Tag: UK

  • Zees mega push in Europe

    Zees mega push in Europe

    MUMBAI: Zee Entertainment Enterprises (ZEEL) has got Europe on its radar. India’s largest private international broadcaster is looking at launching a wellness channel Veria Living in the UK; mulling a Russian launch for it; studying the prospects for an English language factual entertainment brand; and partnering with a European OTT service provider Voddler.

    This was disclosed by company chairman Subhash Chandra to Digital TV Europe. Chandra said the Indian market is ripe for healthcare content programming. “We should be launching in the coming early summer – maybe an April, May, June kind of timeframe,” he told Digital TV Europe.

    Extending its programming to Russia, Zee is also looking at having a majority stake in an existing health and wellness channel there and later pumping in dubbed content from Veria Living.

    Add to this, Zee has inked a deal with Swedish VOD firm Voddler to globally stream its premium content with initial focus on people in India, USA and Indonesia.

    The Voddler deal comes after Zee launched its Ditto TV service last year, which provides live streaming and TV on demand from Zee channels on tablet, mobile and internet platforms. Initially launched in India, Ditto TV now covers UK, Australia and New Zealand as well.

     

    A Voddler release said Zee will brand and market the OTT service globally. With Zee already delivering content to 670 million people across 168 countries globally, the deal is set to take Zee to the online platform while cashing in on the broadcaster’s over 100,000 hours of television and film programming.

     

    “Voddler is committed to bringing great content online with the world’s best cloud-based streaming technology. We’re thrilled to partner with Zee to offer their premium series and movies to fans globally. The Voddler solution scales at all data levels and makes true global online streaming feasible, both from a financial and technical perspective. To continue to build the world’s most efficient cloud-based streaming solution, we couldn’t hope for a more visionary partner than Zee,” said Voddler CEO Marcus Bäcklund in the release.

     

    Starting off with a pilot VOD service, the chosen three markets are the ones that have shown interest in Bollywood. It is due to release early 2014. Voddler’s cloud based service called VoddlerNet is capable of storing large videos at superior quality as well as save on streaming cost.

     

    Chandra said in the release: “Zee turned 20 years this fall. As we now step into our third decade, we are transforming ourselves from a broadcaster to a narrowcaster that will cater to every screen. Voddler’s solution, with its innovative streaming technology and almost limitless cloud solution, enables us to execute on that strategy fast and efficiently.”

     

    A digitaltveurope.com report reveals that at a function last week where Chandra received his doctorate of business administration from the University of East London, the Zee head honcho revealed there are four types of programming he is looking at : South Asian programming; South Asian programming repurposed for given markets, dubbed or subtitled in different languages; local production in the local languages; and global programming, produced in English language and distributed globally, again dubbed in local languages.

  • Colors sister channel Rishtey hikes ad rates

    Colors sister channel Rishtey hikes ad rates

    MUMBAI: Just over a year old and Rishtey – Viacom18’s free-to-air (FTA) channel in the UK – has taken the bold step of hiking its ad rates. Since Diwali, the channel that airs re-runs of Colors’ shows, a Pakistani series called Humsafar and some amount of original programming, has upped ad rates to double what they were at the beginning of the year, courtesy high demand and increased ratings.

     

    According to BARB ratings, Rishtey, which turned one this September, stood fifth in the Asian channels’ chart with 696000 while Colors came a close sixth with 624000.

     

    Indiacast business head (UK and Europe) Govind Shahi, says, “In the last 12 months, Rishtey has been constantly growing in term of eyeballs and is currently in demand by all brands that want to be seen by an ethnic audience. We are facing a situation where the demand is far outpacing the supply. Given the performance of the channel, which has more than doubled in terms of ratings and the demand supply chain, we thought it was the right time to go for a price hike.”

     

    While this is Rishtey’s first ad rate hike, the new rates will be applicable only to new customers with existing contracts remaining unaffected.

