Tag: Twitter

  • Twitter’s Rishi Jaitly intends ‘to move on to new opportunities’

    Twitter’s Rishi Jaitly intends ‘to move on to new opportunities’

    MUMBAI: After a four-year stint as Twitter’s Asia Pacific and Middle North East VP, Rishi Jaitly wishes to leave.

    In his tweet Jaitly said, “Today, after four years of user/business momentum in India & the region, I’m sharing my intention to move on to new opportunities, same mission.”

    In November 2012, Jailty joined Twitter as the India market director where he led Twitter’s expansion into India. In 2014, Jaitly was promoted as the India and Southeast Asia market director to lead Twitter’s efforts in India and Twitter’s growth and media partnerships across Southeast Asia.

    In 2015, he became the VP to lead the Twitter teams across Asia Pacific and the Middle East who drive strategic partnerships with the news, government, entertainment, sports, TV industries, and others in the mass and emerging media landscape.

    Jaitly also tweeted, “ Building/leading @TwitterIndia, and expanding @TwitterMedia across Asia Pacific & Middle East, was the leadership experience of a lifetime.”

    “My mission remains the same: harness tech/media’s scale to connect users/citizens to their voice/agency/leadership in places they care about.”

    “My mission remains the same: harness tech/media’s scale to connect users/citizens to their voice/agency/leadership in places they care about.”

    Prior to joining Twitter, Jaitly was a director of Knight Foundation where he led investments in technology, media, and digital tools that amplify citizen voice and unlock citizen leadership. Jaitly founded Kiva Detroit and co-founded the BME Social Network.

  • Nat Geo to showcase ‘Before The Flood’ TVC-free

    Nat Geo to showcase ‘Before The Flood’ TVC-free

    MUMBAI On the heels of last Friday’s theatrical release of the critically acclaimed film ‘Before the Flood’ in New York and Los Angeles, National Geographic Global Networks CEO, Courteney Monroe, shared the network’s plans to premier the show commercial free across digital and streaming platforms around the world as part of the network’s continued commitment to covering climate change.

    This climate-change feature documentary produced and directed by Academy Award-winning filmmaker Fisher Stevens alongside producer, Academy Award-winning actor, environmental activist and U.N. Messenger of Peace Leonardo DiCaprio will be made widely available beginning the same day as its global television premiere on Sunday, Oct. 30, at 9 p.m. ET/8 p.m. CT on National Geographic Channels in 171 countries and 45 languages.

    “In our minds, there is no more important story to tell, no more important issue facing our planet than that of climate change,” said Monroe. “At National Geographic, we believe in the power of storytelling to change the world, and this unprecedented release across digital and streaming platforms is not only a first for our network but also in our industry, underscoring how exceptional we think this film is and how passionate we are about it. We are committed to ensuring as many people as possible see this film as we head into U.S. elections.”

    The documentary will be made available for free across a record number of digital and social platforms for seven days, from Oct. 30 through Nov. 6. This includes Natgeotv.com, VOD/Video On Demand (through MVPD set-top boxes), MVPD Sites and Apps, Nat Geo TV Apps (iPhone, iPad and Apple TV, Roku, Android phones, Xbox One and 360, Samsung Connected TVs), iTunes, Hulu, YouTube, Facebook, Twitter, Amazon, Sony PlayStation, GooglePlay and more. Globally, the distribution plan is also unprecedented in every market (outlined in the chart at the end of the release).

    In addition, at the end of the film, viewers will get a five-minute sneak peek at MARS, from executive producers Brian Grazer and Ron Howard, a global-event series that tells the epic story of mankind’s thrilling quest to colonize Mars, premiering 14 November in the US (13 November globally).

  • Nat Geo to showcase ‘Before The Flood’ TVC-free

    Nat Geo to showcase ‘Before The Flood’ TVC-free

    MUMBAI On the heels of last Friday’s theatrical release of the critically acclaimed film ‘Before the Flood’ in New York and Los Angeles, National Geographic Global Networks CEO, Courteney Monroe, shared the network’s plans to premier the show commercial free across digital and streaming platforms around the world as part of the network’s continued commitment to covering climate change.

