Tag: TV

  • Hollywood happy of Canadian govt.’s move

    Hollywood happy of Canadian govt.’s move

    MUMBAI: The Canadian government‘s reintroduction of the copyright reform legislation to protect against digital piracy has been welcomed by major Hollywood studios.

    The new rules also proposes to bar anyone from making, importing or selling devices that can break digital locks.
    The proposed legislation also seeks to distinguish between personal and commercial use of recorded TV, radio and online content by Canadians.

    "We support the government‘s commitment to give copyright owners the tools they need to combat online content theft, and promote creativity, innovation and legitimate business models," Wendy Noss, executive director of the Motion Picture Association of Canada, Hollywood‘s point-person in Canada, has been quoted to have said.

    Also lining up to applaud the Canadian government‘s move were Canadian exhibitors, major US music labels and video game developers.

    At the same time, Canadian ISPs that fail to retain subscriber traffic records or to forward notices to suspected pirates will be liable for civil damages if Bill C-11 passes through Parliament into law.

    Ottawa‘s latest proposed copyright reform legislation very much falls in line with U.S.-style protections against piracy. Bill C-11, for example, proposes to bar Canadians from picking a digital lock on music, film or any entertainment product protected from duplication.

    This move is a departure from a Canadian legal tradition that stopped short of pursuing consumers that use circumvention devices to access or copy content as Ottawa looked to balance the interests of consumers and copyright holders.

     The Bill will now move through the committee stage of Parliament in Ottawa and undergo likely amendments, before a vote is taken on whether to pass the legislation into law, likely by the end of the year.

  • British Airways is launching brand campaign to back ?5bn investment

    British Airways is launching brand campaign to back ?5bn investment

    MUMBAI: British Airways is launching its biggest brand advertising campaign for a decade to coincide with a five-year programme of investment for the benefit of customers.


    The campaign, on TV, in newspapers and online, showcases the airline‘s heritage and highlights the characteristics that make British Airways special: decades of flying know-how, thoughtful service and British style.


    By placing new emphasis on its historic motto, To Fly. To Serve. , the airline is restating its resolve to put the customer at the heart of everything it does.



    Beyond the brand advertising, the airline has committed to spend more than ?5 billion on customer products and services over the next five years.


    The investment will see British Airways customers benefiting from new aircraft, new World Traveller and World Traveller Plus cabins, a revamped First class, significant improvements at Gatwick and better lounges around the airline‘s network.


    Funds will also be allocated to improved catering and new technologies to make the travel experience more comfortable and convenient for customers on the ground and in the air.


    British Airways‘ CEO Keith Williams said, “The motto To Fly. To Serve. is part of the DNA of British Airways. It is on our coat of arms, and it is worn in crew uniforms. And it has real meaning and resonance for today. It encapsulates our expertise for flying and our commitment to customer service. It describes our purpose. “


    The 90-second ad has launched today on the airline‘s Facebook page: www.facebook.com/britishairways, following an online ‘teaser‘ campaign over the last few weeks.


    This is the first time the airline has used social media to premiere an advert. Its television debut will take place on UK broadcaster Channel 4 during Grand Designs‘ first commercial break.


    The TV ad will run alongside a print campaign, highlighting the experience, expertise and care for customers shown by teams across the airline every day.

  • Nielsen to kick-off online campaign ratings service on 15 August

    Nielsen to kick-off online campaign ratings service on 15 August

    MUMBAI: The Nielsen Company, well-known for its television ratings services, is launching a new service to help online advertisers achieve better visibility over their Internet-based promotional campaigns.


    The Nielsen Online Campaign Ratings service will be rolled out on 15 August.


    The new ratings service will look beyond traditional online tools such as click-through and impressions and will focus on measuring the efficacy of a campaign with gross rating points, which combine the reach of an ad and the frequency with which users see it.


    With the new system in place, advertisers will be able to measure the combined reach of their TV, Web and mobile marketing initiatives.


    The company said that the new system will facilitate greater accuracy than traditional online metrics that are often manipulated with.


    With over 160 million U.S. users, Facebook has become an online advertising behemoth. The social network‘s ad revenues will continue its upward movement, if the company can demonstrate its ability to match with other advertising media.

  • TV, radio to air spots against bidi smoking

    TV, radio to air spots against bidi smoking

    NEW DELHI: Two public service announcements (PSAs) are to be aired on all major radio and television channels under the National Tobacco Control Programme as part of its mass media campaign on bidi smoking and the association with cardio-vascular diseases.

    The campaigns by the Health and Family Welfare Ministry will be first government sponsored mass media campaign anywhere in the world that links bidi smoking to CVD.
     
    The campaign has been developed with technical support from the World Lung Foundation, and the spot has been field tested in different settings. The main message of the campaign is – ‘Quitting smoking is hard, but the consequence of not quitting is harder’.

    The campaign ad comprises two PSAs – ‘Heartbreak’ and ‘Surgeon’. While heart break has 15, 30 and 45 second versions, the surgeon PSA has only a 15 seconder. These PSAs will also be supported by radio. This nationwide campaign will be aired during August. It has been dubbed in 14 regional languages for pan India coverage.
     

  • ‘We are now in a very strong position to overcome any new challenges in the Indian marketplace’ : WWE International executive VP Andrew

    ‘We are now in a very strong position to overcome any new challenges in the Indian marketplace’ : WWE International executive VP Andrew

     

    Earlier this year to better reflect its business, World Wrestling Entertainment rebranded as WWE. Among other things, it is looking to develop new television products including scripted, non-scripted and animated programmes as well as the launch of a new WWE Network in the next 12-18 months.

     

    Recognising the importance of India, the company this month set up an office here with Rukn Kizilbash as its head. The company has a strong association with Ten Sports and is also exploring possibilities of putting its content on regional channels.

     

    In an interview with Indiantelevision.com‘s Ashwin Pinto, WWE International executive VP Andrew Whitaker talks about the company‘s growth plans in India.

