to Rs seven crore. About the figure, Singh says, “Seven crore in the seventh season, is the right amount.”

     

    Elaborates Basu: “We had to increase the engagement level of the audiences. With the changes in format, the drama has risen and so has the engagement of the audience,” and points out that the show needed a change. “It has been accepted by people for 13 years. But now, the viewers deserved evolution, development and variety. Keeping the fundamentals same, we have given our audiences the change,” he says.

     

    Speaking at the show’s press launch at ITC Grand Maratha in Mumbai, Rajani says, “Big B is roaring in this season. The format, its simplicity and Big B will surely make it tick.”  

     

    What’s new?

    ·The money tree will now consist of 15 questions.

     

    ·Introducing Sapta Koti Sandook, which will give contestants a chance to win anything from Rs one crore to three crore, five crore and seven crore.

     

    ·The Fastest Finger First round will now be a ‘best out of three’ with the winner at the end getting to the hot seat.

     

    ·More choice of lifelines – Flip the question (Alat Palat) replaces Ask the expert and 50:50 replaces Double Dip.

     

    ·A brand new lifeline called ‘Power Paplu’ that will aid those who seek to revive an already used lifeline.

     

    ·In the entire game play however, a hot seat contestant may use only four of the five lifelines on offer.

     

    ·Introducing Play along for the Fastest Finger First contestants, who do not make it to the hot seat. These contestants can now play along with the hot seat contestant and the one who answers the maximum number of questions in the minimum amount of time gets to win Rs one lakh at the end of the episode.

     

    ·The time limit for the Phone a friend lifeline will now be 45 seconds instead of 30 seconds.

     

    ·Audiences can win by playing Ghar Baithe Jeeto Jackpot.

     

    As things stand, the first three episodes have already been shot and Sony is going the whole hog in terms of marketing and promoting the show. “It is a 360 degree market campaign on radio, TV, print and hoardings,” informs Rajani while a highly placed media planner reveals, “KBC is the biggest show for Sony. The channel hopes to improve its position in the ratings chart through this. It would have spent anywhere between Rs 10-12 crore on promotions.”

    The team brings a better, bigger and grander Kaun Banega Maha Crorepati

     

    Digitally-speaking, the channel is leaving no stone unturned to promote the show. It has launched its flagship KBC 2013 website (www.kbcsony.com) and the KBC official mobile application. On the cards is a host of rich and immersive video content and games that will see users take home Apple iPads.

     

    The website will include entire episodes of the show and an AB special, where users can watch Big B rendering poetry and catchy one-liners. Joyous moments of contestants on winning large sums of money and glimpses of interactions with stars and celebrities will also feature on the website. Surfers will be able to play games like Globe Quiz, where they can scroll and move round the earth’s axis, click on any part of the world and answer a trivia question. Other highlights will be the KBC Web Game, where users can test their speed and accuracy online, Insta Hot Seat and Prize meter & Heat map to name some.

     

    Elaborates SET executive VP-new media, business development and digital/syndication Nitesh Kripalani: “KBC is one of the most admired and loved game shows on television today. The popularity quotient is huge and the fan base is getting bigger every year. Our digital platform is especially designed to give our users much more than what they can get from their television sets – a whole new immersive on-demand second screen experience right at their fingertips.”

     

    He explains that the idea is to bring “the KBC experience up, close and personal, across multiple platforms, be it mobile, tablet or online.”

    With the changes in format, the drama has risen and so has the engagement of the audience, says Siddhartha Basu

     

    Says the top-placed media planner, “The channel will look strong with the show in the ratings chart,” and points out that with an airing time of one and a half hour, it will rake in money from advertisers. “The channel should have sold its advertising slot at Rs 3.5 crore (approximately) for per ten second advertisements. They would be targeting getting close to Rs 200 crore through ad sales,” he says.

     

    While Sony is sure hoping Big B’s charms reflect on its ratings, “The real competition will come from Bigg Boss and 24, both to be aired on Colors. Though the show will get good viewership in its first week,” he adds.

     

    Now whether this Maha Crorepati will have a maha effect on Sony’s rating, is something we will have to simply wait and watch…