Tag: Twitter

  • BARC India partners Twitter to provide easy access to topline data

    BARC India partners Twitter to provide easy access to topline data

    MUMBAI: Continuing the evolution television ratings measurement body Broadcast Audience Research Council (BARC) India has launched its latest innovation – #BARCTweet. In partnership with Twitter, this will provide TV viewers and industry insiders with weekly ratings data on-the-go and delivered to their Twitter timeline.

     

    The new offering #BARCTweet in association with Frrole – a social data intelligence setup manning the backend software, will now make reaching out to consumers possible bringing to life one of BARC India’s key goals.

     

    To acquire the topline television audience ratings data, one simply needs to tweet with the hashtag #BARCTweet followed by the data request e.g. #BARCTweet Top 5 Telugu Programs. The industry body’s Twitter handle @BARCIndia will then reply to users with the requested information.

     

    While BARC India’s subscribers have access to all the data on a weekly basis, this unique service is available free of cost to non-subscribers, which also underlines the transparency that is at the very core of the BARC India philosophy.

    As a joint industry body, BARC India has always believed and followed the brand philosophy of communicating and engaging with stakeholders across all broadcasters, media agencies and advertisers in India.

     

    This latest step towards an open TV rating service is another in a series of advances like BARC India Media Workstation (BMW) and SpotTrek (Next day of telecast – spot monitoring and certification service).

     

    BARC India CEO Partho Dasgupta says, “In keeping with our focus on technology, BARC India is geared for new possibilities and opportunities to connect with all who are keen on knowing more about the television audience measurement service in India and are therefore proud to present a World First with the launch of hashtag #BARCTweet with the Twitter India team.”

     

    Twitter market director, South & Southeast Asia Rishi Jaitly adds, “BARC India’s ambition to innovate and create a unique value proposition for users is something we admire. Twitter believes in the power of information and this empowers all users equally, which is very exciting from a Twitter point of view.” 

  • Epic goes digital; to launch mobile app in July

    Epic goes digital; to launch mobile app in July

    MUMBAI: Epic Television Networks founder and managing director Mahesh Samat had once rightly said that the channel’s content will cross borders. Building on that philosophy, Epic, a segmented entertainment channel is set to step out of television sets and go mobile with the launch of its mobile app.

     

    Replying to an inquisitive fan, the channel’s official Twitter handle tweet read, “We’re launching the Epic channel mobile app soon where you can catch all your favourite shows. We’ll keep you posted.”

     

    Sources close to the development told Indiantelevision.com that the app will be launched in July. “It will be a subscriber based app for international markets,” says an industry source.Other details will be unfolded soon with time.

     

    “Things are under preparations and the official announcement will soon follow,” an official close to the development adds.

     

    It can be recalled that Samat had always been keen on digital. Says a media expert, “Digital is the next big thing and he wanted to sell his content online because it’s premium and not just show it free on YouTube. He has always believed that his content will travel overseas and I think this is a good move by the channel.”

     

    Moreover, as this website had earlier reported, the channel will be launching a host of new shows in July.

     

    According to a media analyst, in an era of moving screenagers, the channel has made a smart move with cost attached and this in turn will bring visibility to the premium content that it airs. 

  • Pulp Strategy takes disruptive route to launch new mobile game

    Pulp Strategy takes disruptive route to launch new mobile game

    MUMBAI: Imagine if a brand created a piece of content and consumers lapped it up weaving it into a magical fun filled visual story, which caught the imagination of 3.5 million people. What are the possibilities that it could create?

     

    Taking exactly this route, Pulp Strategy Communications embraced a disruptive campaign through online storytelling, to launch its latest gaming app Rescue’em. The campaign concentrates on breaking the existing clutter in the gaming paradigm to come up with a concept that swayed away from violence and bloodshed to be a stress buster instead. Strategists worked on a detailed story map that had an identified target audience, a powerful game plan matched with animation and processed with latest technology.

     

    Beginning with releasing a news video animated to announce Baby Bubba the cute sheep from Frolic Island is missing, Baby Bubba’s emotional parents appealed to the public to find Bubba. Sparking the curiosity of the people #BubbaMissing, started trending on Twitter as people generated conversations and content around the video driving over five lakh views on social media in just three days.

     

    The creative strategy was to generate curiosity among people and create a buzz around the game, while keeping all communication fun, trendy and bordering on hilarious. #BabyBubba, #FrolicInPanic and #RescueEm began trending in quick succession as the story unfolded.