     

    Shahi is confident of the channel remaining on the upper side of the highest ad revenues for the year and says: “We are by far the number one South Asian FTA channel in the UK. Even at an overall level (FTA +Pay), we will end the year among the top two in terms of ad revenues. In fact, just in the last week, it has challenged the market leader in prime time slots a couple of times, which is a testimony of the success.”

     

    When it comes to the shows, Rishtey claims Parichay and Laagi Tujhse Lagan have been high performers in the past two weeks.

     

    According to industry sources, a prime time 30 second slot on Rishtey could go up to ?600 (Rs 61,105) for a mainstream advertiser depending on the ratings, while it could go up to ?100 (Rs 10,165) for an ethnic advertiser. As it is, a 30 second slot on the Bigg Boss finale is seeing heights of ?250 (Rs 25,460) from ethnic advertisers.

     

    With mainstream advertisers including Diagio, Cadbury, BT, Boots and Asda and ethnic ones such as Tilda Rice, Southall Travel, East End foods, Lycamobile, DBS Law and Westmill foods, Shahi exults: “We have the entire gamut- from FMCG to supermarkets to finance/banks to charities.”

  • #ThankYouSachin trends on Twitter for over a week

    #ThankYouSachin trends on Twitter for over a week

    MUMBAI: He is not called the living legend for no reason. As Sachin Ramesh Tendulkar bid adieu to international cricket, there was frenzy on the social media sites. Good wishes started pouring in for the cricketer from all quarters on Twitter.
    #ThankYouSachin trended for over a week on Twitter.

    According to Asterii Analytics that took a sneak peek into the magnitude of the hashtag, which was used to send wishes to Sachin, there were over 1.2 million tweets as on 17th November, 2013 with the hashtag #ThankYouSachin. Since, this hash tag was popularised by BCCI in order to send people personalised picture of Sachin with his photograph, the trend took off really well.

    Interestingly, it was in October when a Twitter user originally used the hashtag to thank Sachin and Dravid, but BCCI picked it up in November after looking at its popularity.
    Umpteen blogs were also written on Sachin using the hashtag to pay a tribute to the cricketing legend. Out of the total number, 46 per cent of the tweets were replies, while 34 per cent were original tweets and 20 per cent were retweets.

    Other hashtags like #SRT200, #SachinSachin, #Respect, #Legend etc., also trended over the week.

    As expected, around 90 per cent of the tweets were generated in India but countries like Pakistan, UK, and USA also contributed to this trend.

    Interestingly, 87 per cent of the tweeters were male while 13 per cent comprised of female fans.

    “I am really touched with #ThankYouSachin messages. Your support all these years have inspired me to give my best.” by Sachin Tendulkar was the most re-tweeted tweet. It was re-tweeted 15,772 times and was a favourite of 10,406 people on Twitter.

  • Zee’s Ditto TV makes free launch in the UK

    Zee’s Ditto TV makes free launch in the UK

    MUMBAI: The Zee Network is pretty bullish about its Ditto TV app. It has now launched it at no cost to SkyZee subscribers in the UK and also to those on other TV platforms and without a TV subscription. Phone and tablet users can download the app onto their devices and watch 17 channels at absolutely no cost, after verifying their account through a valid phone number.

     

    The app is available across all platforms, including iOS, Android and Blackberry, and there are a range of payment options to choose from, from a full monthly package to top ups via the embedded Top – up Wallet, which means subscribers can simply pay as they go.

     

    Says Zee Europe CEO Neeraj Dhingra: “Zee has been the pioneer and innovator in the media industry and with DittoTV we have demonstrated again that we are moving ahead with the times by launching a new digital platform for distribution of content across Europe. Apart from our focus on the linear channels on Sky and other platforms in UK and Europe, with DittoTV we aim to address a new segment of mobile users and make our channels easily accessible on the go. We are already seeing uplift in online subscriptions as a result.”

     

    The network has signed up Ankita Lokhande aka Archana of its most popular show Pavita Rsihta to push the app to Britasians in the UK. .The app is already proving popular with over 65,000 likes on Facebook and 7,000 app downloads to date.

