Tag: TV

  • TV meets digital; Sab TV ties up with Twitter

    TV meets digital; Sab TV ties up with Twitter

    MUMBAI: Gone are the days when the social media platform Twitter was just for a casual chit chat, it is now an important tool for mainstream media. Breaking the stereotype trend, Sab TV staying true to its brand belief of ‘Differentiation through Innovation’, brings to its audience yet another unique concept- Khidki.  The channel in partnership with television producer JD Majethia and Bollywood director Umesh Shukla has called in for entries i.e. stories from the common man through Twitter – #TweetAFunnyStory.

    The brief is that entries should encompass unique yet funny stories that one has experienced in life, something that holds a special place in one’s memories and brings out the laughs. The shortlisted stories will then be presented to the world in the form of an episodic series on the channel.

    Sab TV will give an opportunity to millions of families to tell their funny stories to the world. The viewers can submit their entries on Twitter or email them to humarifunnykahani@setindia.com. The most interesting and entertaining story will be told on-screen and the family will also get a chance to be a part of the series as the story heads towards the climax.

    Until now, the channel has received around 4,000 stories.  The show Khidki will be a half-hour weekday show. Though the channel has not finalized the date as yet, it is planning to launch the show post IPL.

    Speaking with Indiantelevision.com, Sab TV senior EVP and business head Anooj Kapoor said, “The show will be based on real life stories. So we are asking them to send their stories and incidents to us which we shall develop into an episode. At the end of that particular episode, the person who sent that incident will get a chance to appear on the show and get to talk little more about it. This will be not only give a chance to the viewer to get the sense of complete engagement, it will also make the story extremely relative to the audiences.”

    Kapoor further added, “We have to attract such stories from various platforms and therefore the partnership with Twitter became a very obvious choice because it is very easy for twitterti to tweet the story and same could be evaluated by us.”   

    The channel is following a robust marketing strategy for Khidki. Sab TV is going all out to aggressively promote the show and invite stories through innovative marketing.

    Using a unique concept, the channel is conducting marketing activation programs in the Rajdhani Express and the Shatabdi Express and some long distance trains to engage with family commuters and invite stories.  Further, window-structured ‘Khidki’ outdoor innovations have been installed to generate a buzz around the initiative. These are in addition to the traditional media mix which includes television, print, radio and outdoor. “Besides our partnership with Twitter for #TweetAFunnyStory, we are collaborating with multiple digital platforms to generate stories,” revealed Kapoor.

    Twitter is complementary to the full experience of viewing a TV channel today, with each tweet being an opportunity for channels to strengthen relationships with their audiences. Twitter India continues to build strategic partnerships with broadcasters helping them amplify their message, drive more viewers and generate more user engagement with their content on the platform

    On the partnership between the channel and Twitter India, Twitter India TV partnership head Viral Jani said, “We are coming together and inviting stories from the platform to give consumers a platform. We amplify their effort on our platform and with this initiative we want to tell to the world that it is a great example how you can use Twitter to reach out to your consumer. There is no deal per se, but it’s a partnership which can be mutually beneficial and also beneficial for our consumers.  Sab TV is not only engaging with our users, but also giving them an opportunity to be a part of a TV show. It is just a first step in the long term relationship with Sab TV. We will be in partnership with Sab TV for more events that it is planning to launch in few months, this is just a beginning.”  

    With television being one of the largest conversation generators on the platform, Twitter aims to become the second screen to TV in India engaging audiences in real-time with the best of television content. “Twitter has always been a second screen app for TV viewers, globally and as well as in India. People watch shows on television and tweet about those shows on Twitter. They love to engage with the shows, channels and celebrities who are the part of the television series. They are interested in behind the scenes, pictures, videos, and they love to do interactions, be it for a reality television show or a new show. Twitter is like a unique platform where all of them can interact with each other. Considering this, there was a hunger from the users and the TV partners, and we believe that it’s a great thing for us and for them,” concluded Jani.

     

  • TV meets digital; Sab TV ties up with Twitter

    TV meets digital; Sab TV ties up with Twitter

    MUMBAI: Gone are the days when the social media platform Twitter was just for a casual chit chat, it is now an important tool for mainstream media. Breaking the stereotype trend, Sab TV staying true to its brand belief of ‘Differentiation through Innovation’, brings to its audience yet another unique concept- Khidki.  The channel in partnership with television producer JD Majethia and Bollywood director Umesh Shukla has called in for entries i.e. stories from the common man through Twitter – #TweetAFunnyStory.

    The brief is that entries should encompass unique yet funny stories that one has experienced in life, something that holds a special place in one’s memories and brings out the laughs. The shortlisted stories will then be presented to the world in the form of an episodic series on the channel.

    Sab TV will give an opportunity to millions of families to tell their funny stories to the world. The viewers can submit their entries on Twitter or email them to humarifunnykahani@setindia.com. The most interesting and entertaining story will be told on-screen and the family will also get a chance to be a part of the series as the story heads towards the climax.

    Until now, the channel has received around 4,000 stories.  The show Khidki will be a half-hour weekday show. Though the channel has not finalized the date as yet, it is planning to launch the show post IPL.

    Speaking with Indiantelevision.com, Sab TV senior EVP and business head Anooj Kapoor said, “The show will be based on real life stories. So we are asking them to send their stories and incidents to us which we shall develop into an episode. At the end of that particular episode, the person who sent that incident will get a chance to appear on the show and get to talk little more about it. This will be not only give a chance to the viewer to get the sense of complete engagement, it will also make the story extremely relative to the audiences.”

    Kapoor further added, “We have to attract such stories from various platforms and therefore the partnership with Twitter became a very obvious choice because it is very easy for twitterti to tweet the story and same could be evaluated by us.”   

    The channel is following a robust marketing strategy for Khidki. Sab TV is going all out to aggressively promote the show and invite stories through innovative marketing.

    Using a unique concept, the channel is conducting marketing activation programs in the Rajdhani Express and the Shatabdi Express and some long distance trains to engage with family commuters and invite stories.  Further, window-structured ‘Khidki’ outdoor innovations have been installed to generate a buzz around the initiative. These are in addition to the traditional media mix which includes television, print, radio and outdoor. “Besides our partnership with Twitter for #TweetAFunnyStory, we are collaborating with multiple digital platforms to generate stories,” revealed Kapoor.