     

    Pulp Strategy Communications spokesperson said, “We knew that with the general trend of not so positive topics on social media the clean, cuteness of missing Bubba and friends captured attention. The hashtag chosen was intriguing. People could relate to it and hence it was the ideal conversation starter. The animated video is as close to the real world as could be and the agony of parents other than Mr & Mrs Wools… well, who wouldn’t relate? It’s captivating online storytelling.”

     

    The promotional activity was divided into three phases:

     

    ·Phase one: The story of the character Bubba, missing from Frolic land was floated on social media. Hashtags like, #BubbaMissing & #FrolicInPanic started trending nationally for 11 hours. It witnessed millions of impressions and thousands of conversations trending. Various other activities like display media online, series of spoof episode videos of news reports from Frolic Island, sharing of videos via WhatsApp and strong social media reach based on content was carried out. 

     

    ·Phase two: In the second phase, the story gradually progressed with clues leading to the prime suspect called ‘Brutus’ and people started pouring their support with #SuspectingBrutus and #RescueEm on Facebook and Twitter.

     

    ·Phase three: The third phase was an off line phase where a candle light march was announced and the targeted audiences were enthused to participate in the vigil that was held at the Delhi zoo.

     

    There was live streaming of content on Twitter via very new tools Periscope and MeerKat. Consumers across five cities started holding candle vigils to support the cause via crowd sourced micro gatherings.

     

    The story line was built with vines, videos, news reports, mailers and social conversations that saw over a million views and engagements. Within 48 hours of releasing its first video, it gathered 40,000 views and over 300 shares across platforms.

  • Yash Raj Films partners Twitter to drive innovation

    Yash Raj Films partners Twitter to drive innovation

    MUMBAI: In a move to reach an audience always on the move, Yash Raj Films has teamed up with Twitter India to help reach every Indian film fan with a mobile phone.

     

    Via its Twitter handle @YRF, the film production house will send selective tweets (driven by #YRFBuzz) as SMS to users, who subscribe to the service by giving a missed call to 0-75054-75054. This feature works on any phone, any network and is a completely free of charge, for online as well as offline users.

     

    Yash Raj Films vice president – digital Anand Gurnani said, “We are on the cusp of widespread growth across mobile, web and social media. This syndicated mobility program will aim to reach mobile-friendly audiences and analyze consumption patterns and trends across web and mobile. Moreover, the move is aligned to the company’s ‘mobile-first’ approach.”

     

    Twitter India head of TV and entertainment partnerships Pratiksha Rao added, “In India, Twitter is focused on reaching every person with a mobile phone and this product is in service of that goal. We are excited about Yash Raj Films taking the initiative to make it even more accessible for fans of their movies and content to stay in touch with the latest buzz at one of India’s biggest movie production houses.”

     

    Yash Raj Films is the first production house to activate this kind of service in the entertainment vertical in India.

  • IPL frenzy spills on Twitter with 180.4 million live impressions

    IPL frenzy spills on Twitter with 180.4 million live impressions

    MUMBAI: When it comes to pure cricketing entertainment, the ongoing Indian Premier League (IPL) never disappoints. The first three weeks of this tournament have been breathless, both on field and off field i.e on social media. Fans of the tournament have not only been present at the stadiums but also on micro blogging site, Twitter. During the live match windows, 180.4 million live impressions were registered on Twitter for the matches held between 8 to 29 April 2015.

     

    The Kolkata Knight Riders (KKR) versus Mumbai Indians match held on 8 April was the top game garnering the highest live tweet impressions so far. This was followed by Mumbai Indians vs. Chennai Super Kings (17 April), Chennai Super Kings vs. Delhi Daredevils (9 April), Royal Challengers Bangalore vs. Mumbai Indians (19 April) and the Kolkata Knight Riders vs. Royal Challengers Bangalore (11 April).

     

    The following is the Twitter leader board for the most mentioned teams on Twitter in week  three of the mega sporting tournament:

    Chennai Super Kings (@Chennaiipl)

    Kolkata Knight Riders (@KKRiders)

    Royal Challenger Bangalore (@RCBTweets)

    Mumbai Indians (@mipaltan)

    Delhi Daredevils (@DelhiDaredevils)

    Rajasthan Royals (@rajasthanroyals)

    Kings XI Punjab (@lionsdenkxip)

    Sunrisers Hyderabad (@SunRisers)

     

    The most-tweeted about moments during the first three weeks of the tournament also feature several of the most-mentioned teams. The winning moment came during the one run win of @Chennaiipl over the @DelhiDaredevils, which was the most talked about moment during the IPL so far.

