Tag: Twitter

  • Twitter initiated APAC business leadership summit #TwitterUdaan

    Twitter initiated APAC business leadership summit #TwitterUdaan

    MUMBAI: Twitter launched its first business leadership summit in Asia titled #TwitterUdaan in Gurgaon. The summit brought together approximately 200 industry leaders over thought-provoking presentations and panel discussions on the theme of #FutureForward.

    Along with Twitter’s executives, other representatives present at the inaugural forum were from Future Brands, Group M, HDFC Life, Ogilvy & Mather, OLX, PepsiCo, Starcom, Tata Motors, Unmetric, Vodafone India, Yes Bank, and Yu.

    #TwitterUdaan was punctuated with the launch of Twitter’s first-ever #TwitterInfluencerIndex, a study to understand the effects of C-Suite engagement, who are the top CEOs on Twitter are and what constitutes their success on the influential communications platform. The index highlighted the 100 top C-suite executives on Twitter from around the world. The various leaders were Mahindra Group chairman and MD Anand Mahindra, Kotak Mahindra Band executive vice chairman and MD Uday Kotak, Zomato founder and CEO Deepinder Goyal, Flipkart executive chairman and founder Sachin Bansal, Olacabs.com co-founder and CEO Bhavish Aggarwal, Snapdeal.com co-founder and CEO Kunal Bahl and InMobi founder and CEO Naveen Tewari.

    “India is the growth engine for Asia-Pacific on Twitter. We are committed to India and the launch of #TwitterUdaan is about celebrating the creativity and innovation from India. The time is ripe for India to lead innovation and we want to help them soar and leverage Twitter in the digital age,” said Twitter VP International markets Shailesh Rao. “CEO participation on Twitter leads to better communication and it is heartening to see India account for nearly 50 percent of Asia Pacific C-suite executives listed in the #TwitterInfluencerIndex.”

    The summit was focused on five big trends of 2016 i.e. live, video, disruption innovation, content marketing, data, and media-first. The opening keynote on ‘Future is Live’ was presented by Twitter managing director of Southeast Asia, India, Middle East and North Africa Parminder Singh who opened up the floor for engaging conversations with his presentation on Twitter’s live connection to culture.

    Following to that was an engaging fireside chat between FutureBrands India MD Shailesh and CEO Santosh Desai on how brands need to build authentic relationships with their customers.

    Global Brands and Agencies VP Jean-Philippe (JP) Maheu took the audience through content best practices in ‘Future is Content’ and provided insight on how to engage a customer, hold their attention and why video and media-rich content always wins on the platform.

    Brand Strategy Asia Pacific head Steven Kalifowitz challenged advertising norms, showcased case studies and ideas that stood out of the clutter, and asked brands to think out-of-the-box using innovative, disruptive strategies in ‘Disruptive Innovation’.

    Guest speaker Unmetric CEO and co-founder Lakshmanan Narayan presented a data-driven future showing how brands can use data to drive social media accountability and business outcomes.

    While Twitter Asia Pacific and emerging markets senior director product specialist Maya Hari presented on a media-first future how we are now living at a time where media is increasingly live, interactive, and visual. This led to a thought-provoking panel discussion with guest speakers from CNBC TV18, PepsiCo, Tata Motors and The Economist on how being media-forward is not an option anymore.

    #TwitterInfluencerIndex measures how influential the world’s top executives are on Twitter. The Index highlights how CEOs develop their digital influence and their ability to create an effect, change opinions and behaviours, and drive measurable outcomes using Twitter.Reach, relevance and resonance on Twitter are the cornerstones of the Index. 

  • Rajdeep Sardesai clarifies Twitter hiatus

    Rajdeep Sardesai clarifies Twitter hiatus

    MUMBAI: Indiantelevision got in touch with Rajdeep Sardesai for clarifications regarding his exit from online social networking site Twitter. The popular news anchor explained, “There are multiple reasons behind doing this. I think my account has been hacked. Why will I put such negative and harsh comments about myself on social media? For now, I am on a Twitter detox mode. Let my company decide if I should operate through our official handle or wait for some time for further clarifications. I have already sent a complaint to Twitter and have requested it to look at this”.