    This climate-change feature documentary produced and directed by Academy Award-winning filmmaker Fisher Stevens alongside producer, Academy Award-winning actor, environmental activist and U.N. Messenger of Peace Leonardo DiCaprio will be made widely available beginning the same day as its global television premiere on Sunday, Oct. 30, at 9 p.m. ET/8 p.m. CT on National Geographic Channels in 171 countries and 45 languages.

    “In our minds, there is no more important story to tell, no more important issue facing our planet than that of climate change,” said Monroe. “At National Geographic, we believe in the power of storytelling to change the world, and this unprecedented release across digital and streaming platforms is not only a first for our network but also in our industry, underscoring how exceptional we think this film is and how passionate we are about it. We are committed to ensuring as many people as possible see this film as we head into U.S. elections.”

    The documentary will be made available for free across a record number of digital and social platforms for seven days, from Oct. 30 through Nov. 6. This includes Natgeotv.com, VOD/Video On Demand (through MVPD set-top boxes), MVPD Sites and Apps, Nat Geo TV Apps (iPhone, iPad and Apple TV, Roku, Android phones, Xbox One and 360, Samsung Connected TVs), iTunes, Hulu, YouTube, Facebook, Twitter, Amazon, Sony PlayStation, GooglePlay and more. Globally, the distribution plan is also unprecedented in every market (outlined in the chart at the end of the release).

    In addition, at the end of the film, viewers will get a five-minute sneak peek at MARS, from executive producers Brian Grazer and Ron Howard, a global-event series that tells the epic story of mankind’s thrilling quest to colonize Mars, premiering 14 November in the US (13 November globally).

  • IoT is risk to networks; Netflix, PayPal, Twitter and Amazon temporarily shut in cyber attack

    IoT is risk to networks; Netflix, PayPal, Twitter and Amazon temporarily shut in cyber attack

    MUMBAI: Nobody is safe until everybody is safe, it is said. The most hyped and happening currency in the world of communication as well as the best weaponry in the wireless world — the Internet — was under attack. Cyber attackers can DDoS (Distributed denial of service) for a range of purposes, including censorship, protest and extortion.

    Users in Europe and Asia may, however, experience fewer problems than those in the U.S.

    The FBI and Department of Homeland Security are investigating the disruption that appears to be the result of repeated attacks on a critical internet infrastructure service.

    Major internet services including Amazon, Twitter, Spotify, Reddit, SoundCloud, OTT services like Netflix, and Airbnb, suffered severe service interruptions and outages on Friday as a US internet provider came under a cyber attack. The attack meant that millions of internet users could not access the websites of major online companies.

    Other sites experiencing issues include Boston Globe, New York Times, Box, Github, Freshbooks, Heroku and Vox Media properties.

    A map published by the website downdetector.com showed service interruptions for Level3 Communications, which is dubbed as the “backbone” internet service provider, across much of the US east coast and in Texas. Dyn, the internet service company, which manages and routes internet traffic, said that it had suffered a distributed denial of service (DDoS) attack on its domain name service shortly after 1100 GMT. The service was restored in about two hours, Dyn said.

    The website Gizmodo said it had received reports of difficulty at sites for media outlets including CNN, The Guardian, Wired, HBO and People as well as the money transfer service PayPal. Dyn, which is headquartered in New Hampshire (US), said the attack went after its domain name service, causing interruptions and slowdowns for internet users. Dyn said it was continuing to investigate.

    Amazon Web Services, which hosts some of the famed sites, including the homestay network Airbnb, and Netflix, said on its website that users experienced errors including “hostname unknown” when attempting to access hosted sites but that the problem had been resolved by 1310 GMT.

    Domain name servers are a crucial element of internet infrastructure, converting numbered Internet Protocol addresses into the domain names that allow users to connect to internet sites. DDoS attacks involve flooding websites with traffic, making them difficult to access or taking them offline entirely.

    Carbon Black founder and a former NSA engineer said that the internet continues to rely on protocols and infrastructure designed before cyber security was an issue. He said that growing interconnection of ordinary devices to the internet, the so-called “internet of things,” increased the risks to networks.

    Dyn chief strategy officer Kyle York told ABC News that DDoS attacks are daily occurrences, but this one is “just incredibly sophisticated and complex.”

    DDoS attacks are generally unsophisticated in nature. Akamai security advocate Martin McKeay said that anyone from a young hacker messing around, to hackivists, to a criminal organization or even a nation state could be behind the attack.

