Tag: US

  • 30 large sites average earnings/year in 2013 was $4.4 million from advertising-financed piracy in US

    30 large sites average earnings/year in 2013 was $4.4 million from advertising-financed piracy in US

    NEW DELHl: Advertising-financed piracy was an extremely profitable business as an economic study of the US market alone showed estimated pirate website ad revenue at $227 million annually.

    In a presentation on ‘Online Advertising, Brand Integrity and Content Creation: Problems and Solutions’, Cable and Satellite Broadcasting Association of Asia (CASBAA) Chief Policy Officer John Medeiros said the 30 largest sites had earned an average of $4.4 million per year in 2013 and even small sites could easily have earned $100,000. Barriers to entry awere low and attracting a user base required little effort or investment.

    Speaking at a FICCI conference on ‘Digital Advertising: Protecting Brand Integrity & Stimulating Content Creation’, he said Invalid Traffic (IVT) hosts were using online systems to generate non-human traffic (NHT) to illegitimately increase profit and high rates of IVT were seen 50 times more frequently among illegitimate sites than legitimate ones. He added that the growing problem of online ad misplacement was not only resulting in financially encouraging various illegal activities but was also causing serious damage to the integrity of major brands when they appeared on illegal sites.

    Meanwhile, the session was informed that the British Police Intellectual Property Crime Unit (PIPCU)’s Operation Creative law enforcement programme was coming down hard on online pirates to combat the menace of digital piracy.

    City of London police detective chief superintendent David Clark said PIPCU’s aim was to investigate, disrupt and serious and organized intellectual property crime which causes significant harm or damage to the UK economy or the general public.

    Clark said the strategic objectives of the UK police were to address IP crime through prosecution and disruption; use a problem-solving approach to address the international threat; maintain an intelligence-led capability; support enforcement activity with effective media coverage; develop a PREVENT strategy with the IPO and other organizations; and reduce IP crime through a partnership approach with stakeholders.

    He added that there was an urgent need for behavioral change as well in consumers who should realize that buying illegal products was a crime.

    A Digital Trading Standards Group (DTSG) had been established to ensure that digital display advertising was not supporting inappropriate or illegal content/services in the United Kingdom, he added.

    UK Good Practice Principles had also been drafted which integrated the industry-police approach. Highlighting the achievements of the UK police, Clark said 8,500 counterfeit websites have been suspended since PIPCU’s inception in 2013.

    21 Century Fox senior vice president for government relations Joe Welch said FICCI’s advocacy on IPR policy had led to many significant and effective changes in the policies related to IP. He added that a sound policy dialogue to appropriately tackle the menace of piracy and a conducive environment to invigorate investment climate for the creative industry in India will definitely benefit and project India globally as a preferred destination for investments by the creative industries of the world.

    After the inaugural session, discussions on the critical issue of misplaced ads resulting in funding of illegal activities were held and potential solutions that could be adopted by India to curtail this practice were explored to help digital advertising and the creative industries co-exist and flourish in today’s innovative and investment-led economy.

     

  • Warner Bros. acquires SVOD service DramaFever

    Warner Bros. acquires SVOD service DramaFever

    MUMBAI: Warner Bros has signed an agreement to acquire DramaFever, a US-based company that operates subscription and on-demand video services, including its flagship DramaFever channel, which offers hundreds of Korean television and film dramas, as well as programming from other countries, to subscribers in the US and around the world.

    DramaFever joins Time Warner’s company-wide efforts to reach audiences directly, including the recent acquisition of iStreamPlanet and the launch of SVOD services with HBO NOW in the US, and, in partnership with Tencent, Hollywood VIP in China.

    DramaFever has a strong and growing subscriber base of diverse millennials and plurals that fits well with the company’s plans to enhance its relationship with that audience.

    DramaFever’s experience in creating and running SVOD services targeted at niche audiences, including for third-parties, brings critical expertise, which will be vital to Warner Bros. as it explores various OTT scenarios and establishes more direct connections with its audiences.