    Twitter is complementary to the full experience of viewing a TV channel today, with each tweet being an opportunity for channels to strengthen relationships with their audiences. Twitter India continues to build strategic partnerships with broadcasters helping them amplify their message, drive more viewers and generate more user engagement with their content on the platform

    On the partnership between the channel and Twitter India, Twitter India TV partnership head Viral Jani said, “We are coming together and inviting stories from the platform to give consumers a platform. We amplify their effort on our platform and with this initiative we want to tell to the world that it is a great example how you can use Twitter to reach out to your consumer. There is no deal per se, but it’s a partnership which can be mutually beneficial and also beneficial for our consumers.  Sab TV is not only engaging with our users, but also giving them an opportunity to be a part of a TV show. It is just a first step in the long term relationship with Sab TV. We will be in partnership with Sab TV for more events that it is planning to launch in few months, this is just a beginning.”  

    With television being one of the largest conversation generators on the platform, Twitter aims to become the second screen to TV in India engaging audiences in real-time with the best of television content. “Twitter has always been a second screen app for TV viewers, globally and as well as in India. People watch shows on television and tweet about those shows on Twitter. They love to engage with the shows, channels and celebrities who are the part of the television series. They are interested in behind the scenes, pictures, videos, and they love to do interactions, be it for a reality television show or a new show. Twitter is like a unique platform where all of them can interact with each other. Considering this, there was a hunger from the users and the TV partners, and we believe that it’s a great thing for us and for them,” concluded Jani.

     

  • &TV strengthens weekend programming with So You Think You Can Dance

    &TV strengthens weekend programming with So You Think You Can Dance

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) is all set to take entertainment levels one notch higher with its channel &TV. After airing shows like India Poochega Sabse Shaana Kaun?,  Deal or No Deal and The Voice,  &TV is all set to kick start another exciting Indian adaptation of American dance reality show So You Think You Can Dance – ‘Ab India Ki Baari’ . To be aired twice a week, the show will be launched with a bank of 26 episodes for 13 weeks.

    With 14 Emmy awards, 26 localized productions representing 35 different countries, the show will be aired from 24 April on Saturday and Sunday at the 8.30 pm time band. Produced by Endemol Shine India SYTYCD will witness an epic battle of Street and Stage style dance for the very first time on Indian Television. The two styles will battle it out and give all that it takes for the ultimate supremacy title on the dance floor.

    Maruti Suzuki’s Alto K 10 has been roped in as the presenting sponsor for the show. Apart from this, the channel has also brought in Chings’ Secret and Yepme.com as co-powered by sponsors and Priyagold as special partner for the show.

    Leading the judges’ panel will be the epitome of grace and panache – Madhuri Dixit along with the national award winning choreographer – Bosco Martis and an encyclopaedia in dance and style – Terence Lewis.  While Bosco will represent the street styles of dancing, Terence will represent the stage styles.  Mouni Roy of the Naagin fame and the charming Rithvik Dhanjani are the hosts of the show.

    Speaking with Indiantelevision.com, &TV business head Rajesh Iyer said, “We have been evaluating dance shows and So You Think You Can Dance is one of the leading dance shows that has been around in 35 nations now. The format brings forth an immense concept where the contestants are classified into two groups as per their style of dancing – Street and Stage. The ultimate winner from a gruelling Street v/s Stage Gala rounds will be chosen under the guidance of an esteemed jury. We believe that the show will give a new momentum to weekend television viewing experience.”

    “We have to look at the overall strategy and So You Think You Can Dance tactically fit well with the 8.30 slot. Therefore we decided to take that particular time band to get more traction,” revealed Iyer.

    He further added, “We are targeting family audiences because we are bringing something that is so inherent to Indian families which is their love for song and dance. Obviously youth is a very substantial part of our target audience and we want them to watch the show as well.”  

    After The Voice, Deal or No Deal, this is the third show that Endemol is producing for &TV. Speaking about the expectation from the show, Endemol Shine India COO Abhishek Rege said, “It’s been a biggest dance format and it’s been there for the last 13 years now. Even in India some of the shows have drawn inspiration from this and it was high time to get this show in India. I am glad that &TV actually thought about it.  Aside from showcasing superlative content and talent, audiences will get to see a lot of dance variety on one platform. It is really good bet to have and we all are sure that it will succeed. With SYTYCD we would actually be able to take ratings averages of &TV also higher. We are sure that it will create a buzz around the dancing fraternity.”

    With a 360 degree marketing blitzkrieg planned pan India, &TV is certainly looking at engaging consumers across various touchpoints. The campaign emphasizes on Ab India Ki Baari highlighting that the country is now ready for the ultimate battle of Street v/s Stage on the lines of the global format.

    The original show was created by American Idol proytducers Simon Fuller and Nigel Lhgoe and is produced by Core Media Group’s 19 Entertainment and Dick Clark Productions. The channel has acquired the rights of the global dance reality format SYTYCD from Dick Clark Productions. In the US, the contract for SYTYCD was recently renewed by Fox for a 13th season, which is slated to go on air on 30 May.

     

  • &TV strengthens weekend programming with So You Think You Can Dance

    &TV strengthens weekend programming with So You Think You Can Dance

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) is all set to take entertainment levels one notch higher with its channel &TV. After airing shows like India Poochega Sabse Shaana Kaun?,  Deal or No Deal and The Voice,  &TV is all set to kick start another exciting Indian adaptation of American dance reality show So You Think You Can Dance – ‘Ab India Ki Baari’ . To be aired twice a week, the show will be launched with a bank of 26 episodes for 13 weeks.

    With 14 Emmy awards, 26 localized productions representing 35 different countries, the show will be aired from 24 April on Saturday and Sunday at the 8.30 pm time band. Produced by Endemol Shine India SYTYCD will witness an epic battle of Street and Stage style dance for the very first time on Indian Television. The two styles will battle it out and give all that it takes for the ultimate supremacy title on the dance floor.

    Maruti Suzuki’s Alto K 10 has been roped in as the presenting sponsor for the show. Apart from this, the channel has also brought in Chings’ Secret and Yepme.com as co-powered by sponsors and Priyagold as special partner for the show.

