Tag: TVF

  • TVF’s ‘ideas man’ Tarun Tripathi joins OML

    TVF’s ‘ideas man’ Tarun Tripathi joins OML

    MUMBAI: Tarun Tripathi, the brand awareness and brand solution head of The Viral Fever (TVF), the digital entertainment channel for the younger generation which seldom watches television, has joined Only Much louder (OML). 

    For the young, TVF had created a web series called Permanent Roommates, touted as the second most-viewed long-form web series. TVF had also released its second original series, TVF Pitchers, about engineers at different companies who quit to launch their startups.

    Tripathi, who states in his profile that he is in the business of ideas, has come on board OML as the chief strategy officer from 1 September, 2017.

    Tripathi joined TVF in January 2016, where he was leading branded content and marketing. Tripathi also worked for HUL’s ‘phd’ as a business head for 19 months. He was responsible for digital media buying, planning and strategy.

    Tripathi, the founder of a startup called Collectivity, a consultancy focussed on the intersection of technology, content, and the bottom of the pyramid, also worked with Myspace as the director – marketing and content (India) for 17 months. 

    Starting his career as an assistant consultant for KPMG Mauritius, he moved to Trikaya Grey in Mauritius where he wrote copies for two years and then headed Yash Raj Films’ marketing department for around six years before moving to Myspace.

    Also Read:

    Airtel & TVF create internet’s live reality show 

    ChuChu TV on YouTube records 10m subs with 154 kids videos

    Satisfying writer, client and customer is biggest challenge: Arunabh Kumar

  • Airtel & TVF create internet’s live reality show

    Airtel & TVF create internet’s live reality show

    MUMBAI: Nomophobia – the fear of being without your mobile phone or being unable to use your phone for some reason. Bringing this phobia to life with a hilarious twist is internet’s first ever live reality show, TVF is presenting — Airtel connected live. In a world where people have a fear of not being always connected through their smartphones, TVF and Airtel come together to create this first-of-a-kind live event & branded content IP in India.

    From the TVF stable, creators of the most compelling web content in India and makers of the immensely popular series like “TVF Pitchers”, “Permanent roommates”, “TVF Tripling” amongst others, comes a yet another first in its category. TVF presents Airtel connected live is a live web-reality event which will take place from August 18 – 20th. Featuring Jitendra Kumar, one of TVF’s most popular faces, lovingly called Jeetu by his fans, the live reality show will see him being dared to live alone in a house. Little does he know, TVF & Airtel have some surprises in store for him. That’s not all! Even you the viewers can throw a dare at Jeetu. Filled with 3 days of entertaining tasks playing on Webcast live on TVFPlay and on Facebook; Airtel Connected Live is an opportunity for fans to see their favourite TVF faces up close and personal. Featuring cameos from popular TVF faces like Anant Singh, Nidhi Bisht, Nidhi Singh, Biswapati Sarkar and others, Airtel Connected Live promises to take branded content on the web in India to the next level. Recently, TVF also took a step towards live entertainment by conducting its first live Truth or Dare.

    Jitendra Kumar popularly known as Jeetu shared, “My love to Airtel for supporting us crazy TVF people in this larger than life dare plan. Initially I was taking it lightly but now I am a little scared about these three days. At the same time I am also looking forward to it because it gives me a feeling of our childhood video games where our hero used to face different situations and clear all the stages successfully in the end. I am looking forward to a lot of fun and expecting the toughest and most entertaining tasks from our crazy TVF Truth vs. Dare team. Looking forward to the love and support from people out there in finishing my tasks.”

    Vineet Kanabar, Head of Marketing, TVF said, “The Viral Fever has always been a leader in experimenting with new formats of digital entertainment. Live videos on Facebook & YouTube emerged as an exciting format and we have used these extensively to entertain the audience. With Airtel Connected Live, we’re taking the next leap in digital entertainment. Interactive real-time live entertainment is the holy grail of digital branded content and we’re excited to be among the first movers in this space. Kudos to Airtel & GroupM for reposing their trust in us to take this giant leap. Stay tuned, there will be more to come in this space from us.”