    “This is a great fit for Warner Bros.. With Warner Bros.’ resources, we will rapidly enhance and grow the DramaFever channel. As importantly, we are bringing to Warner Bros. a great and talented team, led by Seung Bak and Suk Park, that will move quickly with our own distribution and creative teams to create and build more OTT services,” said Warner Bros. Television Group president, business and strategy Craig Hunegs.

    DramaFever’s co-founders Bak and Park will continue to oversee the company and report to Hunegs.

    “Warner Bros. is truly the ideal home for us. Combining our deep media sensibilities and experience in developing online video destinations with Warner’s vast library and production expertise will provide an unlimited number of opportunities to create the next generation of OTT services and Internet TV brands,” said DramaFever co-founder and CEO Seung Bak.

    DramaFever, while wholly owned by Warner Bros., will continue to operate under that consumer-facing brand and be based in New York.

    DramaFever was launched in 2009 with 10 Korean drama series. The service continues to expand rapidly and has become the leading online destination for the best TV shows and movies from around the world. Today, DramaFever offers hundreds of series, variety shows, films and kids programs, in multiple languages, and is available in more than 20 countries globally and growing.

    Warner Bros. is acquiring DramaFever from SoftBank. The deal is expected to close in the second quarter of 2016.

  • Warner Bros. acquires SVOD service DramaFever

    Warner Bros. acquires SVOD service DramaFever

    MUMBAI: Warner Bros has signed an agreement to acquire DramaFever, a US-based company that operates subscription and on-demand video services, including its flagship DramaFever channel, which offers hundreds of Korean television and film dramas, as well as programming from other countries, to subscribers in the US and around the world.

    DramaFever joins Time Warner’s company-wide efforts to reach audiences directly, including the recent acquisition of iStreamPlanet and the launch of SVOD services with HBO NOW in the US, and, in partnership with Tencent, Hollywood VIP in China.

    DramaFever has a strong and growing subscriber base of diverse millennials and plurals that fits well with the company’s plans to enhance its relationship with that audience.

    DramaFever’s experience in creating and running SVOD services targeted at niche audiences, including for third-parties, brings critical expertise, which will be vital to Warner Bros. as it explores various OTT scenarios and establishes more direct connections with its audiences.

    “This is a great fit for Warner Bros.. With Warner Bros.’ resources, we will rapidly enhance and grow the DramaFever channel. As importantly, we are bringing to Warner Bros. a great and talented team, led by Seung Bak and Suk Park, that will move quickly with our own distribution and creative teams to create and build more OTT services,” said Warner Bros. Television Group president, business and strategy Craig Hunegs.

    DramaFever’s co-founders Bak and Park will continue to oversee the company and report to Hunegs.

    “Warner Bros. is truly the ideal home for us. Combining our deep media sensibilities and experience in developing online video destinations with Warner’s vast library and production expertise will provide an unlimited number of opportunities to create the next generation of OTT services and Internet TV brands,” said DramaFever co-founder and CEO Seung Bak.

    DramaFever, while wholly owned by Warner Bros., will continue to operate under that consumer-facing brand and be based in New York.

    DramaFever was launched in 2009 with 10 Korean drama series. The service continues to expand rapidly and has become the leading online destination for the best TV shows and movies from around the world. Today, DramaFever offers hundreds of series, variety shows, films and kids programs, in multiple languages, and is available in more than 20 countries globally and growing.

    Warner Bros. is acquiring DramaFever from SoftBank. The deal is expected to close in the second quarter of 2016.

  • Times Internet acquires digital video rights of ICC Events for US & Canada

    Times Internet acquires digital video rights of ICC Events for US & Canada

    MUMBAI: Times Internet owned Cricbuzz.com has become the exclusive licensee for digital video clip rights for United States and Canada for all ICC events for a period of four years. 

    The digital rights for all events scheduled to take place between 2016 and 2019, including the ICC World Twenty20 which begins in March in India will vest with Cricbuzz.com. 

    The four-year deal includes seven ICC events starting with the ICC World Twenty20 2016.

