Tag: UK pubcaster

  • Hollywood actress Jennifer Grey to be guest judge on Strictly Come Dancing

    Hollywood actress Jennifer Grey to be guest judge on Strictly Come Dancing

    MUMBAI: UK pubcaster the BBC has announced that Hollywood star Jennifer Grey will foxtrot into the dance based reality show ‘Strictly Come Dancing‘ as a guest judge next month.

    Stepping into Len Goodman‘s shoes for one week, Grey will join Craig Revel Horwood, Alesha Dixon and Bruno Tonioli on 5 and 6 November.

    She is most famous for her leading lady role in ‘Dirty Dancing‘. Last year she and professional partner Derek Hough were crowned champions of ‘Dancing With The Stars‘, the US version of Strictly.

    The couple achieved consistently high scores throughout Season 11 and lifted the glitter-ball trophy after revisiting their first week dance – the Viennese Waltz.

    Grey said, “I am delighted to be involved. I so look forward to making the pilgrimage to the birthplace of the greatest dance show, the mecca of spray tans and tangos, and to sit in for the great and pernickety Len Goodman.”

    Waltzing her way from the dance-floor to the judging panel, Grey will be able to draw upon her personal dancing experiences to offer a constructive critique to the remaining couples in the competition.

    Due to his commitments with both Strictly Come Dancing and Dancing With The Stars, Len Goodman will take a week off Strictly Come Dancing and will return to the judging panel from 12 November.

  • Journalists need to hold power to account: Boaden

    Journalists need to hold power to account: Boaden

    MUMBAI: “If the BBC is weak, or lacking in confidence, or isn‘t sure about its editorial judgments and methods, then it runs the risk of being pushed around…of losing its independence in all but name.”

    The cautionary note has come from BBC News director Helen Boaden.  
         
      Elaborating on the task of newsmen, Boaden has said that the journalist‘s job is to hold power to account – to shine light in dark places. But they can only do so if they have the courage of their convictions – if they have done their journalism properly – and if they are properly able to weigh up the consequences of their actions.

    Speaking on ‘Value of Journalism’ at The BBC College of Journalism and POLIS international conference, Boaden said that people are surrounded by more sources of news on more platforms than any previous generation could have imagined. But in a sea of information, opinion, misinformation and sometimes downright lies, it‘s vital to know which news you can trust.

    “So for all the innovations that have changed the broadcasting environment so rapidly, the principles – for us – are the same. It‘s important to do the right thing – whatever the pressure. That way, you build your reputation for independence and impartiality,” she added.

    Last year, the BBC News channel had record audiences for many major news stories. It recorded the highest reach of any UK news channel – 7.4 million – on the day that Gordon Brown resigned and David Cameron became prime minister. The day after the general election, 7 million watched, and 6.9 million watched the rescue of the Chilean miners. More recently, on 11 March, the channel reached a new record of 8.5 million for the Japanese earthquake. On the same day, the BBC website, too, had record traffic internationally with 15.8m unique users.

    “Our ratings for trust, impartiality and independence have also continued to rise over the last three years. There‘s a direct connection between these sets of figures. As the perception of trust and impartiality increases, so do our audiences. The BBC Trust has shown that impartiality is an important factor in the audience determining its choice of broadcast news provider,” Boaden said.

    In a major survey published last year, Ofcom found that 91 per cent of people thought it was important or very important that “news in general is impartial”. So if partisan reporting is allowed under a new Communications Act – and there are detailed arguments for and against – then the BBC will do everything it can to maintain and strengthen its tradition of impartial journalism.

    “But that means we must be strong enough, and fair and honest enough, to admit mistakes when we have made them. To hold those in power to account we have to be accountable ourselves,” Boaden noted.

    That‘s why the other side of this story is how the UK pubcaster handles complaints about its journalism. “Complaints come in all shapes and sizes. We must be strong enough not to cave in to those who complain of a red menace – as they did in the 30s – or that we are being unpatriotic in holding Fifa to account We should be confident enough to say to all our audiences – not just those in positions of power – we stand by our programmes,” she added.