    Mausumi Kar, Managing Partner, Team Airtel @ GroupM elaborated, “Airtel Connected LIVE is inspired by the popular ‘escape from locked room’ concept; but that’s where the similarity ends. The edge-of-the-seat fear and anxiety fare usually connected with this format was replaced being alien to our brand DNA. Instead the viewer is made a part of a journey of fun and humor. We are glad to partner with TVF to bring alive our idea and add the dimensions of subtle brand integrations with easy camaraderie with viewers that they have delivered.”

    Airtel spokesperson shared, “As a platform, Airtel Connected Live helps demonstrate the power of Airtel network. This is a first-of-its-kind three day continuous live activation created in conjunction with TVF that challenges all thresholds of digital engagement experienced before. It also proves how the right choice of network enables the true use of smartphones.”

  • TVF elevates Gusain as CEO as Kumar steps down

    MUMBAI: TVF, a VoD platform which had last year received Rs 660 million investment from Tiger Global Management Llc, has elevated Dhawal Gusain as the CEO. Gusain has taken over the new role from Arunabh Kumar who has decided to step down.

    Gusain has been with TVF since 2015 as the COO of the firm. With over a decade of industry experience, Gusain has been in leadership and management roles across various sectors and geographies.

    In the past, he has worked with Hindustan Unilever Limited, PwC’s strategy & (formerly Booz & Company) and DropThought (VC-backed Silicon Valley start-up) at various locations in India and the United States.

    Gusain has an MBA from Stanford Graduate School of Business and a B-Tech from IIT Kharagpur.

  • How to make your content viral?

    How to make your content viral?

    MUMBAI: How often do we hear the term ‘viral’? From the germination of an idea to its execution, the only target people want to achieve is making it go viral. Be it a concept or a new initiative, grabbing the maximum number of eyeballs or reaching out to the masses remains the crucial part.

    This subject was fielded by panelists consisting of Viacom18 Media group CEO Sudhanshu Vats, Twitter CEO Rahul Jaitly, The Viral Fever creative producer Shreyansh Pandey, Yash Raj Films VP Ashish Patil and AIB G. Khamba at Eemax Global Conclave 2016.

    They spoke on the topic everyone is currently excited and interest in — digital. ‘Making the viral go around’, the speakers brainstormed whether they have found or cracked any formula of making their content visible. What echoed in unison was a big ‘no’ by the panelists.

    Adding some perspective to it, Patil said, “That is the stupidest brief I can ever get for making content that should go viral.” Agreeing to that was Khamba who resonated with Patil’s thoughts. “No, we cannot do it. We try to do the best that we can with our content. Fun is the formula for us.”

    Taking the discussion a notch higher, the moderator was curious to know what the starting point is for each one of the players post the brief. “The starting point is the consumer. We don’t go about making it viral, we just hope that it happens. One should not let their ideas remain in a box. Anything can be successful and (go) viral in no time like music for eg, Coke Studio. What goes viral is not matter of functions or data,” said Patil.

    Pandey added, “Two things that are primarily important which lead to something going viral is content and experience of the user. Obviously, it varies with platforms. How users latch on to the content and what they do with it decides the virality.”

    Jaitly opined the starting point for the social media platform is knowing their audiences and their taste. “Truth and personality is what we ride high on. At Twitter, we have a software measuring not the tweets but spikes.”

    “Adding to that, authenticity is also equally important,” added Vats.

    So, what is the process of developing content and the velocity to make it viral? “What excites the consumers is the first step. Delivering it with truth, authenticity and entertainment like some nice music, champions, etc. is the second step. Third comes the right people you want this content to reach out to,” opined Patil.

    Jaitly also seconded his opinion, and said “In India, Bollywood, sports and politics content does very well for us and our strategy is to build across these ‘edges’.”

    At TVF’s office, one of the walls read “Ideas are a piece of shit.” Pandey said, “TVF’s core is story-telling. The process starts with writing posts. You should know the reaction expected by your target audience based on your observation.”