    Leading the judges’ panel will be the epitome of grace and panache – Madhuri Dixit along with the national award winning choreographer – Bosco Martis and an encyclopaedia in dance and style – Terence Lewis.  While Bosco will represent the street styles of dancing, Terence will represent the stage styles.  Mouni Roy of the Naagin fame and the charming Rithvik Dhanjani are the hosts of the show.

    Speaking with Indiantelevision.com, &TV business head Rajesh Iyer said, “We have been evaluating dance shows and So You Think You Can Dance is one of the leading dance shows that has been around in 35 nations now. The format brings forth an immense concept where the contestants are classified into two groups as per their style of dancing – Street and Stage. The ultimate winner from a gruelling Street v/s Stage Gala rounds will be chosen under the guidance of an esteemed jury. We believe that the show will give a new momentum to weekend television viewing experience.”

    “We have to look at the overall strategy and So You Think You Can Dance tactically fit well with the 8.30 slot. Therefore we decided to take that particular time band to get more traction,” revealed Iyer.

    He further added, “We are targeting family audiences because we are bringing something that is so inherent to Indian families which is their love for song and dance. Obviously youth is a very substantial part of our target audience and we want them to watch the show as well.”  

    After The Voice, Deal or No Deal, this is the third show that Endemol is producing for &TV. Speaking about the expectation from the show, Endemol Shine India COO Abhishek Rege said, “It’s been a biggest dance format and it’s been there for the last 13 years now. Even in India some of the shows have drawn inspiration from this and it was high time to get this show in India. I am glad that &TV actually thought about it.  Aside from showcasing superlative content and talent, audiences will get to see a lot of dance variety on one platform. It is really good bet to have and we all are sure that it will succeed. With SYTYCD we would actually be able to take ratings averages of &TV also higher. We are sure that it will create a buzz around the dancing fraternity.”

    With a 360 degree marketing blitzkrieg planned pan India, &TV is certainly looking at engaging consumers across various touchpoints. The campaign emphasizes on Ab India Ki Baari highlighting that the country is now ready for the ultimate battle of Street v/s Stage on the lines of the global format.

    The original show was created by American Idol proytducers Simon Fuller and Nigel Lhgoe and is produced by Core Media Group’s 19 Entertainment and Dick Clark Productions. The channel has acquired the rights of the global dance reality format SYTYCD from Dick Clark Productions. In the US, the contract for SYTYCD was recently renewed by Fox for a 13th season, which is slated to go on air on 30 May.

     

  • Living Foodz draws up an appetising menu: website, app, new shows

    Living Foodz draws up an appetising menu: website, app, new shows

    MUMBAI: Essel Group’s international food and lifestyle channel, Living Foodz, had hit Indian television waves in September 2015. The channel is already riding on a wave of success within 7 months of its launch. Apart from curating 100 hours of original content for the Indian market, Living Foodz will roll-out its website in May, while the application will launch by June this year. The channel plans to create a marketing buzz within 30 to 60 days. Living Foodz is also looking at converting into HD by the end of this financial year and has already applied for a few licenses and is waiting for approvals.

    “Converting Living Foodz into HD is definitely on the agenda. We have already applied for a few licenses. In any case, 100 per cent of our programming is in HD but as far as the audiences are concerned, the HD penetration is still limited. Business viability and economics dictate that you have a good enough audience reach to justify advertising revenue. It will have to be an optimum and improvement call at an appropriate time for us to decide whether we should create an additional HD channel or go solo HD”, revealed Zee Entertainment’s Living Group APAC and India CEO Piyush Sharma.

    The channel believes that producing original content plays a pivotal role in ensuring enhanced reach. With many channels lying on content library and syndication, Living Foodz stresses on making quality content to enhance brand equity and hold audiences.

    As reported earlier by Indiantelevision.com, under the Living Entertainment umbrella, the group will unveil its other new channel Living Zen, which it plans to launch in the third quarter. Focused on health, wellness and happiness, it is likely to be followed by the launch of Living Rootz, Living Homez and Living Travelz every quarter thereafter.

    Living Foodz claims to have a 40 per cent market share in the lifestyle genre and will continue to focus on food as its strong component for content. To strengthen its footprint in the lifestyle space, the channel has announced a new show Sunday show Ganga:The Soul of India. Bollywood actress Dia Mirza will make her debut on TV with this new offering. The show will launch on 1 May 2016 and will air at 12 noon with a repeat telecast at 7 pm on the same day. The one hour per episode 10 episode show will see Mirza narrating the multi-faced story of the Ganges as she travels through many towns along the majestic river.

    Promising to give viewers a peek into the legacy shaped by India’s longest river, the show has bagged Airtel 4G as title sponsor and Gowardhan Ghee as co-powered by sponsor, while American Tourister is the travel partner. The travel food documentary will explore every part of what the river has to offer, including the people, history, mythology, anthropology, adventure, music and the cuisine.

    “Quality of content is very important to attract viewers as well as advertisers on any show. The reason why we have these sponsors on board is because of our ambitious content. Travelling is an enriching experience that often remains etched in our memories forever. Ganga: The Soul of India will give our viewers a never-before opportunity to experience the culture, history and cuisine offered along the banks of the sacred Ganges through the eyes of Dia Mirza, who is an ardent traveller. We could not think of a better concept and host to marry the ideas of travel and culture in the Indian context,” said Living Foodz business head Amit Nair.

    “It is impossible for me to encapsulate in a sentence the boundless joy, the learning, the discovery, the adventure Ganga: The Soul of India has brought to my life. For those seeking to define the idea of India, this is the journey to be a part of!” said Mirza.

    The show allowed her to combine her passion and love with professional experience, added Mirza. She also said that while the show was a deeply spiritual and inward journey, it was also physically challenging. This was especially true in higher terrains.

    “Before this, I had said no to reality shows and the typical formats that actors get offered. I want people to make their own roadmap. Slow travel gives you a personal, warm and an enriching experience. TV gives you the opportunity to present yourself as who you are. The show encompasses all that I wanted to explore and do,” she said further.

    It has also launched a coffee table book amalgamating the entire journey of Mirza and the team from Gomukh in the Himalayas to the Gangasagar delta where it meets the Bay of Bengal.

