Tag: Uday Sodhi

  • PlaySuper lands $500K to make in-game shopping seamless

    PlaySuper lands $500K to make in-game shopping seamless

    MUMBAI : Gaming commerce startup, PlaySuper, has secured $500 thousand in seed funding, led by IAN Angel Fund and 100X.VC. The round attracted notable angel investors, including Uday Sodhi, KRS Jamwal, Pratham Mittal, Rajit Bhattacharya, and Ankit Das, reinforcing confidence in PlaySuper’s vision to revolutionise in-game shopping.

    The funding will accelerate product development, expand market reach, and support key hires. PlaySuper is set to launch its next-generation, hyper-personalised in-game store, enabling seamless integration without requiring game updates. The company also plans to expand into southeast Asia within six months, followed by Mena  and Latam. Additionally, it will onboard a world-class product head and strengthen its B2B partnerships team to collaborate with more gaming studios.

    Founded in April 2024 and headquartered in Gurgaon, PlaySuper is pioneering gaming commerce by allowing gamers to shop within mobile games in real time.

    PlaySuper co-founder & COO Shouradeep Chakraborty commented: ‘Gaming is the largest entertainment sector, yet mobile game retention remains a challenge. At PlaySuper, we’re transforming gaming into an interactive, rewarding, and commerce-driven experience. This funding will help us drive product innovation and strategic partnerships to make in-game commerce mainstream.’

    IAN Group co-founder Padmaja Ruparel added: ‘The gaming industry in India is expanding, but retention and monetisation remain key hurdles. PlaySuper is pioneering a new model that benefits both developers and players. With their deep industry expertise, we are confident in the team’s ability to drive this transformation.’

    PlaySuper’s founding team—Shouradeep, Upamanyu, and Abhir—are lifelong gamers and second-time entrepreneurs. Shouradeep and Upamanyu previously co-founded LectureNotes, an edtech platform that secured $2.5 million in funding in 2022. With backgrounds in gaming, Web3, and edtech, they have identified a significant opportunity at the intersection of gaming, fintech, and commerce.

    With mobile gaming retention rates in India facing a 98 per cent churn, PlaySuper introduces an innovative solution by embedding real-world rewards into games. This approach enhances player engagement while helping developers monetise effectively.

    The global gaming commerce market is valued at over $500 billion, with India’s gaming sector projected to exceed $5 billion. 

  • Vidnet 2024: The advertising opportunity beyond AVOD

    Vidnet 2024: The advertising opportunity beyond AVOD

    Mumbai: The OTT business in India is buzzing with new streamers, niche, and language offerings. However, early players are struggling as heavy content spending isn’t matching revenues, and India-specific low pricing hasn’t spurred subscriptions. Growth has plateaued as consumers return to post-COVID normalcy, preferring to binge occasionally.

    Adding to the churn is the shift towards AVOD by giants like JioCinema, offering premium events like cricket for free, with Disney+Hotstar following suit. This has strained streaming bottom lines. The rise of FAST channels is also causing industry jitters. Vidnet explores the future of the streaming ecosystem. This event was held on 19 July 2024, at Hotel Sahara Star, Mumbai.

    This panel discussed innovative advertising avenues beyond ad-supported video-on-demand (AVOD) platforms and how businesses could seize those new opportunities to reach their target audience effectively.

    The session was chaired by  Kurate Digital Consulting’s founding partner Uday Sodhi. It included the following panellists: Amazon minitv business head & director Aruna Daryanani, Sony LIV, SPNI  Sr. vice president & head of ad revenue Ranjana Mangla, Zee5, South Asia chief revenue officer Gaurav Kanwal, Marico head – media, digital marketing and Brand PR (India and Global COE) Ankit Desai, CereOne director Deepak Karnani, PubMatic senior director – customer success Harguneet Singh.

    The discussion highlighted key industry trends and perspectives on content consumption and advertising priorities. Ranjana Mangla emphasized that different video genres cater to diverse audiences, with broad appeal achieved by shows like KBC or Indian Idol, while most content targets specific niches. Understanding the addressable market and tailoring content and sponsorship strategies to meet specific goals is crucial for advertisers.