  • IoT is risk to networks; Netflix, PayPal, Twitter and Amazon temporarily shut in cyber attack

    IoT is risk to networks; Netflix, PayPal, Twitter and Amazon temporarily shut in cyber attack

    MUMBAI: Nobody is safe until everybody is safe, it is said. The most hyped and happening currency in the world of communication as well as the best weaponry in the wireless world — the Internet — was under attack. Cyber attackers can DDoS (Distributed denial of service) for a range of purposes, including censorship, protest and extortion.

    Users in Europe and Asia may, however, experience fewer problems than those in the U.S.

    The FBI and Department of Homeland Security are investigating the disruption that appears to be the result of repeated attacks on a critical internet infrastructure service.

    Major internet services including Amazon, Twitter, Spotify, Reddit, SoundCloud, OTT services like Netflix, and Airbnb, suffered severe service interruptions and outages on Friday as a US internet provider came under a cyber attack. The attack meant that millions of internet users could not access the websites of major online companies.

    Other sites experiencing issues include Boston Globe, New York Times, Box, Github, Freshbooks, Heroku and Vox Media properties.

    A map published by the website downdetector.com showed service interruptions for Level3 Communications, which is dubbed as the “backbone” internet service provider, across much of the US east coast and in Texas. Dyn, the internet service company, which manages and routes internet traffic, said that it had suffered a distributed denial of service (DDoS) attack on its domain name service shortly after 1100 GMT. The service was restored in about two hours, Dyn said.

    The website Gizmodo said it had received reports of difficulty at sites for media outlets including CNN, The Guardian, Wired, HBO and People as well as the money transfer service PayPal. Dyn, which is headquartered in New Hampshire (US), said the attack went after its domain name service, causing interruptions and slowdowns for internet users. Dyn said it was continuing to investigate.

    Amazon Web Services, which hosts some of the famed sites, including the homestay network Airbnb, and Netflix, said on its website that users experienced errors including “hostname unknown” when attempting to access hosted sites but that the problem had been resolved by 1310 GMT.

    Domain name servers are a crucial element of internet infrastructure, converting numbered Internet Protocol addresses into the domain names that allow users to connect to internet sites. DDoS attacks involve flooding websites with traffic, making them difficult to access or taking them offline entirely.

    Carbon Black founder and a former NSA engineer said that the internet continues to rely on protocols and infrastructure designed before cyber security was an issue. He said that growing interconnection of ordinary devices to the internet, the so-called “internet of things,” increased the risks to networks.

    Dyn chief strategy officer Kyle York told ABC News that DDoS attacks are daily occurrences, but this one is “just incredibly sophisticated and complex.”

    DDoS attacks are generally unsophisticated in nature. Akamai security advocate Martin McKeay said that anyone from a young hacker messing around, to hackivists, to a criminal organization or even a nation state could be behind the attack.

  • How to make your content viral?

    How to make your content viral?

    MUMBAI: How often do we hear the term ‘viral’? From the germination of an idea to its execution, the only target people want to achieve is making it go viral. Be it a concept or a new initiative, grabbing the maximum number of eyeballs or reaching out to the masses remains the crucial part.

    This subject was fielded by panelists consisting of Viacom18 Media group CEO Sudhanshu Vats, Twitter CEO Rahul Jaitly, The Viral Fever creative producer Shreyansh Pandey, Yash Raj Films VP Ashish Patil and AIB G. Khamba at Eemax Global Conclave 2016.

    They spoke on the topic everyone is currently excited and interest in — digital. ‘Making the viral go around’, the speakers brainstormed whether they have found or cracked any formula of making their content visible. What echoed in unison was a big ‘no’ by the panelists.

    Adding some perspective to it, Patil said, “That is the stupidest brief I can ever get for making content that should go viral.” Agreeing to that was Khamba who resonated with Patil’s thoughts. “No, we cannot do it. We try to do the best that we can with our content. Fun is the formula for us.”

    Taking the discussion a notch higher, the moderator was curious to know what the starting point is for each one of the players post the brief. “The starting point is the consumer. We don’t go about making it viral, we just hope that it happens. One should not let their ideas remain in a box. Anything can be successful and (go) viral in no time like music for eg, Coke Studio. What goes viral is not matter of functions or data,” said Patil.