    “The numbers speak for us. One of the key reasons why people watch us rather than any other channel is because we create original relevant content set in context for our viewers. All our shows have a deeper connection with the audience which leads to more viewer engagement and time spent. As far as creating original content in the factual space goes, I think we are the leaders making the largest amount of factual entertainment content,” added Nair.

    As far as the marketing goes, Ganga: The Soul of India will be cross promoted on the other channels under Zee Network. The show will be primarily displayed on TV and digital platforms while the channel has also planned more specific market activities like the book launch.

    With a strategically shaped business road map, it will be interesting to see how this new feature in the growing factual entertainment genre can retain its dominance.

     

  • Living Foodz draws up an appetising menu: website, app, new shows

    Living Foodz draws up an appetising menu: website, app, new shows

    MUMBAI: Essel Group’s international food and lifestyle channel, Living Foodz, had hit Indian television waves in September 2015. The channel is already riding on a wave of success within 7 months of its launch. Apart from curating 100 hours of original content for the Indian market, Living Foodz will roll-out its website in May, while the application will launch by June this year. The channel plans to create a marketing buzz within 30 to 60 days. Living Foodz is also looking at converting into HD by the end of this financial year and has already applied for a few licenses and is waiting for approvals.

    “Converting Living Foodz into HD is definitely on the agenda. We have already applied for a few licenses. In any case, 100 per cent of our programming is in HD but as far as the audiences are concerned, the HD penetration is still limited. Business viability and economics dictate that you have a good enough audience reach to justify advertising revenue. It will have to be an optimum and improvement call at an appropriate time for us to decide whether we should create an additional HD channel or go solo HD”, revealed Zee Entertainment’s Living Group APAC and India CEO Piyush Sharma.

    The channel believes that producing original content plays a pivotal role in ensuring enhanced reach. With many channels lying on content library and syndication, Living Foodz stresses on making quality content to enhance brand equity and hold audiences.

    As reported earlier by Indiantelevision.com, under the Living Entertainment umbrella, the group will unveil its other new channel Living Zen, which it plans to launch in the third quarter. Focused on health, wellness and happiness, it is likely to be followed by the launch of Living Rootz, Living Homez and Living Travelz every quarter thereafter.

    Living Foodz claims to have a 40 per cent market share in the lifestyle genre and will continue to focus on food as its strong component for content. To strengthen its footprint in the lifestyle space, the channel has announced a new show Sunday show Ganga:The Soul of India. Bollywood actress Dia Mirza will make her debut on TV with this new offering. The show will launch on 1 May 2016 and will air at 12 noon with a repeat telecast at 7 pm on the same day. The one hour per episode 10 episode show will see Mirza narrating the multi-faced story of the Ganges as she travels through many towns along the majestic river.

    Promising to give viewers a peek into the legacy shaped by India’s longest river, the show has bagged Airtel 4G as title sponsor and Gowardhan Ghee as co-powered by sponsor, while American Tourister is the travel partner. The travel food documentary will explore every part of what the river has to offer, including the people, history, mythology, anthropology, adventure, music and the cuisine.

    “Quality of content is very important to attract viewers as well as advertisers on any show. The reason why we have these sponsors on board is because of our ambitious content. Travelling is an enriching experience that often remains etched in our memories forever. Ganga: The Soul of India will give our viewers a never-before opportunity to experience the culture, history and cuisine offered along the banks of the sacred Ganges through the eyes of Dia Mirza, who is an ardent traveller. We could not think of a better concept and host to marry the ideas of travel and culture in the Indian context,” said Living Foodz business head Amit Nair.

    “It is impossible for me to encapsulate in a sentence the boundless joy, the learning, the discovery, the adventure Ganga: The Soul of India has brought to my life. For those seeking to define the idea of India, this is the journey to be a part of!” said Mirza.

    The show allowed her to combine her passion and love with professional experience, added Mirza. She also said that while the show was a deeply spiritual and inward journey, it was also physically challenging. This was especially true in higher terrains.

    “Before this, I had said no to reality shows and the typical formats that actors get offered. I want people to make their own roadmap. Slow travel gives you a personal, warm and an enriching experience. TV gives you the opportunity to present yourself as who you are. The show encompasses all that I wanted to explore and do,” she said further.

    It has also launched a coffee table book amalgamating the entire journey of Mirza and the team from Gomukh in the Himalayas to the Gangasagar delta where it meets the Bay of Bengal.

    “The numbers speak for us. One of the key reasons why people watch us rather than any other channel is because we create original relevant content set in context for our viewers. All our shows have a deeper connection with the audience which leads to more viewer engagement and time spent. As far as creating original content in the factual space goes, I think we are the leaders making the largest amount of factual entertainment content,” added Nair.

    As far as the marketing goes, Ganga: The Soul of India will be cross promoted on the other channels under Zee Network. The show will be primarily displayed on TV and digital platforms while the channel has also planned more specific market activities like the book launch.

    With a strategically shaped business road map, it will be interesting to see how this new feature in the growing factual entertainment genre can retain its dominance.

     

  • “You will see us relooking at the entire IBN7 proposition in 3-4 months”: Avinash Kaul

    “You will see us relooking at the entire IBN7 proposition in 3-4 months”: Avinash Kaul

    MUMBAI: A visionary who has entered into the foray of vernacular journalism to make it recognised globally. He is a broadcast professional with a career spanning more than 17 years with an immense pool of knowledge in the large variety of roles in sales, marketing, finance, legal and general management.

    Geared up to provide a refreshing outlook to the channels under him, it is the chief executive officer at IBN News Network (CNN-IBN, IBN7, IBNLokmat) Avinash Kaul. He has worked across various genres including news, general entertainment, kids, movies and lifestyle in India. 

    From being a board member of the Media Research Users Council to a part of the technical committee for Broadcast Audience Research Council (BARC), he has witnessed every chapter of the broadcast industry. With many a feather in his cap, Kaul is now poised to take IBN Networks to newer heights with a prominent footprint in digital with the launch of various properties.

    In conversation with Indiantelevision.com’s Megha Parmar, Kaul sheds light on the revamps in the pipeline, importance of the ratings body, the tug of war between digital and linear television, DAS III roll out effects, and the way ahead for the entire IBN News Network. 