    The deal gives Times Internet exclusive rights to deliver a comprehensive video package that includes video clips of pre-match, in-match and post-match coverage.

    In the first agreement of this nature, the ICC is providing in-match video clips to digital licensees and Times Internet will have exclusive access to six minutes’ video clips from every hour of match coverage starting with the first ball and ending with the winning moment.

    As the exclusive video clips licensee for these two North American markets, Times Internet will also get access to key moments from all matches in the ICC archive.

    Times Internet Limited’s newly acquired digital clips rights in the United States and Canada will supplement Cricbuzz.com’s existing live coverage in the form of text, scorecard and infographics across its digital platforms.

    “North America has traditionally been our largest audience base outside of India and we are thrilled to be able to offer an enhanced experience of the ICC events to cricket fans across that region with near-live in-match clips. We are excited to partner with the ICC to grow the sport in the region through our coverage of the premier competitions in the sport of cricket,” said Times Internet CEO Satyan Gajwani.

    The other events included in the package are ICC Champions Trophy 2017, ICC Women’s World Cup 2017, ICC U19 Cricket World Cup 2018, ICC Cricket World Cup Qualifier 2018, ICC Women’s World Twenty20 2018 and ICC Cricket World Cup 2019.

  • Times Internet acquires digital video rights of ICC Events for US & Canada

    Times Internet acquires digital video rights of ICC Events for US & Canada

    MUMBAI: Times Internet owned Cricbuzz.com has become the exclusive licensee for digital video clip rights for United States and Canada for all ICC events for a period of four years. 

    The digital rights for all events scheduled to take place between 2016 and 2019, including the ICC World Twenty20 which begins in March in India will vest with Cricbuzz.com. 

    The four-year deal includes seven ICC events starting with the ICC World Twenty20 2016.

    The deal gives Times Internet exclusive rights to deliver a comprehensive video package that includes video clips of pre-match, in-match and post-match coverage.

    In the first agreement of this nature, the ICC is providing in-match video clips to digital licensees and Times Internet will have exclusive access to six minutes’ video clips from every hour of match coverage starting with the first ball and ending with the winning moment.

    As the exclusive video clips licensee for these two North American markets, Times Internet will also get access to key moments from all matches in the ICC archive.

    Times Internet Limited’s newly acquired digital clips rights in the United States and Canada will supplement Cricbuzz.com’s existing live coverage in the form of text, scorecard and infographics across its digital platforms.

    “North America has traditionally been our largest audience base outside of India and we are thrilled to be able to offer an enhanced experience of the ICC events to cricket fans across that region with near-live in-match clips. We are excited to partner with the ICC to grow the sport in the region through our coverage of the premier competitions in the sport of cricket,” said Times Internet CEO Satyan Gajwani.

    The other events included in the package are ICC Champions Trophy 2017, ICC Women’s World Cup 2017, ICC U19 Cricket World Cup 2018, ICC Cricket World Cup Qualifier 2018, ICC Women’s World Twenty20 2018 and ICC Cricket World Cup 2019.

  • FX & FX HD to premiere M. Night Shyamalan’s ‘Wayward Pines’

    FX & FX HD to premiere M. Night Shyamalan’s ‘Wayward Pines’

    MUMBAI: FX and FX HD are all geared up to premiere the sci-fi thriller series Wayward Pines. 

    Going on air from 22 February, the series will air every Monday to Friday at 9 pm.

    Wayward Pines is directed by M. Night Shyamalan and developed by Chad Hodge for television.

    Shyamalan said, “Well, I got the first book before it was published — maybe two, three months before — from a producer and read the book in one day and completely flipped out. I turned those pages as fast as I could and immediately knew that I had to turn it into a show. I was so grabbed by the single-player story-telling; I kind of like to call it. You’re really with Matt Dillion’s character, Ethan, and you’re feeling the experience of coming into this town with him and you’re kind of really in his head. People stare at him as he interacts with this crazy nurse and this crazy sheriff — why isn’t anybody talking to him? So it’s really almost like you’re in his head and I felt the same way when I was reading the book.”