     

    Excerpts:

    You recently opened an office in Mumbai. Given that this is an important market, why did it take so long?
    India has been one of our most successful television markets for a number of years now. In line with our global strategy, since we have begun to introduce our other lines of business, the time is now right to begin building a more local presence in the market. The Mumbai office is the first step of that process.

    Could you talk about the opportunities and challenges that you will face in India?
    With our new Mumbai office and Rukn Kizilbash in place as general manager India, as well as our strong TV penetration with Ten Sports and other lines of business, we are now in a very strong position to overcome any new challenges in the marketplace.

    We have an extremely loyal and extensive fan base in India and are highly confident about the opportunities open to us in this important market.

    How have you built upon the relationship with Ten Sports?
    Ten Sports is pivotal to our success in the market. We deliver fresh original content 52 weeks of the year and are able to provide new content to meet with the growing demands in the market. The promotional strategy we deploy with Ten Sports includes implementing regular local consumer promotions and bringing WWE Superstars to market every year.

    Are you talking to regional channels regarding having your content being seen there?
    We are working with Ten Sports to see if we can make some content available on regional channels.

    Live events will play a big role in terms of growing the fan base here. What can we expect?
    We have held live events in India in the past and I think this is something we will consider for the near future.

    “We are working with Ten Sports to see if we can make some content available on regional channels”

    You now have a talent development department. Is India going to be a part of this?
    We have seen a number of non-American talent prosper within WWE, from The Great Khali to Rey Mysterio and more recently Alberto Del Rio, Sin Cara and Sheamus. In fact this year we signed a new talent from India, Jinder Mahal.

     

    This success indicates a significant appetite and opportunity for us to actively recruit international talent and it is an area we will continue to invest in across all markets, including India.

    How have you grown the studio side of the business over the past couple of years?
    From 2010 through 2012 we have a full slate of nine movies, four of which have been released so far. These are ‘Legendary‘, ‘Knucklehead‘, ‘The Chaperone‘ and ‘That‘s What I Am‘.

     

    We have successfully deployed a deal by deal model which allows us to achieve structural efficiencies per movie. This model has seen our movies released through multiple platforms around the world including theatrical, home video, pay-per-view, VOD/Pay TV and Free TV. The remaining releases for this year include ‘Inside Out‘ and ‘Family Reunion‘.

    Is there a chance of doing a film co-production in India?
    It‘s certainly something we may consider. We enjoyed a successful partnership last year with Viacom whereby one of our top WWESuperstars, The Great Khali came runner up on Bigg Boss.

     

    There are a number of parallels to be drawn between WWE and Bollywood and we see great opportunities for us in this area.

    What strategy has WWE followed to grow the brand globally over the past couple of years?
    Our global growth strategy on a market by market basis is first to bring WWE‘s television programming into the marketplace, which is usually the starting point to begin engaging fans and bringing our unique form of entertainment into people‘s homes. Once we have established a strong television audience, we then look to introduce our other multiple lines of business, from live events where fans can see our Superstars live and in person to our vast lines of consumer products, digital media and publishing.

     

    WWE is a global business, seen in more than 145 countries in 30 different languages, and key to our successful global growth is our local office presence. We have offices in Stamford, New York, Los Angeles, London, Shanghai, Singapore, Tokyo and now Mumbai, which are fundamental to our local level operations.

    Has there been any change in terms of how fans in India and globally perceive WWE?
    I think that our fans have always understood that WWE is fundamentally an entertainment business. In India our partnerships with the likes of Ten Sports, Sify and Mattel provide our fans with multiple brand touch points across TV, online and consumer products and our fans have responded well to our evolution and growth as a family-friendly integrated entertainment business.

    To what extent has the share of revenue from international markets grown? Which are the top three markets?
    When we set up our first international office in London in 2002, international revenues were worth $32 million. That figure has now grown to over $133 million.

     

    Outside of the USA and Canada, our biggest markets are the United Kingdom, Mexico and France.

    In terms of your various divisions, which has shown the healthiest growth and why?
    Internationally, our television business continues to grow and remains our most profitable division. We have also expanded our global live events business, now scheduling more than 70 international live events on an annual basis.

     

    Since 2006 international consumer products revenue has doubled, meaning that the retail brand value of WWE now exceeds $1 billion per year globally.

    In terms of the new business model, which are the key focus areas?
    There are two key components to WWE‘s recently announced brand expansion plans. First, the company will maintain a strong focus of growing its core business on a global basis and announced that Paul “Triple H” Levesque will be heading a new talent development programme.

     

    In addition, innovation will be the key to the long term growth through new consumer product launches, new television programming and international growth.

     

    The second component will be the active pursuit to acquire entertainment content companies and the outsourcing of WWE‘s core competencies – television and film production, live event production and licensing.

    What targets has WWE set for this year?
    Internationally, our focus continues to be on the Bric markets on the back of our recent TV launches with 2×2 in Russia and EI in Brazil and the growth of our already established business operations in India and China.

     

    As mentioned above, our new talent development department will be another key focus for us in 2011.

    What growth has there been in terms of doing international tours and holding ‘Raw‘ and ‘Smackdown‘ abroad?
    As I mentioned above, we operate over 70 live events internationally each year and are continuously exploring potential new live event markets. In the last five years, we have held live events in 35 different countries.

     

    To date, we have taken our Raw and SmackDown TV events that you mention to three markets outside of the USA and Canada – the UK, Japan and Italy – and in May of this year we announced that in October 2011 Mexico will become our fourth international market to host our Raw and SmackDown TV events.

    You recently rebranded as WWE. What was the aim?
    WWE is constantly evolving and this is simply the next step in that evolution to provide a ‘bigger, badder and better‘ – as we say in our advertising campaign – entertainment product for our fans.

