Tag: TV

  • New study confirms co-relation between Twitter and TV ratings

    New study confirms co-relation between Twitter and TV ratings

    MUMBAI: US TV viewers are taking to Twitter to talk about TV and the digital chatter is building steam.

    According to SocialGuide, 32 million unique people in the U.S. Tweeted about TV in 2012. That’s quite the confab, but what does it all really mean for the TV industry? Should networks and advertisers be paying attention? Early research on the subject from US media research company Nielsen and SocialGuide says yes.

    By analysing Tweets about live TV, the study confirmed a relationship between Twitter and TV ratings. It also identified Twitter as one of three statistically significant variables (in addition to prior-year rating and advertising spend) to align with TV ratings.

    SocialGuide CEO Andrew Somosi said, “While prior-year rating accounts for the lion’s share of the variability in TV ratings, Twitter’s presence as a top three influencer tells us that Tweeting about live TV may affect programme engagement.

    “We expected to see a correlation between Twitter and TV ratings, but this study quantifies the strength of that relationship.”

    Much of the correlation is being driven by the rise in media consumption across multiple device screens. 80 per cent of US tablet and smartphone owners who watch TV use their device while watching at least several times a month. 40 per cent of US tablet and smartphone users visit a social network while watching TV.

    How well does Twitter align with TV program ratings? The recent Nielsen/SocialGuide study confirmed that increases in Twitter volume correlate to increases in TV ratings for varying age groups, revealing a stronger correlation for younger audiences. Specifically, the study found that for 18-34 year olds, an 8.5 per cent increase in Twitter volume corresponds to a one per cent increase in TV ratings for premiere episodes, and a 4.2 per cent increase in Twitter volume corresponds with a one per cent increase in ratings for midseason episodes. Additionally, a 14 per cent increase in Twitter volume is associated with a one per cent increase in TV program ratings for 35-49 year olds, reflecting a stronger relationship between Twitter and TV for younger audiences.

    Further, the study found that the correlation between Tweets and TV ratings strengthens for midseason episodes for both age groups. An increase in Twitter volume of 4.2 per cent and 8.4 per cent is associated with a one per cent increase in ratings for 18-34 year olds and 35-49 year olds, respectively. Moreover, by midseason Twitter was responsible for more of the variance in ratings for 18-34 year olds than advertising spend.

    Nielsen executive VP of media analytics Mike Hess said, “The TV industry is dynamic and it was important for us to analyse multiple variables to truly understand Twitter’s impact on TV ratings.

    “While our study doesn’t prove causality, the correlation we uncovered is significant and we will continue our research to deepen the industry’s understanding of this relationship.”

  • TV advertising most effective in building word of mouth for brands: Thinkbox

    MUMBAI: Thinkbox, the marketing body for commercial TV in the UK, has released a study that shows that TV advertising creates 51 per cent of additional Word of mouth for brands. PR/Events/Brand news creates 19 per cent.

    Online search, display and affiliate site advertising creates 12 per cent. While changes to brand products or services creates nine per cent, print advertising accounts for four per cent. Outdoor advertising creates two per cent, Direct Mail 1.5 per cent and Cinema one per cent. Radio advertising is the least effective at 0.5 per cent.

    This means that, in total, paid-for advertising is responsible for almost three quarters (72 per cent) of the total additional WoM about brands offline (e.g. in person or over the ‘phone) or online.

    We already know that people’s conversations about brands directly affect sales and marketing effectiveness. But what makes people talk or tweet about a brand? What makes brands into shared topics of conversation? And where do those conversations take place? The answer has been revealed by new research examining what creates word of mouth (WoM).

    The ‘POETIC’ research – ‘Paid, Owned, Earned: TV’s Influence Calculated’ – by Data2Decisions, the marketing effectiveness consultancy, and Thinkbox looked at the intricate relationship between ‘paid media’ (advertising), ‘owned media’ (primarily brand websites), and ‘earned media’ (WoM). It econometrically analysed what brand activities create new, ‘earned’ WoM in addition to the heritage, market and seasonal factors which make up the ongoing ‘base’ level of brand conversation, some of which will have been influenced by previous brand activity.