    The series stars Matt Dillon (Ethan Burke), as a US secret service agent investigating the disappearance of two fellow agents in the mysterious small town of Wayward Pines, Idaho. Ethan awakens from a car accident unable to contact the outside world, and unable to leave. He finds one of the agents dead and the other, his former lover Kate Hewson played by Carla Gugino, settled down in the seemingly idyllic town. But the inhabitants of Wayward Pines are trapped there by a set of rules enforced by the strict Sheriff Arnold Pope enacted by Terrence Howard, and any attempt to escape is punished by a public execution known as a reckoning. Ethan works to discover the truth, and has to make hard choices when he does.

  • FX & FX HD to premiere M. Night Shyamalan’s ‘Wayward Pines’

    FX & FX HD to premiere M. Night Shyamalan’s ‘Wayward Pines’

    MUMBAI: FX and FX HD are all geared up to premiere the sci-fi thriller series Wayward Pines. 

    Going on air from 22 February, the series will air every Monday to Friday at 9 pm.

    Wayward Pines is directed by M. Night Shyamalan and developed by Chad Hodge for television.

    Shyamalan said, “Well, I got the first book before it was published — maybe two, three months before — from a producer and read the book in one day and completely flipped out. I turned those pages as fast as I could and immediately knew that I had to turn it into a show. I was so grabbed by the single-player story-telling; I kind of like to call it. You’re really with Matt Dillion’s character, Ethan, and you’re feeling the experience of coming into this town with him and you’re kind of really in his head. People stare at him as he interacts with this crazy nurse and this crazy sheriff — why isn’t anybody talking to him? So it’s really almost like you’re in his head and I felt the same way when I was reading the book.”

    The series stars Matt Dillon (Ethan Burke), as a US secret service agent investigating the disappearance of two fellow agents in the mysterious small town of Wayward Pines, Idaho. Ethan awakens from a car accident unable to contact the outside world, and unable to leave. He finds one of the agents dead and the other, his former lover Kate Hewson played by Carla Gugino, settled down in the seemingly idyllic town. But the inhabitants of Wayward Pines are trapped there by a set of rules enforced by the strict Sheriff Arnold Pope enacted by Terrence Howard, and any attempt to escape is punished by a public execution known as a reckoning. Ethan works to discover the truth, and has to make hard choices when he does.

  • CNNMoney expands globally; Richard Quest named editor-at-large

    CNNMoney expands globally; Richard Quest named editor-at-large

    MUMBAI: CNN Worldwide has expanded its CNNMoney brand internationally, across both TV and digital, to provide consumers with business and financial news and analysis. With the addition of staff in Hong Kong, New Delhi, London, and Dubai, CNNMoney will launch new franchises, series, features and reporting tailored directly to the regions and audiences it covers. 

    “By uniting our portfolio of US and international business reporting under the CNNMoney brand, we now offer an even more compelling product to globally-minded consumers hungry for a smart, accessible business and financial news experience – everywhere in the world,” said CNN International general manager and senior vice president Mike McCarthy.

    The venture will tap the talents like Richard Quest, Nina dos Santos and Maggie Lake whose programs will represent CNNMoney on television. Quest will now serve as  editor-at-large for CNNMoney and will pen a global daily newsletter “CNNMoney Presents: Quest Means Business,” timed to the open of the Asia markets.

    “CNNMoney is an important and unique business offering for the Asia-Pacific market that already resonates with a core premium audience,” said CNN International advertising sales Asia Pacific VP Sunita Rajan. “This global expansion will amplify that engagement and attract a wider audience who want business at their fingertips. The synergy between the influential CNNMoney brand and journalistic excellence creates a compelling advertising proposition and something our clients are genuinely excited about.”  

    Coverage from CNNMoney will span Asia, Europe, the Middle East, Africa and Latin America. It will focus on global markets and the economy, business strategy, corporate leadership, global brands, business travel, lifestyle and luxury, as well as industries such as auto, energy and technology.