    There has been talk about mixed martial arts and boxing now providing more competition for your viewership globally. I would appreciate your take on this?
    We don‘t view MMA or boxing as competitors for our viewership globally. Their product is completely different to WWE. Whilst they may borrow from various elements of WWE‘s production to entertain their own fans more, what they provide is a pure sporting spectacle.

     

    We view our competition as any live or televised family entertainment event.

    You have stars of the past returning briefly like Bret Hart. Is the aim to reinforce WWE‘s brand value?
    We are fortunate enough to have an extremely loyal and diverse fan base on a global basis, spanning all ages. As such, WWE has the ability to bring back stars of the past and feature them in programming from time to time, thereby creating both nostalgia and new storyline angles.

    What role is the global tie up with Mattel playing in growing your licensing and merchandising business?
    With Mattel, the number one company in toys, WWE has enjoyed impressive growth in its toy revenues. Mattel‘s distribution footprint is unrivalled.

     

    Allied to the reality of reaching more fans and customers in more countries is Mattel‘s innovation of various WWE lines.

     

    New play patterns in the action figure segment as well as bringing genuine scaling mean the current line of action figures are as accurate and detailed in their depiction of WWE Superstars than ever before.

    How are you growing the consumer products business in India?
    We have announced our appointment of the specialist licensing agency Dream Theatre to undertake the task of developing a scaled up programme of branded consumer products.

     

    Local licensees in apparel, footwear, stationery, publishing, magazines, nightwear, underwear and novelties are due to be added over the next two years to compliment the efforts of Mattel, THQ and Topps. We anticipate direct to retail tie ups and traditional licensees representing WWE‘s business as it continues its efforts to grow distribution as India‘s retail landscape continues to change and mature.

     

    Piracy is a big concern especially in markets like China. How are you tackling this issue?
    WWE is actively engaged in minimising the impact of piracy and counterfeit products on its businesses. We have a robust and mature trademarks registration and protection policy.

     

    The company takes down sites in real time that illegally stream WWE‘s PPV‘s, which otherwise represent a significant segment of annual revenue. The company also ensures that it seizes all counterfeit goods and legally challenges those companies and individuals found guilty of their manufacture and distribution.

     

    Piracy is a problem all over the world and cheats fans of genuine articles. It is a cost burden for brands and limits the investment being made in new lines for those consumers purchasing the genuine and authentic branded products. We are committed to continuing to do our utmost to protect our IP in every country.

    How is WWE expanding its presence in the digital space?
    WWE has seen 1,000 per cent growth over the last year in worldwide fans to our Facebook pages. We are currently working with Sify, our web partner in India, to create a WWE branded Facebook page with a few simple but powerful goals in mind:

    To build a direct connection with our fans in the local market, create awareness of our local site (wwe.in), encourage brand loyalty through special offers and promotions, and give fans the opportunity to connect and share their passion for our brand with other fans.

     

    Could you shed light on how social networks are changing the equation between WWE and its fans?
    The way I see it, the rapid adoption of social networks gives a large amount of power to the fan. It is less about “selling” and more about engaging with the fans. WWE is taking a more editorial rather than a promotional approach with social networks. The key is to use social networks to entertain and inform while subtly marketing to fans.

     

    Are the social networks allowing you to change course and take corrective action quicker?
    Absolutely! social media gives us immediate feedback to everything we do as a company.

     

    We have Facebook pages for many of our products from the WWE Superstars to our merchandising and the information we receive is shared directly with our creative and editorial teams. Social media feedback is key to our future initiatives.

  • ‘The challenge is to differentiate in a cluttered market’ : HDFC Life executive VP marketing and direct channels Sanjay Tripathy

    ‘The challenge is to differentiate in a cluttered market’ : HDFC Life executive VP marketing and direct channels Sanjay Tripathy

    HDFC Life‘s advertising spend will stay flat this year as it seeks to turn profitable for the first time.

     

    The insurance company, which ranks No. 4 among the top 10 advertisers in the category in terms of ad volumes, is looking to spend more judiciously and utilise a 360 degree approach to reallocate money across new mediums like digital and OOH.

     

    While 70 per cent of HDFC Life‘s marketing spend goes towards above the line, 50 per cent of this goes towards television. On television, HDFC uses news and sports for advertising as it fits into the 25-45 male target audience.

     

    Print, radio and OOH play a supportive role. HDFC Life has also started using social media to engage the youth.

     

    In an interview with Indiantelevision.com’s Ashwin Pinto, HDFC Life executive VP marketing and direct channels Sanjay Tripathy talks about how insurance companies need to differentiate in a cluttered market and build a brand equity that includes the youth.

     

    Excerpts:

    Why did HDFC Life go in for a brand makeover last year?
    We did a brand equity study as we wanted to see where our brand is and how it is faring versus competition. We had last done a similar study way back in 2005. We wanted to see the changes; we wanted to know how through our cmmunication and marketing activities the brand had progressed in people’s minds.

     

    Consumers found the brand ethical and the service value was strong. Then we asked about the areas where they felt the brand could be improved upon. They wanted it to look like belonging to the same HDFC family; they felt that the brand could look more modern and dynamic.

     

    Indian consumers are getting younger. People work in areas like BPO and they look at life insurance at an early age. A person buys their first insurance product between 23-28 years of age. As a brand, we wanted to attract the youth towards our products; we needed to be in the youth segment. We spoke to our board and got a favourable response.

     

    Also, the word standard only conveyed the basic level of facilities; it was not giving the message of Standard Life being an international brand. We wanted to be seen as being a customer centric brand. Through the rebranding, we wanted customer centricity to come out more strongly for us. The new logo represents a youthful, energetic HDFC brand.

    How do consumers perceive HDFC Life as a brand compared to the competition?
    Our awareness has gone up by 30 per cent over last year. Our communication has been well accepted.

    When marketing to consumers, what challenges do insurance companies like you face?
    The market is cluttered. There are over 23 players. The challenge is to differentiate and ensure that consumers can see your service offerings and products.