    The ‘Poetic’ study analysed over half a million data points for 36 brands across three marketing categories – retail, finance, and drink – including data from word of mouth specialists Keller Fay, YouGov’s social media monitor Brandwatch, and data directly from brands. Other key findings include:

    The vast majority of WoM takes place offline

    • Data from Keller Fay suggests that an overwhelming majority of brand conversations (90 per cent) are conducted offline. Data2Decisions’ ‘Poetic’ study echoed this and found that over 95 per cent of brand conversations in its sample took place offline.
    • YouGov’s Brandwatch data, which tracks social media comments, validates this finding and suggests that the number of online conversations is significantly smaller in comparison to offline.

    TV advertising generates WoM for longer than other communication channels. TV advertising drives word of mouth for a number of weeks after initial activity: 85 per cent of week one activity in the second week, and 72 per cent in the third week.

    This carry over effect suggests the impact of TV on WoM can last for several months. The study found that running TV advertising every 3-6 months will help maintain levels of brand discussion.

    Paid media drive web traffic

    • TV advertising is the most significant driver of additional brand website traffic: 47% of extra visits are generated by TV advertising.
    • TV advertising’s significant effect on off- and online WoM also has an indirect effect on increasing website traffic, as does other advertising.
    • Other key drivers of additional traffic to brand websites are: offline WoM (12 per cent); online advertising (9.5 per cent); PR (eight per cent); online WoM (six per cent); outdoor advertising (5.5 per cent); print advertising (three per cent); radio advertising (two per cent); Direct Mail (two per cent); brands’ owned Facebook pages (two per cent).

    TV is the key driver of corporate reputation

    • Of all the influences on corporate reputation (as measured by YouGov’s BrandIndex, which tracks public perception of brands), TV advertising is fundamental, driving 52 per cent of the positive impact on corporate reputation.
    • PR / Brand news / Events are the second most powerful enhancer of corporate reputation, responsible for 24%.
    • Direct Mail and online advertising (including search, display and affiliate comparison sites) have shorter lived effects on corporate reputation where marketing is used to communicate news or direct consumers to purchase.

    Thinkbox research and planning director Neil Mortensen, “Word of mouth can be marketing magic, but paid advertising’s causal effect is often overlooked with too much emphasis put on what is easily counted or highly visible – where the conversation happens rather than what drove it. This research has revealed for the first time what actually stimulates people’s brand conversations and it is clear that investment in advertising – and especially TV – is key to getting people to talk about your brand positively.”

    Data2Decisions director Katherine Munford said, “While conversations naturally occur as consumers use products and services, brand communications generate significant word of mouth. Owned and earned online platforms amplify the effects of paid media by providing hubs for conversation, but delivering a long term impact is best achieved via paid media – with the audio-visual power of TV being especially powerful.”

  • Sweden’s Com Hem to use SeaChange’s software platform for its VoD service

    Sweden’s Com Hem to use SeaChange’s software platform for its VoD service

    MUMBAI: SeaChange International, a global multi-screen video software company, has said that Swedish cable television operator, Com Hem, has selected the SeaChange Adrenalin video platform for its new Tivo service.

    Due for rollout later this year, Com Hem‘s new offering will include broadcast TV channels, VOD (video-on-demand), catch-up TV and start-over for DVB-based (Digital Video Broadcasting) TiVo set-tops, Lan set-tops, smartphones and tablets.

    Com Hem will use the Adrenalin video platform to integrate and manage a wide range of third-party components. These include TiVo‘s client solution and other third-party vendors in the ecosystem. SeaChange will provide its Professional Services to handle integration, customization and deployment.

    Com Hem manager R&D Jens Persson said, “Com Hem aims to offer subscribers the latest services in compelling bundles. With SeaChange‘s technology and services we can do that. The open Adrenalin architecture means we can integrate our existing equipment and systems effortlessly. And because it‘s easy to expand, the back office can grow as quickly as we do”.

    SeaChange SVP & GM Europe Middle East and Africa and APAC Andrei Noppe said, “We are delighted to support Com Hem in its rapid growth. Throughout Europe, customers come to SeaChange for our deep experience and expertise in on-demand service development. Our agreement with Com Hem marks continued expansion of SeaChange‘s strong presence in the Nordic and Baltic region, with customers from Denmark to Estonia.”