    On Saturday afternoon at around 3:19 pm Sardesai alleged that his Twitter account had been hacked by someone. He tweeted, “How low will some people now stoop to? Hack my account? Put out false messages? When will this end? Time to disable account. Enough is enough”.

    The veteran journalist has often complained that he and his wife Sagarika Ghosh are constantly harassed by Twitter trolls, whenever they post their opinions against any political party or the government.

  • Rajdeep Sardesai clarifies Twitter hiatus

    Rajdeep Sardesai clarifies Twitter hiatus

    MUMBAI: Indiantelevision got in touch with Rajdeep Sardesai for clarifications regarding his exit from online social networking site Twitter. The popular news anchor explained, “There are multiple reasons behind doing this. I think my account has been hacked. Why will I put such negative and harsh comments about myself on social media? For now, I am on a Twitter detox mode. Let my company decide if I should operate through our official handle or wait for some time for further clarifications. I have already sent a complaint to Twitter and have requested it to look at this”.

    On Saturday afternoon at around 3:19 pm Sardesai alleged that his Twitter account had been hacked by someone. He tweeted, “How low will some people now stoop to? Hack my account? Put out false messages? When will this end? Time to disable account. Enough is enough”.

    The veteran journalist has often complained that he and his wife Sagarika Ghosh are constantly harassed by Twitter trolls, whenever they post their opinions against any political party or the government.

  • ZooZoo emoji record 90 million impressions on Twitter in just two days

    ZooZoo emoji record 90 million impressions on Twitter in just two days

    NEW DELHI:: Vodafone India’s ZooZoo in its unique emoji avatar generated an estimate of 90 million (9 crore) impressions in just 2 days of its launch on Twitter. Zoozoo fans across the world shared their emotions, using specially designed emojis linked to two hashtags – #BeSuper and #HakkeBakke.

    Vodafone and Twitter had partnered to launch the ZooZoo in emoji avatar on 25 April, the first time that a corporate emoji was thus launched. The emoji of the Super ZooZoo appeared next to the #BeSuper and #HakkeBakke hashtag in any tweet sent worldwide.

    Speaking about this unique initiative, Vodafone India Brand and Consumer Insights National Head Siddharth Banerjee said, “With visual content gaining popularity especially among younger consumers, emojis have a broad play across all demographics. Vodafone India has always been at the forefront of providing innovative and user friendly mobile internet experience for its customers in India. Our partnership with Twitter and the customised brand emojis was yet another step in our ongoing endeavour to make mobile internet more fun, smart, engaging and easy. This innovative initiative to engage with social media savvy customers saw much success and we will be further integrating these ZooZoo emojis into our marketing and ad campaigns on social media”  

    Twitter,Business Head of India Taranjeet Singh said, “Innovation through custom emojis enhances a brand’s personality and engagement on Twitter. The Zoozoo is an established icon associated with IPL for many years now. We are proud to partner with Vodafone to introduce Zoozoo to Twitter as the first brand emoji for India this cricket season”.

    Twitter has teamed with select brands since late 2015 to co-create the branded emojis including the government’s Twitter Emoji of #MakeInIndia. Associating with Vodafone India marked the beginning of India’s first corporate brand emoji launch.

  • ZooZoo emoji record 90 million impressions on Twitter in just two days

    ZooZoo emoji record 90 million impressions on Twitter in just two days

    NEW DELHI:: Vodafone India’s ZooZoo in its unique emoji avatar generated an estimate of 90 million (9 crore) impressions in just 2 days of its launch on Twitter. Zoozoo fans across the world shared their emotions, using specially designed emojis linked to two hashtags – #BeSuper and #HakkeBakke.

    Vodafone and Twitter had partnered to launch the ZooZoo in emoji avatar on 25 April, the first time that a corporate emoji was thus launched. The emoji of the Super ZooZoo appeared next to the #BeSuper and #HakkeBakke hashtag in any tweet sent worldwide.