    Read on for excerpts:

    You are revamping CNN-IBN to CNN-News18 from 18th April onwards. What is the idea behind the change? 

    We are infusing a lot of energy and resources behind this relaunch. We have been in talks about this for 2 years and now we are finally ready. This is the first attempt of launching the entire channel. To give a sense of what we are looking at is that news channels over a decade or more have come under pressure. We are mainly focusing on two things – We are stationing more resources on-ground in terms of news gathering, making it far better to what we are terming as immersive journalism. 

    We are putting up a team of reporters who will go and cover in-depth all the multiple angles of each story and be far more immersive into every story that we pick. Reporters have always been the biggest strength of CNN-IBN as compared to all other networks. We are investing more and more into that strength which gives us far more ground presence not only in terms of the number of stories that we are able to collect but we will also follow the mantra of doing it efficiently. We will do justice to each story by putting the sources on ground to cover those stories very comprehensively. This will be a one of the major changes that will be a part of the revamp. 

    The second aspect is the way the discussion and debate space is shaping up. At present, the space has become purely slanging action. We have figured out how we can improve the quality of debates. The people who are in the panel and are discussing should be in order to what we are seeing across various other channels. We have got experts with Swapan Dasgupta, Vir Sanghvi, Ajay Bose, etc., to be our exclusive panellists and we will gradually add more as time passes by. 

    What other changes will we see in the channel? 

    There is a lot of emphasis in terms of change; there is a new news studio, new upgrade of all the back end technologies that we are using, etc. We had the opportunity of revamping and changing our product and making it ready for digital and we are trying to do it in the best way – from the workflow to how will we be available to cater to the digital ecosystem or the second screen. 

    From the people perspective, we have a team of anchors and reporters and we are looking at investing on them and building them over a period of years. Over time, you will also see us invest quite significantly over the weekends in addition to weekdays, something which has traditionally not been seen over a long time on news channels. We are looking at feature programming, some high quality content on weekends. In our new avatar we will be leveraging a lot more CNN content than earlier. A lot of CNN shows will be seen on CNN-News18 like the Fareed Zakharia show. We are also going to get trainers from CNN to our team in terms of news gathering, editorial staff, comprehensive training with the CNN experts.

    Will there be a change in terms of the editorial structure? Are you planning to strengthen the team with a more popular anchor?

    No, there is no significant change in the editorial structure. We now have people driving various aspects. We have hired Anuradha Sen Gupta and she will look after the entire news on weekends. We have Sudeep Mukhia who has joined us as editor for prime time specifically. We are putting more and more resources in each and every time band to improve our quality which you will not typically see in any other news channels where their resources are in short supply. We are looking at filling all those gaps. We have a different team of reporters, anchors, producers only focused on the primetime band. All of them will report to our managing editor Radhakrishnan Nair. The structure won’t change, but the emphasis on each and every aspect will be significantly better. 

    You already have an application for IBNLive. Will it also be revamped or will we see one more application being launched? 

    Yes. In its new avatar, IBNLive app will now be renamed as News18 and the website as News18.com. You will see a completely new layout and approach. We have this app which is going to get upgraded. We are trying to do everything one by one. What you will see on 18th is a completely new packaging for the channel, new music, logo, website, app, new prime-time, new faces, new formats, that’s what is going to happen. In a month’s time you will see a bigger upgrade, one which will be a radical shift from what we are doing now. It’s just a start. We will have lot more things coming in the next few months. Every month you will see some new launches unlike any other channel. 

    Is the logo designed internally or did you hire an agency? 

    It has been done in-house. 

    How do you plan to promote the re-branding? What is your marketing strategy?

    We have a lot of teasers and promos already on-air. Apart from that, you will see heavy promotions on social, network channels, outdoors, print, lot more trade activities, TV, radio, everything will be covered. Yes, there will be a significant focus on digital. 

    What are your plans for IBN7 and IBNLokmat? Will you revamp them? When will we see that happening? 

    We are currently working on CNN’s revamp. You will see us relooking at the entire IBN7 proposition in 3-4 months. That is also on the cards but we are looking at one thing at a time. 

    Is digital a revenue generating proposition for you at this stage or is it too early?

    It has started but it’s not really up there. The growth is picking up very significantly, which is good. We were among the first partners with Facebook when it started with videos. So we are also seeing monetisation having a good growth rate. A lot more interaction is happening and we are keeping a lot of content for such platforms. It’s not the same content that moves from television to digital. We will create separately new content for these platforms. 

    CNN-IBN is having a tough time when it comes to viewership. Are you revamping to change that?

    The revamping has to happen any which ways. It’s not a reflection of if we are going up or down. If you look at the data in the last two weeks, we were at the number 2 position. But that is not something which we looked at when it came to revamping. The work has been on since quite a few months and from that we are launching it all together. We had to get ready with all the pieces of editorial, packaging, etc., in place. It’s not reacting to any number that keeps changing from week to week. Yes, we will always be happy to be at the number one position, or if not that, at least securing ourselves at the second position.

    How important are ratings in the larger scheme of things for a news channel?

    It’s not about absolute weightage on numbers but it’s usually the relative position which holds some value. In the general scheme of things, the numbers are extremely small. It’s more to do with what’s your imagery and perception, what is the quality that you bring to the table. These are usually more important, especially in the case of English news channels. In the case of Hindi news, the ratings play a far more important role than just the imagery or good quality content.  

    Do you plan to strengthen your distribution?

    Of course we will strengthen distribution! We are launching our distribution footprint as well with this revamp. There are lot more activities that we are working on with rebranding and rebuilding a product. Distribution is a part of it.  

    What is the advertisers’ reaction to the revamp?

    The advertisers so far have been pretty enthusiastic about the entire thing. At the end of it, you are investing in a product today, not just for the first screen but also for the second screen. As I mentioned, we are doing so much not just for TV, but also for digital. All of these are opportunities that we now have. We are content for a news company and we deliver our content on both the screens depending where the people are and in what point of time. So if you are on your Facebook timeline, you will get to see news content there as well. It’s only a matter of time. You would see that once BARC starts rolling out digital data in 6-7 months from now, you will see all these efforts being fruitful. Soon you will realise that a lot more consumption will not happen on the first screen, but will happen on second screen from now onwards. 

