Tag: TV

  • Time Warner Cable to offer live mobile TV for iOS

    Time Warner Cable to offer live mobile TV for iOS

    MUMBAI: The Time Warner Cable (TWC) TV mobile app for iOS devices received an upgrade that now allows users to watch from anywhere some of the content which they predominantly viewed from home.

    Until recently, to watch any programming through the app, users had to have a connection to the TWC Wi-Fi router in one‘s home. With this service, if users are away from home, they can use any Wi-Fi hotspot and gain access to up to eleven live channels.

    The TWC TV app is free for Android devices, PCs, Macs and Roku Boxes, but at the moment it‘s only the iOS version that gets the “TV anywhere” upgrade.

  • India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    MUMBAI: Asian tigers China and India together are expected to contribute almost 69 per cent of pay-TV revenues in the Asia Pacific from 2012 to 2020, according to findings of a new report by Singapore-based pay-TV research firm Media Partners Asia (MPA).

    MPA analysis shows that China and India will contribute 46 per cent and 23 per cent respectively to pay-TV industry revenue growth between 2012-20. Excluding China, India‘s contribution grows to 42 per cent, followed by Korea and Japan at 12 per cent and 13 per cent respectively, and Australia at 7 per cent.

    According to MPA, India‘s contribution reflects large volumes, a significant growth in accessible digital subscription revenues (distributed evenly across the value chain) and a large local advertising pie.

    In Southeast Asia, Malaysia leads with a 5.5 per cent contribution to revenue growth, driven by the growth of ARPUs and ad sales. Advertising revenues will also experience significant growth from a low base in key Southeast Asia markets such as Indonesia, Philippines, Thailand, and Vietnam.

    MPA forecasts indicate that Asia Pacific pay-TV industry revenues will grow at a 7.6 per cent CAGR between 2012 and 2020, doubling from $48 billion to $86 billion.

    Within this segment, subscription fees will grow at a 7.4 per cent CAGR, rising from $37 billion to $65 billion over the same period while net advertising revenues, calculated after estimated discounts, will grow at 8.1 per cent CAGR, reaching $21 billion in 2020 versus $11 billion in 2012, the report says.

    The digital pay-TV homes in Asia are projected to reach 696 million by 2020 from 444 million in 2012 driven by strong subscriber growth in India and China. Asia Pacific is expected to have 631 million digital pay-TV homes by 2017.

    The report adds that China and India will contribute 66 per cent and 21 per cent respectively to Asia Pacific pay-TV subscriber growth between 2012 and 2020.

    According to MPA, the Asia Pacific pay-TV subscriber growth is expected to witness robust growth with 13-14 million new subscribers added every year between 2013 and 2016, moderating thereafter though still adding close to 7 million subscribers per year by 2020.

    In Asia excluding China, India accounts for a massive 63 per cent of new subscriber growth between 2012 and 2020, underlining its huge importance to the pay-TV ecosystem, while Southeast Asia will contribute 16 per cent led by Indonesia at 7 per cent.

    Adjusting for multiple connections or homes, pay-TV penetration in Asia excluding China will grow from 53 per cent in 2012 to 61 per cent by 2020.

    Net new subscriber additions totaled 31 million in 2012, with year-on-year customer growth at 8 per cent. Excluding China, new pay-TV subscribers came in at a somewhat milder 13.4 million in 2012, taking the overall Asia ex-China subscriber base to 211 million.

    The growth in Southeast Asia was strong with 3.5 million new subscribers. India experienced a slowdown but managed to add close to 6 million new subscribers.

    Driven by digital TV (DTV) transition in China, India, Korea and Taiwan and the steady growth of DTV pay subs in Southeast Asia, MPA sees total digital subscribers growing from 257 million in 2012 to 539 million in 2017, and 626 million by 2020. Digital penetration of total pay-TV subs will grow from 58 per cent in 2012 to 90 per cent by 2020.

    After adjusting for multiple connections in a household, the MPA forecasts indicate that pay-TV penetration will climb from 51% in 2012 to 68% by 2020.

    The HD pay-TV subscriber universe is expected to rise exponentially to 160 million by 2020 from 37 million subscribers in 2012, while DVR subscribers will grow to 18 million from 6 million over the same period.

    China will be the major contributor to HD growth, followed by India, Japan, Korea, Australia, Taiwan and Malaysia, the report explains.

    The projections are published in a new report called Asia Pacific Pay-TV & Broadband Markets, an analysis of consumption, investment and revenue generation across pay-TV, broadband, digital TV and interactive value added services in 18 Asia Pacific markets.