    Gaurav Kanwal pointed out that the persistent issue of trust in digital advertising necessitates a shift from efficiency to effectiveness in media planning. Advertisers should focus on outcome-based strategies and leverage data to address specific challenges and metrics, making campaigns more relevant.

    Harguneet Singh noted that advertisers are primarily focused on acquiring cost-effective impressions to maximize reach and frequency. Targeting strategies can vary from geo-specific to audience segments based on advertiser behaviour.

    Anand Makhija discussed the common comparison of YouTube’s rates with other platforms, highlighting that CPMs are often higher elsewhere. It is important to communicate the additional benefits of different platforms. The growth of connected and smart TVs is driving the industry towards hybrid models (combining AVOD and SVOD), which help transition users and enhance platform engagement.

    Aruna Daryanani shared that as publishers, we will need to meet the diverse needs of advertisers. There is no one-size fits all approach here and all media plans need to be customised based on objectives. The new brands are looking to build upper-funnel awareness, whereas the established brands are looking to build saliency and mid to lower-funnel impact. Given Amazon miniTV is tightly integrated with Amazon, advertisers benefit from Amazon’s rich content and shopping insights.

    Ankit Desai highlighted that advertisers are investing significantly in video platforms, with 50-60 per cent of their budgets allocated to video advertising, and some up to 80 per cent. Despite YouTube’s classification as short-form content, consumers perceive all video content similarly, blurring the lines between digital video and OTT platforms.

  • Kurate Digital Consulting launches in Indian market

    Kurate Digital Consulting launches in Indian market

    Digital consulting company Kurate Digital Consulting has launched in the Indian market. Kurate will focus on growing the Indian market by assisting companies in their digital transformation journey. Companies will now be able to reach out for contemporizing their business models, systems and processes and pre-empting the ever-changing user behaviour through the latest digital technology solutions.   

    According to a report published by P&S Intelligence, the digital transformation market is estimated to value $24.5 billion in 2018, and is expected to grow at a CAGR of 74.7% during 2019-2024 to reach $710 Bn. With rapid advancement in digital technology, India is the second fastest digital adapter among 17 major digital economies, according to McKinsey. 

    “Kurate Digital Consulting specialises in digital transformation by defining and creating digital strategies that help businesses redefine business models and processes in the digital era. As consumers, consumption and commerce goes digital, we will help our clients with digital strategies to transform their companies to deliver to these new-age consumers. A robust digital strategy lays out a definite plan of action for digital transformation, the success of which can be clearly measured,” said Uday Sodhi, founding partner of Kurate Digital Consulting, who has held multiple leadership positions in the Indian digital ecosystem during the last 20 years.

    The Mumbai-based company also announced that companies will now be able to undertake the digital transformation journey by integrating digital technology into all areas of a business to fundamentally change how they operate and deliver value to customers. While this might not be a priority for some, it is one of the strongest drivers of change. Companies need to adapt their business models to remain in business or they would simply perish. 

    Kurate Digital Consulting will have offices in Mumbai and Gurgaon and will be accessible to all companies in India for strategic consultation and execution of digital transformation projects. The company has five founding members who are experts in different fields across digital businesses like gaming, ecommerce, digital video/OTT, B2B businesses, B2C platforms, consumer marketing, digital marketing, brand, communication, media and content.

  • SonyLIV strengthens original content team by roping in Hotstar’s Saugata Mukherjee

    SonyLIV strengthens original content team by roping in Hotstar’s Saugata Mukherjee

    MUMBAI: As all streaming platforms in India are becoming more bullish on original content slate, Sony Pictures Networks India (SPN) is also rebuilding its digital team. Few months after handling SonyLIV’s responsibility to Danish Khan, the over-the-top (OTT) platform is roping in Saugata Mukherjee to head its original content, as per sources.

    Mukherjee has been associated with Hotstar since July 2018  as head of creative and development for Hotstar Specials. “As the creative head of the specials, my mandate is to strategise, commission, develop and curate the Specials slate for Hotstar,” as he puts it on his Linkedin profile.