  • Oogwave Brings Zero Email Initiative to India

    Oogwave Brings Zero Email Initiative to India

    MUMBAI: Thierry Breton, Chief Executive of Atos, launched the ‘zero email initiative’ in 2011. He advocated reducing internal emails by using improved communication applications and social media tools. Similarly, Ryan Holmes, chief executive of HootSuite, a social media management toolset described emails as “new pony express” and “an unproductively tool”. There is growing concern about emails reducing workplace productivity and Oogwave aims to finally address this problem in India.

    Oogwave, an innovative new startup has taken up the mantle of eradicating the old world method of corporate emails. They have created a cloud based platform for businesses to share and communicate without emails. It helps you organize, create and share data with colleagues and clients. The data is universally accessible across all devices and the Oogwave app is available on iOS and android.

    It has been estimated that managers spend between 5 to 20 hours a week just reading and writing emails. Some of the major productivity issues with emails are:-

    · E-mails frequently lead to information overload

     

    · Employees spend unnecessary time on routine communications like filtering incoming information and correspondence

     

    · Email storage is a nightmare for CIOs/IT managers, who need to invest in additional storage capacity and reduplication technology

    Commenting on the platform, Mr. Gaurav Jain, CEO, Oogwave said – “In the last 10 years, there’s been a dramatic shift in the way companies do business. All our business information is digitalized – easy to store, share and update. We work in a knowledge economy with a social media literate workforce. The young knowledge workers want to do meaningful work. We at Oogwave understand the change and believe that enterprise social networks are a far better way of encouraging collaboration and freeing businesses from the restraints of overflowing inboxes.”

    The platform has already seen huge adoption in the US, the UK, Eastern Europe and South Africa, among other countries. Over 3,400 companies are using Oogwave globally. Oogwave is expecting 3 fold growth in its customer base over 10,000 in next 15 months.

    About users of the platform, 72 per cent of customers are from professional services — knowledge-based companies where content and information is the inventory. Most of the customers use Oogwave for internal communication and to store and share content while around 22 per cent are using team task management too.

    The company has attracted funding from TLab, a division of Times Internet Ltd. It is planning to go for another round of fund raising in the next eight months to fuel growth plans.

  • Alfred Haber to exclusively distribute ITVs 90 minute special BRITs Icon: Elton John

    Alfred Haber to exclusively distribute ITVs 90 minute special BRITs Icon: Elton John

    MUMBAI: The concert was aired in September in the UK on ITV, but Alfred Haber Television has been appointed as the exclusive distributor with worldwide rights for the recently taped ITV special BRITs Icon: Elton John.

     

    The 90-minute gala concert celebrates the extraordinary life and career of music’s one and only Sir Elton John as he is awarded the first ever BRITs Icon Award for the most influential figures in music, who have had a “lasting impact” on UK culture. Created by BPI, the body that represents the UK recorded music industry, the honour was designed as an extension of the annual BRIT Awards ceremony, the UK’s largest music award show. (BRITs refers to British Record Industry Trust – the record industry’s charitable organisation).

     

    Taped live at London’s Palladium and hosted by Dermot O’Leary, the musical includes Elton’s performances of some of his greatest hits, including Your Song, Rocket Man, Tiny Dancer, Bennie and the Jets, Philadelphia Freedom, I’m Still Standing, and Sad Songs (Say So Much), performed with his close friend, superstar Rod Stewart, who presented Elton with his award. A career retrospective that salutes the rock legend’s incredible library of work, the special also features video tributes by Ringo Starr, Yoko Ono, Annie Lennox, Mumford & Sons, Bernie Taupin, Bono, Charlie Watts, Ed Sheeran, Billie Jean King and former President Bill Clinton.

     

    “Sir Elton John has won every entertainment award possible. With six Grammys, four BRITs, a Golden Globe, an Oscar, a Tony, and now the addition of a BRITs Icon Award, Elton John continues to receive the accolades he so richly deserves,” commented Haber.  “He has sold more than 250 million records globally – including the biggest selling single of all time, Candle In The Wind – and we at AHTI are honored to be a part of bringing this legendary entertainer’s work to audiences around the world.”