     

    We need to be seen as having products that are more consumer friendly; the challenge is to see that the consumer understands your brand and products.

    How do you build and leverage brand equity in the insurance category which is getting more competitive?
    We started six years back to find out why consumers buy insurance. We found that they bought it as they do not want to depend on anybody else; they want insurance for self respect. They do not want to depend on their parents; similarly, the parents do not want to depend on their children. This is how the thought for our campaign came about which is – Sar Utha ke Jiyo. We positioned our brand under the ‘self respect’ motive.

     

    Over time, we took the thought of Sar Utha ke Jiyo across our platforms – be it for children, pension, youth or home loan cover. It gives you a long term solution for pressing needs and self respect. Insurance operates in a long term savings plan; investment in insurance has to be linked to a long term need. This is what we have focussed on and have built consumer segments.

    To what extent will your marketing budget go up for the year?
    We are maintaining a similar spend as last year. This is the first year we are trying to become profitable. We are looking to spend more judiciously and utilise a 360 degree approach to reallocate money. New mediums have come in like digital and OOH. The aim is to make a more judicious mix of mediums available.

    “Our ad spend will stay flat this year. We are looking to spend more
    judiciously and utilise a 360 degree approach to reallocate money. New
    mediums have come in like digital and OOH”

    To what extent was this category affected by the economic downturn in terms of sales and marketing spends?
    New companies are spending heavily. Some of the older players who want to go for a public listing and want to make marketing money work harder are keeping a check on their spending. Spending in this category went down by around 20 per cent during the downturn.

    Which marketing vehicle is the most effective for you – print, TV, radio, online?
    Seventy per cent of our marketing spend is for above the line activities; fifty per cent of this goes towards television as it is the most effective medium for us.

     

    As we are present in over 700 cities, television offers a more cost effective reach. It provides an emotional touch point. You can link the customer with your brand and emotional thought. You can explain your concept in a situation linked to his day to day life.

     

    Print, radio and OOH play a support role. We have started using social media more to engage the youth.

    Which genres do you use on television?
    News and sports for TG 25-45 males works. Apart from cricket, we also do on-air sponsorship of Euro, Fifa World Cup and Wimbledon. We also spend on regional news and regional entertainment; they are pretty big for us.

     

    The aim is to get the top-end audience in metros and mini metros. The cost of contact may be high but cost of impact and cost to the top-end segment is less compared to other vehicles. This is the most profitable customer segment for insurance.

    Do you advertise heavily only during the end of the financial year?
    We advertise across the year. Our IPL campaign is running at the start of the fiscal. When schools open, we can run a ‘Children Plan’ campaign. Advertising in the insurance category has moved from just being end of the year to being more spread out.

    What about the festive time?
    Advertising at that period does not work. People think about spending and not about saving. It could be a counter campaign to do it in Diwali; this has not worked in the past.

    Do you use brand ambassadors?
    No! HDFC Life is a product for the common people. The thought is powerful when you connect to people; they want to see communication where people like them are investing rather than seeing somebody who does not need life insurance but is still talking about it.

    What campaigns have been done recently?
    The last campaign was a rebranding one. You don’t need to spend Rs 3-5 billion for this if you realise the core thing that you need to convey. It is not that overnight you have to change every single collateral and signage. The consumer has to be convinced that your rebranding is actually being delivered on the ground; they look at rebranding more in terms of on-ground delivery rather than on just an image or a design change.

     

    We also did a children’s plan campaign. We used more persuasion which was different from what was done earlier. We explained that while the child is doing fine, seats are limited and competition is severe. Parents need to plan properly; it will help the child reach that goal and get into the institution they like. The aim is to make a parent see that while things are happening normally, they still need to do something.

    As a platform, how has the Rajasthan Royals deal worked out for you?
    We look at associations where there is a good brand fit. In case of Rajasthan Royals, while Shane Warne is the captain, ordinary Indian players who people might not have heard of are given a platform. Warne helps them think like winners. If you look at the premise of believing in yourself, this goes well with our tag line ‘Sar Uthake Jiyo’.

     

    As a team they support youth and some of them have started playing for India. Shane Watson’s career also got revived with this team. It helps youth to think that they can beat world beaters.

    In terms of activation with that IPL franchise, what innovations did you do this time around?
    We brought a social angle into our activities for the home games. We used to take employees and distributors to meet players. We also used players for ads. We gave fans the opportunity to get tickets to enjoy the match and spend time with the cricketers. We took fans for the toss. This was run on Facebook. We also gave tickets to underprivileged people.

    Last year the franchise got into trouble with the BCCI. Did that force you to temporarily change tack in terms of your campaign?
    Not really! The IPL was over by the time these issues came up. The team management kept us informed about the steps they were taking and why they believed that they were in the right. They said that there were no issues and kept us in the loop all the time. We have a one year deal with them.

    Rajasthan Royals has not fared well during the IPL. Are you concerned at any negative brand rub off for HDFC Life?
    No! For a while, they were in the top rung of the points table. You have to look at the core strength of the association rather than one off wins or losses. The youth looks at ‘Sar Uthake Jiyo’ in a different light. The team has more youngsters compared to the previous year. So we came up with the tag line ‘Sar Utha ke Jeene ka Naya Andaaz’.

    How many campaigns do you do in a year and are there new audiences that you have started to address?
    We will do four to five campaigns and are looking at new audience segments. We have done a lot of research on this.

    The rural areas have a lot of potential but the marketing vehicles that work in the major metros might not work there. So how do you connect with those consumers?
    More than just marketing, the basics of the business have to be in place. Insurance is a long term business – and you need to understand the rural area. We do pilots to understand the rural area much more; this has multiple models that have to be run simultaneously.

     

    You need partners like microfinance institutions so that you can reach out to them in a much more cost effective manner. The rural areas consist of the rural rich and poor. You need different products for them while their aspirations are similar.