    Speaking about this unique initiative, Vodafone India Brand and Consumer Insights National Head Siddharth Banerjee said, “With visual content gaining popularity especially among younger consumers, emojis have a broad play across all demographics. Vodafone India has always been at the forefront of providing innovative and user friendly mobile internet experience for its customers in India. Our partnership with Twitter and the customised brand emojis was yet another step in our ongoing endeavour to make mobile internet more fun, smart, engaging and easy. This innovative initiative to engage with social media savvy customers saw much success and we will be further integrating these ZooZoo emojis into our marketing and ad campaigns on social media”  

    Twitter,Business Head of India Taranjeet Singh said, “Innovation through custom emojis enhances a brand’s personality and engagement on Twitter. The Zoozoo is an established icon associated with IPL for many years now. We are proud to partner with Vodafone to introduce Zoozoo to Twitter as the first brand emoji for India this cricket season”.

    Twitter has teamed with select brands since late 2015 to co-create the branded emojis including the government’s Twitter Emoji of #MakeInIndia. Associating with Vodafone India marked the beginning of India’s first corporate brand emoji launch.

  • Star World Premiere HD’s marketing push for Game of Thrones season 6

    Star World Premiere HD’s marketing push for Game of Thrones season 6

    MUMBAI: Star World Premiere HD premiered Game of Thrones on 26 April. The channel kick-started its campaign with extensive on-air promotions and the network’s reach. The promotions are carried across Hindi and English general entertainment channels as well as sports and infotainment.  

    The buzz only increased as the launch day appeared with countdowns across the network till the very last minute. But the buck did not stop here. The channel spread the excitement not just to its viewers but also to trade partners with a whole week of exciting on-ground activations across 8 media agencies in Bangalore, Mumbai and Delhi. The employees of these agencies experienced virtual sword fighting, traded character cards, were welcomed by a violinist playing the title track at the entrance in the morning and much more.  This 6-day long activity was a lead-in to the premiere of Game of Thrones season 6, comprising of 6 different experiences curated around the Game of Thrones theme. In fact, participation benchmarks were crossed and beyond averaging over 70 per cent as the employees participated with much anticipation and gusto.

    Game of Thrones fans are extremely active on the digital platforms, and it was only fitting that the channel went all out online. Star World Premiere HD decided to own Tuesdays as GoT Tuesdays and launched the Amazon Fanlords activity on Twitter. Starting 4 weeks prior to the show launch, every Tuesday, Twitter users could engage in contests, activities and win exclusive Game of Thrones merchandise as they became the Amazon Fanlords. The contest garnered 15 million (1.5 crore) estimated impressions on an average, every Tuesday. The Tuesday to Tuesday activity successfully commenced on 29 March and will go on till the show’s season 6 comes to an end.

    The marketing approach was taken a notch higher as the launch approached. On Twitter, Star World Premiere HD initiated the one-of-a-kind Flock to Unlock movement on 25 April to bring together fans of the show in a distinctive manner. Fans were encouraged to tweet to unlock a Game of Thrones musical promo that would be released for the first time in India. The activity garnered 74 million (7.4 crore) estimated impressions and was trending nationally for several hours claims the channel. On the launch day, GoT Tuesdays gained the highest momentum as Amazon Fanlords was not only expanded to a day-long contest online but continued on air during the episode. Viewers could answer questions during the episode itself too, to win the most exclusive Game of Thrones merchandises. The activity helped garner 107 million (10.7 crore) estimated impressions.

    Star World Premiere HD brought the world of ice and fire to Mumbai, Delhi and Bangalore with a distinctive on-ground crusade for its fans. The channel took its fans by surprise by positioning gothic Game of Thrones themed guards across popular locations near the Bandra Worli Sea Link and Carter road, Bandra in Mumbai, DLF Saket in Delhi and Forum Koramangla in Bangalore on the premiere day in the morning and evening. Some of the unsuspecting fans even received customized Game of Thrones merchandise from the guards specially made available by Star World Premiere HD.