    How is the advertising revenue shaping up? Is having only advertising a profitable proposition?  

    Advertising revenue keeps growing in phases, because at the end of the day, advertising revenue especially for an English news channel keeps increasing. Earlier, we had lot of banking financial institutions wherein a lot of advertising was happening. Then came in the wave of mobile operators and later came the wave of e-commerce companies. So there is something or other always happening in that particular phase. But until the economy revives fully, you will always see lot more stress coming in the business front. 

    On the other hand if you look at Hindi news, you will see lot more local advertisers, lot more FMCG products coming in, which typically you will not see on English news channels. Despite these transitions, you will have a great year. It’s a cyclical movement; until the general economy starts picking up, many of these things will continue to be ranged down in certain ways. The bulk of the growth that we are seeing today is happening on the entertainment space because no matter the economy, the FMCG space will continue to grow with a lot more advertising. 

    The reason for getting heavily into digital and second screens is one of the key reasons why we want to make sure that we are tapping into all forms of opportunities. It’s not only a question about advertising sales. We are trying to diversify as much as possible with multiple dimensions.

    Is digital gradually taking over the TV when it comes to news? What should the TV players be doing to keep the audience intact?

    No, so far digital has not taken over TV in the case of news. These are two types of media that we are talking about. One is the type of people that are already on the second screen but there are people who still have not bought a TV set. So, out of 240 odd million (24 crore) households in India, only 155 million (15.5 crore) have televisions. As a broadcaster, one cannot abandon one medium for the other. We will continue to do what we are doing on linear TV, and we will also look into investing into something which that is yet to explode, which is digital consumption. Currently, digital consumption is a small percentage of the overall base. It is TV which reaches out to 155 million (15.5 crore) households. Yes, there are 1 billion plus (100 crore) phones in the market, but only 15 per cent of these are smartphones. They cannot get a great quality of video content on them and replace linear TV. That is still few a years away. We are ready for whenever that happens.  

    What can we expect from you and your network? 

    You will see new enhanced high quality products for which we are trying to rope in the best global expertise to make a product of which all of us will be proud of. We will leave no stone unturned to deliver a high quality product for the consumers.  

    Viewership for Hindi News has declined from 3.7 per cent to 3 per cent as per the FICCI-KPMG 2016 report? Is it because of the change in ratings body?

    From the perspective of someone who has been very closely involved with TAM and someone who has been in the technical committee of BARC, what happens is when a body for measurement changes, it definitely leads to various other changes. BARC has included rural data, which is happening for the first time. All of this creates a substantially different way of looking at things. Many channels which earlier were not getting consumed, or did not have a clear focus towards rural, are now changing their operations. It’s too early to say whether things are declining or are going up. 

    At the end of the day, the number of people in absolute numbers consuming news is significantly high. It means today we are talking about 153 million (15.3 crore) households, all being measured by BARC. Till about week 40 of last year, we were only talking about 55 million (5.5 crore) households. So we have added 100 million (10 crore). They will obviously not be watching TV at the same level as earlier. But all the broadcasters are now working towards reaching out to more and more people daily and are changing content for more audiences that are coming up. The news genre overall has not seen a decline, whether it is TAM or BARC. What has happened is that the relative position has moved up or down. Once you get into rural, hyperlocal content plays an important role when it comes to audience measurement in the large sense. This can be seen in GECs where channels like Zee Anmol, Rishtey or Star Utsav that are coming up very significantly. And obviously since they are free to air in that zone, they will get that number of viewership. 

    After DAS phase III, do you think there can be an increase in subscription revenue?

    Subscription revenue has been on an upstream for us quite like for the other players. As the recognitions keep going higher, everything will fall in place, but then, currently digitisation has not completely happened. You do not have perfect addressability because tiering has not clearly happened. Once that happens, you will be able to access more people. The number of players has also got consolidated with every phase of digitization. But the true benefits are yet to come wherein the bulk of money that is coming from the ground is passed on to the hands of a broadcaster. Obviously this will provide a good balance between advertising and subscription money. But that still has not happened to such an extent as what was envisaged earlier.

  • “You will see us relooking at the entire IBN7 proposition in 3-4 months”: Avinash Kaul

    “You will see us relooking at the entire IBN7 proposition in 3-4 months”: Avinash Kaul

    MUMBAI: A visionary who has entered into the foray of vernacular journalism to make it recognised globally. He is a broadcast professional with a career spanning more than 17 years with an immense pool of knowledge in the large variety of roles in sales, marketing, finance, legal and general management.

    Geared up to provide a refreshing outlook to the channels under him, it is the chief executive officer at IBN News Network (CNN-IBN, IBN7, IBNLokmat) Avinash Kaul. He has worked across various genres including news, general entertainment, kids, movies and lifestyle in India. 

    From being a board member of the Media Research Users Council to a part of the technical committee for Broadcast Audience Research Council (BARC), he has witnessed every chapter of the broadcast industry. With many a feather in his cap, Kaul is now poised to take IBN Networks to newer heights with a prominent footprint in digital with the launch of various properties.

    In conversation with Indiantelevision.com’s Megha Parmar, Kaul sheds light on the revamps in the pipeline, importance of the ratings body, the tug of war between digital and linear television, DAS III roll out effects, and the way ahead for the entire IBN News Network. 

    Read on for excerpts:

    You are revamping CNN-IBN to CNN-News18 from 18th April onwards. What is the idea behind the change? 

    We are infusing a lot of energy and resources behind this relaunch. We have been in talks about this for 2 years and now we are finally ready. This is the first attempt of launching the entire channel. To give a sense of what we are looking at is that news channels over a decade or more have come under pressure. We are mainly focusing on two things – We are stationing more resources on-ground in terms of news gathering, making it far better to what we are terming as immersive journalism. 

    We are putting up a team of reporters who will go and cover in-depth all the multiple angles of each story and be far more immersive into every story that we pick. Reporters have always been the biggest strength of CNN-IBN as compared to all other networks. We are investing more and more into that strength which gives us far more ground presence not only in terms of the number of stories that we are able to collect but we will also follow the mantra of doing it efficiently. We will do justice to each story by putting the sources on ground to cover those stories very comprehensively. This will be a one of the major changes that will be a part of the revamp. 