    With branded content getting popular every passing day, advertisers are partly convinced about investing in this new digital era. Developing in the right direction on the brief is one way to win the trust of the brands. Khamba shared, ” How do you work with brands is also important. Brands develop trust on the brief. Finding the trigger of the theme and delivering to the brands by value is equally crucial.”

    Patil, Pandey and Khamba also agreed on the point that the brand parameters had changed. They have started to build on the bigger theme than simply pumping money on a concept for eg, a Truly Madly Creep Qawali.

    With the sense of maturity coming amongst the advertisers, the panelists also expressed their thoughts on the need of having a measurability on content. “Majority of the return on investment comes from brands on board. The rest from talent usage, syndication, merchandising, etc. The commitment of how many views can a certain content get cannot happen.  We have to go in with our eyes open,” said Patil.

    With its reach across the globe, Jaitly opined how he has heard the pressure on revenues more in India than any other country which is something Twitter has done by providing a base for story-tellers without brands to come on board. On the other hand, Vats drew some light on their existing digital platform Voot which follows an advertising model. The VOD platform, within four months of its launch, has done well for Viacom18 Network by having 15 million active users with over 50+ brands, Vats shared, “The ‘average time spend’ on our platform is 45 minutes per user. For us, it’s about how many are watching, what content are they consuming and for how much time are they staying.”

    He further added, “There will be models going forward that will help reach the consumers. The data is crucial right now but it will come down eventually. Also, the payment gateways will evolve to make subscription easier for the viewers. Measurement cannot be ignored if you want to grow. Money follows measurement.”

    The session ended with the panelists discussing the way ahead for each of their platforms. While Patil opined that there is a new breed of celebrities on YouTube coming up, the opportunity of spin-off content is possible. “We want to create IPs and take it beyond TV or digital. Merchandising is also where we see a lot of good opportunities, he said. Pandey resonated with Patil’s thought about extending IPs and added, “Brands are difficult to get and people don’t want to pay. Extending IPs is what we would look at as the dollars lie there.”

    Khamba was of the opinion that on-ground engagement has always been fun for them and they will continue with that and sustain it going forward. “We will do high numbers and branch out,” added Khamba.

    Whereas, for Twitter, Jaitly shared that, going forward, the social media platform will enable users to share and watch live shows from across the country. He said, “The Twitter of future will open shows and videos live stream from across the country.”

    The panelists concluded by sharing that digital in India is only bound to grow and prove profitable to people who play it smart. As its always believed by most of the players in this business, the consumer remains to be the king.

     

  • How to make your content viral?

    How to make your content viral?

    MUMBAI: How often do we hear the term ‘viral’? From the germination of an idea to its execution, the only target people want to achieve is making it go viral. Be it a concept or a new initiative, grabbing the maximum number of eyeballs or reaching out to the masses remains the crucial part.

    This subject was fielded by panelists consisting of Viacom18 Media group CEO Sudhanshu Vats, Twitter CEO Rahul Jaitly, The Viral Fever creative producer Shreyansh Pandey, Yash Raj Films VP Ashish Patil and AIB G. Khamba at Eemax Global Conclave 2016.

    They spoke on the topic everyone is currently excited and interest in — digital. ‘Making the viral go around’, the speakers brainstormed whether they have found or cracked any formula of making their content visible. What echoed in unison was a big ‘no’ by the panelists.

    Adding some perspective to it, Patil said, “That is the stupidest brief I can ever get for making content that should go viral.” Agreeing to that was Khamba who resonated with Patil’s thoughts. “No, we cannot do it. We try to do the best that we can with our content. Fun is the formula for us.”

    Taking the discussion a notch higher, the moderator was curious to know what the starting point is for each one of the players post the brief. “The starting point is the consumer. We don’t go about making it viral, we just hope that it happens. One should not let their ideas remain in a box. Anything can be successful and (go) viral in no time like music for eg, Coke Studio. What goes viral is not matter of functions or data,” said Patil.