     

    The micro blogging site also gave out the weekly #PurpleCap and #OrangeCap honours for the most-mentioned bowlers and batsmen, respectively. For this week, the top pair is an overseas couple. Dwayne Bravo received the vote amongst batsmen, while Mitchell Starc was the most mentioned bowler. 

     

    The IPL is helping fans stay in touch through tweets via SMS for free by giving a Missed Call on 011 3008 2008. The IPL has also integrated Twitter into their official Android app with #IPLSelfie where fans can click a selfie along with their favourite team’s logo. Fans by tweeting the pic can get featured on a special page on iplt20.com on the @IPLSelfieTo add to the fun, the @IPL is posting slow motion replays of explosive on-field moments using six-second Vines.

  • Bloomberg TV looks to launch 20 new shows in 2015

    Bloomberg TV looks to launch 20 new shows in 2015

    MUMBAI: English business news channel Bloomberg TV is looking at launching as many as 20 new shows in 2015.

     

    Speaking about the line-up for 2015, Bloomberg TV India executive vice president and business head Alok Nair said, “The mood is upbeat and going forward we plan to launch more than 20 new show this year. To strengthen our content delivery, we have launched a host of new shows and segments targeted at corporate India and market viewers like Street Smart has new segments – Trading Day and Dealing Room, which captures the essential insights and early morning market trends when trading begins. Lunch Money, a mid-day wrap highlights the big stories from the markets along with Deal Street – a segment that talks about the world of venture capitalists, private equity, funding, acquisitions and everything in the world of finance. Market Movers, gives the sharpest and insightful analysis on the biggest stock the market is talking about, whereas The World of Midcaps gives a detailed insight on all the mid-cap and small-cap stocks of the day. The advertising and marketing show From Logo to Impact’s inaugural episode features BARC India Technical Committee chairman & CEO and IPG India Mediabrands’ Shashi Sinha and BARC India CEO Partho Dasgupta talking about BARC and how it is poised to redefine the ratings game.”

     

    Further elaborating on insight-mining for the channel, Nair added, “We would delve deeper into the consumer insights and government’s agenda and consistently bring content of value that our viewers and advertisers find engaging. The board has set its sight to become the business and market powerhouse across platforms.”

     

    Talking about the powerful online and social media presence of Bloomberg TV India Nair further added, “The Bloomberg TV India’s website BTVin.com has been re-designed to further improve ease of navigation, usability and end-user experience with more business news content. The channel’s website has dynamic fast-paced architecture providing access to the latest business news, latest market reports, live ticker. Viewers can also view Bloomberg TV India live on the website. In the last few months Bloomberg TV India has also managed to capitalize the social media space by connecting viewers across various platforms like Twitter with 45,600 plus followers, which is way ahead of CNBC TV18; Facebook with 85,900 plus likes, and YouTube with over 16,000 subscribers.”

  • Mobile Apps to help passengers for railways, taxi services

    Mobile Apps to help passengers for railways, taxi services

    NEW DELHI: Despite fears that the growth of Internet is not as fast as it should be, social media and apps appear to be pervading all spheres of live.

     

    Taking a cue from the heavy dependence of social media and mobile on people’s lives, the Railway Ministry has launched a portal on Complaint Management in English and Hindi to address needs of the consumers. However, the mobile application is available only in English on Android platform.

     

    The public complaints and suggestions are being monitored on a real time basis. Necessary instructions have been issued to concerned officials to finalize the complaints at the earliest. However, no time frame has been set to redress the complaints.

     

    Minister of State for Railways Manoj Sinha told the Parliament that bona fide passengers could also send their suggestions through this newly launched portal.

     

    The details of the Railway Mobile App have been given wide publicity through Indian Railways’ sharing details on its social networking sites such as Facebook and Twitter.

     

    Meanwhile, the Road Transport & Highways Ministry has finalised a draft advisory for the State Governments in consultation with stakeholders with regard to taxi-hailing services using mobile apps.

     

    The taxi hailing services or the on-demand transport aggregating services in question are covered under Section 93 of the Motor Vehicles Act, 1988.

     

    The State Governments have the power to regulate such service providers under Section 93, Minister of State for Road Transport & Highways Hon Radhakrishnan told Parliament today. 

  • Twitter empowers Premier League with fan map

    Twitter empowers Premier League with fan map

    MUMBAI: The social media platform Twitter has been more helpful than just generating social conversations. It has been useful in understanding drivers of various sports properties in areas like cricket and football. Now with the Twitter fan map, the 20 Premier League clubs can view their fans’ locations by a detailed global breakdown of their followers.