     

    We are trying to do partner marketing at the moment. We do below the line activities with partners who have the trust factor in that area. The aim is to make the brand relevant and differentiated at a local level. We do things like street plays. We need somebody to carry the message and explain it. That is why below the line activities are important.

    Could you give me examples where experiential marketing has worked for you?
    We do ‘Spelling Bee’ in 35 cities. Children in classes six to nine participate. We have 300,000 children and over 1500 schools taking part. It allows children to understand things like vocabulary and sentence formation. Parents encourage children to do this. It is a good engagement activity. Parents are also engaged in terms of helping the child spell correctly.

     

    Somewhere your brand rub off is also very high. The parent thinks that HDFC Life has brought a competition which they want their children to participate in. Consumer engagement is key for our category. The consumer should keep engaging with you over a longer period of time. What we are seeing is that people buy five to six insurance products over a lifetime.

     

    People like a brand but the decision may be deferred. I need to stay engaged constantly. I may create an engagement now, but later you may buy competition. The engagement has to be done through different methods. That is why we look at a 360 degree approach.

    Could you talk about the growing importance of OOH for you?
    This has really increased. In metros and mini metros, consumers spend time out of home. TV viewing time has come down. There is innovative media available. Obviously, hoardings have been there for a long time. Airports and stations have OOH media. You have to figure out how you can catch your TG when they spend time away from their home.

    But isn’t lack of measurement a problem?
    This is why it is a support medium. If you utilise it for the right reason and use it to support the main communication, it works well. As a support medium, it gives good ROI. OOH always complements the TVC. I can measure ROI better that way.

    Do you address women?
    In India, most homes have a single income. The male is the breadwinner; women in the working segment are still small and their needs are similar to working men. Their media consumption is similar. The campaign for men works for them also.

     

    We addressed upwardly women through an endowment plan campaign. The only segment that is different from men is the unmarried working woman. Other categories for women are similar to men; so I do not need to do a separate campaign for them.

  • Number of US TV homes falls first time in 20 years: Nielsen

    Number of US TV homes falls first time in 20 years: Nielsen

    MUMBAI: For the first time in nearly 20 years, the number of homes in the US with television sets has dropped.

    US media research company Nielsen has announced the 2012 Advance/Preliminary TV Household Universe Estimate (UE) is 114.7 million, down from 115.9 million in 2011.

    Marking the first integration of the 2010 Census counts, the 2012 UEs reflect an aging population, as Baby Boomers increasingly shift out of the 35-49 demographic, as well as greater ethnic diversity.

    The 2012 UEs also reflect a reduction in the estimated per cent of U.S. homes with a television set (TV penetration), which declined to 96.7 per cent from 98.9 per cent. The last such UEs decline occurred in 1992, after Nielsen adjusted for the 1990 Census, and subsequently underwent a period of significant growth.

    Potential interrelated factors for the 2012 UE downward shift in TV penetration include:

    1) Digital Transition: The summer of 2009 marked a significant milestone with a shift from analog to digital broadcasting. Following the transition, consumers were only able to view digital broadcasts via a set with a built-in digital tuner (i.e., a newer TV set) or an analog TV set connected to a digital-to-analog converter box, cable or satellite. TV penetration first dipped after this transition; the permanence of this trend was acknowledged in 2010 after the number of TV households did not rebound over time.

    2) Economics: As with previous periods of belt-tightening, the cost of owning a TV is a factor in this UE decline; TV penetration first saw sustained decreases in second quarter 2009. Lower-income, rural homes were particularly affected.

    3) Multiple Platforms: Nielsen data demonstrates that consumers are viewing more video content across all platforms—rather than replacing one medium with another. However, a small subset of younger, urban consumers are going without paid TV subscriptions. Long-term effects of this are unclear, as it’s undetermined if this is also an economic issue, with these individuals entering the TV marketplace once they have the means, or the beginning of a larger shift to viewing online and on mobile devices.

     

  • ‘India is among CNN’s top 3 markets in Asia Pacific’ : CNN International VP ad sales news William Hsu

    ‘India is among CNN’s top 3 markets in Asia Pacific’ : CNN International VP ad sales news William Hsu

    CNN is banking on India to boost its ad revenue this year as the international news outfit hunts for fast-growing economies in a downturn environment.

     

    CNN expects a 10 per cent growth from the Asia Pacific region. India, away from recession, will grow the fastest this year as the news network plans to tap into more clients. .The target is to keep posting 20 per cent growth over the next couple of years as Indian companies go global.

     

    The recession has affected CNN the least as it tweaked its strategy. The news network built a 360 degree solution around TV and the Internet. The focus on digital, which makes up 20 per cent of CNN‘s revenues, also helped CNN to combat the global downturn.

     

    CNN is growing its India content. Eye On India is ready for launch and CNN is dedicating a lot of its daily news output towards Indian business, which will be aired across the world.

     

    In an interview with Indiantelevision.com‘s Ashwin Pinto, CNN International VP ad sales news William Hsu talks about how the global news network has insulated itself from recession and how it plans to grow its business in India.

     

     

    Excerpts:

    Which are the key markets for CNN and how has the Asia Pacific region been faring for the global news network?
    CNN has grown in the region and 30 per cent of its revenue is coming from the Asia Pacific region, up from 25 per cent three years back.

     

    The top three markets are Korea, Southeast Asia and India. Over the past decade, CNN has been growing at about 11 per cent compounded a year.

     

    The recession has affected us the least. We had a good digital product; and we deal with government entities – whether it is investment or tourism. Governments actually spend more money during a recession to stimulate growth.

    So what targets have been set for the year?
    We expect 10 per cent growth from the Asia Pacific region. India will grow the fastest this year in terms of revenue and getting in more clients. We expect 20 per cent growth from India over the next couple of years, up from 17 per cent.

     

    North Asia‘s contribution in terms of Korea, China, Taiwan and Hong Kong will still be the most.