    Pandey added, “Two things that are primarily important which lead to something going viral is content and experience of the user. Obviously, it varies with platforms. How users latch on to the content and what they do with it decides the virality.”

    Jaitly opined the starting point for the social media platform is knowing their audiences and their taste. “Truth and personality is what we ride high on. At Twitter, we have a software measuring not the tweets but spikes.”

    “Adding to that, authenticity is also equally important,” added Vats.

    So, what is the process of developing content and the velocity to make it viral? “What excites the consumers is the first step. Delivering it with truth, authenticity and entertainment like some nice music, champions, etc. is the second step. Third comes the right people you want this content to reach out to,” opined Patil.

    Jaitly also seconded his opinion, and said “In India, Bollywood, sports and politics content does very well for us and our strategy is to build across these ‘edges’.”

    At TVF’s office, one of the walls read “Ideas are a piece of shit.” Pandey said, “TVF’s core is story-telling. The process starts with writing posts. You should know the reaction expected by your target audience based on your observation.”

    With branded content getting popular every passing day, advertisers are partly convinced about investing in this new digital era. Developing in the right direction on the brief is one way to win the trust of the brands. Khamba shared, ” How do you work with brands is also important. Brands develop trust on the brief. Finding the trigger of the theme and delivering to the brands by value is equally crucial.”

    Patil, Pandey and Khamba also agreed on the point that the brand parameters had changed. They have started to build on the bigger theme than simply pumping money on a concept for eg, a Truly Madly Creep Qawali.

    With the sense of maturity coming amongst the advertisers, the panelists also expressed their thoughts on the need of having a measurability on content. “Majority of the return on investment comes from brands on board. The rest from talent usage, syndication, merchandising, etc. The commitment of how many views can a certain content get cannot happen.  We have to go in with our eyes open,” said Patil.

    With its reach across the globe, Jaitly opined how he has heard the pressure on revenues more in India than any other country which is something Twitter has done by providing a base for story-tellers without brands to come on board. On the other hand, Vats drew some light on their existing digital platform Voot which follows an advertising model. The VOD platform, within four months of its launch, has done well for Viacom18 Network by having 15 million active users with over 50+ brands, Vats shared, “The ‘average time spend’ on our platform is 45 minutes per user. For us, it’s about how many are watching, what content are they consuming and for how much time are they staying.”

    He further added, “There will be models going forward that will help reach the consumers. The data is crucial right now but it will come down eventually. Also, the payment gateways will evolve to make subscription easier for the viewers. Measurement cannot be ignored if you want to grow. Money follows measurement.”

    The session ended with the panelists discussing the way ahead for each of their platforms. While Patil opined that there is a new breed of celebrities on YouTube coming up, the opportunity of spin-off content is possible. “We want to create IPs and take it beyond TV or digital. Merchandising is also where we see a lot of good opportunities, he said. Pandey resonated with Patil’s thought about extending IPs and added, “Brands are difficult to get and people don’t want to pay. Extending IPs is what we would look at as the dollars lie there.”

    Khamba was of the opinion that on-ground engagement has always been fun for them and they will continue with that and sustain it going forward. “We will do high numbers and branch out,” added Khamba.

    Whereas, for Twitter, Jaitly shared that, going forward, the social media platform will enable users to share and watch live shows from across the country. He said, “The Twitter of future will open shows and videos live stream from across the country.”

    The panelists concluded by sharing that digital in India is only bound to grow and prove profitable to people who play it smart. As its always believed by most of the players in this business, the consumer remains to be the king.

     

  • Satisfying writer, client and customer is biggest challenge: Arunabh Kumar

    Satisfying writer, client and customer is biggest challenge: Arunabh Kumar

    MUMBAI: The room was jam packed. Industry specialists came in droves to support Indiantelevision.com’s flagship event, Vidnet 2016: Content on the Go, India’s first focused OTT conference.

    The speaker line-up made a beefy face. Some of the biggest names shared knowledge and expertise on the podium.

    And the one who rose to a thundering applause, thanks to his cult following and inimitable personality, was Arunabh Kumar, CEO & Founder at The Viral Fever.