    The second aspect is the way the discussion and debate space is shaping up. At present, the space has become purely slanging action. We have figured out how we can improve the quality of debates. The people who are in the panel and are discussing should be in order to what we are seeing across various other channels. We have got experts with Swapan Dasgupta, Vir Sanghvi, Ajay Bose, etc., to be our exclusive panellists and we will gradually add more as time passes by. 

    What other changes will we see in the channel? 

    There is a lot of emphasis in terms of change; there is a new news studio, new upgrade of all the back end technologies that we are using, etc. We had the opportunity of revamping and changing our product and making it ready for digital and we are trying to do it in the best way – from the workflow to how will we be available to cater to the digital ecosystem or the second screen. 

    From the people perspective, we have a team of anchors and reporters and we are looking at investing on them and building them over a period of years. Over time, you will also see us invest quite significantly over the weekends in addition to weekdays, something which has traditionally not been seen over a long time on news channels. We are looking at feature programming, some high quality content on weekends. In our new avatar we will be leveraging a lot more CNN content than earlier. A lot of CNN shows will be seen on CNN-News18 like the Fareed Zakharia show. We are also going to get trainers from CNN to our team in terms of news gathering, editorial staff, comprehensive training with the CNN experts.

    Will there be a change in terms of the editorial structure? Are you planning to strengthen the team with a more popular anchor?

    No, there is no significant change in the editorial structure. We now have people driving various aspects. We have hired Anuradha Sen Gupta and she will look after the entire news on weekends. We have Sudeep Mukhia who has joined us as editor for prime time specifically. We are putting more and more resources in each and every time band to improve our quality which you will not typically see in any other news channels where their resources are in short supply. We are looking at filling all those gaps. We have a different team of reporters, anchors, producers only focused on the primetime band. All of them will report to our managing editor Radhakrishnan Nair. The structure won’t change, but the emphasis on each and every aspect will be significantly better. 

    You already have an application for IBNLive. Will it also be revamped or will we see one more application being launched? 

    Yes. In its new avatar, IBNLive app will now be renamed as News18 and the website as News18.com. You will see a completely new layout and approach. We have this app which is going to get upgraded. We are trying to do everything one by one. What you will see on 18th is a completely new packaging for the channel, new music, logo, website, app, new prime-time, new faces, new formats, that’s what is going to happen. In a month’s time you will see a bigger upgrade, one which will be a radical shift from what we are doing now. It’s just a start. We will have lot more things coming in the next few months. Every month you will see some new launches unlike any other channel. 

    Is the logo designed internally or did you hire an agency? 

    It has been done in-house. 

    How do you plan to promote the re-branding? What is your marketing strategy?

    We have a lot of teasers and promos already on-air. Apart from that, you will see heavy promotions on social, network channels, outdoors, print, lot more trade activities, TV, radio, everything will be covered. Yes, there will be a significant focus on digital. 

    What are your plans for IBN7 and IBNLokmat? Will you revamp them? When will we see that happening? 

    We are currently working on CNN’s revamp. You will see us relooking at the entire IBN7 proposition in 3-4 months. That is also on the cards but we are looking at one thing at a time. 

    Is digital a revenue generating proposition for you at this stage or is it too early?

    It has started but it’s not really up there. The growth is picking up very significantly, which is good. We were among the first partners with Facebook when it started with videos. So we are also seeing monetisation having a good growth rate. A lot more interaction is happening and we are keeping a lot of content for such platforms. It’s not the same content that moves from television to digital. We will create separately new content for these platforms. 

    CNN-IBN is having a tough time when it comes to viewership. Are you revamping to change that?

    The revamping has to happen any which ways. It’s not a reflection of if we are going up or down. If you look at the data in the last two weeks, we were at the number 2 position. But that is not something which we looked at when it came to revamping. The work has been on since quite a few months and from that we are launching it all together. We had to get ready with all the pieces of editorial, packaging, etc., in place. It’s not reacting to any number that keeps changing from week to week. Yes, we will always be happy to be at the number one position, or if not that, at least securing ourselves at the second position.

    How important are ratings in the larger scheme of things for a news channel?

    It’s not about absolute weightage on numbers but it’s usually the relative position which holds some value. In the general scheme of things, the numbers are extremely small. It’s more to do with what’s your imagery and perception, what is the quality that you bring to the table. These are usually more important, especially in the case of English news channels. In the case of Hindi news, the ratings play a far more important role than just the imagery or good quality content.  

    Do you plan to strengthen your distribution?

    Of course we will strengthen distribution! We are launching our distribution footprint as well with this revamp. There are lot more activities that we are working on with rebranding and rebuilding a product. Distribution is a part of it.  

    What is the advertisers’ reaction to the revamp?

    The advertisers so far have been pretty enthusiastic about the entire thing. At the end of it, you are investing in a product today, not just for the first screen but also for the second screen. As I mentioned, we are doing so much not just for TV, but also for digital. All of these are opportunities that we now have. We are content for a news company and we deliver our content on both the screens depending where the people are and in what point of time. So if you are on your Facebook timeline, you will get to see news content there as well. It’s only a matter of time. You would see that once BARC starts rolling out digital data in 6-7 months from now, you will see all these efforts being fruitful. Soon you will realise that a lot more consumption will not happen on the first screen, but will happen on second screen from now onwards. 

    How is the advertising revenue shaping up? Is having only advertising a profitable proposition?  

    Advertising revenue keeps growing in phases, because at the end of the day, advertising revenue especially for an English news channel keeps increasing. Earlier, we had lot of banking financial institutions wherein a lot of advertising was happening. Then came in the wave of mobile operators and later came the wave of e-commerce companies. So there is something or other always happening in that particular phase. But until the economy revives fully, you will always see lot more stress coming in the business front. 

    On the other hand if you look at Hindi news, you will see lot more local advertisers, lot more FMCG products coming in, which typically you will not see on English news channels. Despite these transitions, you will have a great year. It’s a cyclical movement; until the general economy starts picking up, many of these things will continue to be ranged down in certain ways. The bulk of the growth that we are seeing today is happening on the entertainment space because no matter the economy, the FMCG space will continue to grow with a lot more advertising. 