    Pandey added, “Two things that are primarily important which lead to something going viral is content and experience of the user. Obviously, it varies with platforms. How users latch on to the content and what they do with it decides the virality.”

    Jaitly opined the starting point for the social media platform is knowing their audiences and their taste. “Truth and personality is what we ride high on. At Twitter, we have a software measuring not the tweets but spikes.”

    “Adding to that, authenticity is also equally important,” added Vats.

    So, what is the process of developing content and the velocity to make it viral? “What excites the consumers is the first step. Delivering it with truth, authenticity and entertainment like some nice music, champions, etc. is the second step. Third comes the right people you want this content to reach out to,” opined Patil.

    Jaitly also seconded his opinion, and said “In India, Bollywood, sports and politics content does very well for us and our strategy is to build across these ‘edges’.”

    At TVF’s office, one of the walls read “Ideas are a piece of shit.” Pandey said, “TVF’s core is story-telling. The process starts with writing posts. You should know the reaction expected by your target audience based on your observation.”

    With branded content getting popular every passing day, advertisers are partly convinced about investing in this new digital era. Developing in the right direction on the brief is one way to win the trust of the brands. Khamba shared, ” How do you work with brands is also important. Brands develop trust on the brief. Finding the trigger of the theme and delivering to the brands by value is equally crucial.”

    Patil, Pandey and Khamba also agreed on the point that the brand parameters had changed. They have started to build on the bigger theme than simply pumping money on a concept for eg, a Truly Madly Creep Qawali.

    With the sense of maturity coming amongst the advertisers, the panelists also expressed their thoughts on the need of having a measurability on content. “Majority of the return on investment comes from brands on board. The rest from talent usage, syndication, merchandising, etc. The commitment of how many views can a certain content get cannot happen.  We have to go in with our eyes open,” said Patil.

    With its reach across the globe, Jaitly opined how he has heard the pressure on revenues more in India than any other country which is something Twitter has done by providing a base for story-tellers without brands to come on board. On the other hand, Vats drew some light on their existing digital platform Voot which follows an advertising model. The VOD platform, within four months of its launch, has done well for Viacom18 Network by having 15 million active users with over 50+ brands, Vats shared, “The ‘average time spend’ on our platform is 45 minutes per user. For us, it’s about how many are watching, what content are they consuming and for how much time are they staying.”

    He further added, “There will be models going forward that will help reach the consumers. The data is crucial right now but it will come down eventually. Also, the payment gateways will evolve to make subscription easier for the viewers. Measurement cannot be ignored if you want to grow. Money follows measurement.”

    The session ended with the panelists discussing the way ahead for each of their platforms. While Patil opined that there is a new breed of celebrities on YouTube coming up, the opportunity of spin-off content is possible. “We want to create IPs and take it beyond TV or digital. Merchandising is also where we see a lot of good opportunities, he said. Pandey resonated with Patil’s thought about extending IPs and added, “Brands are difficult to get and people don’t want to pay. Extending IPs is what we would look at as the dollars lie there.”

    Khamba was of the opinion that on-ground engagement has always been fun for them and they will continue with that and sustain it going forward. “We will do high numbers and branch out,” added Khamba.

    Whereas, for Twitter, Jaitly shared that, going forward, the social media platform will enable users to share and watch live shows from across the country. He said, “The Twitter of future will open shows and videos live stream from across the country.”

    The panelists concluded by sharing that digital in India is only bound to grow and prove profitable to people who play it smart. As its always believed by most of the players in this business, the consumer remains to be the king.

     

  • How to make your content viral?

    How to make your content viral?

    MUMBAI: How often do we hear the term ‘viral’? From the germination of an idea to its execution, the only target people want to achieve is making it go viral. Be it a concept or a new initiative, grabbing the maximum number of eyeballs or reaching out to the masses remains the crucial part.

    This subject was fielded by panelists consisting of Viacom18 Media group CEO Sudhanshu Vats, Twitter CEO Rahul Jaitly, The Viral Fever creative producer Shreyansh Pandey, Yash Raj Films VP Ashish Patil and AIB G. Khamba at Eemax Global Conclave 2016.

    They spoke on the topic everyone is currently excited and interest in — digital. ‘Making the viral go around’, the speakers brainstormed whether they have found or cracked any formula of making their content visible. What echoed in unison was a big ‘no’ by the panelists.