    The content strategist has been associated with Star TV Network since 2013. He commissioned, acquired, incubated and produced new shows for the Star TV network. Later as the editor of Star Plus, he was responsible for acquisition, development and content strategy.

    After a long stint at SonyLIV, Uday Sodhi moved on from the organization last year. He was responsible for the introduction of its subscription model, re-launch of the platform and the international launch of SonyLIV subscriptions, among others.

    At the time of publishing the story, SonyLIV denied to comment on the news. Mukherjee was also unavailable for comment.  He is likely to join early February.

  • Internet to be disruptive force in video distribution to rural areas

    Internet to be disruptive force in video distribution to rural areas

    MUMBAI: Internet has become a new medium for delivering video to consumers. It has been reaching around 400 million consumers with a free to watch option on their mobiles. VBS 2019 organised by Indiantelevision.com created a platform for industry doyens to discuss the changing role of the internet in video distribution.

    A panel discussion of Video and Broadband Summit 2019 focused on the Internet's role in video distribution. It was moderated by digital strategy consultant Uday Sodhi with MediaKind APAC marketing head Chiranjeev Singh, Win Broadband Services MD and CEO K V Seshasayee, Jio advertising & strategy VP Mohit Kapoor and Google media and entertainment industry head Sandeep Ramesh as the panellists.

    They shared their views on the internet being a new medium of delivering content. They agreed that while the internet will impact video entertainment distribution, there is enough space in the Indian media industry for all stakeholders, from internet providers, OTT players to media networks, to co-exist and complement each other. The panellists also believe the internet has emerged as another prominent distributor in the broadcast industry.

    Google’s Ramesh briefed the audiences on how internet disrupts the videos delivered to the consumers today and how things will be going forward. He said, "From the consumer’s point of view, video on demand is a habit. Once the consumers move to video on demand, they will not come back. This will happen as it is a secular change. All entertainment will be available online, sooner or later, and consumers will have a desire to watch the content wherever they want. This change will have implications on the content makers and distributors, but from the advertising stand point, digital advertising will be benefitted."

    Jio’s Kapoor highlighted an important fact, which is the innovation of smartphones. He said that Jio introduced Jio phones which have feature phone segments and are smart phones, sold for a price between Rs 700 and Rs 1,500. Around 100 million phones have been sold and consumers are using feature phones, but not using internet for viewing content or videos. About broadband, he informed out of 250 million homes in India, 50 million homes is Jio’s target, which will be achieved. Compared to the US or any other country, India is ahead in content consumption. Currently, average consumption of internet is around 8.5 – 9 GB. Jio is offering more than 11 – 12 GBs monthly.

    Win Broadband’s Seshasayee said, “All content providers and aggregators are focusing on tier 1 and 2 cities and few are trying to reach tier 3 cities. As per the statistics, out of more than 400 million Indian viewers who do not have internet access, the ones who have the access are using 2G, which will be obsolete within two months. As per mobile consumption statistics, 60 per cent consumers are consuming videos on mobile. So, if there are places with no internet access, there are opportunities for the country providers to enter that market, make use of the available resources and find an alternate solution to the problem.”

    Sodhi said that there is a huge opportunity created by the internet, daily in the dark areas. For around 700-800 million users who do not get cable to DTH in their homes, internet may become a way for them to deliver content.

    MediaKind’s Singh said that internet has actually enabled content creators and owners to reach consumers directly, which is happening with OTT platforms. This is a challenge for linear TV. Consumers watch linear TV for live updates like breaking news. The lag between the live TV and the OTT platform for the same content is narrowing down, which is now around maximum five seconds. So, consumers are moving to OTT platforms. We need to make sure that the consumers get enough value for the services they are paying for.

    The panelists also agreed that internet is a great opportunity for LCOs as well. They can provide OTT and video service to consumers in rural areas. LCOs can also build a library of YouTube videos, but monetisation or cost should be nominal because ultimately the content is free for the consumers.

    Kapoor said that in a few years, all countries will have OTT apps. Countries will spend a huge amount of money on programming. There will be a competition but that will happen when fibre will reach homes and the app or video will show up on the screens.