    The Game of Thrones launch was celebrated all day long by Game of Thrones fans not only outside, but within the Star India office as well as a violinist played the iconic Game of Thrones soundtrack for all Star employees, Iive!  Not only that, Game of Thrones fans were also given a chance to enter the realm of Game of Thrones and join the hall of faces through an elaborate photo-op set-up.

    The show has managed to lure viewers and attract advertisers alike with a roster of big brands associating with it. E-commerce giant Amazon has come on board as Presenting sponsors, Maruti Suzuki Baleno is a ‘driven by’ sponsor and London Dairy and Ola Micro are ‘powered by’ sponsors. Additionally other brands that have come on board are Housing.com, Matrix and Motorola as partners and Essilor, Yamaha, Himalaya and Sunny Lite as associate sponsors.

    The ultimate television series created by D.B. Weiss and David Benioff, is not only a remarkable show with an impressive 9.4 IMDB rating but is also the most talked about show around the globe and on social media. In fact, the previous seasons of the series went on to win an astounding 190 awards and 511 nominations which includes prestigious awards like the Golden Globes, Emmys, Critic’s Choice, British Academy Television Awards, Screen Actors Guild and People’s Choice.

  • Star World Premiere HD’s marketing push for Game of Thrones season 6

    Star World Premiere HD’s marketing push for Game of Thrones season 6

    MUMBAI: Star World Premiere HD premiered Game of Thrones on 26 April. The channel kick-started its campaign with extensive on-air promotions and the network’s reach. The promotions are carried across Hindi and English general entertainment channels as well as sports and infotainment.  

    The buzz only increased as the launch day appeared with countdowns across the network till the very last minute. But the buck did not stop here. The channel spread the excitement not just to its viewers but also to trade partners with a whole week of exciting on-ground activations across 8 media agencies in Bangalore, Mumbai and Delhi. The employees of these agencies experienced virtual sword fighting, traded character cards, were welcomed by a violinist playing the title track at the entrance in the morning and much more.  This 6-day long activity was a lead-in to the premiere of Game of Thrones season 6, comprising of 6 different experiences curated around the Game of Thrones theme. In fact, participation benchmarks were crossed and beyond averaging over 70 per cent as the employees participated with much anticipation and gusto.

    Game of Thrones fans are extremely active on the digital platforms, and it was only fitting that the channel went all out online. Star World Premiere HD decided to own Tuesdays as GoT Tuesdays and launched the Amazon Fanlords activity on Twitter. Starting 4 weeks prior to the show launch, every Tuesday, Twitter users could engage in contests, activities and win exclusive Game of Thrones merchandise as they became the Amazon Fanlords. The contest garnered 15 million (1.5 crore) estimated impressions on an average, every Tuesday. The Tuesday to Tuesday activity successfully commenced on 29 March and will go on till the show’s season 6 comes to an end.

    The marketing approach was taken a notch higher as the launch approached. On Twitter, Star World Premiere HD initiated the one-of-a-kind Flock to Unlock movement on 25 April to bring together fans of the show in a distinctive manner. Fans were encouraged to tweet to unlock a Game of Thrones musical promo that would be released for the first time in India. The activity garnered 74 million (7.4 crore) estimated impressions and was trending nationally for several hours claims the channel. On the launch day, GoT Tuesdays gained the highest momentum as Amazon Fanlords was not only expanded to a day-long contest online but continued on air during the episode. Viewers could answer questions during the episode itself too, to win the most exclusive Game of Thrones merchandises. The activity helped garner 107 million (10.7 crore) estimated impressions.

    Star World Premiere HD brought the world of ice and fire to Mumbai, Delhi and Bangalore with a distinctive on-ground crusade for its fans. The channel took its fans by surprise by positioning gothic Game of Thrones themed guards across popular locations near the Bandra Worli Sea Link and Carter road, Bandra in Mumbai, DLF Saket in Delhi and Forum Koramangla in Bangalore on the premiere day in the morning and evening. Some of the unsuspecting fans even received customized Game of Thrones merchandise from the guards specially made available by Star World Premiere HD.