    About 40 per cent, or 1.75 million, of Sweden‘s households are connected to Com Hem‘s network. This gives them access to TV channels, HDTV and TV on Demand, as well as broadband and fixed line services. Com Hem is the latest European operator to choose SeaChange‘s next generation Adrenalin as a foundation for its VoD services.

    Adrenalin is based on an open service-oriented architecture which delivers a television experience that scales to serve millions of assets to any video device across multiple network types, either deployed in a network or in a hosted model. SeaChange‘s customers across Europe serve an estimated 36 million subscribers on televisions, PCs, tablets and mobile phones.

  • I&B sets up monitoring system to keep tab on digitisation by MSOs

    I&B sets up monitoring system to keep tab on digitisation by MSOs

    NEW DELHI: The Information and Broadcasting Ministry has set up a Centralised Monitoring System to monitor the progress of digitisation and to ensure the mandatory adherence of transmitting digital encrypted signals by multi-system operators (MSOs).

    The Centralised Monitoring System will be able to detect those MSOs who do not carry the mandated encrypted signals. MSOs are required to carry encrypted signals of TV channels in areas where digitisation has been implemented as mandated by Section 4A of Cable Television Networks (Regulation) Act, 1995. Transmission / Re-transmission of unencrypted signals would amount to violation of terms and conditions of MSOs.

    A web based pilot project for the Digital Addressable System (DAS) monitoring system installed at Bangalore is undergoing field trials for this purpose. Once implemented, it will enable the Ministry to keep a watch on the implementation of DAS by all the MSO licensees through this system. To start with, this system will help the users to centrally acquire, log, analyse and prepare report on the status of DAS parameters like total number/name of channels, encryption status etc of cable TV signals of head end of each registered MSO across the country in real time.

    This system can be augmented in future for content monitoring of the cable TV channels at local levels. It is expected that the system will also evolve as an alternative indicator of television viewing by consumers.

  • Crackle signs on to comScore’s all-platform measurement service

    MUMBAI: Crackle, Sony Picture Television‘s free ad-supported video streaming service, has partnered comScore to launch a first-of-its-kind all-platform audience measurement deal.

    This initiative will leverage comScore‘s audience measurement techniques to produce unduplicated audience size and demographics across the entire Crackle entertainment network, which includes all screens and platforms – online, mobile/tablet, connected TV and game consoles.

    Data will be available during the second quarter and Crackle will be the first in the industry to use this methodology to provide advertisers with comScore video audience measurement for all of its devices and 20+ apps.

    comScore said that its proprietary methods leverage census-level media measurement that produces audience samples numbering in the millions, far surpassing traditional TV audience counting methods.

    In addition, this census-level reporting – which provides enough common touch points between each platform to determine cross-platform overlap – serves as the basis for comScore‘s multi-platform audience de-duplication techniques.

    “Before this new capability, there had been no audience measurement of connected TV and game consoles, so publishers and networks could not provide an unduplicated audience number,” said Sony Pictures Television executive vice president, digital and Crackle GM Eric Berger.

    “With the help of comScore and their revolutionary approach, we can now provide advertisers with measurement that includes the audience size and demographics across all of Crackle.”

    “Our development of this multi-platform attribution technique cracked the code for determining a single unified audience number across platforms, and we designed it with the knowledge that it could theoretically scale to accommodate the growing number of media channels today,” said comScore President of Commercial Solutions Serge Matta.

  • Around 6.6 mn STBs still to be installed in 38 cities of Phase II of DAS

    Around 6.6 mn STBs still to be installed in 38 cities of Phase II of DAS

    NEW DELHI: A total of 6.59 million cable television homes in the 38 cities which are to be covered in Phase II of digitisation have still to receive set-top boxes, just three weeks ahead of the deadline of 31 March.

    The level of digitisation in the cities had reached 58.84 per cent including 25.85 per cent of direct-to-home homes as on 8 March.

    Information and Broadcasting Ministry sources claimed a total of 5.28 million cable homes had received set top boxes as on 8 March, apart from 4.14 homes on DTH.

    The sources said a total of 16.01 million total TV sets had to be digitised by making provision of 20 per cent for multiple TVs in houses and TVs in offices/shops. The total number of TV Households according to Ministry statistics is 13.34 million.