    But at the same time, the coverage should be sensitive enough to be able to recognise where complaints have validity.

    Boaden offered an example. When Israeli commandos boarded a boat called the Mavi Marmara, which was bound for Gaza, in a raid that left 9 people dead last year, Panorama mounted a brave, thorough and forensic examination of what went wrong. After the programme – which was called “Death on the Med” – the BBC received 2,000 calls, letters or e-mails, three-quarters of them critical. The pubcaster estimated that a quarter of those who contacted the news outfit were part of a lobby group, using wording recommended by a particular website. In the end, however, it‘s not the volume of complaints that counts – wearying though it may be for editors – but their validity.

    Subsequently 19 complaints, raising 51 substantive points, were put to the complaints process. In this case, the Trust took pains to praise the programme as “an original, insightful and well-researched piece of journalism.” It stressed its impartiality and accuracy.

    But three points were upheld by the Trust – two relating to breaches of the BBC‘s editorial guidelines regarding accuracy and one on impartiality.

    “We apologised for the mistakes, and accepted the praise. And that, I think, is how it should be. Saying sorry should not be seen as a sign of weakness. Nor should it be seen as such by our opponents who invariably take delight in a BBC apology,” said Boaden.

    “We must be independent in our journalism, but independent-minded enough to recognise our own faults, where they exist – without anyone assuming that we are caving in to political pressure, or being pushed around. Indeed, it should be seen as a sign of institutional health – that an organisation not only stands up for its journalism, but holds up its hands if it gets things wrong – whatever the status of the complainant,” she added.

    Striking a balance between allowing all-comers to complain and making the process unduly restrictive is very hard. It means the system can be preyed on by interest groups, or individuals with an obsessive interest, or those with the time and resources to pursue an agenda of their own. Sometimes, when people complain about a lack of impartiality, they are simply trying to impose their version of the truth on the BBC. “It can be difficult for us, or unpleasant,” she said.

    Understandably, in these circumstances, editors would rather be doing the job, than answering complaints about the job. It can be time-consuming, and costly. But it can only be right that everyone is equal in the eyes of the complaints system. The alternative might be an organisation which holds power to account without being properly accountable itself.

    “So that the confidence which we need as journalists becomes arrogance. A form of pride which, inevitably, will lead to a fall. We need confidence – and we need accountability. We need systems that work in order to ensure that our journalism is robust.”

    She noted that all politicians, of whatever party, embrace the BBC‘s independence in theory – but have occasional difficulties in practice, especially when they are in power. That means it‘s important to do the right thing – whatever the pressure.

    “That way, you build your reputation for independence and impartiality. To hold power to account – we have to tell the truth as we see it, to the people who need it, independent of government and commercial interests. But we must do so freely and fairly, and in a genuine spirit of inquiry. And if you ask the questions of those in power – you must be prepared to answer them – and to acknowledge your own mistakes.

    Not only does it go with the territory. It‘s a vital part of the landscape.”

  • BBC Trust to review licence fee structure

    BBC Trust to review licence fee structure

    MUMBAI: The BBC Trust has launched a public consultation as part of a wide-ranging review into how the licence fee is collected for the UK pubcaster.

    The Trust is responsible for overseeing the licence fee collection arrangements, put in place by BBC management, and ensuring they are “efficient, appropriate and proportionate”. This is a new responsibility for the BBC’s governing body which is stated in the Royal Charter for the first time.

    BBC Truist chairman Sir Michael Lyons said, “It is use of a television, or other television receiving equipment, which dictates the need for a television licence, but the purpose of the licence fee is to pay for all BBC domestic services – on television, radio and online. For the BBC to meet its remit, and deliver the quality programmes and services the public rightly expects, it is essential it collects the funding needed.