    The Game of Thrones launch was celebrated all day long by Game of Thrones fans not only outside, but within the Star India office as well as a violinist played the iconic Game of Thrones soundtrack for all Star employees, Iive!  Not only that, Game of Thrones fans were also given a chance to enter the realm of Game of Thrones and join the hall of faces through an elaborate photo-op set-up.

    The show has managed to lure viewers and attract advertisers alike with a roster of big brands associating with it. E-commerce giant Amazon has come on board as Presenting sponsors, Maruti Suzuki Baleno is a ‘driven by’ sponsor and London Dairy and Ola Micro are ‘powered by’ sponsors. Additionally other brands that have come on board are Housing.com, Matrix and Motorola as partners and Essilor, Yamaha, Himalaya and Sunny Lite as associate sponsors.

    The ultimate television series created by D.B. Weiss and David Benioff, is not only a remarkable show with an impressive 9.4 IMDB rating but is also the most talked about show around the globe and on social media. In fact, the previous seasons of the series went on to win an astounding 190 awards and 511 nominations which includes prestigious awards like the Golden Globes, Emmys, Critic’s Choice, British Academy Television Awards, Screen Actors Guild and People’s Choice.

  • TV meets digital; Sab TV ties up with Twitter

    TV meets digital; Sab TV ties up with Twitter

    MUMBAI: Gone are the days when the social media platform Twitter was just for a casual chit chat, it is now an important tool for mainstream media. Breaking the stereotype trend, Sab TV staying true to its brand belief of ‘Differentiation through Innovation’, brings to its audience yet another unique concept- Khidki.  The channel in partnership with television producer JD Majethia and Bollywood director Umesh Shukla has called in for entries i.e. stories from the common man through Twitter – #TweetAFunnyStory.

    The brief is that entries should encompass unique yet funny stories that one has experienced in life, something that holds a special place in one’s memories and brings out the laughs. The shortlisted stories will then be presented to the world in the form of an episodic series on the channel.

    Sab TV will give an opportunity to millions of families to tell their funny stories to the world. The viewers can submit their entries on Twitter or email them to humarifunnykahani@setindia.com. The most interesting and entertaining story will be told on-screen and the family will also get a chance to be a part of the series as the story heads towards the climax.

    Until now, the channel has received around 4,000 stories.  The show Khidki will be a half-hour weekday show. Though the channel has not finalized the date as yet, it is planning to launch the show post IPL.

    Speaking with Indiantelevision.com, Sab TV senior EVP and business head Anooj Kapoor said, “The show will be based on real life stories. So we are asking them to send their stories and incidents to us which we shall develop into an episode. At the end of that particular episode, the person who sent that incident will get a chance to appear on the show and get to talk little more about it. This will be not only give a chance to the viewer to get the sense of complete engagement, it will also make the story extremely relative to the audiences.”

    Kapoor further added, “We have to attract such stories from various platforms and therefore the partnership with Twitter became a very obvious choice because it is very easy for twitterti to tweet the story and same could be evaluated by us.”   

    The channel is following a robust marketing strategy for Khidki. Sab TV is going all out to aggressively promote the show and invite stories through innovative marketing.

    Using a unique concept, the channel is conducting marketing activation programs in the Rajdhani Express and the Shatabdi Express and some long distance trains to engage with family commuters and invite stories.  Further, window-structured ‘Khidki’ outdoor innovations have been installed to generate a buzz around the initiative. These are in addition to the traditional media mix which includes television, print, radio and outdoor. “Besides our partnership with Twitter for #TweetAFunnyStory, we are collaborating with multiple digital platforms to generate stories,” revealed Kapoor.

    Twitter is complementary to the full experience of viewing a TV channel today, with each tweet being an opportunity for channels to strengthen relationships with their audiences. Twitter India continues to build strategic partnerships with broadcasters helping them amplify their message, drive more viewers and generate more user engagement with their content on the platform

    On the partnership between the channel and Twitter India, Twitter India TV partnership head Viral Jani said, “We are coming together and inviting stories from the platform to give consumers a platform. We amplify their effort on our platform and with this initiative we want to tell to the world that it is a great example how you can use Twitter to reach out to your consumer. There is no deal per se, but it’s a partnership which can be mutually beneficial and also beneficial for our consumers.  Sab TV is not only engaging with our users, but also giving them an opportunity to be a part of a TV show. It is just a first step in the long term relationship with Sab TV. We will be in partnership with Sab TV for more events that it is planning to launch in few months, this is just a beginning.”  

