Tag: UK

  • Digital media pips news channels at the post

    Digital media pips news channels at the post

    NNES: News is a hard business and it’s only set to get tougher with the proliferation of digital and social media.

    Till recently, the 250 news channels across the globe were faced with the task of offering factual news and engaging with their audiences. As if that wasn’t enough, they have to now contend with stiff competition from digital players as well. 

    So the big question confronting them is: “How to innovate in order to keep both television and online audiences?”

    Day two of Mipcom saw a session titled ‘Programming and engaging in the digital age’ where speakers threw light on new methods and tools of audience engagement. 

    The session was moderated by the Association for International Broadcasting chief executive Simon Spanswick with speakers including BuzzFeed president and COO Jon Steinberg; CNN International VP and general manager, digital Peter Bale; Facebook director of partnerships Andrew Mitchell; Al Jazeera Media Network, new media department manager Moeed Ahmad; and Winther Productions creator and producer of Dining with the Enemy Gry Winther.

    Spanswick kicked off the session saying: “Almost a third of all UK adults use the internet for news, and similar statistics are coming out from other territories.” 

    Mitchell stressed the importance of Facebook and Instagram as platforms to share content produced by broadcasters. “We introduced API here in Mipcom. This will allow more meaningful content and facilitate communication. Facebook is a great tool for growth, allowing people to connect and share content. Facebook has more hard news than soft news. We tend to remember the funny stuff, but it’s the more meaningful stuff that sticks with you,” he said.

    Forty per cent of BuzzFeed’s traffic comes from Facebook, said Steinberg, adding: “In all, 70 per cent of people come to us through various social networking sites. We have 120 full-time writers, doing original content.” Speaking of BuzzFeed’s partnership with CNN, Steinberg said: “The channel gives us video footage which is then remixed and re-cut in shorter, shareable format for YouTube and a younger audience.”

    Steinberg opined that social platforms have made things easier for international news organisations. “The stories spread fast as well as powerfully on social networks,” he said.
    While Ahmad echoed Mitchell’s sentiments saying hard news was being shared more than soft news. “The lack of sharing for particular verticals is not because of that vertical, it’s because of poor journalism,” he said.

    Speaking of Al Jazeera’s online news channel AJ+, he said: “Even today, YouTube has more entertainment than news content. However, AJ+ is an independent destination. We are building teams at a number of locations including New Delhi and Doha among others. The new channel aims at providing clarity through content.”

    As for CNN’s digital strategy, Bale said: “The channel will give the background for breaking news rather than simply breaking the information. You will hear the story from the real people.”

    A common observation was that no one wanted to read an old story on social media which is why something new and catchy had to be written. Mitchell said: “Channels will also have to think, ‘Why will someone share content?’. Consumers will not share old and boring news. They will share what is heartwarming, new and fresh content or something which they feel is important for friends.” He informed that Facebook was now crunching data to spot linkbait and ensure that they don’t appear in people’s news feeds. “We are now tracking how quickly people return to Facebook after clicking on the news link. We are also trying to cut down on spammers,” he said.

  • Google teams up with US, UK govt. agencies to bring internet to the common man

    Google teams up with US, UK govt. agencies to bring internet to the common man

    NEW DELHI: Government agencies in the UK and US along with Google have announced a joint venture by the name of “Alliance for Affordable Internet” to bring internet to the population of billions on planet earth.

    The initiative is a joint venture by Google, US agency for International Development and its British Counterpart and philanthropic company run by eBay Founder Omidyar, Omidyar Network.

    Other helping firms include Yahoo, Microsoft, Intel, Cisco, Ericsson and African ISP MainOne. Alliance is going to work to pursue the governments to regulate and policy formation for better internet access.

    “A4AI has a specific goal in mind: to reach the UN Broadband Commission target of entry-level broadband access priced at less than five per cent of monthly income worldwide,” said Jennifer Haroon, Principal Executive of Google’s access programme, in a blog post.

    Group is working to contact 10 countries till 2015 to negotiate on easing of import of technology and resources to kick start the internet revolution in those countries. This envisaged goal can have far reaching impact not only in those countries but on whole global scenario. It can help reshape the social, corporate and political outlook which is visible by the part played by Social Media in Arab spring.

  • IT sector granted Authorising Nation status under the CCRA

    IT sector granted Authorising Nation status under the CCRA

    NEW DELHI: India has been recognised as the ‘Authorising Nation’ under the international Common Criteria Recognition Arrangement (CCRA) to test and certify Electronics and IT products with respect to cyber security. Thus, India has become the 17th nation to earn such recognition. This international arrangement has 26 member countries. USA, UK, Germany, South Korea, France, Japan, Canada, Australia, Turkey, Malaysia etc. are the other countries who have this recognition.