    Of the 38 cities, Bangalore leads with 7,50,181 STBs installed, followed by Hyderabad with 7,33,729, while Coimbatore, Visakhapatnam, and Srinagar were at the bottom of the list with no STB installation as on 8 March.

    The Ministry has set up a Task Force exclusively for Phase II cities to oversee and monitor the digitisation process. A public awareness Committee has also been constituted in the Ministry for spearheading awareness campaign and all TV channels have started to run a scroll informing consumers about the deadline for cable TV digitisation, as also an animated commercial.

    All India Radio has also started broadcasting of the radio jingles on its National and regional networks for creating public awareness. Several other initiatives like SMS campaign, video spots and print advertisements etc. are on the anvil. The State Governments/UTs have already nominated nodal officers in 38 cities of Phase II. The Ministry had recently conducted a workshop for them.

    It is planned to organise a second workshop shortly to take stock of preparedness in Phase II cities. A regional workshop was also held recently at Bangalore to sensitise local MSOs, cable operators and other stakeholders.

    The Ministry had set up a Control Room during Phase I, which has continued to function to address the queries of consumers, cable operators and others. The Control Room which also has a toll free number has been receiving a number of calls from consumers of Phase II cities.

    In order to facilitate cable TV digitisation in 38 cities of Phase II, the Ministry has already issued provisional registration to 30 Independent MSOs to operate in Phase II cities. This would enable these MSOs to operate in their respective cities to provide digital cable TV services.

    For the second phase, the 38 specific cities and areas which have been listed in the notification are Bangalore, Hyderabad, Ahmedabad, Pune, Surat, Kanpur, Jaipur, Lucknow, Nagpur, Patna, Indore, Bhopal, Thane, Ludhiana, Agra, Pimpri-Chinchwad, Nashik, Vadodara, Faridabad, Ghaziabad, Rajkot, Meerut, Kalyan-Dombivali, Varanasi, Amritsar, Navi Mumbai, Aurangabad, Solapur, Allahabad, Jabalpur, Srinagar, Visakhapatnam, Ranchi, Howrah, Chandigarh, Coimbatore, Mysore and Jodhpur.

  • CBS launches streaming app for iPad, iPhone

    CBS launches streaming app for iPad, iPhone

    MUMBAI: US broadcaster CBS has announced the launch of the new CBS App for iPhone and iPad users, offering full-episode streaming of CBS programming from primetime, daytime and late night.

    The new app further extends the reach of the shows‘ audience, providing more flexibility and opportunity for catch-up viewing and opens yet another monetisation window for the company‘s industry-leading content.
     
    The CBS App is available for immediate download from the App Store, and offers original and second-screen features for CBS‘ shows such as ‘NCIS‘, ‘The Good Wife‘, CSI: Crime Scene Investigation‘, ‘How I Met Your Mother‘ and ‘The Young And The Restless‘.

    Daytime and late night programming will be available within 24 hours after initial airing, while most primetime programmes will be available on the eighth day after broadcast.CBS also announced it would introduce similar full-episode streaming apps for all major mobile and tablet platforms later this year, including Android and Windows 8.

    CBS president, CEO Leslie Moonves, said “We have been methodically and strategically finding new ways to satiate the appetite for our content on new platforms, while tapping into the tremendous revenue provided by doing so. Our announcement today achieves both of these objectives, while protecting our very healthy current ecosystem. In addition, by making our shows available on all the leading mobile devices out there, we are confident we will bring a whole new set of viewers to the CBS Television Network and build upon our standing as the #1 network in the business.”

    CBS Interactive president Jim Lanzone said, “Our online viewers not only want to watch their favourite shows on multiple devices, they want deeper engagement with the programs they love. The new CBS app gives them the best of both worlds, letting people watch CBS shows on the best screen available for them, with a host of extra features that give them a richer viewing experience whenever and wherever they tune in.”

    The new CBS App will integrate the existing CBS Connect App experience by the start of the Fall TV season. At that time, the CBS App will offer integrated social feeds; live events that allow fans to engage directly with talent; and second-screen experiences synched to the broadcast with additional content for select shows like ‘CSI: Crime Scene Investigation‘, ‘Criminal Minds‘ and ‘Hawaii Five-O‘.