  • TLC launches a new India centric food series

    TLC launches a new India centric food series

    MUMBAI: The show is hosted by the award-winning UK TV home cook, food writer and stylist Ravinder Bhogal wherein she will whip up dishes from across the globe in her signature style.

     

    Discovery Networks Asia-Pacific senior VP and general manager – south Asia and head of revenue, pan-regional ad sales and southeast Asia Rahul Johri, said, “TLC is committed to present the widest range of food programmes and exciting new formats, hosted by the finest and most entertaining personalities. This festive season, we will bring a fresh talent with an Indian lineage – Ravinder Bhogal – whose delicacies will delight the most refined palate. In Ravinder’s Kitchenviewers will experience world flavours presented in a unique style.”

     

    Excited on the launch of her series on TLC, Ravinder Bhogal, said, “It feels absolutely fantastic to cook for the Indian audience. I am all set to enjoy my new relationship with the Indian viewers on the country’s favourite lifestyle channel TLC.”

     

    The showwill premiere on 28 October every night at 8 pm only on TLC.

  • Creating a global footprint for Indian cinema

    Creating a global footprint for Indian cinema

    MUMBAI: At the inauguration of the Mumbai Film Mart, it looked like that the Indian film community is all set to go global. So, while it had invited delegations from other countries like Spain to partner for co-productions, the Indian film community also made an extra effort to promote films that have been made in collaboration with other countries. Like, Qissa: The tale of a Lonely Ghost that premiered on the first day of the festival is an Indo-German-Dutch-French co-production.

    NFDC GM, executive producer & head marketing Vikramjit Roy at the inauguration of the Mumbai Film Mart on 18 October, said that to take Indian cinema beyond the confines of the country, NFDC is making many efforts. “We are primarily looking at co-production with seven or eight odd countries that India has treaties with in the near future. These include the likes of Germany, France, UK, Brazil, Italy, New Zealand and I hope Spain, Canada and Australia as well very soon.”

    Roy further went onto explain how global collaboration helps a local Indian story like Qissa to team up with local funding bodies of Europe. “For example, if you do an Indo-European co-production with any of the European countries mentioned earlier, you will get to access funds from the central European funding body and the co-producer also gets an access to various regional funds,” Roy explained.

    Qissa got funding from NRW that is located in Germany; it had funding from NFF that is a Dutch film fund and also from France. “Besides, when the film goes on floor and gets a certain positioning, you get a sales agent on board. Like, we had the Match Factory join hands with Qissa. Something like this allows for a certain positioning and global footprint.”

    We have a film called ‘Arunoday’ with France and we are hoping to do one with New Zealand soon, says Vikramjit Roy

    In fact, to widen its horizon, the festival had invited the official Spanish delegation, Spanish Federation of Producers (FAPAE) for co-productions along with senior decision makers from the Spanish Ministry, Tourism and Film Commission, who are eager to partner with the Indian film community.

    Talking about it, Institute of Cinematography and Audiovisual Arts (ICAA) Spain director general Susana de la Sierra, said: “This is the first visit from the series of visits that we have planned in the time to come. This is to strengthen our relationship with India and also possibly look at making co-productions between the two countries.”

    What makes the Spain delegation more interested in partnering with India is that both the countries are similar in terms of their cultural diversity. “Spain is far smaller than India in terms of landscape and population, but there are a lot of similarities. We both have cultural diversity. We have 17 regions within the country and apart from the national film fund, we too have regional film funds,” she added.

    I feel this is not only a really good opportunity for us to work together but also help find Spanish and Indian films their audiences believes Susana De La Sierra

    Susana looks at this as a great opportunity, not only for working together but also helping Spanish and Indian films find their audiences. “Going forward, I do see more work travelling from India to Spain and vis-?-vis, as it’s a fact that after the Indian representatives visited Spain there are several projects that have been lined up to be shot in and around Spain.”

    There are also plans to import Indian films into Spain and Spanish movies into India and this practice will only intensify further as both the countries will work hand in hand to help each other. The Spanish ministry keeps aside a fixed budget to help nurture and push the film industry to take that creative freedom and showcase the Spanish culture in all its glory.