    With television being one of the largest conversation generators on the platform, Twitter aims to become the second screen to TV in India engaging audiences in real-time with the best of television content. “Twitter has always been a second screen app for TV viewers, globally and as well as in India. People watch shows on television and tweet about those shows on Twitter. They love to engage with the shows, channels and celebrities who are the part of the television series. They are interested in behind the scenes, pictures, videos, and they love to do interactions, be it for a reality television show or a new show. Twitter is like a unique platform where all of them can interact with each other. Considering this, there was a hunger from the users and the TV partners, and we believe that it’s a great thing for us and for them,” concluded Jani.

     

  • TV meets digital; Sab TV ties up with Twitter

    TV meets digital; Sab TV ties up with Twitter

    MUMBAI: Gone are the days when the social media platform Twitter was just for a casual chit chat, it is now an important tool for mainstream media. Breaking the stereotype trend, Sab TV staying true to its brand belief of ‘Differentiation through Innovation’, brings to its audience yet another unique concept- Khidki.  The channel in partnership with television producer JD Majethia and Bollywood director Umesh Shukla has called in for entries i.e. stories from the common man through Twitter – #TweetAFunnyStory.

    The brief is that entries should encompass unique yet funny stories that one has experienced in life, something that holds a special place in one’s memories and brings out the laughs. The shortlisted stories will then be presented to the world in the form of an episodic series on the channel.

    Sab TV will give an opportunity to millions of families to tell their funny stories to the world. The viewers can submit their entries on Twitter or email them to humarifunnykahani@setindia.com. The most interesting and entertaining story will be told on-screen and the family will also get a chance to be a part of the series as the story heads towards the climax.

    Until now, the channel has received around 4,000 stories.  The show Khidki will be a half-hour weekday show. Though the channel has not finalized the date as yet, it is planning to launch the show post IPL.

    Speaking with Indiantelevision.com, Sab TV senior EVP and business head Anooj Kapoor said, “The show will be based on real life stories. So we are asking them to send their stories and incidents to us which we shall develop into an episode. At the end of that particular episode, the person who sent that incident will get a chance to appear on the show and get to talk little more about it. This will be not only give a chance to the viewer to get the sense of complete engagement, it will also make the story extremely relative to the audiences.”

    Kapoor further added, “We have to attract such stories from various platforms and therefore the partnership with Twitter became a very obvious choice because it is very easy for twitterti to tweet the story and same could be evaluated by us.”   

    The channel is following a robust marketing strategy for Khidki. Sab TV is going all out to aggressively promote the show and invite stories through innovative marketing.

    Using a unique concept, the channel is conducting marketing activation programs in the Rajdhani Express and the Shatabdi Express and some long distance trains to engage with family commuters and invite stories.  Further, window-structured ‘Khidki’ outdoor innovations have been installed to generate a buzz around the initiative. These are in addition to the traditional media mix which includes television, print, radio and outdoor. “Besides our partnership with Twitter for #TweetAFunnyStory, we are collaborating with multiple digital platforms to generate stories,” revealed Kapoor.

    Twitter is complementary to the full experience of viewing a TV channel today, with each tweet being an opportunity for channels to strengthen relationships with their audiences. Twitter India continues to build strategic partnerships with broadcasters helping them amplify their message, drive more viewers and generate more user engagement with their content on the platform

    On the partnership between the channel and Twitter India, Twitter India TV partnership head Viral Jani said, “We are coming together and inviting stories from the platform to give consumers a platform. We amplify their effort on our platform and with this initiative we want to tell to the world that it is a great example how you can use Twitter to reach out to your consumer. There is no deal per se, but it’s a partnership which can be mutually beneficial and also beneficial for our consumers.  Sab TV is not only engaging with our users, but also giving them an opportunity to be a part of a TV show. It is just a first step in the long term relationship with Sab TV. We will be in partnership with Sab TV for more events that it is planning to launch in few months, this is just a beginning.”  