    ” The BBC has a duty to be efficient in collecting the licence fee and to keep evasion rates as low as possible so that those people who pay are not disadvantaged by those who do not. This is an issue which arouses strong emotions, because the right balance needs to be struck between ensuring compliance with the law and avoiding any disproportionate heavy-handedness. On behalf of licence fee payers, the Trust will consider whether that balance is being struck through the processes used to collect the licence and, if there is room for improvements, we will ensure they are made.”

    The Trusts review will consider areas such as:

    – The range of payment methods available to licence fee payers and whether it is clear to people when a TV licence is needed 
    – The tone of the marketing and advertising about the TV licence 
    – The enforcement methods used by TV Licensing, including letters, visits and detection 
    – Through consultation and formal research, the Trust is seeking the public’s opinion on these issues, as well as their view on how far the BBC should pursue those who should but don’t pay the licence fee.

    The public consultation closes on 28 November 2008. The Trust will also be talking to audience groups and other interested parties and distributing information via libraries and other public places. It will be visiting TV Licensing sites to gain first-hand experience of collection and enforcement of the licence fee.

    The Trust will analyse all the evidence it collects and expects to publish its report next spring, once it reaches its final conclusions. The review will not consider settled public policy issues, such as the cost of the licence fee or whether there should be a licence fee at all.

  • BBC Trust begins public value test into local video proposal

    BBC Trust begins public value test into local video proposal

    MUMBAI: The BBC Trust has started its public value test (PVT) of UK pubcaster the BBC’s local video proposal. The Trust has published BBC management’s application as well as supporting documents, a service description and a full timetable for the PVT.

    BBC Trustee and Chair of the Trust’s Public Value and Fair Trading Committee Diane Coyle says, “Last year the Trust challenged BBC management to respond to licence fee payers wanting better local services. We wanted a proposal that would deliver public value with minimum adverse impact on local newspapers and other commercial media services.

    “We have now received the management’s application and are publishing their plans today. BBC management’s proposal for a local video broadband offer to complement existing BBC Local websites supersedes previous plans for a local television service. BBC management believes the proposition will help the BBC meet its public purposes and close the gap between the importance that audiences attach to the BBC’s local role and their view of current performance.

    “The Trust is inviting all interested parties to participate in our consultation on BBC management’s proposals. We want to receive all comments – positive and negative – from the public and the industry before we consider the application in detail. This input from people outside the BBC will be essential to the Trust reaching a decision in the interest of licence fee payers. Once we reach our initial conclusions, the Trust will consult again.”

    The new Charter, which came into effect in January 2007, transferred to the Trust responsibilities previously held by the Secretary of State for deciding major service-related investment proposals. The Trust must carry out a transparent and systematic process of scrutiny and evaluation before reaching its final decision.

    The public value test has three main parts:

    Public value assessment (PVA) by the Trust Unit
    Market impact assessment (MIA) by Ofcom
    The Trust’s decision

    The process includes two periods of public consultation. The first four-week consultation period allows contributions from interested parties about any relevant issue. A further period of consultation takes place after the Trust publishes its provisional conclusions. The Trust is scheduled to reach its provisional conclusion in November 2008 and its final decision in February 2009. Both will be published. This PVT is expected to complete within eight months, rather than the usual six, owing to the time needed to complete the more complex market impact assessment for this service.

    Ofcom is beginning its four-week consultation prior to conducting its market impact assessment of BBC management’s proposals.

  • BBC Trust announces public value test into local video proposal

    BBC Trust announces public value test into local video proposal

    MUMBAI: The BBC Trust’s Public Value and Fair Trading Committee has decided to apply a public value test (PVT) to UK pubcaster the BBC’s local video proposal.

    The PVT will begin on 24 June 2008. Documentation – including the BBC Executive’s application document and a timetable for the process – will be published at that time. The date marks the start of a four-week consultation period for both the public value assessment by the Trust and the market impact assessment by Ofcom.

    The Trust expects to publish its final decision by 25 February 2009. The BBC Trust’s public value test has three components. The first is a public value assessment, carried out by the Trust. The second is a market impact assessment, carried out by Ofcom to terms agreed jointly by the Trust and Ofcom. These run concurrently. The third is the Trust’s consideration of both assessments: the public value test, resulting in the Trust’s provisional conclusions which it publishes for consultation before reaching its final decision.