    In a one-to-one with indiantelevision.com CEO, Founder and Editor-in-Chief Anil Wanvari, Arunabh shared some valuable insights on the ever evolving content ecosystem. The session began with the airing of the promo of TVF’s upcoming venture, Tripling.

    “This is the first time ever that a promo of a web-series has gone viral. With Tripling, we are touching new levels of execution,” Arunabh said with a chuckle.

    Anil, snappy as ever, shot a flurry of questions to Jogi from Pitchers (character played by Arunabh). Answering why TVF is yet to partner with an established OTT platform, the beardy Arunabh said: “We are open to do so, but sadly none can afford us.”
    Confident and brave…indeed!!

    Arunabh revealed TVF’s upcoming ambitious venture, a full-fledged movie. Yes, a movie which will be a game-changer.

    “The team is currently working on it and we assure that it will be three times better than 3 Idiots. It’s going to be a full-length feature film. Once it is complete, we will plan its distribution. All big players in the movie industry have entered web space, so we decided to do the opposite.”

    The conversation proceeded with Anil and Arunabh discussing possibilities of a collaborative approach, to merge energies of different creators.

    “We would love to work with others. Our aim is simple. Whoever is working with us should be creatively satisfied and feel that they have done their best work with us,” added Arunabh.

    TVF has been one of the driving forces in the space of branded content. Arunabh shared his mantra on the same.

    “There is more competition now, which is good. It means better content will be produced. Satisfying the triangle of the writer, the client and the customer is the biggest challenge. Though the headcount of content creators have increased, there are enough brands out there to support all of us.”

    He summed up with a masterpiece: “The USP is teamwork. You need to have a good team which will believe in your project. Rest, anything can be achieved.”
    Touché!!!

  • Satisfying writer, client and customer is biggest challenge: Arunabh Kumar

    Satisfying writer, client and customer is biggest challenge: Arunabh Kumar

    MUMBAI: The room was jam packed. Industry specialists came in droves to support Indiantelevision.com’s flagship event, Vidnet 2016: Content on the Go, India’s first focused OTT conference.

    The speaker line-up made a beefy face. Some of the biggest names shared knowledge and expertise on the podium.

    And the one who rose to a thundering applause, thanks to his cult following and inimitable personality, was Arunabh Kumar, CEO & Founder at The Viral Fever.

    In a one-to-one with indiantelevision.com CEO, Founder and Editor-in-Chief Anil Wanvari, Arunabh shared some valuable insights on the ever evolving content ecosystem. The session began with the airing of the promo of TVF’s upcoming venture, Tripling.

    “This is the first time ever that a promo of a web-series has gone viral. With Tripling, we are touching new levels of execution,” Arunabh said with a chuckle.

    Anil, snappy as ever, shot a flurry of questions to Jogi from Pitchers (character played by Arunabh). Answering why TVF is yet to partner with an established OTT platform, the beardy Arunabh said: “We are open to do so, but sadly none can afford us.”
    Confident and brave…indeed!!

    Arunabh revealed TVF’s upcoming ambitious venture, a full-fledged movie. Yes, a movie which will be a game-changer.

    “The team is currently working on it and we assure that it will be three times better than 3 Idiots. It’s going to be a full-length feature film. Once it is complete, we will plan its distribution. All big players in the movie industry have entered web space, so we decided to do the opposite.”

    The conversation proceeded with Anil and Arunabh discussing possibilities of a collaborative approach, to merge energies of different creators.

    “We would love to work with others. Our aim is simple. Whoever is working with us should be creatively satisfied and feel that they have done their best work with us,” added Arunabh.

    TVF has been one of the driving forces in the space of branded content. Arunabh shared his mantra on the same.

    “There is more competition now, which is good. It means better content will be produced. Satisfying the triangle of the writer, the client and the customer is the biggest challenge. Though the headcount of content creators have increased, there are enough brands out there to support all of us.”

    He summed up with a masterpiece: “The USP is teamwork. You need to have a good team which will believe in your project. Rest, anything can be achieved.”
    Touché!!!