     

    As each country divides municipalities differently (counties, states, territories, etc.), Twitter has employed a technique called hexagonal binning, which divides the map into equally-sized hexagons, like a honeycomb, so you can see fandom by region instead of treating each country as one big region. 

     

    Below are a few Asia, UK and global trends that have been collated:

     

    The Asian split:

    The outlook is different in Asia, where Manchester United takes a strong grip on India and Pakistan, while battling with @ChelseaFC for control of football-mad Malaysia and Indonesia. @LFC fare slightly less well in those countries but bounce back with a big lead in Thailand. Meanwhile, @Arsenal taste success in Japan, South Korea and The Philippines.

     

    UK: Old order remains

     

    A glance at the UK map shows that Liverpool (@LFC) dominates. There are pockets of red (Manchester United, @ManUtd) and yellow (Arsenal – @Arsenal), but green is most prevalent, spreading from Merseyside north to Scotland, south towards London and into Wales and Ireland.

     

    @LFC@ManUtd and @Arsenal have 51 top-division titles between them, and that historic success shines through.

     

    Gunners take London: There are six Premier League teams in London, but one stands apart from the rest in terms of Twitter followers: @Arsenal. Not only do the Gunners have more followers in their own locale of Highbury and Islington, but they also edge out arch-rivals Tottenham (@SpursOfficial) and @ChelseaFC in their backyards. Crystal Palace (@CPFC) also see their home turned Arsenal yellow, while West Ham (@WHUFC_official) and Queens Park Rangers (@QPRFC) are shaded out by Liverpool green.

     

    Manchester City (@MCFC), meanwhile, win one valuable territory in the centre of Manchester, amid a sea of @ManUtd red.

     

    Derby day: Football centres around traditional rivalries and four of the biggest in the Premier League end with home wins. North London is very much red with @Arsenal getting the better of @SpursOfficial; The Merseyside derby sees @LFC overcome @Everton on this occasion; The battle in Manchester sees the red of @ManUtd sink the blue of @MCFC; In the Midlands it is @AVFCofficial that take ownership of Birmingham at the expense of West Brom (@wbafcofficial); And it’s @NUFC that claim the northeast with more territory than bitter rivals @SunderlandAFC.

     

    Player power: In many countries, Premier League allegiance appears to be related to, at least in part, the presence of local players. That’s evident for Suarez and Sanchez in Uruguay and Chile, and also for Edin Dzeko (@EdDzeko) in Bosnia and Herzegovina, where Manchester City takes a rare first place.

     

    Off the pitch: What other factors, beyond the more obvious ones such as player affiliation and geographical impact, could influence a team’s fan base?

     

    A few other interesting connections from the report are as follows:

    · @Arsenal break @ChelseaFC’s dominance in the Middle East by edging ahead in United Arab Emirates, which is home to their stadium and kit sponsors, Emirates Airline (@emirates).

     

    · @QPRFC hugely outperforms their average Twitter follower ranking in Malaysia, where they are seventh. Malaysian entrepreneur and the club chairman Tony Fernandes may have something to do with this.

     

    · Last word goes – as it often does in the football world – to Roman Abramovich. The Russian businessman owns @ChelseaFC, which leads with fans across Russia and the former Soviet countries.

     

    Each view of the interactive map can be Tweeted or embedded by clicking either the ‘Tweet this view’ or ‘Embed this view’ buttons at the top of the screen.

     

    The interactive map has been built by Twitter’s visualisation scientist Krist Wongsuphasawat, to discover which teams dominate each country, and where loyalties lie at a district-level in the United Kingdom.

     

    The map was created by looking at the official Twitter accounts for each team, using their followers as an indicator of allegiance (as opposed to, say, instances in which people mention a team while watching an interesting matchup or talking about a team’s rival).

     

    The primary view shows at a glance, which teams dominate each country around the world:

     

    Finding ones club: Discover how a club fares in each country. Use the ‘Zoom to’ function in the right-hand corner of the map to instantly explore your club’s presence in any given country.

     

    Compare clubs: Pick any two teams and compare where they have their biggest density of followers. Compare local rivals such as Arsenal and Chelsea FC who face each other in a London derby this Sunday.

     

    Most popular clubs: Use the dropdown menu to determine who the most popular clubs are in an area of your choice.