    CNN International has seen profit growth for the past seven quarters. What factors have contributed towards this?
    We have a strong distribution revenue stream. This insulates us in terms of a recession. Another driver has been new media. Internet advertising has grown quite a lot.

     

    One of the biggest opportunities is our CNN branded portfolio. You might think of us as a TV channel; I think of CNN as being a news provider. We have a TV channel. And we have the largest news site in the world. We have just launched a series of mobile products starting with the iphone, ipad and Android 3.0 in the US. There is an opportunity to build the 360 degree solution. The challenge is how fast advertisers will embrace this.

    But did you have to tweak your strategy during the downturn?
    One of the things we did was that we anticipated the recession before it happened. Throughout 2007, we expected something to happen without knowing when. This allowed us to tweak our strategy. We approached more governments. We built up a 360 degree solution around TV and the Internet.

    How has CNN been able to broad base its revenue stream as it is key for any broadcaster to survive in a difficult global economy?
    From a product base, I just mentioned three of them – and they are all growing. Internet and mobile are experiencing fast growth, which is good. Incidentally, new media contributes 20 per cent of CNN‘s revenues.

    The Asia Pacific region accounts for 30 per cent of CNN’s revenues, up from 25 per cent three years back. CNN expects to post a 10 per cent growth from the region, with India growing the fastest

    Does that give you an advantage in India?
    In terms of an advertiser base, we are focusing on Asian companies that are expanding internationally. Suzlon is an example. We are also looking to work with Just Dial which has just launched in the US. Essar is another company that is expanding its global footprint. We are tapping a wave of Indian companies that are going overseas.

    Even global clients are increasingly preferring local news channels. Does this pose a challenge to CNN?
    No! We deal with corporate branding; our clients are high end corporates.

     

    If you look at the type of advertising on news channels here, I don‘t think that a company like Rolex would want to advertise in that environment. The quality is dodgy. A Rolex watch will cost as much as a car here. Would they be in an exclusive group with CNN International or would they rather be with the mass targeted brands?

     

    There is a certain purity that CNN International offers. My TG is that top three per cent of India‘s population. They are internationally focused; they are very well traveled; they do business overseas frequently. I tell clients that this is my profile. Which channel do you think this TG is watching in India?

    News channels in India are struggling as the ad pie is not growing against the backdrop of Hindi general entertainment channels (GECs) and sports. How do you see things shaping up here?
    I don‘t look at the general news channels as competitors. The market is totally saturated; there should be consolidation. In any case, sport is the most attractive genre on cable TV anywhere in the world.

     

    Our focus rests on international advertising. I bring a platform to an Indian company which is looking to promote itself overseas. We have around 20 Indian advertisers with us. And we aim to grow this.

    Have the ad categories grown for CNN over the last couple of years beyond just tourism?
    Travel covers airlines and hotels, but we have gone much beyond that. We have clients like Rolex, Nokia and Longines. We have quite a few companies from the Middle East. Banks also advertise on CNN.

     

    Our USP is that we are pervasive. We are on Internet devices, television homes and hotels. Many news channels may have a strong distribution. But how many of them also have a strong website? How many can rank No. 1 on ipad downloads? We are in a good position.

    So you approach advertisers across platforms?
    Yes! One of the benefits is that it allows an advertiser to constantly engage with the consumer. In the morning, the consumers drive to office. In the office, they use the Internet. During the tea break, they use their mobile phones. Then when they go back home and watch us on TV. We follow the consumers everywhere.

    Could you give me examples of integrated solutions?
    Cartier advertises with us on the net and the TV. They were the first advertisers on the ipad.

    What work has CNN done online?
    We have invested in social media. For any story, you have five different social media links which you can send to a friend. You can also follow a report on Twitter. We push citizen journalism through i-report. This has been integrated into television news.

     

    A great example of that is Iran. The student protests happened six months ago. The government sealed all access to Iran for journalists. What we did was have citizens do filming and reporting for us.

     

    On a platform basis, we invest heavily on the mobile. We have CNN mobile Web which allows you to surf a mobile version of CNN. Then we have iphone, ipad apps and Android. That is where our consumers are digitally. The itunes interface is its own marketing platform.

    What is the strategy in terms of lifestyle content?
    A typical news consumption pattern is that you watch half an hour to an hour of news and then you are done for the day. The lifestyle content is designed to keep you watching for up to an extra hour by having content that is designed for an international businessperson. He/she would be interested in Golf, sport, design. I categorise this as news and information.

     

    Eco Solutions, which is about environment, has done well. CNN Go is a travel lifestyle programme sponsored by Korean Airlines. We, in fact, have diversified our news programmes. We have a show called Backstory in the morning. What we have found out is that people do not only want news headlines; they want to understand what is happening behind the scenes.

     

    On I-report we have found a way to take content that people send and create a news show around it. It is a different way of portraying the news. This is not just feature programmes.

    How did the idea of CNNGo come about?
    One thing that is common about upscale business people is that they are well traveled. They have a desire to know unique things about countries. Travel is one of the most interesting things for them. This is what CNN Go is about. It offers you insights on things to see, do and buy. There isn‘t a travel programme quite like it. There is a site as well that is quirky and interesting.

     

    The site is about six countries being featured including India. On television, one country and a different city is featured every month. Online, we have Citibank as a sponsor. For television, it is Korean Airlines.