     

    So far India was having the status of ‘Consuming Nation’ with respect to certification of electronics and IT products. The status of ‘Authorising Nation’ will enable India to test IT and electronics products and issue Certificates which will be acceptable internationally. The recognition would also remove the bottleneck which as of now had prevented international companies from submitting their products for testing and certification in India.

     

    The recognition would also enable investment in setting up infrastructure and labs in public and private sectors in India for testing electronics and IT products.

     

    Standardisation Testing and Quality Certification (STQC) Directorate of the Department of Electronics and Information Technology (DeitY) has been operating Common Criteria Certification (CC Certification) scheme in India for the last five-six years. Under it STQC undertakes certification of electronics and IT products after evaluation of the products at its lab in Kolkata. The Certificates issued by STQC Directorate shall now be acceptable internationally by all CCRA member countries.

  • IT sector granted ‘Authorising Nation’ status under the CCRA

    IT sector granted ‘Authorising Nation’ status under the CCRA

    NEW DELHI: India has been recognised as the ‘Authorising Nation’ under the international Common Criteria Recognition Arrangement (CCRA) to test and certify Electronics and IT products with respect to cyber security. Thus, India has become the 17th nation to earn such recognition. This international arrangement has 26 member countries. USA, UK, Germany, South Korea, France, Japan, Canada, Australia, Turkey, Malaysia etc. are the other countries who have this recognition. 

    So far India was having the status of ‘Consuming Nation’ with respect to certification of electronics and IT products. The status of ‘Authorising Nation’ will enable India to test IT and electronics products and issue Certificates which will be acceptable internationally. The recognition would also remove the bottleneck which as of now had prevented international companies from submitting their products for testing and certification in India. 

    The recognition would also enable investment in setting up infrastructure and labs in public and private sectors in India for testing electronics and IT products. 

    Standardisation Testing and Quality Certification (STQC) Directorate of the Department of Electronics and Information Technology (DeitY) has been operating Common Criteria Certification (CC Certification) scheme in India for the last five-six years. Under it STQC undertakes certification of electronics and IT products after evaluation of the products at its lab in Kolkata. The Certificates issued by STQC Directorate shall now be acceptable internationally by all CCRA member countries.

  • 15th Mumbai Festival to host ‘Music Composers Lab’

    15th Mumbai Festival to host ‘Music Composers Lab’

    MUMBAI:The 15th Mumbai Film Festival is doing all that it can to woo its audiences. The festival will be a host to the launch of India’s first ‘music composer’s lab’ and will be held at the Yash Raj Film Studios located in Andheri, Mumbai.

    The lab will be presented by UK’s Bohemia Junction and Abbey Road Studios in association with PRS for music, UK and will take place from 21- 23 October.

    The lab will offer a unique opportunity to emerging Indian composers to interact with successful professionals in the field of music and to get a better understanding of what lies at the heart of a music score in the arena of moving image.

    Over two days, six composers will attend the Mumbai ‘composers lab’ to meet and interact with professional composers and a team of music and film industry specialists, from the UK and India, who will share their knowledge and expertise with them. The composers will also be advised about many aspects of music and the industry. The lab is an initiative to provide a hub for like-minded emerging film composers to network with each other, as well as with industry professionals, to learn new skills in the realms of film scoring.

    The two-day film scoring sessions will be followed with an interview and audience Q & A with award-winning British composer Ilan Eshkeri and a with the lab’s creative advisors on 23 October at 1pm at metro cinema.

    Special guest Ilan Eshkeri, best-known for his film scores of 47 Ronin, Coriolanus, Stardust, The Young Victoria and Kick-Ass, as well as his collaborations with Coldplay, Annie Lennox and Take That, will lead the creative team of composers that will be announced shortly.

    Applications for young composers to take part in the workshop open today (17 September) and will close on Monday, 7 October.

  • Bill Condon and Ian McKellen reunite for a new Sherlock flick

    Bill Condon and Ian McKellen reunite for a new Sherlock flick

    MUMBAI: The acclaimed director is all set to recreate a new Sherlock Holmes movie in which McKellen will play a retired Holmes. The movie titled A Slight Trick of the Mind is based on a novel by Mitch Cullin and the screenplay is adapted by Jeffrey Hatcher.

     

    Condon and McKellen were previously seen together in Gods and Monsters. The finance is done by Icon UK’s production department called AI and BBC is co-financing. AI is also co-producing. The shooting is set to begin sometime next April in UK.

     

    Anne Carey is producing via Archer Gray Productions. King’s Speech producers Iain Canning and Emile Sherman of See-Saw Films, Icon/AI Film’s Aviv Giladi, and Len Blavatnik, whose Access Industries owns the Icon UK group, are exec producing as is BBC Films’ Christine Langan.