  • TVF goes “Tripling” with Tata Tiago

    TVF goes “Tripling” with Tata Tiago

    MUMBAI: Road tripping with your favourite people is bliss. We have all been there. Famous for its brainchild Pitchers and Permanent Roommates, YouTube’s series heavyweights The Viral Fever (TVF) has added a new feather to its hat.

    For those who have done it in the past, TVF’s new web-series Tripling will give them a flashback and those who haven’t will immediately start planning.

    Written by Akarsh Khurana and Sumeet Vyas, the five episodic show spanning over 20-25 minutes revolves around three distant siblings who come closer on a road trip trying to deal with their individual crisis.

    Chandan (Sumeet Vyas), a homeless and jobless man whose marriage seems to be falling apart with Chanchal (Maanvi Gagroo) married into royalty regretting the isolation and responsibility that comes with the title and Chitvan (Amol Parashar) a laid back DJ decide to hit the roads. The show is slated to launch on 28 August. It also stars Kunal Roy Kapoor, Kumud Mishra and Shernaz Patel.

    “I started working on the concept six months back and after three or four drafts we finalised the script. I was very keen on writing a road-trip story and wanted it to be different,” says Vyas.

    Targeted at the 14-45 age group who can relate to the content, TVF is making this web series in association with Tiago from Tata Motors. Directed by Rajesh Krishnan, the entire show has been shot by G Srinivas Reddy on a Cannon C300 using a two camera set-up.

    The series was shot at a stretch with a crew of 30-40 in various places- Mumbai, Rajasthan, Jodhpur, Manali, etc. The catchy music has been composed by Amar Mangrulkar.

    According to sources close to the development, Tata Motors has shelled out an eye-popping amount of Rs 2.5-3 crore for backing the production.

    “Just like our past shows, TVF will not push this series exceedingly. We will target audiences from the tier 2 and tier 3 cities,” adds producer of the show Sameer Saxena. He is also working on the second season of Pitchers that will be launched early in 2017.

    Except teasers and a few hoardings in the top five metro cities, the trailer of the show has been successfully launched with 3,000 likes on the channel within 24 hours. Going by one of the dialogues from the show, Crisis ke time pe family hi kaam aati hai, TVF definitely has one more winner on its hands.

  • TVF goes “Tripling” with Tata Tiago

    TVF goes “Tripling” with Tata Tiago

    MUMBAI: Road tripping with your favourite people is bliss. We have all been there. Famous for its brainchild Pitchers and Permanent Roommates, YouTube’s series heavyweights The Viral Fever (TVF) has added a new feather to its hat.

    For those who have done it in the past, TVF’s new web-series Tripling will give them a flashback and those who haven’t will immediately start planning.

    Written by Akarsh Khurana and Sumeet Vyas, the five episodic show spanning over 20-25 minutes revolves around three distant siblings who come closer on a road trip trying to deal with their individual crisis.

    Chandan (Sumeet Vyas), a homeless and jobless man whose marriage seems to be falling apart with Chanchal (Maanvi Gagroo) married into royalty regretting the isolation and responsibility that comes with the title and Chitvan (Amol Parashar) a laid back DJ decide to hit the roads. The show is slated to launch on 28 August. It also stars Kunal Roy Kapoor, Kumud Mishra and Shernaz Patel.

    “I started working on the concept six months back and after three or four drafts we finalised the script. I was very keen on writing a road-trip story and wanted it to be different,” says Vyas.

    Targeted at the 14-45 age group who can relate to the content, TVF is making this web series in association with Tiago from Tata Motors. Directed by Rajesh Krishnan, the entire show has been shot by G Srinivas Reddy on a Cannon C300 using a two camera set-up.

    The series was shot at a stretch with a crew of 30-40 in various places- Mumbai, Rajasthan, Jodhpur, Manali, etc. The catchy music has been composed by Amar Mangrulkar.

    According to sources close to the development, Tata Motors has shelled out an eye-popping amount of Rs 2.5-3 crore for backing the production.