    The reason for getting heavily into digital and second screens is one of the key reasons why we want to make sure that we are tapping into all forms of opportunities. It’s not only a question about advertising sales. We are trying to diversify as much as possible with multiple dimensions.

    Is digital gradually taking over the TV when it comes to news? What should the TV players be doing to keep the audience intact?

    No, so far digital has not taken over TV in the case of news. These are two types of media that we are talking about. One is the type of people that are already on the second screen but there are people who still have not bought a TV set. So, out of 240 odd million (24 crore) households in India, only 155 million (15.5 crore) have televisions. As a broadcaster, one cannot abandon one medium for the other. We will continue to do what we are doing on linear TV, and we will also look into investing into something which that is yet to explode, which is digital consumption. Currently, digital consumption is a small percentage of the overall base. It is TV which reaches out to 155 million (15.5 crore) households. Yes, there are 1 billion plus (100 crore) phones in the market, but only 15 per cent of these are smartphones. They cannot get a great quality of video content on them and replace linear TV. That is still few a years away. We are ready for whenever that happens.  

    What can we expect from you and your network? 

    You will see new enhanced high quality products for which we are trying to rope in the best global expertise to make a product of which all of us will be proud of. We will leave no stone unturned to deliver a high quality product for the consumers.  

    Viewership for Hindi News has declined from 3.7 per cent to 3 per cent as per the FICCI-KPMG 2016 report? Is it because of the change in ratings body?

    From the perspective of someone who has been very closely involved with TAM and someone who has been in the technical committee of BARC, what happens is when a body for measurement changes, it definitely leads to various other changes. BARC has included rural data, which is happening for the first time. All of this creates a substantially different way of looking at things. Many channels which earlier were not getting consumed, or did not have a clear focus towards rural, are now changing their operations. It’s too early to say whether things are declining or are going up. 

    At the end of the day, the number of people in absolute numbers consuming news is significantly high. It means today we are talking about 153 million (15.3 crore) households, all being measured by BARC. Till about week 40 of last year, we were only talking about 55 million (5.5 crore) households. So we have added 100 million (10 crore). They will obviously not be watching TV at the same level as earlier. But all the broadcasters are now working towards reaching out to more and more people daily and are changing content for more audiences that are coming up. The news genre overall has not seen a decline, whether it is TAM or BARC. What has happened is that the relative position has moved up or down. Once you get into rural, hyperlocal content plays an important role when it comes to audience measurement in the large sense. This can be seen in GECs where channels like Zee Anmol, Rishtey or Star Utsav that are coming up very significantly. And obviously since they are free to air in that zone, they will get that number of viewership. 

    After DAS phase III, do you think there can be an increase in subscription revenue?

    Subscription revenue has been on an upstream for us quite like for the other players. As the recognitions keep going higher, everything will fall in place, but then, currently digitisation has not completely happened. You do not have perfect addressability because tiering has not clearly happened. Once that happens, you will be able to access more people. The number of players has also got consolidated with every phase of digitization. But the true benefits are yet to come wherein the bulk of money that is coming from the ground is passed on to the hands of a broadcaster. Obviously this will provide a good balance between advertising and subscription money. But that still has not happened to such an extent as what was envisaged earlier.

  • Thomas Cook targets senior citizens with new campaign

    Thomas Cook targets senior citizens with new campaign

    MUMBAI: While travel and tour companies are going all out to target the traditional family and youth segments, Thomas Cook’s internal research has revealed the emergence of a viable TG in India’s Gen S- senior citizens with plenty of free time and disposable income (often enough, topped up by their children) and are increasingly fit and raring to travel. The company has hence re-introduced an initiative, which is not only a great product and a great idea, but with a refreshing piece of communication as well.

    To highlight the new services targeted towards the older generation, the brand has partnered with L&K Saatchi and Saatchi for its campaigns. The commercials have been produced by Light Box films and will be aired in cinemas, on TV and digital mediums.

    Speaking about the campaign, Thomas Cook India Financial Services and Innovation marketing, service quality — group head and president Abraham Alapatt said, “Silver Breaks is yet another endeavor from Thomas Cook to continue its innovative and pioneering legacy in products and marketing. This is not only a great product, but a great service for those who really need the care and comfort while travelling alone or to unfamiliar places, especially at an age when everything becomes a challenge. With easy paced itineraries and an attractive value, we are encouraging people to travel the world, no matter what your age is.”

    Speaking about the TVC, Law & Kenneth Saatchi & Saatchi NCD Rahul Nangia said, “The film features real people in their real voices. Neither of them are actors or artists. The idea was to capture them minutes before they are about to leave for their first international trip. This is a moment when they are reflective about milestones in their life, before they embark on another milestone event.”

  • Thomas Cook targets senior citizens with new campaign

    Thomas Cook targets senior citizens with new campaign

    MUMBAI: While travel and tour companies are going all out to target the traditional family and youth segments, Thomas Cook’s internal research has revealed the emergence of a viable TG in India’s Gen S- senior citizens with plenty of free time and disposable income (often enough, topped up by their children) and are increasingly fit and raring to travel. The company has hence re-introduced an initiative, which is not only a great product and a great idea, but with a refreshing piece of communication as well.

    To highlight the new services targeted towards the older generation, the brand has partnered with L&K Saatchi and Saatchi for its campaigns. The commercials have been produced by Light Box films and will be aired in cinemas, on TV and digital mediums.

    Speaking about the campaign, Thomas Cook India Financial Services and Innovation marketing, service quality — group head and president Abraham Alapatt said, “Silver Breaks is yet another endeavor from Thomas Cook to continue its innovative and pioneering legacy in products and marketing. This is not only a great product, but a great service for those who really need the care and comfort while travelling alone or to unfamiliar places, especially at an age when everything becomes a challenge. With easy paced itineraries and an attractive value, we are encouraging people to travel the world, no matter what your age is.”

    Speaking about the TVC, Law & Kenneth Saatchi & Saatchi NCD Rahul Nangia said, “The film features real people in their real voices. Neither of them are actors or artists. The idea was to capture them minutes before they are about to leave for their first international trip. This is a moment when they are reflective about milestones in their life, before they embark on another milestone event.”