    He further said that the first thing which will happen is that India will get real broadband. The starting speed will be 100 mbps and will go higher in gbps. Once broadband will be available, consumers will realise that what they are paying for. He gave an example by saying that he has not viewed cable in a while, and his TV runs on broadband. As per the statistics, there were 20 – 25 million consumers who were consuming 1 GB internet in a month, but now the number has increased to 400 million consumers using 1 GB internet in a day.

  • SonyLIV business head Uday Sodhi decides to move on

    SonyLIV business head Uday Sodhi decides to move on

    MUMBAI: Uday Sodhi, Business Head of SonyLIV, has decided to move on, after building up the digital business of Sony Pictures Networks (SPN) for almost five years. Uday will now pursue his entrepreneurial passion in the start-up space.

    SonyLIV is the pioneer in the OTT space in India. During  his stint, Uday was responsible for the introduction of its subscription model, SonyLIV's relaunch and the international launch of SonyLIV subscriptions, among many others. Under his leadership sport tournaments like Euro
    2016, FIFA World Cup 2018 and India Australia  series 2018 saw phenomenal success in terms of digital viewership.

    With Uday's movement, the mantle  of SonyLIV will now be shouldered by Danish Khan as the newly appointed business head of SPN's digital business. This will be in addition to Danish's responsibilities as Business Head of Sony Entertainment Television (SET) and Studio NEXT.

    In a career  spanning over two decades, Danish  has successfully managed teams across marketing and programming having worked with Sony MAX, SET and Star Plus in his previous avatars. Under  his leadership as business  head for SET, the channel has become the #1 Hindi General Entertainment Channel (GEC) in the country. He has brought marquee properties like Kaun Banega Crorepati and The Kapil Sharma Show to SET and created our own IPs with unique shows  like Super Dancer and Superstar Singer, which have received widespread recognition across the industry. Danish has also been instrumental in launching and nurturing the Studio NEXT business, armed with the ambition of making SPN a content leader in the M&E industry.

    Both, Danish and Uday will work on a transition plan over the next month, in consultation and partnership with relevant stakeholders. Uday's last working day at SPN will be 15 November
    2019.

    On behalf of everyone at SPN, we wish Uday success in his future endeavours and continued success to Danish in his expanded responsibilities.
     

  • SonyLIV, Applause Entertainment announce first Tamil original ‘Iru Dhuruvam’

    SonyLIV, Applause Entertainment announce first Tamil original ‘Iru Dhuruvam’

    MUMBAI : Startled at the sudden disappearance of his wife Geetha, Viktor an astute cop gets cracking on the case. But as he probes deeper, a series of gruesome murders put the entire city in panic leaving him in a predicament. What will he do next? SonyLIV, India’s first premium video on demand (VOD) platform along with Applause Entertainment, a venture of the Aditya Birla Group announced the launch of their first Tamil original ‘Iru Dhuruvam’ premiering on SonyLIV.

    Produced for Applause Entertainment by Pramod Cheruvalath’s Sign of Life Productions, the show which means ‘bipolar’ is directed and written by M Kumaran. The show begins with a series of horrific murders that put the city in a state of shock and chaos overnight. It turns out to be the work of a serial killer who quotes couplets from the “Thirukkural” (a classic Tamil text) as clues, leaving everyone at sixes and sevens. Inspector David Viktor, a hawk-eyed cop is assigned to hunt down the killer. But what happens when the hunter himself becomes a prey? As Viktor gets embroiled deeper into this strange turn of events, little does he know what lies ahead for him. While investigating the brutal murders, he himself is under the scanner for his wife’s mysterious disappearance. Is there a connection between these two events? Will this investigation lead him to his wife? The gripping series will see inspector Viktor encountering all details that will put him at crossroads of his professional and personal life.

    Running over 9 episodes, Iru Dhuruvam features actors Nandha Durairaj – one of the first popular Tamil actors venturing into the OTT space post a hiatus, Abhirami Iyer – former Miss Tamil Nadu who is a popular face in the Tamil web space, the young YouTube sensation Abdool and popular theatre and film artist Sebastin, Anisha in lead roles of this nail-biting web series, that is sure to leave you on the edge of your seat and hooked on till the end.