    How are you growing your India content?
    Eye On India is coming up and we are promoting it. We are dedicating a lot of our daily news output towards Indian business, which will be aired across the world. We have, for instance, filmed the Birla Group.
    What role has Eye on India played to boost your perception here?
    It does generate a lot of interest. We are promoting it through the press. We are using outdoor hoardings – we have a big presence in the international Airports of Mumbai and Delhi. We are also using social media.
    Al Jazeera is looking at India with content focused here. Your views on this in terms of the impact it will have on the existing global players?
    We welcome competition; it keeps us on our toes. They have a good product, which is undeniable. But we are the No. 1 news network across the region. We aim to keep it that way.
    You recently announced sponsorship of the ISPS Handa Senior World Championship. How many events does CN sponsor and what role does it play in building brand awareness?
    Sports content is popular on CNN. We have Living Golf. Sports is an important platform. We sponsor five to 10 events a year.
    Organisations trimmed costs in the global recessionary environment. What did CNN do?
    We did not have any salary freeze and we did not layoff anybody. Being a part of Time Warner, we are always cost conscious. During the downturn, we actually invested more in our newsgathering operations. We boosted our staff and added more bureaus.
  • ‘Collecting subscriber numbers is not enough’ : Tata Sky MD & CEO Vikram Kaushik

    ‘Collecting subscriber numbers is not enough’ : Tata Sky MD & CEO Vikram Kaushik

    When Star floated a company for DTH, there were several issues raised on shareholding and other related matters. Was that a ghost that initially haunted you when you joined Tata Sky?

    When on its own, Star made no progress and the DTH venture couldn‘t kick off due to reasons outside their control. Then they floated a joint venture company with the Tatas and I joined to head that. The past never bothered the venture. We developed a blueprint from the first day itself, but the project was delayed as we chased for licence approval.

    The delays were not entirely due to the government; competitors wanted to delay the project. The bad thing that happened is that several retrograde steps were introduced which should have never been there in the first place. Interoperability, no exclusive content and foreign direct investment (FDI) cap of 49 per cent, for instance. There is still a lot of nervousness regarding foreign ownership.

    But isn‘t the government more comfortable with DTH now?

    The government has started understanding that without digitalisation, the media and entertainment industry can‘t grow; you won‘t get transparency and addressability in the distribution chain.

     

    Has the government then become supportive?

    The government needs to do much more. Across the world, the government has provided subsidies for digitalisation. In India, the private sector has entirely taken up this responsibility – and this investment is coming at a very high cost.

    The DTH sector is heavily taxed. There is also a distortion because of the under-declaration of subscribers by the cable operators. This leads to the inevitable need of regulatory intervention to correct these anomalies.

     

    Despite these anomalies, the DTH sector is on a fast growth track. When you first outlined the business plan, did you foresee such an exponential growth in DTH subscribers? 

    We are somewhat surprised by the volume growth. But nobody expected that India would have six players and with deep pockets. The marketing activity stimulated the sector‘s growth. Also, the digital cable initiatives could not match up to the DTH challenge; cable has not been able to upgrade.

     

    How did you strike a balance between volume chase and maintaining a premium brand positioning?

    When we started out, we decided that we won‘t go to small towns and villages and chase low lying fruits. Our strategy was to first capture the top 50 towns and then spread out. Dish TV, on the other hand, tapped the cable dry areas and expanded outside.

    We feel ours has been the right approach. We have a better quality subscriber base. And while Dish TV has more subscribers, we are the biggest Indian DTH company when it comes to revenues.

    The dilemma continues even today: Should we go largely for value or look at volumes. It is easy to chase volumes. In the longer run, the correct strategy is not to lose sight of volumes but focus on value. We never panicked when our competitors mopped up more subscribers in a month. What matters in the long term is higher ARPUs and sticky customers.

    ‘Given the cable ARPUs and lack of exclusive content, it is difficult to independently drive them up beyond a point. The content cost is also high, while the hardware prices are not low enough. It is a tough game to play‘

    What other hard decisions did you have to take at the start?

    We had to decide whether the STBs should be given free or sold. We believed the free model, in vogue in matured ARPU markets, wouldn‘t work in India. That turned out to be the right decision.

     

    Why did you soon have to revise your investment plan from Rs 30 billion to Rs 40 billion?

    We were initially looking at an investment of Rs 12 billion and then came up with a realistic estimate of Rs 30 billion. Subsequently, we revisited that plan and estimated our funding requirement to be Rs 40 billion. There are too many DTH operators and the price war came at an early stage of the game.

     

    Has that business projection gone through further changes?

    Our fund requirement will be over Rs 40 billion. We have already spent more than Rs 35 billion and have mopped up over six million customers. We are on course for operational break even. Broadly, this takes 5-7 years.

     

    Aren‘t you disappointed that Tata Sky still lags behind Dish TV in subscriber numbers?

    They may have more subscribers because of their first mover advantage, but we have beaten them in revenues. Though ARPUs (average revenue per user) for the sector are still pretty bad (Rs 135-150), ours is the highest in the industry (Rs 195).

    What we have learnt in this business is that collecting subscriber numbers is not enough. This is a sector where subscriber acquisition costs are high and ARPUs low. If you have a faster churn, then you have a real problem. Sun Direct and Videocon d2h run a danger in that.

     

    Can ARPUs rise to a comfortable level?

    Given the cable ARPUs and lack of exclusive content, it is difficult to independently drive them up beyond a point. The content cost is also high, while the hardware prices are not low enough. It is a tough game to play.

    The hyper competition among the DTH players has not been healthy. Everybody has bled heavily on account of the price war.

     

    And still in this clutter, Tata Sky has stood out as a brand. How did you manage that?

    Building a brand in this sector is a unique challenge. We build a pedigree brand with our high quality and performance focus. When you have the ‘Tata‘ and ‘Sky‘ names behind the product, the challenge is to weave a double-barrelled branding. The fact is that we have stood up against Airtel and the others.

    We have also extended the brand to franchises like Tata Sky Plus. The satisfying part is that in a highly cluttered environment, we have spent less for many years than our competitors, but used the medium much more effectively. We have also used celebrity advertising in a manner that was never done before.

     

    How has Sky been an advantage?

    We could have the best and world class knowhow from them. There were 30 expatriates working in Tata Sky before we even started our service. That resource is continually available to us.

    The Tata brand, in turn, brought in credibility with the government, trade, consumers and potential employees.