    With television being one of the largest conversation generators on the platform, Twitter aims to become the second screen to TV in India engaging audiences in real-time with the best of television content. “Twitter has always been a second screen app for TV viewers, globally and as well as in India. People watch shows on television and tweet about those shows on Twitter. They love to engage with the shows, channels and celebrities who are the part of the television series. They are interested in behind the scenes, pictures, videos, and they love to do interactions, be it for a reality television show or a new show. Twitter is like a unique platform where all of them can interact with each other. Considering this, there was a hunger from the users and the TV partners, and we believe that it’s a great thing for us and for them,” concluded Jani.

     

  • People access Facebook 2.4 times more than Twitter and 2.0 times more than YouTube: Kirthiga Reddy

    People access Facebook 2.4 times more than Twitter and 2.0 times more than YouTube: Kirthiga Reddy

    MUMBAI: It’s very easy to overlook a fundamental fact about brands: people bring brands to life – not companies. Brands aren’t to be found in the factory or in the studio and much less in the balance sheets, but in the minds of consumers, employees, suppliers and other stakeholders. In a sense a brand is a public object – and the strongest brands are those whose consumers feel a real sense of ownership: ‘That’s My Brand’. In other words, a brand exists only in people’s mind. So today what is driving people’s mind? Who is moving people? Where is it they go before they make a decision?

    How often today do we hear in our day to day conversation that ‘On my Facebook account I read this.’ Is it really one’s Facebook account, does anybody really own it? It’s just a successful evolution of a brand that someone feels her or his Facebook account is her or his?

    People today are driven by a small screen which moves along, supplies content on demand and reacts as per the personality of its owner. A personalised interactive medium called ‘Mobile’. “The world is not going mobile, it has gone mobile” says Facebook India MD Kirthiga Reddy. She shares some verified data, “More than 142 million people access Facebook every month in India through any of the access points of which 133 million log in via mobile devices. More than 69 million people get on Facebook every day, 64 million of them through mobile.”

    So there is a humongous amount of interaction which happens daily and it happens all across India. “The diversity of Facebook is also an important factor. The data confirms that Facebook has a very strong pan India reach and this perception that Facebook is only an urban Smartphone product is not true. What we found is for every urban user there are two from other parts of India which shows a very strong distribution of people,” asserts Reddy.

    Facebook in association with IMRB has done a study which shows, “63 per cent people on Facebook use 3G connections and 37 per cent use a 2G connection to access Facebook. 70 per cent people on Facebook own a Smartphone; 88 per cent use a prepaid connection.” Despite having such high numbers which are real by nature and not sampled or extrapolated, the investment on mobile, social media and digital is far from premium. Digitally born entrepreneur The Viral Fever founder Arunabh Kumar paints the scenario in the best possible way. He says, “The ad spend on a digital video which reaches to at least 15 times more number of people when compared to TV actually is equal to one meal catering spend of a television commercial (TVC) shoot.”

    Kirthiga Reddy also echoes same sentiments, but she speaks in terms of time investment of brands. “There is a big delta when it comes to how much time brands are spending on mobile and how much time people are spending on mobile” she says. As a frontrunner of the digital wave, Facebook has taken on multiple responsibilities of educating the ecosystem and the study is one of them, “Our intention through this study is to educate people about what people are doing on Facebook, on mobile, and how this information can help them move the business fast and bridge the gap between how much time people are spending on mobile and how time the brands are investing on mobile. We invest heavily on education as this new platform needs some educating. Late last year we rolled out a multi module educating program Blueprint in association with our partners,” she further adds.