    Adding some perspective to it, Patil said, “That is the stupidest brief I can ever get for making content that should go viral.” Agreeing to that was Khamba who resonated with Patil’s thoughts. “No, we cannot do it. We try to do the best that we can with our content. Fun is the formula for us.”

    Taking the discussion a notch higher, the moderator was curious to know what the starting point is for each one of the players post the brief. “The starting point is the consumer. We don’t go about making it viral, we just hope that it happens. One should not let their ideas remain in a box. Anything can be successful and (go) viral in no time like music for eg, Coke Studio. What goes viral is not matter of functions or data,” said Patil.

    Pandey added, “Two things that are primarily important which lead to something going viral is content and experience of the user. Obviously, it varies with platforms. How users latch on to the content and what they do with it decides the virality.”

    Jaitly opined the starting point for the social media platform is knowing their audiences and their taste. “Truth and personality is what we ride high on. At Twitter, we have a software measuring not the tweets but spikes.”

    “Adding to that, authenticity is also equally important,” added Vats.

    So, what is the process of developing content and the velocity to make it viral? “What excites the consumers is the first step. Delivering it with truth, authenticity and entertainment like some nice music, champions, etc. is the second step. Third comes the right people you want this content to reach out to,” opined Patil.

    Jaitly also seconded his opinion, and said “In India, Bollywood, sports and politics content does very well for us and our strategy is to build across these ‘edges’.”

    At TVF’s office, one of the walls read “Ideas are a piece of shit.” Pandey said, “TVF’s core is story-telling. The process starts with writing posts. You should know the reaction expected by your target audience based on your observation.”

    With branded content getting popular every passing day, advertisers are partly convinced about investing in this new digital era. Developing in the right direction on the brief is one way to win the trust of the brands. Khamba shared, ” How do you work with brands is also important. Brands develop trust on the brief. Finding the trigger of the theme and delivering to the brands by value is equally crucial.”

    Patil, Pandey and Khamba also agreed on the point that the brand parameters had changed. They have started to build on the bigger theme than simply pumping money on a concept for eg, a Truly Madly Creep Qawali.

    With the sense of maturity coming amongst the advertisers, the panelists also expressed their thoughts on the need of having a measurability on content. “Majority of the return on investment comes from brands on board. The rest from talent usage, syndication, merchandising, etc. The commitment of how many views can a certain content get cannot happen.  We have to go in with our eyes open,” said Patil.

    With its reach across the globe, Jaitly opined how he has heard the pressure on revenues more in India than any other country which is something Twitter has done by providing a base for story-tellers without brands to come on board. On the other hand, Vats drew some light on their existing digital platform Voot which follows an advertising model. The VOD platform, within four months of its launch, has done well for Viacom18 Network by having 15 million active users with over 50+ brands, Vats shared, “The ‘average time spend’ on our platform is 45 minutes per user. For us, it’s about how many are watching, what content are they consuming and for how much time are they staying.”

    He further added, “There will be models going forward that will help reach the consumers. The data is crucial right now but it will come down eventually. Also, the payment gateways will evolve to make subscription easier for the viewers. Measurement cannot be ignored if you want to grow. Money follows measurement.”

    The session ended with the panelists discussing the way ahead for each of their platforms. While Patil opined that there is a new breed of celebrities on YouTube coming up, the opportunity of spin-off content is possible. “We want to create IPs and take it beyond TV or digital. Merchandising is also where we see a lot of good opportunities, he said. Pandey resonated with Patil’s thought about extending IPs and added, “Brands are difficult to get and people don’t want to pay. Extending IPs is what we would look at as the dollars lie there.”

    Khamba was of the opinion that on-ground engagement has always been fun for them and they will continue with that and sustain it going forward. “We will do high numbers and branch out,” added Khamba.

    Whereas, for Twitter, Jaitly shared that, going forward, the social media platform will enable users to share and watch live shows from across the country. He said, “The Twitter of future will open shows and videos live stream from across the country.”

    The panelists concluded by sharing that digital in India is only bound to grow and prove profitable to people who play it smart. As its always believed by most of the players in this business, the consumer remains to be the king.