     

    Q. Star has upped its effective stake in Tata Sky to 29.8 per cent. The additional 9.8 per cent stake for Rs 3.24 billion pegs the valuation of Tata Sky at Rs 33.06 billion. The market cap of dish TV is Rs 74.73 billion. Are you happy with this valuation?

    Star will hold close to 30 per cent in Tata Sky. The Tatas will have around 60 per cent and Temasek 10 per cent.

    As for Tata Sky‘s valuation, this won‘t be the right way to look at it. The stake acquisition is done by one of the promoter partners. This is an internal and not an external valuation.

     

    Q. What are the technological advantages that Tata Sky has brought to the sector?

    We continue to lead the way in terms of technology, customer service or innovations relating to packaging. We are the leading platform to promote education – be it to small children or to housewives learning English. We pioneered the concept of pre-paid customers in DTH. We are clearly at the forefront when it comes to PVR, VOD and other interactive services.

    We have played a significant role in bringing the hardware costs down. Interestingly, the set-top box (STB) cost is cheaper from China to India than in China itself. We have also set some global benchmarks in productivity, growth and value creation.

    We have used consumer research very effectively. TruChoice, for instance, recognises viewership habits and makes that content available. People tend to buy genres and that is related to the nature of the family. For those families having children, it is important to have kids programming and knowledge in the menu. Families with older people will tend to look at movie packs.

     

    Q. How do you approach the South India market?

    We don‘t compete on price. The market is too unremunerative.

     

    Q. On the content cost front, do you see the Trai tariff order (channels to give to DTH at rates 35 per cent of analogue cable) as the right formula for DTH companies?

    This is a step in the right direction, though we feel it should have been closer to 20 per cent. Broadcasters shouldn‘t have moved the court. Addressability is in the interest of the broadcasters; and yet they are resisting any kind of tariff regulation. I see short term perspectives prevailing in the entire media industry.

    Q. Do you see the telecom companies having an advantage in the DTH space?

    The telecom players feel that there will ultimately be convergence and they will stand to gain. They are, perhaps, driven by some fancy strategists. The truth is that there is need for domain expertise in each of these businesses. And each of these businesses are unique.

     

    Q. Why is private equity reluctant to invest in the DTH companies?

    I do not see too much private equity coming into the DTH sector. There will be a selective and long term approach. Fundamentally, the business model is saddled with high taxation, low ARPUs, and too many players. Profitability is an issue. In many cases, by piling up customers, you are not building assets but liabilities.

    We could, perhaps, see consolidation in the next few years. There will be space for three players and maybe a regional operator.

     

    Q. How much of capital will be required by the time the DTH sector reaches 50 million subscribers?

    The industry will need Rs 200-250 billion for 45-50 million subscribers. There is already an investment of Rs 120-150 billion. But there won‘t be shortage of capital to fund the sector‘s growth.

  • Big CBS Prime launches 4-week marketing campaign

    Big CBS Prime launches 4-week marketing campaign

    MUMBAI: The recently launched English GEC, Big CBS Prime, has kicked off an integrated marketing campaign. The four shows being marketed through this campaign are NCIS, Survivor, Bellator and Letterman.

    The holistic four-week campaign has a mix of traditional and non-traditional media across TV, Radio, Print, Out of Home, Digital, Experiential Marketing, Retail touch-points.

    The broadcaster‘s campaign will go beyond traditional media to coffee shops, public transport, online contests and games, mall activations, book stores etc. In addition to the media options available within the Reliance Broadcast Network’s business divisions, the company says that it is ensuring no stone unturned by bringing to play Reliance ADAG’s complete media muscle to get maximum mileage for its first channel.

    This communication is created by McCann Erickson to build a premium image of the brand among both consumers and customers. The creative idea behind this campaign is to highlight Big CBS Prime as the destination for the “Latest, Freshest and Hottest” entertainment concurrent with the United States.

    The media mix is designed to deliver maximum impact using both traditional and non traditional media. Given the evolved audience Big CBS Prime targets, media selection has been made keeping in the mind the lifestyle and habits of the young upscale audience.

    Innovation and digital media play a key role in the plan ensuring high impact and noticeability for the campaign. Aside from TV, Radio, Print, Cinema and OOH, other media added to the mix include digital, retail, malls, Inflight entertainment, mobile and online applications and a comprehensive social media campaign.

    RBNL media platforms – 92.7 Big FM, Big Street, Big Live and Big Digital are playing a key part in the launch campaign being used extensively across the country. The Big CBS Prime campaign is also leveraging all of the Reliance ADA Group platforms relevant to the target audience – Big Cinemas, Zapak, Big Adda, Reliance Web Worlds, Big Flix, Big Oye etc , adding significant muscle to the campaign.

    The media mix includes over 100 OOH sites across Mumbai, Delhi, Bangalore, Kolkata, Hyderabad, Chennai, Pune and Ahmedabad; news, lifestyle and sports channels, print in national dailies as well as key media focussed publications.

    The campaign is also be supported by Big Cinemas across India and Big Street across Delhi, Mumbai & Bangalore. 92.7 Big FM is already being used to create hype for the launch of the channel followed by radio spots on key shows as well as the line ‘Whats On Prime Tonite‘ capsules running through the day, everyday.

    The non traditional media mix includes digital. this would cover online communication on portals, show communication innovations, Online and Mobile widgets, and SMS messaging. There will also be live media screens across relevant retail touch-points, In Flight- Entertainment channels, Experiential Marketing in malls to amplify the key shows, etc

    Big CBS Networks GM Aparnaa Pande said, “Big CBS Prime marks the launch of the first television channel from not just Reliance Broadcast Network but the entire Reliance ADA Group. A very ambitious project, we have created an integrated multi media campaign ensuring we touch our relevant audiences through multiple touch points. The campaign ensures huge surround sound with little scope to go un-noticed. We are very confident that the combination of great marketing with the unbeatable, latest TV content Big CBS Prime has, will be an absolute winner in the market.”