    The Indian film community has already witnessed the popularity and profit that foreign collaborations bring. In Toronto, NFDC positioned Qissa as a global film, which helped it in achieving the Best Asian Film Award by Net pack. “We are hoping that Qissa turns out to be a trendsetter as now we have a film called Arunoday – directed by Partho Sengupta – with a French collaboration and we are hoping to do one with New Zealand soon too,” Roy added.

    Looks like Indian film community is all set to make an international footprint.

  • NEW DELHI: This year’s Indian Premier League proved to be an expose of the kind of rot that has set into what was once touted as the gentleman’s game. With the who’s who of cricket and entertainment dragged into the murky world of betting and spot-fixing,

    NEW DELHI: This year’s Indian Premier League proved to be an expose of the kind of rot that has set into what was once touted as the gentleman’s game. With the who’s who of cricket and entertainment dragged into the murky world of betting and spot-fixing,

    NEW DELHI: This year’s Indian Premier League proved to be an expose of the kind of rot that has set into what was once touted as the gentleman’s game. With the who’s who of cricket and entertainment dragged into the murky world of betting and spot-fixing, not to mention two cricketers banned for life, the focus has shifted to the possibility of legalising and regulating sports betting.

     

    At the two-day ‘Conference on Regulating Sports Betting and Sports Law’ organised by FICCI recently, experts from different walks of life, through a consensus resolution, called for stringent laws to curb fraud and doping in sports.

     

    Inaugurating the meet, former Punjab and Haryana Chief Justice and Chairman of the Supreme Court Probe Panel into the IPL 2013 Betting and Spot Fixing Scandal, Mukul Mudgal, said the time had come to stop debating whether there was a need to regulate sports betting or not. Justice Mudgal said that besides doping, one of the biggest threats to the integrity of sports was sporting fraud, which includes match fixing, spot fixing, tanking and point shaving among others.

     

    His reasons for favouring regulation included: the government would earn substantial revenue from taxing sports betting, the unauthorised manner in which betting was currently taking place was a threat to the integrity of sports and sportspersons, some grass root sports programs could very well use the money generated, unauthorised betting was a source of revenue for hardened criminals, and law-abiding citizens were getting unnecessarily exposed to such anti-social elements.

     

    Justice Mudgal opined that the rate at which winnings from betting were to be taxed could be decided by the government and that 20 per cent would not be high, considering that in some jurisdictions like Austria and UK, the taxation rate is up to 28 per cent and 25 per cent, respectively.

     

    olicitor General of India N Viswanathan added: “There are pros and cons involved in legalising and regulating betting but before that, the Government should set up an Independent Regulatory Commission to study the various aspects in depth and come out with a solution, keeping in mind the elimination of book makers.”

     

    Alex Ward, Vice President Commonwealth Lawyers Association said: “The concern in Australia about the results of gambling and betting isn’t as much as the concern about corruption, doping and match fixing. India should legalise and regulate rather than prevent betting. By regulating like in Australia, the central and state government can get more revenue for development of sports. In India, there are some social and ethical problems unlike in Australia.”

     

    Carl Rohsler, Partner in Squire Sanders (UK), LLP, and International Gambling Laws Expert said that India had a choice about whether to regulate certain forms of gambling or not. “One thing that I would like to see is a survey of gambling in India – to try to gain some understanding of the numbers involved. I would also recommend the creation of some kind of committee to formally address issues related to gambling – in order to be a repository of information and knowledge not only about gambling in India but gambling all around the world. FICCI has done a great deal to start the debate – but it cannot be expected to shoulder the whole burden. The time has come for more formal support. I stress that this is not support of gambling, but support of finding out about gambling,” he said. Among the reasons he gave for regulating gambling: the first was to protect society from harm; second to facilitate movement of money from the illegitimate to legitimate sector; third, the government was responsible for operating gambling in an honest, appropriate and transparent manner; fourth, match fixers and money launderers would find it difficult to operate in a regulated market; and finally, illegitimate operators would be kept out of such a market.