    Iru Dhuruvam is SonyLIV’s second content offering for its Tamil audience. Post its foray in the market in May 2019, the platform recently launched the Tamil version of its marquee show Crime Patrol with actor Ganesh Venkatraman that has got the audience talking. With tailormade stories like Iru Dhuruvam, Crime Patrol, My Marappu, Cookies and the upcoming Tamil original Aivar amongst others SonyLIV plans to pique the interest of its Tamil audience by engaging them with localised content rooted in Tamil traditions and sensibilities. Additionally, some of the most popular shows from SonyLIV include TVF originals such as Pitchers, Permanent Roommates, Tripling, along with over 40 iconic shows from Sony Pictures Networks India (SPN) content library like CID, Patiala Babes, Ladies Special, Aladdin, Beyhadh amongst others are available in Tamil to the audience for a customized entertainment experience.

    Uday Sodhi Business Head Digital Sony Pictures Networks India said, “This partnership with Applause Entertainment blends our in-depth consumer understanding with their finesse in storytelling. With ‘Iru Dhuruvam’, we plan to scale up our Tamil offerings and be the go to OTT destination for the local audience. In a cluttered market like India, such collaborations are a leap towards an evolved ecosystem and will strengthen our promise of delivering cutting edge stories in the digital space. We look forward to a long term and fruitful association with Applause Entertainment as we collaborate to diversify our content offerings for the region.”

    Sameer Nair, CEO, Applause Entertainment said, “India is a mass of niches and at Applause we want to build a diverse content repertoire to appeal to every audience palate. The launch of ‘Iru Dhuruvam’ is a step towards that direction. It marks our foray into regional content and is the first Tamil original partnership for Applause Entertainment and SonyLIV. We are excited to associate with SonyLIV and commence our journey of localized content through this show.”

  • SonyLIV and OnePlus announce a strategic alliance to boost content offering for consumers

    SonyLIV and OnePlus announce a strategic alliance to boost content offering for consumers

    MUMBAI: SonyLIV locked in a multi-year strategic partnership with OnePlus, the global technology brand ahead of their much-awaited upcoming OnePlus TV launch in India. This alliance will open access to the extensive content library of Sony Pictures Networks India for OnePlus Smart TV users spanning movies, music, sports, animation, web originals, short films and much more. SonyLIV is amongst the few selected mobile apps available as part of the much-hyped OnePlus TV launch in India.

    After bolstering its place as a leader in the premium smartphone segment in India, OnePlus is foraying to Smart TV category to strengthen its consumer connect. SonyLIV’s partnership with OnePlus TV is reflective of their brand ethos of creating an exceptional viewing experience for its 100 MN plus monthly active users, expand the market potentialities and up the ante in brand integrations. In its efforts to capture newer and wider audience segments, SonyLIV intends to strengthen the engagement quotient with OnePlus by offering its varied content to the Smart TV users.

    “Our partnership with OnePlus is a leap ahead in blending captivating stories with an innovative viewing experience. With our robust content portfolio on offer, there’s plenty to consume for OnePlus TV users. This alliance enables us to expand our consumer footprint to Indian households and boost our engagement. It’s a great starting point for the two companies, and we are excited about the journey ahead of us,” Sony Pictures Networks India digital business head Uday Sodhi said.

    “With OnePlus TV being our latest premium offering, it is important for our users to have access to content across genres and languages and we believe Sony Liv offers that experience with its extensive content portfolio. This partnership along with the superior audio and picture quality on the OnePlus TV will offer a viewing experience like never before,” OnePlus India general manager Vikas Agarwal commented.

  • 2019 to see growth of fibre-connected smart TV: SonyLIV’s Uday Sodhi

    2019 to see growth of fibre-connected smart TV: SonyLIV’s Uday Sodhi

    MUMBAI: SonyLIV, one of the first movers in the Indian OTT market recently completed six years. It is undeniable that affordability of smartphones and fall in data pricing as well as the availability of 4G played catalysts to the growth of both the industry and SonyLIV. However, Sony Pictures Networks India digital business head Uday Sodhi thinks 2019 will be the year of smart TVs connected with fibre.