    Commenting on the findings, MPA director Vivek Couto said, “A steady growth in population and a young demographic, combined with a rising middle class and the spread of wealth amongst local groups, is driving strategic decisions and execution in the pay-TV industry. These factors, in turn, will help boost household formation and consumer spends. This will also help grow pay-TV consumption and investment.”

    According to Couto, subscriber growth and revenue generation will be driven by: (1) Continued investment in local content, and the growth of localization among global and regional brands; (2) Digitalization in emerging markets; and (3) The growth of HD, premium and on-demand services in more mature markets.

    Significantly, the MPA report also notes: The growth of mobility and broadband penetration (with fiber expected to play a larger role in the future) is also influencing pay-TV strategy, execution and consumption.

    Fragmentation of eyeballs is growing with the proliferation of multiple devices. This is also driving consumption of illegal online video in many territories. The response of pay-TV companies has been defensive and aggressive in equal measure, the report notes.

    In 2012, TV Everywhere (TVE) type solutions with improved windows have been deployed across most of the region largely authenticated to customers with a pay-TV connection.

    Arguably, the most aggressive responses have come from content powerhouses that own most of their IP with clear packaging and a commitment to product innovation, the report concludes.

  • All About Outdoor partners Havas Media to launch Outdoor Media Plan

    MUMBAI: Introducing the country‘s first outdoor media knowledge repository, All About Outdoor has teamed up with Havas Media to launch Outdoor Media Plan. The official launch of the entity is slated on 1 July.

    The initiative is an online knowledge bank of trade insights, which will showcase tailor made ready-to-use reports, helping meet the objectives of brand custodians, media planners and buyers and media asset owners, who often struggle with sourcing dependable information while planning their outdoor media campaigns.

    It will collate and process inputs on customised research gathered from nationwide knowledge partners, bringing in credible extracts on category spends, brand-wise-investment, supplier database, innovations, media-price benchmarking, latest campaigns and emerging technologies.

    All these services will be available as paid reports and Outdoor Media Plan will also engage in offline corporate consultancy and preparation of need based reports for clients.

    Outdoor Media Plan founder and chief strategist Ankur Rastogi said, “Bringing in structured knowledge is one of the key prerogatives that this industry needs and I strongly feel this will not only broaden the horizons, but with the experience of our knowledge partners, it will put forward instant marketing solutions for trade professionals.”

    Havas Media India and South Asia chief executive officer Anita Nayyar said, “We are delighted to be a strategic partner in this new venture as we have always believed in the power of knowledge for our others offerings on TV, print, radio and digital. Outdoor advertising has not grown at the expected rate and to attain growth and maturity we need to invest in research and knowledge. I‘m glad that Havas Media is a co-custodian for this initiative.”

  • How to build and engage TV audiences through Twitter

    How to build and engage TV audiences through Twitter

    CANNES: How do broadcasters mine into the social treasure trove that is Twitter? Twitter’s head of broadcast partnerships UK Dan Biddle attempted to answer this during one of the MipCube’s sessions in MipTV in Cannes.

    He pointed out that Twitter has 200 million users the world over who post about a billion tweets every two and a half days. 60 per cent of these users access twitter using their mobile phones.

    He disclosed that TV works like glue for Twitter citing UK’s example where 40 per cent of tweets are made during prime time and are about TV. “Twitter is the room we watch TV in,” he said with a confident smile. “While hash tag is the campfire around which people tell stories.”

    He cited examples like Dogging Tales – a documentary which covered people who wanted to have anonymous sex. Thanks to the right push, it got some 120 million tweets. The twitter buzz drew viewers to the show like bees to a honey pot who switched on their TV sets almost immediately. Others who could not watch it tuned into it with catch up TV.

    He then narrated the case of Saturday Night Takeaway one of the teams used to post a frozen pose before the kick off. They decided to get viewers to interact with their team and send in what their pose of the week should be. Audiences and followers on Twitter deluged them with poses before the show started.

    He also gave the example of a show Fishfight wherein viewers were given two minutes during a commercial break to send in tweets relating to “what are your prawns eating?” with the hash tag #fishfight to supermarkets. The exercise was to raise awareness of unsustainably fed prawns. Around 16,000 tweets poured in the 120 second window.

    “The effort worked well in making the show engaging,” said Biddle.

    Broadcasters and producers can also take a cue from what ESPN Sports Centre does with instant replays, he said.

    “They clip out key moments of the game and send it out as instant replays. They know users could do it; they decided to beat them to it,” he revealed.

    “It is very engaging for followers. ESPN has also got Ford to put in some money behind it through pre-roll ads and further promote to its own community.”