     

  • CBFC won’t ‘chill’; Pan Bahar ‘Bond’ ad banned

    CBFC won’t ‘chill’; Pan Bahar ‘Bond’ ad banned

    MUMBAI: CBFC has refused to ‘chill’ as per the wishes of the ad agency that conceived the Bond ad for a pan product. The Pierce Brosnan aka James Bond ad for the mouth freshener Pan Bahar has been banned from national and satellite television by the Central Board of Film Certification.

    Brosnan, as reported by indiantelevision.com, shocked everyone when social media got flooded with trolls and jokes around an advertisement flashing his picture holding a box of Pan Bahar instead of a gun!  The man who once defined style using his charm had now taken to Pan Bahar to look cool. Twitter, needless to say, had a field day, Indian Express reported.

    All tobacco, paan masala, alcohol ads are automatically and unconditionally banned, CBFC head Pahlaj Nihalani said. Even the liquor ads showing big stars like Saif Ali Khan and Shah Rukh, which play surrogate to sell alcohol products are illegal.

    When India woke up to a white haired Brosnan, peering intensely out from a full page ad on The Times of India, holding a jar of Pan Bahar, the nation did a double take. Soon enough, Twitter and Facebook was flooded with a wide range of mostly polarized reactions — from mildly amused to some outright offended.

    Also read:

    ‘Chill,’ says DDB Mudra to Pan Bahar-Pierce Brosnan ‘bond’

  • CBFC won’t ‘chill’; Pan Bahar ‘Bond’ ad banned

    CBFC won’t ‘chill’; Pan Bahar ‘Bond’ ad banned

    MUMBAI: CBFC has refused to ‘chill’ as per the wishes of the ad agency that conceived the Bond ad for a pan product. The Pierce Brosnan aka James Bond ad for the mouth freshener Pan Bahar has been banned from national and satellite television by the Central Board of Film Certification.

    Brosnan, as reported by indiantelevision.com, shocked everyone when social media got flooded with trolls and jokes around an advertisement flashing his picture holding a box of Pan Bahar instead of a gun!  The man who once defined style using his charm had now taken to Pan Bahar to look cool. Twitter, needless to say, had a field day, Indian Express reported.

    All tobacco, paan masala, alcohol ads are automatically and unconditionally banned, CBFC head Pahlaj Nihalani said. Even the liquor ads showing big stars like Saif Ali Khan and Shah Rukh, which play surrogate to sell alcohol products are illegal.

    When India woke up to a white haired Brosnan, peering intensely out from a full page ad on The Times of India, holding a jar of Pan Bahar, the nation did a double take. Soon enough, Twitter and Facebook was flooded with a wide range of mostly polarized reactions — from mildly amused to some outright offended.

    Also read:

    ‘Chill,’ says DDB Mudra to Pan Bahar-Pierce Brosnan ‘bond’

  • Twitter ads pro ecosystem to be created by Simplilearn

    Twitter ads pro ecosystem to be created by Simplilearn

    MUMBAI: Global professional training company Simplilearn has launched an initiative aimed at creating a larger ecosystem of Twitter-advertising aware professionals. Simplilearn is presenting educational content, powered by Twitter, as the core of its certification in Twitter Advertising which will educate marketers on how to leverage Twitter successfully for their business’s digital and social media marketing efforts.

    Twitter ads have strategically benefited Fortune 500 and small and medium enterprises in customer acquisition, customer and user engagement as well as brand building. Edric Subur from Twitter’s marketing team is presenting on the power of Twitter Advertising through Simplilearn’s Online Self-Learning (OSL) model.

    Edric Subur from Twitter’s marketing team, said, “We are really excited to work with Simplilearn to distribute a structured Twitter Ads course to thousands of marketing professionals. Many marketers are interested in leveraging Twitter Ads to grow their business but are unsure of what’s the best way to do it.”

    Simplilearn chief business officer Kashyap Dalal, said “The Certification in Twitter Advertising will also be a part of Simplilearn’s flagship offering – the Full-stack Digital Marketer Masters Program Learners on this course will be trained to make the most of Twitter’s advertising platform, gain insights into audience targeting and content strategies, and learn how to measure results accurately to gauge the success of Twitter ad campaigns.”

    Simplilearn is one of the world’s leading providers of online training for IT, Software Development, Project Management, Data Science, Cloud Computing, Digital Marketing, and many other emerging technologies.