  • Ben Wilson is BBC deputy head of press

    Ben Wilson is BBC deputy head of press

    MUMBAI: UK pubcaster The BBC has appointed Ben Wilson to the new role of deputy head of press in the BBC Press Office.

    Reporting to head of press Donald Steel, Wilson will be a senior spokesman for the pubcaster, working across the BBC’s corporate and other communications activities.

    Wilson is currently the head of news at the department for communities and local government, and will take up his new post later in the Spring. He succeeds Sarah Williams, who left at the end of last year to take up a senior role in BBC Worldwide.

    Steel said, “I am delighted to have someone of Ben’s calibre join the BBC Press Office team. He has wide experience and an outstanding track record and will bring much to one of the busiest press offices in the country.”

    Wilson said, “I am delighted to be joining the BBC – a broadcaster valued by the British public and a leader in innovation both at home and abroad. These are exciting and challenging times for the BBC and I look forward to playing a part in its future.”

  • BBC Magazines to launch weekly football title ‘Match of the Day’

    BBC Magazines to launch weekly football title ‘Match of the Day’

    MUMBAI: UK pubcaster BBC’s commercial arm BBC Worldwide has announced that BBC Magazines is to launch a new weekly football magazine Match of the Day aimed at 8-14-year olds. On sale every Tuesday, it will launch next month.

    Inspired by the programme, Match of the Day aims to position itself as the must-read title for all young football fans. It will be packed with star interviews, match results and tables from the weekend, the hottest football gossip, posters, quizzes and competitions.

    The magazine also includes an eight-page pull-out skills guide, encouraging children to get active and to increase their chances of becoming a star of the future. The first issue features an interview with Manchester United star Cristiano Ronaldo.

    Supporting the magazine, motdmag.com will feature bespoke football games and up-to-the-minute statistics, which users can personalise to their own team.

    The magazine’s publisher Duncan Gray says, “Match of the Day is one of the biggest brands in sport and we’re hoping to build on this success with Match of the Day magazine.

    “Research has shown there is significant demand for a title aimed at 8-14-year olds focused not only on the star teams and players, but also encouraging young football fans to increase their own knowledge and improve their own game.”

    The title has a strong and experienced editorial team behind it.

    The magazine’s editor Ian Foster says, “I’m very excited about the launch of Match of the Day magazine and am confident that the mix of star interviews, results, gossip and skills advice will prove hugely popular with football-mad youngsters.”

    A TV ad campaign in the UK will support the launch.

  • BBC to cap premium rate for programe phone-ins

    MUMBAI: UK pubcaster the BBC will introduce a new policy this week to bring greater clarity to audiences in the way programmes which use premium rate phone calls are priced.

    From this week, calls to BBC programmes using premium rate telephony are to be capped at 15 pence. The only exception to this will be in programmes directly related to a charity appeal, such as Comic Relief, Children in Need or Restoration.

    In these cases, as now, the audience will be given a clear indication that this is happening. The new policy of having just two premium call categories – one capped at 15p for all BBC programmes and the other for any charity appeals – will make it even clearer to audiences what to expect when they interact with BBC programmes in competitions or votes.

    At the moment a number of BBC programmes not directly related to a charitable appeal, such as Strictly Come Dancing, take the opportunity to raise a small additional sum for the charities by increasing the call price, usually by 10 pence. This will no longer happen under the new policy.

    BBC DG Mark Thompson said, “BBC programmes do not make money from premium rate calls and we’ve always told viewers and listeners the costs of calling to enter competitions or to vote. But I want this to be even clearer.

    “In future, audiences can be clear that these calls will be capped at 15 pence unless they are directly related to a charity appeal. I do understand that this will mean that slightly less money will go to the charities as a result of the new policy, but we’re already talking to them about other ways of supporting their work.”

    The new policy is part of a range of measures the Corporation, with the approval of the BBC Trust, is to take prior to the return of competitions on the BBC.