    Blueprint is a new education program that trains agencies, partners and marketers on how to use Facebook, so they can create better campaigns that drive business results. Combining online courses, in-person training and certification Blueprint offers training from campaign optimisation, how to use video on Facebook, to effective ad measurement solutions. The Blueprint program features 34 online courses under various categories such as Facebook pages, targeting, buying and managing your ads, campaign optimisation, insight and Instagram. “Since March 2015, more than 175,000 people have taken more than 500,000 course enrolments. India ranks as the second largest country signing onto Blueprint. The top five countries include the US, India, Egypt, Brazil and the UK,” informs the Facebook India team.

    Platforms such as Facebook are also used to target people in TV dark areas, informs Reddy. She cites a case study on Nestle Everyday Whitener. “Nestle wanted to target people from media (traditional media) dark areas of the northeast. One creative was created for smartphones and another one was created for feature phones. The creatives drove that brand association and emotion to the end consumer, which later translated to positive results. This is an example of brands leveraging benefits of Facebook’s pan India presence.”

    The brand interaction with this disrupting social media platform is also happening in India  feels Reddy, “Three years back,if we were having this conversation, I would have only spoken about global case studies. I did not have a single India example to share,” says she. “But today we have so many examples across all the verticals, so the explosion is already happening. In the past also we saw when TV came in and print was there, it took its time,” she informs further.

    As per the FICCI – KPMG 2016 report, TV witnessed ad spends of Rs 542.2 billion (Rs 54,220 crore) which means a 14.2 per cent growth from the previous year. Whereas the growth rate of digital advertising which witnessed a spend of Rs 60.1 billion (Rs 6,010 crore) is an overwhelming 38.2 per cent. The same report projects a 15.1 per cent growth of television despite all the digital disruption and OTT emergence. The projected spend is believed to reach Rs 617.0 billion (Rs 61,700 crore). Digital is set to see a Rs 20 billion (Rs 2,000 crore) more spends as the projected figure for 2016 is Rs 81.1 billion (Rs 8,110 crore) which means a 33.5 per cent growth.

    So is it TV versus mobile? “We say it’s TV plus mobile,” says the Facebook India MD. But, at the same time she believes mobile has an upper hand, “Mobile is a screen kept close to you while TV is kept far with many distractions in between. A study shows that mobile has 82 per cent higher retention rate and 79 per cent lower distraction rate than any other screen,” she asserts. On TV there is a fight amongst brands to buy a prime time slot which shoots the 10 second ad rate sky high. “People are on Facebook throughout the day which means the brands no longer need to wait for the evening prime time to connect with people they can connect throughout the day,” says Reddy. “There are definitely key advantages when it comes to mobile. Mobile is a medium of discovery, mobile is a medium of personalisation it is a one screen one person platform which allows you to target individually, send the right message to the right person. You are seeing the kind of businesses that you can get, it gives you many opportunities which TV doesn’t, be it a whole day phenomenon or targeting,” she further sheds light on the advantages of mobile.

    Facebook has a strong ethos when it comes to value for money or return on investment or ROI, “We believe whenever a client pays a rupee to Facebook, he could have paid the same for either a TV ad or print or any-other medium. So what we promise is that a one rupee spend on Facebook is the most effective rupee spent by the client, that is what we want to strive for,” informs Reddy.

    Facebook is currently working with more than 85 per cent of Kantar’s reported top 100 advertisers in India, which includes Unilever, P&G, PepsiCo, Coca-Cola, Amazon, Nestle, Reckitt Benckiser, Mondelez, and L’Oreal.  This also includes companies headquartered in India like Tata and ICICI Bank, India’s largest private bank, eCommerce companies like Snapdeal, Flipkart, Ola, and new companies like Craftsvilla.com. In 2014 Facebook established the Facebook Client Council to learn more and develop better ad solutions.

    The study had a few proud findings for Facebook and Reddy throws light on them, “People access Facebook 2.4 times more than Twitter and 2.0 times more than YouTube,” says she while sharing India statistics.

    Facebook is focusing on videos too, as there is no India data available when it comes to video consumption Reddy shares global figures, “Everyday there are more than 8 billion (800 crore) video views on Facebook, and more than 45 per cent of video viewing happens on mobile.”

    “We are seeing a trend, where communication is going visual and with that Facebook is evolving in terms of being a visual storytelling platform” she concludes.