    “What’s going to happen in 2019 is very interesting from an infrastructure perspective. While on the one end we are still seeing a large part of consumption happening on mobile android platforms, my guess is a lot of this is going to move very quickly from mobile, WiFi networks to smart TVs connected with fibre. I think that’s the real swing we will see going forward,” Sodhi commented.

    He said that non-mobile categories are starting to pick up with Xiaomi being a disruptor in the category. He also added that there are about 30-40 million television sets which are all set to become smart TVs through devices like Fire TV Stick and Chromecast. Apart from these, Sodhi also mentioned the effort by MSOs to launch hybrid set-top boxes. Hence, these all factors will leave a multiplied effect on content consumption.

    “While we will see growth in consumers and that consumer’s growth will double in the next 3-4 years, the amount of consumption and time spent is probably going to grow faster than the consumer adoption,” he added.

    The video-on-demand platform has also unveiled a State of Digital Entertainment 2018 report on the occasion of its six year anniversary. According to the report, the platform has witnessed a rise of seven times in total time spent on the platform. The OTT player grew by three times in terms of MAUs (monthly active users) in 2018 compared to the previous year. The report also added that the platform recorded higher growth from non-metro areas.

    FIFA World Cup, India’s cricket tour of Australia and India’s cricket tour of England were the top three successful sports events of the year for the platform by attracting 70 million, 50 million and 30 million viewers respectively.

  • Football viewership up 7% in 2018 from 5% in 2016

    Football viewership up 7% in 2018 from 5% in 2016

    MUMBAI: After Star India took the initiative to boost a variety of sports in India, other broadcasters also picked up their shovels to dig deep. It has made a sincere effort in the turnaround of Indian football with participation (to build culture), incentivisation (to build careers), and commercialisation model (to drive in viewership) which are the three building blocks to development.

    Delivering a keynote address at the Star Sports India Football Forum 2018, an initiative by SportzPower, Star Sports head marketing Rajiv Mathrani said, “The best way to predict the future is to dream it. India is not too far from playing FIFA World Cup with the increase in the number of teams, the ranking in which we are and the young talent which is coming along.”

    All India Football Federation (AIFF) general secretary Kushal Das said that AIFF will very soon launch a school-level project along with the game’s world governing body FIFA.

    According to BARC data, FIFA WC final garnered 16 million impressions in India and stood at fourth place. China (56 million impressions), Germany (21 million impressions) and France (19 million impressions) were ahead of India.  

    BARC India head- partnerships Elbert D’Silva said, “If we look at football, in 2016 the sport garnered 2 billion impressions and now till October 2018, it has garnered 3 billion impressions.”

    Football viewership has gone up from five per cent in 2016 to seven per cent in 2018.

    As of now, there are 836 million viewers who watch television across India. Out of these 836 million viewers who have access to television, 791 million or 95 per cent have consumed some sporting content across multiple TV channels. If we look at football numbers, 498 million people have sampled some content related to football in the country.

    According to D’Silva, the movement of Cristiano Ronaldo from Real Madrid to Juventus has affected the viewership. El Clasico’s impressions dropped down from 4 million to 2 million, but on the other hand, Serie A viewership doubled.

    The sports revenue in India has increased from $0.9 billion in 2016 to $1.1 billion in 2017, whereas North America has seen a spike in the revenue from $15.7 billion in 2016 to $16.2 billion in 2017.

    SPN India EVP and head digital business Uday Sodhi thinks that this year’s FIFA WC has really made football mainstream in India. “The only difference for OTT is that this is a newer medium, the forms of monetisation and the way you monetise will take more time to get established,” Sodhi added.

    ESP Properties business head Vinit Karnik said, “With multiple services coming in one set top box, the day is not too far when the gap between traditional TV and OTT will change.”

    SonyLiv has a large sports footprint, football is growing 150 per cent y-o-y, basketball is growing 3-5X. Sodhi believes that India will have a freemium business going forward to a large extent. There will be a significant amount of advertising play and subscription will then be able to create a niche for itself for premium content.