    Buick is the official launch partner for the new CBS App, bringing users CBS programming with reduced commercial interruption for the first several weeks after launch.

  • Demand for TV transponders to triple in five years: PwC

    Demand for TV transponders to triple in five years: PwC

    NEW DELHI: The number of satellite transponders required by Indian TV broadcasters and DTH operators is expected to double or triple over the next five years.

    A new report from the Cable and Satellite Broadcasters Association of Asia (Casbaa) entitled “Easing India’s Capacity Crunch” forecasts that transponders required by the DTH industry will rise from 73 in 2012 to more than 220 in 2017 to meet burgeoning demands by Indian consumers.

    The report prepared by PwC was released at the Casbaa India Forum 2013.

    This rapid growth in transponder demand will be driven by the expected increase of TV channels in India, fuelled by strong growth of the Indian television industry over the next few years (expected CAGR of 14%).

    The continued proliferation of pay-TV services, coupled with cable digitisation, growth of regional channels and entry of foreign players will provide a fillip to growth. Given these driving factors, India can potentially have about 1,600 licensed channels by 2017, of which about 1,300 channels (80% of licensed channels), are expected to be operational.

    High growth in the number of HD channels is expected, due to growth in digital platforms coupled with increasing penetration of high-end TV sets that support HD viewing experiences. By 2017, India is likely to have approx 130 HD channels. This growth in the number of channels will lead to higher demand for C-band and Ku-band transponders.

    In the report, Casbaa and PwC make a series of suggestions for improving the management of India’s satellite industry, to make it more efficient and market-friendly.

    The report notes that Indian Space Research Organisation (Isro) is working hard to launch new satellites and procure additional spectrum to meet the burgeoning demand. Nevertheless, says the report, “it is unlikely that any single satellite operator will be able to fulfil even current demand, let alone the future demand for satellite capacity.” Foreign satellite operators will need to be encouraged to invest in capacity to serve the Indian market.

    “In spite of the urgent requirements for satellite capacity, there are challenges placing practical restrictions on leasing transponder capacity from foreign satellite operators by Indian players,” said John Medeiros, Casbaa’s Chief Policy Officer. “Key hurdles include procedural requirements and delays and short contract durations inducing uncertainty for both Indian players and outside investors.”

    Smita Jha, leader of PwC India’s Entertainment and Media practice, said: “Satellite capacity constraints impede the growth momentum of the Indian TV sector and impact the ecosystem of the industry. The capacity crunch could restrict the launch of local regional channels and special interest channels and could lead to a distortion of competitive balances in multiple ways.”

    The report encourages the Indian government to formulate policies and processes to spur growth in satellite services, and to explore opening up additional frequency bands for use by TV industry players. It suggests measures such as allowing DTH operators more freedom to easily lease more space on authorised satellites they already use, lengthening the allowable term of satellite transponder contracts, improving publicly-available market information from the government and ensuring adequate spectrum is available for satellite use in India.

  • Nielsen launches solution to measure advertising on apps

    Nielsen launches solution to measure advertising on apps

    MUMBAI: Nielsen, a global provider of information and insights into what consumers watch and buy, has launched a solution Nielsen Mobile Brand Effect that measures the resonance of brand advertising within mobile apps.

    Nielsen Mobile Brand Effect debuts amid continued adoption of the mobile app environment by both consumers and advertisers. In the past year, the number of U.S. consumers using mobile apps nearly doubled to 101.8 million and mobile advertising spending is now estimated at $4 billion annually.

    Available immediately in the United States, Nielsen Mobile Brand Effect is the latest addition to the Nielsen Brand Effect product suite, which already measures ad resonance across TV and computer browsers.

    Building upon the technologies and best practices utilized for measuring ad resonance in online display and video ads, Nielsen Mobile Brand Effect captures consumer sentiment through an in-app survey and delivers performance against the primary marketing objective of the campaign using classic brand lift metrics such as awareness, attitude, favorability and purchase intent. The solution works across mobile operating systems, including Apple iOS and Android.