     

    UK: This is the only view where you can zoom right in, region-by-region, to discover a breakdown of where loyalties lie at a local UK level.

     

  • Competition Commission of India goes digital; hops on to Twitter

    Competition Commission of India goes digital; hops on to Twitter

    NEW DELHI: The Competition Commission of India (CCI) has made digital in-roads by making its debut on Twitter.

     

    CCI opened its account on the popular social networking website in order to provide prompt updates to all stakeholders, including the general public, legal community, business and the media. 

     

    The move comes at a time when the Indian government is attempting to use social media to the fullest to reach target readers.

     

    CCI’s Twitter handle is @CCI_India.

     

    While short messages will be communicated through tweets whenever possible, detailed orders will continue to be available on the website of the Commission.

     

  • IPL & Twitter launch new initiatives to enhance user experience

    IPL & Twitter launch new initiatives to enhance user experience

    MUMBAI: Continuing from their partnerships in 2013 and 2014, the Indian Premier League (IPL) and Twitter have come together for the eighth season to bring new products and experiences to enhance the cricket viewing experience for fans around the world.

     

    Cricket enthusiasts and IPL aficionados, who are online or offline, watching on any type of device or screen, those on the Twitter mobile app, desktop web to SMS will all be able to participate in the festival this year.

     

    Speaking about the partnership, IPL governing council chairman Rajiv Shukla said, “IPL has always strived to put fans first. The evolution of our partnership with Twitter means that this season will be even more accessible to fans with real-time, interactive experiences both online and offline.”

     

    Highlights of the initiatives launched are as follows:

     

    IPL Hashflags

     

    Waving the flag for your team has never been easier, as IPL will become the first sports league in the world to use hashflags on Twitter. “Hashflags are a fun and easy way to add some colour to tweets, and IPL fans on Twitter who use their favourite team’s hashtag will see that team’s flag appear after the text. The official hashtags for Hashflags are #IPL, #CSK, #DD, #KKR, #KXIP, #MI, #RCB, #RR and #SRH,” informs BCCI secretary Anurag Thakur.

     

    Missed Call to follow IPL

     

    In another global first, IPL will become the sports league that debuts the opportunity for sports fans to stay connected to their Twitter account via missed calls. Fans, who give a missed call to IPL on 011 3008 2008, will receive up to six tweets per day from @IPL that contain the hashtag #live as SMS. This service is free and will make the IPL even more accessible for fans as they can get Twitter updates from IPL even without an Internet connection.

     

    IPL Timeline 

     

    With BCCI having introduced cricket timelines on Twitter, a special IPL Timeline has been created within all of Twitter’s platforms, from iOS to Android and also twitter.com. The two distinct timelines, one each for the tournament and live games, which will give fans all they need to know, from IPL to the fans, experts to the teams. Game timelines can be found by using match specific hashtags like #KKRvMI, #CSKvDD, #KXIPvRR, #CSKvRR. Users will also be to tweet with the tournament and match hashtags from right within this timeline. For mobile, this experience is available to all users who have updated to the latest version of the Twitter app.

     

    IPL tweet-Wall-of-Fame

     

    The IPL tweet Wall of Fame will give fans an opportunity to be seen by viewers watching the IPL around the world. The IPL will select the best tweets from users tweeting with #PepsiIPL and showcase them in the live global TV broadcast of every match. Fans whose tweets are showcased on air will then receive a tweet from @IPL with the screenshot of their tweet going on live TV. These tweets will also be featured on a dedicated IPL tweet-Wall-of-Fame page on iplt20.com

     

    IPL Q&As on Periscope

     

    Innovating with live mobile video broadcast, IPL will also take fans behind-the-scenes like never before with surprise, real-time Q&As. Fans on iOS will be able to watch and type in questions to their favourite players and commentators as they engage with them from the IPL Periscope account.

     

    IPL #OrangeCap and #PurpleCap

     

    In the latest season of the IPL, fans will also have the opportunity to tweet and create their own #PurpleCap and #OrangeCap leaderboards by using #PepsiIPL and #<Player’s last name> or his Twitter handle. The results will be displayed in real-time on a special leaderboard in the IPL on Twitter section of iplt20.com from the end of Week 1 to the end of the season.

     

    Twitter India and Southeast Asia market director Rishi Jaitly said, “The IPL has led the way with cutting edge innovations and we are thrilled that they are giving Twitter users the opportunity to consume and engage with such premium content and content participation experiences again this season. It is a reflection of their commitment to reach and engage a mobile, global fanbase across all screens and devices.”