     

    International sales are being handled by FilmNation. Condon is repped by WME, Anonymous Content, Wayne Alexander and Robert Nau. McKellen is repped by Chris Andrews at CAA and Paul Lyon-Maris at Independent Talent Group.

  • Delhi to be recreated in Karjat for Kick

    Delhi to be recreated in Karjat for Kick

    Sajid Nadiadwala’s directorial debut Kick has recently been in the news after Salman Khan was unable to complete the shoot in UK. Hence the schedule of shooting was shifted to India which will commence soon. Despite the fact that the action scenes are required to be shot at Connaught Place, Paharganj and Karol Bagh areas and other popular areas of Delhi, the actor will not visit the city.

     

    An expensive set of a whopping Rs 15 crore is supposed to be erected in Karjat, near Mumbai, which will resemble these popular locations. Also, according to Sajid’s statements, the autos, the buses and other local elements will be brought to the set to create an authentic ambience. After this, Salman will fly to London to shoot a major chunk which still remains unfinished because of the visa controversy.

     

    Besides Salman, Kick stars Jacqueline and Randeep Hooda and is scheduled to release in Eid next year.

  • Viewster adds Red Bull Media House content

    Viewster adds Red Bull Media House content

    MUMBAI: The VOD service Viewster has added to its catalogue a slew of sports and culture content from Red Bull Media House, which will be available on demand for viewers in the UK, Benelux, Germany and the Nordics.

    The content package includes Red Bull Art of Motion, which showcases the disciplines of free running, parkour and martial arts; Red Bull Beat Battle, featuring epic dance battles in a range of styles; Red Bull Tops seasons one and two, highlighting the best of the best in a range of extreme athletics; and Red Bell Cliptomaniacs, a compilation of sports and action footage. Also part of the deal is Ryan Doyle Travel Story, a travel doc that features Ryan Doyle, a world champion in freestyle running.

    “Five years ago, when consumers wanted to be entertained, they switched on the TV. Today, they are turning to the web and on-demand video services,” said Viewster CEO Kai Henniges. “Smart brands like Red Bull with its media company Red Bull Media House have recognised this and are now looking at new distribution channels that will introduce their content to new audiences. By making content available on-demand, sports and music fans worldwide can watch this unique content whenever and however they choose. And with our ever-increasing library of film and TV content also available, it’s not surprising that we’re continuing to see month-on-month growth worldwide, as audiences discover new and interesting content.”

    “As the models for providing content continue to evolve, Red Bull Media House is committed to engaging audiences with high-quality programming on the platforms that are relevant to them,” added Red Bull Media House chief commercial officer Alexander Koppel. “Digital options are an integrated part of our delivery system, and we look forward to sharing compelling content with Viewster’s expansive audience.”

  • Satyajit Ray’s work to be exhibited in UK

    Satyajit Ray’s work to be exhibited in UK

    NEW DELHI: The British Film Institute (BFI) is hosting a special two-month festival of selected films of Satyajit Ray in London and will also put up an exhibition of Ray’s design works.

    The exhibition, the first to be held in the United Kingdom, will take place at the BFI Southbank from 14 August until mid-October.

    Before Ray directed Pather Panchali in 1955, he worked as a graphic designer for an advertising agency in Kolkata. In addition to creating over 30 films throughout his career he also designed many of their sets, costumes, credit sequences and posters.

    A selection of the director’s poster designs will be on show in the Atrium at the BFI Southbank. It will include both original and facsimile posters, showcasing the best of Ray’s creations.

    The BFI website said: “Ray’s unique graphic style owed as much to Indian art and indigenous folklore as it did to Western traditions. His wide-ranging poster designs encompass surreal photographic collages, ornate portraits as well as bold, typographic experiments, their imagery and lettering borrowing from scenes and motifs in his cinema. Far more than just a beautiful, eye-catching advertisement, each poster offers Ray’s own interpretation of his film as he distilled it into one image.”

    The exhibition has been organised by Isabel Stevens, Maggi Hurt and Claire Smith. The posters have been sourced from the BFI National Archive and the Society for the Preservation of Satyajit Ray Archives and Ray Estate, Kolkata.

    The films to be screened as part of Ray season in association with the Academy of Motion Picture Arts and Sciences in August are Pather Panchali, Aparajito,Jalsaghar, Apur Sansar, Devi, TeenKanya, Charulata, Kanchenjungha, Nayak,Kapurush, Chiriakhana, Abhijan and Parash Pathar. Mahanagar is also being screened to mark the 50th anniversary of the film.

    Two documentaries directed by Ray- commemorating writer, artist and composer Rabindranath Tagore and Satyajit Ray’s father Sukumar Ray will also be screened.