    A new Code of Conduct (bbc.co.uk/competitionspolicy) was announced last month.

    The code is the BBC’s undertaking to its audiences on the running of competitions and voting, and will be widely publicised to the general public.

    45 per cent (7,200) of applicable BBC staff have already attended the mandatory training course Safeguarding Trust which was launched in November following concerns over competitions and editorial breaches.

    A limited number of competitions will return to the BBC in a phased manner from January 2008, beginning with Goal Of The Month on Match Of The Day on BBC One and Pop Master on the Ken Bruce show on BBC Radio 2.

    A range of measures have been put in place prior to the return of competitions.

    These include:

    All staff involved in the running of a competition must have attended the BBC’s Safeguarding Trust training and the additional training this programme offers in running competitions and voting

    A reduction in the number of competitions to be held on BBC programmes

    Any proposed competition must have very senior level prior approval

    The competition must be supervised by an appropriate editorial figure, and this arrangement must be approved in advance

    A senior executive in each BBC Division will advise on any potential issues that may arise from competitions and how approval processes are being bedded down in their division

    All use of premium rate phone lines must have the prior approval of the BBC’s Editorial Policy Department

    BBC programmes are to make audiences aware of the new Code of Conduct on air.

    Thompson adds, “The public pay for the BBC, indeed they own the BBC, and quite rightly they have higher expectations of us than of any other broadcaster. Trust in our integrity, our determination to deal fairly and honestly with our audiences, is the most precious thing the BBC possesses.

    “The BBC has followed a policy of confronting problems, disclosing everything and giving the public a clear explanation of what we are doing to get things right. Early indications are that our audiences approve of what we’ve done. After an understandable dip, our ratings for trust are recovering.”

  • BBC invites pitches for youth shows in UK

    MUMBAI: Finding original drama for a younger audience remains an ambition for UK pubcaster the BBC. It has invited a range of in-house and independent production companies to pitch two series for young audiences to be broadcast on BBC Three and BBC Switch in the UK.

    The shows will air in 2009 and have a fully integrated multimedia campaign to run alongside the series.

    BBC Three controller Danny Cohen says, “Building loyalty with young viewers is crucial to BBC Three. Developing a slate of returnable, authentic and youthful drama can play a vital role in this.”

    BBC Switch controller Andy Parfit says, “BBC Switch is a distinctive offer for UK teenagers across BBC Radio, TV and on the web. Producing originated British drama for this audience is key for us and I welcome the opportunity to work with Danny on this important collaboration.”

    The series will follow in the footsteps of other recently-commissioned dramas which will include Spooks Liberty, P.A.s and Things I Haven’t Told You.

  • BBC’s Upstaged invites public to make a show of themselves

    MUMBAI: UK pubcaster BBC appeals to all UK residents to participate in its new show Upstaged. The show is open to anyone across the UK who thinks they are interesting enough to keep the nation entertained for eight hours.

    What contestants do is completely up to them – the more unusual, wilder and wackier, the better, says a release.

    As long as the online community vote to include them in the show, they can do whatever they want. By visiting bbc.co.uk/upstaged, potential contestants can find out more about this unique new show and get details about how they can apply to take part.

    Even if they just have an idea that they think might be interesting, they can drop the Upstaged team a line via the website to let them know about it.

    The eight-week programme will see the first five weeks exclusively shown on the BBC Three website, with the final three weeks being accompanied by coverage on BBC Three.

    The entertainment takes place in two huge 15 x 25 ft glass boxes, both in full public view in the Millennium Square in Bristol, which will double up as stages, performance spaces, exhibition spaces or platforms.

    So from artists to musicians, from sculptors to those needing a venue or soapbox, Upstaged is the place to be. In a twist from other shows, who goes in and who goes out – and ultimately who wins – is entirely in the hands of the online community.

    This method of programme-making involving both TV and an online community empowers the public to effectively make their own show by deciding what they watch and when they watch it. Upstaged is produced by Initial West, part of Endemol UK.