    Biddle’s believes that broadcasters and producers would do well to programme Twitter as they would programme their channels. “Bear in mind Twitter is the ultimate teaser, not spoiler,” he emphasized.

    “Also take advantage of feedback and amplify it further even if it something you did not expect. There’s opportunity even there if you look at it different.”

    His step by step bible for doing it right is as follows:

    Before the show: Preview clipspredictions and start the talent talking on twitter.

    During the show: Amplify the tweet spot by encouraging polling/voting and playing of games around it. And continue to get the talent tweeting.

    After the show: Have recaps, sneak peeks, reviews and feedback. Reward loyalty and keep the conversation going. Finally, drive audiences to VOD or other pay platforms which can help you monetize your content.

  • IRS’ Q4 media reach findings

    IRS’ Q4 media reach findings

    MUMBAI: Is the rollout of DAS having an impact on cable & satellite TV’s reach? Prima facie it seems to be if one goes by the numbers thrown up the Indian Readership Survey for Q4 2012. Conducted by Media Research Users’ Council (MRUC) and Hansa Research, it showed that the C&S reach generated a growth of 8.9 per cent (Q2-Q4) as against 10.5 per cent for (Q1-Q3).

    Overall, television’s reach also slowed down from 6.1 per cent CAGR in Q1-Q3 to 5.2 per cent CAGR Q2-Q4.

    The fastest growing medium was the internet which grew at a slower 24.2 per cent CAGR in Q2-Q4 as against 27.5 per cent in Q1-Q3 of the IRS.

    Radio’s reach saw a CAGR of 1.9 per cent in Q2-Q4 as against a growth of 6.4 per cent. Newspaper readership grew by a more pleasing 0.8 per cent CAGR in Q2-Q4 as against 0.7 per cent in Q1-Q3 of the IRS.

    On a quarter on quarter basis, the reach of the following mediums grew as follows:

    • Cable & Satellite TV from 499.437 million (Q3) to 509.821 million (Q4)
    • Television overall from 571.426 million (Q3) to 578.011 million
    • Internet from 42.322 million (Q3) to 44.521 million (Q4)
    • Print from 353.338 million (Q3) to 353.409 million (Q4).
  • Star Plus launches on BSkyB’s online TV platform Sky Go

    Star Plus launches on BSkyB’s online TV platform Sky Go

    MUMBAI: Star India has launched its Hindi general entertainment channel (GEC) Star Plus on BSkyB‘s online television service Sky Go from 28 March.

    Star Plus is the first Asian television channel to launch on the Sky Go platform that allows Sky TV customers to watch live TV on the move on laptops, tablets, PCs, Macs and smartphones.

    The launch of Star Plus on Sky Go means Sky customers can watch their favourite shows on Star Plus across a range of devices, in line with their subscription.

    Star UK & Europe Senior Vice President Yeshpal Sharma says, “With the launch of Star Plus on Sky Go, we are extremely pleased to offer our viewers yet another unmatched and exciting viewing experience to enjoy the best of Asian television entertainment- anywhere in the UK, anytime, on the go.”

    Sky‘s Director of TV Products Luke Bradley-Jones commented, “Sky Go continues to offer Sky customers even more value by being able to access even more shows across a range of devices. The service is currently enjoyed by over 3 million customers and we will continue to bring even more content to customers as part of our continued commitment to offer people the best TV, and the best ways to watch.”

  • Hair & Care promotes quick, easy hairstyles with new TVC

    Mumbai: Hair & Care has rolled out its new television commercial titled ‘Twist and Turn’ that has been created by Taproot India.

    Taking a slice of life from the young female audience, the new campaign by Hair & Care introduces quick and easy hairstyling in the category by promoting twist and turn hairdos.

    As a part of the Twist and Turn campaign, the new TVC hinges on the insight that there is no better way to change your look and make an impression than to change your hairstyle.

    Talking about the concept behind the TVC, Taproot India associate creative director Pallavi Chakravarti said: “For our TG, sameness is boring. Each day has to be different, each tale needs a twist. By highlighting Hair & Care‘s new promise of Twist and Turn hair, the idea was to combine great hair styling and the excitement of doing something new with their fun, mischievous way of life.”

    The campaign went live on digital before breaking on TV, given that the average youth today spends more time on the internet than TV.

    The brand will be engaging with young girls on its FB page through styling tips, latest hair trends and a step-by-step hairstyling guides.

    Shraddha Sharma will continue her association with Hair & Care through an array of digital engagement activities planned for the new Twist and Turn campaign.

  • BBC commissions BBC Three drama strand for BBC iPlayer

    BBC commissions BBC Three drama strand for BBC iPlayer

    MUMBAI: BBC has commissioned a BBC Three drama strand exclusively for BBC iPlayer.