    A Masterclass on Pather Panchali by filmmaker and teacher Mamoun Hassan who headed the BFI in 1970s is also a part of the programme.

  • Prime Focus: 77% rise in q-o-q profit from operations for Q1-2014; lower net profit

    Prime Focus: 77% rise in q-o-q profit from operations for Q1-2014; lower net profit

    BENGALURU: Indian visual effect and 3-D conversion player Prime Focus Limited (Prime Focus) reported consolidated profit from operations for Q1-2014 at Rs 34.26 crore which was 76.72 per cent higher than the Rs 19.39 crore for the previous quarter Q4-2013 but was 5.85 per cent lower than the Rs 36.39 crore for Q1-2013.

    However, consolidated net profit after tax and minority interest for Q1-2014 at Rs 8.53 crore was 31.4 per cent lower than the Rs 12.44 crore for Q4-2013 and just 40.6 per cent of the Rs 20.98 crore for Q1-2013.

    Let us look at Prime Focus’ other figures for Q1-2014

    Net Sales/Income from operations on a consolidated basis for Q1-2014 at Rs 188.47 crore was almost flat (0.14 per cent higher) as compared to the Rs 188.21 crore for Q1-2013 and 4.3 per cent lower than the Rs 193.87 crore for Q4-2013.

    Prime Focus reported an exchange gain of Rs 14.06 crore in Q1-2014 which was 12.05 per cent more than the exchange gain of Rs 12.54 crore in Q1-2013. In Q4-2013 the company incurred an exchange loss of Rs 3.01 crore.

    Neglecting the exchange gain or loss, Prime Focus reported consolidated expenditure of Rs 168.26 crore which was 2.37 per cent higher than the Rs 164.36 crore in Q1-2013 and 3.6 per cent lower than the Rs 17.45 crore in Q4-2013.

    Depreciation and amortisation cost of Rs 22.47 crore for Q1-2014 was 8.2 per cent higher than the Rs 20.77 crore in Q1-2013 and 36.4 per cent lower than the Rs 35.32 crore for Q4-2013.

    Personnel cost for Q1-2014 at Rs 88.35 crore was higher by 1.2 per cent as compared to the Rs 87.29 crore in Q1-2013, but 6.1 per cent lower than the Rs 94.12 crore for Q4-2013.

    Other expenditure for Q1-2014 at Rs 51.67 crore was 24.8 per cent higher than the Rs 41.42 crore for Q1-2013 and almost flat (0.4 per cent lower) as against the Rs 51.88 crore for Q4-2014.

    Finance cost at Rs 13.05 crore for Q1-2014 was 67.5 per cent higher than the Rs 7.79 crore for Q1-2013 and 19.3 per cent more than the Rs 10.94 crore for Q4-2013.

    Exceptional Item:

    Exceptional item includes revaluation loss of Rs 82.28 crore on redemption of FCCBs of $55 million on 13 December, 2012 and also includes provision and write off of debtors amounting to Rs 25.38 crore.

    As a part of reorganisation of businesses of the group under common control, Prime Focus Technologies acquired the New York based post-production business from Prime Focus World on 1 April, 2013. As a result of this there is a write-down in the value of assets by Rs 721.68 lakh ($1.3 million) during Q1-2014.

    Notes:

    (1)  The Company has informed BSE that the Board of Directors of the Company at its meeting held on 21 June, 2013, inter alia, has transacted the following:
    a) Took on record principal terms and conditions on which Prime Focus World, N.V. proposes to raise $38,000,000 from Macquarie (UK) Group Services Limited at an Enterprise Valuation of USD 300 million.

    b) Considered and approved to provide a corporate guarantee for an amount not exceeding $44,650,000 in favour of Macquarie (UK) Group Services Limited to secure the obligations of Prime Focus World Limited, Mauritius, a wholly owned subsidiary of Prime Focus.

    (2)  The Board of Directors of Prime Focus at its meeting held on 5 August, 2013, inter-alia, has considered and approved to sell, transfer, and/or otherwise dispose of its ‘Backend Business’, which includes (a) business of providing the services of conversion of 2D audio visual/moving images to stereo 3D audio visual/moving images provided by the Company to Prime Focus World N.V., a company incorporated and operating under the laws of Netherlands (“PFW”) (‘Conversion Business’); and (b) the business of providing the services of computer generated film visual special effects by the Company to PFW (“VFX Business”),to Prime Focus World Creative Services Pvt. Ltd.’, a company incorporated in India and an indirect controlled subsidiary of the Company on a going concern basis by way of slump sale for a total consideration not less than INR equivalent of $38 million subject to the approval of the shareholders of the Company through a postal ballot and on receipt of requisite/regulatory approvals.

    Click here for Prime Focus – Financial Result