    As with Nielsen Online Brand Effect, the mobile in-app resonance solution is built around a real-time, collaborative model that allows everyone with a stake in the campaign to measure and optimize performance in-flight. The results, in total and by app, segment, lifetime performance, creative and frequency, are displayed in a web-based dashboard in real-time. In addition, the scalable nature of the solution means that a larger portion of a marketer’s ad spend can be measured and optimized.

    “Mobile is a consumer’s best friend: a companion, helper, teacher, entertainer. It’s no wonder time spent on mobile continues to grow as options like apps expand and enhance the user experience,” said Nielsen President, Global Product Leadership Steve Hasker. “As more marketers tap this evolving medium, we’re excited that Nielsen Mobile Brand Effect will be there to help them understand how their ads resonate on mobile and across platforms.”

    The launch of Nielsen Mobile Brand Effect is the latest development in Nielsen’s strategy to deliver end-to-end solutions that measure the reach, resonance and reaction to ads across platforms and around the globe. Nielsen’s TV and online Brand Effect solutions are available in the U.S. and in select markets internationally.

  • 59 per cent of mobile web users comfortable with mobile ads: Study

    59 per cent of mobile web users comfortable with mobile ads: Study

    MUMBAI: The appetite for mobile media continues to rise and that the mobile is not just a fundamental part of consumers‘ communication needs, but increasingly the core platform through which they access the Internet and engage with brands online.

    To better understand changing media consumption usage and behaviours across the world, Bangalore-based mobile ad network InMobi has released the findings of its Mobile Media Consumption Report, a study of over 15,000 mobile users in 14 markets across all continents through its global mobile ad network, and research partners Decision Fuel and OnDevice Research.

    InMobi Co-Founder and CEO Naveen Tewari said, “Mobile devices now permeate every aspect of modern life. The study reveals that mobile users are always-on, whether surfing the web while spending time with family (48 per cent), at a social event (45 per cent), commuting (60 per cent) and shopping (43 per cent). This creates a huge opportunity for brands and marketers to engage with consumers throughout the day unlike traditional advertising like print and TV.”

    Mobile interactions increasingly influence buying behaviour: Overall analysis reinforces the shift towards mobile with 50 per cent of the average global mobile web user now using mobile as either their primary or exclusive means of going online. This has resulted in mobile devices becoming an indispensable shopping tool, gaining popularity as a viable shopping channel and now used throughout the research and decision-making process of a purchase.

    Mobile advertising‘s proving to be effective across the entire purchase funnel:

    • 75 per cent of respondents admitted that they‘d been introduced to something new via their mobile device
    • 67 per cent feel that it had provided them with better options
    • 46 per cent said that they had made purchases using their mobile device
    • 45 per cent said it has influenced their in-store purchase

    Opportunities for brands to engage with consumers through mobile apps: Mobile apps can offer brands opportunities to engage with consumers on a more personal level all across the globe. The findings of the research reveal the accelerated usage of mobile apps and found that the average consumer actively uses 6.5 apps throughout a 30-day period.

    Encouragingly, 54 per cent of respondents reported that they had noticed ads while engaged in an app. In fact, a considerable 80 per cent of respondents were influenced by a mobile ad to download an app and 67 per cent went on to visit a brand‘s website immediately afterwards. Mobile advertising is not only helping to drive app downloads but also increase website traffic.

    Ad format preferences are emerging for different user segments : The research found that 59 per cent of mobile users are now as comfortable with mobile advertising as they are with TV or online advertising. Whilst mobile ads in apps are the most noticed among mobile users, the study highlighted those different formats of mobile ads appeal to different segments of consumers. Globally, 54 per cent of users discover mobile ads via apps, 40 per cent on a search engine, 27 per cent on a retailer website and 23 per cent on a video website.

    Mobile commerce surges: M-commerce continues to evolve and consumer adoption is high with 66 per cent of consumers surveyed having spent money on an activity via a mobile device. This will continue to increase significantly as 80 per cent of consumers plan to conduct mobile commerce in the next 12 months, a 21 per cent increase from where we are today.

    Tewari concluded, “This study reiterates the industry stats on the mobile media consumption boom. With consumers now being increasingly receptive to mobile advertising and in-app ads, there has never been a better time for brands to embrace the use of mobile technologies. Finally, it highlights the fact that there is a real need for the industry to continue to rapidly innovate the ad experience and deliver rich, relevant, and timely content to the user.”