    “Just like our past shows, TVF will not push this series exceedingly. We will target audiences from the tier 2 and tier 3 cities,” adds producer of the show Sameer Saxena. He is also working on the second season of Pitchers that will be launched early in 2017.

    Except teasers and a few hoardings in the top five metro cities, the trailer of the show has been successfully launched with 3,000 likes on the channel within 24 hours. Going by one of the dialogues from the show, Crisis ke time pe family hi kaam aati hai, TVF definitely has one more winner on its hands.

  • Screenwriters, broadcasters, and digital freedom: ISC’2016

    Screenwriters, broadcasters, and digital freedom: ISC’2016

    MUMBAI: What do we really mean by digital media? When did it start? Why did it start? If you too are concerned about these questions and wanted a detailed insight, the Fourth Indian Screenwiters’ Conference 2016’s session on ‘The Digital Explosion’ was the place to get all your answers. Held last week, it saw writers, producers, film makers, broadcasters get together to discuss the issues plaguing the writing community today.

    The panelists included ‘newcomers’ such as the screenwriter of Masaan, standup comedian and National award winning lyricist Varun Grover, The Viral Fever (TVF) creative director Biswapati Sarkar and Y-Films senior manager Nikhil Taneja, with 16 years experience across broadcast media Youtube India operations head content Satya Raghvan and Mukta Arts strategy vice president and Whistling Woods International business development vice-president Chaitanya Chinchlikar.

    Session moderator and FWA activist and Malamal Weekly and Bhool Bhulaiyya screenwriter Manisha Grover set the ball rolling by asking when did digital writing really start in the Indian context and what sparked it off.

    “We initiated the web series Jay Hind when the internet was in its early stages here but it has grown so rapidly that now we have vanished, says Grover. Jay Hind was a popular Indian stand-up comedy show made exclusively for the internet platform and was launched in 2009.

    Grover recalls the day when he pitched the show to NDTV Imagine. “In those time there were only two comedy shows – Movers and Shakers and Aisi Taisi Democracy – which were also written by me. The broadcasters were very excited about the script. We made the pilot and they loved it and sent it to their focus group. The focus group didn’t like our host as they couldn’t relate to him. The channel asked us to shoot the pilot again with a different host. But it was my arrogance that didn’t allow me to do what the broadcaster wanted me to do.”

    Other writers on the panel to narrated how rejection by broadcasters led them to move on to digital. A move that turned out to be a boon for them as it allowed their ideas to come to fruition as completed episodes for the web.

    “My seniors were pitching a show for which I wrote a few episodes,” recollected Biswapati. “We went to MTV and after reading the script, they said the content is too intelligent for Indian audiences. We didn’t understand what they meant but i guess our timing was better at that time because YouTube was growing and it slightly became easy to make the series. For me digital is not a ‘also’ medium.”

    In the digital world, Youtube is pioneer, which has given a creative platform to many writers, was the consensus of the panel. “I think the big conclusion that we have drawn that digital Youtube is a ‘writers’ first’ platform. It’s probably the only medium where the writer can dictate the entire product that will come out,” added Raghvan.

    Raghvan went on to explain that in the Youtube ecosystem the web series revolution was sparked off over a year and half ago and the biggest series we saw was Permanent Roommates season one which is a TVF product. The latter has also produced some formats but Permanent Roommates was the first finite story. “Till now we have seen 40 series on the platform in different shapes and sizes not only in Hindi but also in Tamil,and Telugu,” revealed Raghvan. “We are also waiting for some Marathi productions this year and people are working on it. We will also start doing this in Bengali in couple of months.”

    Till 2014, in India some 150 million internet connection were there that too from the big metros. Between 2014 -2015 we saw a lot of growth in south India, expounded Raghvan.

    “We are doing shows for a certain kind of audience that is there on the internet. The question that arises is what what can we give to them on the internet that they can’t find on television and in films. Digital is mostly about good writing,” adds Taneja.

    The panel concluded that writers need to hone the fine art of writing for digital, as in the future, it is going to emerge as the medium and not as an “also” medium.