     

    Dr A Didar Singh, Secretary General, FICCI, pointed out that with an estimated $600 million betting market in India and a possible 20 per cent tax rate on profit from betting, it would rake in revenue to the tune of $ 120-190 million for the exchequer. He said the moot question of course was whether sports betting could be regulated in India like in other countries in order to aid sports development. Singh gave the example of lottery as a regulated business in India. “While there are no authentic figures about all the states in India because of the different methods adopted for accounting of lottery receipts, it is reliably learnt that a state like Kerala is getting net revenue of Rs 682 crores (FY 2012-13) through the medium of lotteries. It has been estimated that the potential revenue for all the states from lotteries would not be less than Rs10000 to Rs12000 crore a year,” he said.

     

    Meanwhile, Solicitor General of India Mohan Parasaran, in his key note speech during the session on ‘Threat to Integrity of Sports: Match Fixing and Doping’ said there had been extensive discussions between the ministries of sports, and law and youth affairs, regarding drafting modern laws on sports betting with a proposal to bring in stand-alone legislation on the subject. He said ‘The Prevention of Sporting Fraud Bill 2013’ was a step in that direction and had been drafted only after studying the laws of different countries including Denmark, Finland and Germany among others.

     

    Senior criminal advocate K T S Tulsi, in his key note address during the session on International efforts to curb sporting fraud:  Information gathering, Regulatory structure, Criminal Law and Courts said: “After the Indian Premier League fiasco, there is a big hue and cry regarding the amendments in sports law and inclusion of issues such as criminalization of sports, invoking criminal law for match fixing and betting, and strengthening of anti-doping laws but, in an effort to clean up sports, sportsmen should not be made scapegoats. Criminal law should be invoked only where a guilty intent is proved and players should not be liable of match fixing and doping on mere presumption. There should be strong evidence to prove a player’s involvement as once an allegation is made in the media, it has a tendency to stick even in the absence of any proof and the player becomes victim to a media trial even before being declared guilty by the courts. At the same time, legalizing betting would be a step in the right direction as this will ensure transparency and lead to removal of corruption from sports, which is the need of the hour.”

     

    Former Attorney General of India Soli Sorabjee said during the same session: “Betting is a natural human instinct, which is inherent to human beings – it should not be denied and time demands that it should be discussed seriously to come out with the solutions to match fixing.”

     

    Expectedly, former Sri Lankan Cricket Team Captain Arjuna Ranatunga, spoke on behalf of players: “There is a need for creating awareness and sensitising players on the consequences of doping and other sports frauds,” he said.  

     

    According to him, match fixers often do not catch top players but look out for smaller fish in top teams. On the subject of doping, he said that players coming from rural areas are not aware about the ill effects of doping and are innocent. So they need to be sensitised about various drugs and their consequences.
     

  • Akshay’s Boss gets into the Guinness Book for the largest poster

    Akshay’s Boss gets into the Guinness Book for the largest poster

    Actor Akshay Kumar’s film has created another record even before its release – it has entered the Guinness of World Records for the largest film poster in the world, a record so far held by Michael Jackson’s This Is It.

     

    Akshay’s fan club, which calls itself Team Akshay, decided to swing into action. Logistics were put into place and work had begun to make a special poster of Boss that would be the largest poster in the world which was completed in four months.

     

    The largest poster in the world was achieved and unveiled at Little Gransden Airfield, Little Gransden, UK, on 3 October. Macro Arts (UK) did the manufacturing of the poster. Incidentally, Macro Arts is the same company that had made Michael Jackson’s poster.

     

    The world’s largest poster of Boss is 58.87 metres wide and 54.94 metres high. When the Guinness officials came to measure it, it was recorded that the Indian Boss film poster had beaten Michael Jackson’s record by a 15 to 20 per cent margin.

     

    The official certification for the same was done in the UK itself and the Boss poster also finds a mention on the official Guinness website.

     

    Actor Akshay Kumar said, “It’s a matter of honour. I thank everyone who made this possible.”