    The drama strand is a venture between BBC iPlayer, BBC Three and BBC Drama Production to commission six original short films over two years, written and directed by the best up-and-coming writing and directing talent from across the UK.

    This new drama strand builds on BBC iPlayer‘s strategy to showcase more exclusive content within the service in 2013 and on the BBC Writersroom‘s ongoing commitment to bring the best new writers to UK audiences.

    Last year the BBC brought selected online-only programmes to audiences via BBC iPlayer. These included BBC Three ‘Feed My Funny‘ new talent comedy pilots, a Doctor Who mini-series called ‘Pond Life‘ and curated archive programmes for BBC Four. These proved popular on BBC iPlayer, with Pond Life receiving over five million requests, the BBC Three comedy pilots over one million requests and the BBC Four archive programmes receiving over 2 million cumulative requests.

    BBC head of IPTV, TV online content Victoria Jaye said, “This ambitious new strand builds on BBC iPlayer as a creative platform to bring original British drama to audiences online, and explores storytelling outside of a scheduled TV slot or duration. Audiences will be able to discover, share and enjoy these dramas whenever and wherever they choose.”

    BBC Drama executive producer Hilary Salmon said, “This is a precious opportunity for BBC Drama Production to produce original content for the BBC iPlayer and the BBC Three audience and to build relationships with writing and directing talent that is on the way up.”

    BBC Three controller Zai Bennett said, “As a youth channel, BBC Three is at the forefront of new ways to commission and view programmes and to find up and coming talent both on and off the screen. This new drama strand is exactly the kind of venture BBC Three is all about.”

  • 26% of US consumers are digital omnivores: Deloitte

    26% of US consumers are digital omnivores: Deloitte

    MUMBAI: 26 per cent of US consumers are digital omnivores. They own a laptop, smartphone and tablet.

    Deloitte’s State of the Media Democracy survey, now in its seventh edition, reveals that US consumers are undergoing a dramatic transition in how, when and where they engage with content, devices and each other.

    Tablet ownership increased 177 per cent over the past year, with almost a third of tablet owners viewing it as one of their top three most preferred consumer electronic devices.

    Tablet owners stream movies 70 per cent more often than non-tablet owners.

    • More than 80 per cent of consumers are multi-tasking while watching TV.
    • The survey reveals that 93 per cent of Americans place Internet access as the most valued household subscription.
    • More than half of all consumers are willing to pay a premium for faster Internet connection with tablet and smartphone owners more inclined to pay for faster connections

    The survey takes a multi-generational look at how consumer preferences vary. More importantly, learn how they are evolving within the changing landscape of device ownership, subscription services, advertising platforms, social networking adoption and emerging payment models.

    Fielded by an independent research firm in November 2012, the online survey reached more than 2,000 US consumers to help companies understand consumer preferences today and where they might be moving in the future. The analysis yields clues and provides insights to help companies make smart, well-timed business decisions and investments.

  • nexGTv bags mobile streaming rights for IPL

    nexGTv bags mobile streaming rights for IPL

    MUMBAI: nexGTv, India’s premier mobile TV service, has bagged the official mobile streaming rights of Pepsi IPL 2013 from master rights holder Times Internet.

    nexGTv users will be able to catch all the action right on their handsets and in addition to this, match repeats and highlights will also be available in the Video-on-Demand section.

    Pepsi IPL channel will be clubbed into existing subscription packs of nexGTv. Hence users can watch it by subscribing to these packs. The service can be downloaded by sending a SMS mytv to 58888, or from any of the app stores and from nexgtv.com.

    With a total of 76 matches, the action will start on 3 April and go on till 26 May.

    DigiVive Director G.D. Singh said, “Cricket is not just a sport in India but the real source of entertainment with lot of emotions involved. This is ‘the real content’ desired by users. We have witnessed immense success during last cricketing actions that were streamed live on nexGTv. Streaming all the 76 matches of IPL is yet another step towards our commitment of delivering best possible service and content on our mobile TV platform.”

    Speaking on the partnership, Times Internet Limited (TIL) CEO Satyan Gajwani said, “Sports, and cricket in particular, is a strong area of focus for us. Partnering with nexGTV is a step forward for us in bringing IPL 2013 to cricket fans across mobile devices, allowing them to catch the IPL action anytime, anywhere. The last few years have been promising and we hope for higher engagement with mobile cricket’s fans this year.”

    In the past, when DigiVive had picked up rights to stream live T20 World Cup on nexGTv, huge traction and heavy traffic was witnessed and this cricket season is further expected to add on to the popularity of the service.