    Also joining the CNNMoney roster are Andrew Stevens, Asia Pacific editor based in Hong Kong; John Defterios, Emerging Markets editor based in Abu Dhabi; Eleni Giokos, Africa business correspondent based in Johannesburg; and Samuel Burke, CNNMoney business correspondent based in New York. The multi-platform editorial teams will be led by Penny Manis, director of global business news programming based in New York, and CNNMoney International managing editor Mark Thompson, who is based in London.

    The global initiative will also expand CNNMoney’s data-driven storytelling and digital war rooms to international bureau, arming reporters with the most advanced tools and analytics available to drive and react to stories in the global marketplace.

  • CNNMoney expands globally; Richard Quest named editor-at-large

    CNNMoney expands globally; Richard Quest named editor-at-large

    MUMBAI: CNN Worldwide has expanded its CNNMoney brand internationally, across both TV and digital, to provide consumers with business and financial news and analysis. With the addition of staff in Hong Kong, New Delhi, London, and Dubai, CNNMoney will launch new franchises, series, features and reporting tailored directly to the regions and audiences it covers. 

    “By uniting our portfolio of US and international business reporting under the CNNMoney brand, we now offer an even more compelling product to globally-minded consumers hungry for a smart, accessible business and financial news experience – everywhere in the world,” said CNN International general manager and senior vice president Mike McCarthy.

    The venture will tap the talents like Richard Quest, Nina dos Santos and Maggie Lake whose programs will represent CNNMoney on television. Quest will now serve as  editor-at-large for CNNMoney and will pen a global daily newsletter “CNNMoney Presents: Quest Means Business,” timed to the open of the Asia markets.

    “CNNMoney is an important and unique business offering for the Asia-Pacific market that already resonates with a core premium audience,” said CNN International advertising sales Asia Pacific VP Sunita Rajan. “This global expansion will amplify that engagement and attract a wider audience who want business at their fingertips. The synergy between the influential CNNMoney brand and journalistic excellence creates a compelling advertising proposition and something our clients are genuinely excited about.”  

    Coverage from CNNMoney will span Asia, Europe, the Middle East, Africa and Latin America. It will focus on global markets and the economy, business strategy, corporate leadership, global brands, business travel, lifestyle and luxury, as well as industries such as auto, energy and technology.

    Also joining the CNNMoney roster are Andrew Stevens, Asia Pacific editor based in Hong Kong; John Defterios, Emerging Markets editor based in Abu Dhabi; Eleni Giokos, Africa business correspondent based in Johannesburg; and Samuel Burke, CNNMoney business correspondent based in New York. The multi-platform editorial teams will be led by Penny Manis, director of global business news programming based in New York, and CNNMoney International managing editor Mark Thompson, who is based in London.

    The global initiative will also expand CNNMoney’s data-driven storytelling and digital war rooms to international bureau, arming reporters with the most advanced tools and analytics available to drive and react to stories in the global marketplace.

  • Star India English cluster to air five seasons of ‘Game of Thrones’

    Star India English cluster to air five seasons of ‘Game of Thrones’

    MUMBAI: As a result of the recent tie-up between Star India and HBO, the former’s English language cluster comprising Star World, Star World HD and Star World Premiere will be airing the first five seasons of Game Of Thrones.

    Beginning 15 February, the channels will air all the seasons from Monday to Friday at 10 pm. What’s more, in April Star World Premiere will also exclusively air the new sixth season of the series right after its US telecast.

    Speaking on the same, a Star India spokesperson said, “Game of Thrones joins other internationally acclaimed shows on Star’s English entertainment network to deliver nothing but the best to our viewers and bring them a wide array of outstanding content year after year. As one of the most sensational shows of the 21st century, the telecast of Game of Thrones on Star World and Star World Premiere will not only excite existing fans but also captivate first time audiences in India. This is just the first in a line of exceptional content we have planned for the year.”

    The show has bagged a record-breaking 12 Emmy awards from its 24 nominations in 2015 alone, the most any series has won in a single year.

    The riveting and gripping fantasy drama is an adaptation of George R.R. Martin’s series of novels A Song of Ice and Fire.