Tag: TV

  • Zeel ties with Dish and Sling TV to expand reach in US

    Zeel ties with Dish and Sling TV to expand reach in US

    MUMBAI:  Zee Entertainment Enterprises Limited (Zeel) announced a landmark agreement with Dish and Sling TV to further strengthen its presence in the US Territory the media conglomerate announced in a release.  As a part of the agreement, Dish and Sling TV will carry 27 new channels in addition to the existing 10 Zee channels, which will be available in varied languages like Spanish, Portuguese, Arabic, Hindi, Bengali, Marathi, Tamil, Bhojpuri, Oriya, Rajasthani and Urdu. Post this alliance, the total number of Zee channels available in the US market will be 37 with a combined reach of 52 million or 5.2 crore homes (that includes English and Spanish HHs).

    Further, Sling TV and Dish will be the ‘exclusive provider’ in the US of Zee’s premium on-demand library, which includes movies and over 400 additional popular video titles.  Over time, Sling TV will become the exclusive over-the-top (OTT) provider in the US for all but one of Zee’s South Asian channels. In the coming months, Zee will transition viewers from its direct-to-consumer services to Sling TV or to authenticated access only.

    Speaking on the partnership, Zeel CEO of International Broadcast Business, Amit Goenka said, “America is one of the most important markets for our International business. The deal with Dish further consolidates our leadership position and is in line with our ambitious 2020 goals. We are very delighted to announce that with this deal not only has our reach in the Mainstream American market for our Z Living network quadrupled, but we will also now be serving the high potential Spanish language subscribers with two 24×7 networks. With this deal we will cater to 16 different language groups in America across 5 genres. Zee and Dish have been natural partners for the last 18 years and we both share our vision on future growth of pay TV in USA.”

    “Our agreement with Zee enables us to provide a vast amount of entertainment to fans of South Asian content, while also giving customers a more streamlined way to access and enjoy both linear and on-demand content,” said Sling TV & Dish senior vice President of Programming Chris Kuelling. “Zee shares our goal of growing the South Asian market, and together we are able to better serve this community, as well as the other language groups served by Zee.”

    To broaden the options available to fans of South Asian content, Sling TV and Dish are launching a new ‘Hindi Gold Pack,’ which will contain all of the Zee Hindi channels, plus other leading Hindi channels. In addition, &TV, one of the most requested Hindi channels by current Sling TV and Dish customers, will be added to the existing lineup. Zee’s on-demand content will be available at no additional charge to Dish and Sling TV subscribers with the Hindi Gold Pack.

    Dish and Sling TV will also add two Spanish-language channels, Z Living Español and Zee TV Español, and two Brazilian channels, Zee TV Portuguese and Z Living Portuguese, to their respective line-ups.  The new Spanish channels can be found on Dish in the DishLATINO Clasico, DishLATINO Dos, DishLATINO Plus and DishLATINO Max packages, and the Best of Spanish TV package on Sling Latino.

    Zee Alwan and Zee Aflam, two popular Arabic channels will launch in the Dish Arabic Super Elite and the Arabic Mosaic Pack on Sling TV as well.

  • Zeel ties with Dish and Sling TV to expand reach in US

    Zeel ties with Dish and Sling TV to expand reach in US

    MUMBAI:  Zee Entertainment Enterprises Limited (Zeel) announced a landmark agreement with Dish and Sling TV to further strengthen its presence in the US Territory the media conglomerate announced in a release.  As a part of the agreement, Dish and Sling TV will carry 27 new channels in addition to the existing 10 Zee channels, which will be available in varied languages like Spanish, Portuguese, Arabic, Hindi, Bengali, Marathi, Tamil, Bhojpuri, Oriya, Rajasthani and Urdu. Post this alliance, the total number of Zee channels available in the US market will be 37 with a combined reach of 52 million or 5.2 crore homes (that includes English and Spanish HHs).

    Further, Sling TV and Dish will be the ‘exclusive provider’ in the US of Zee’s premium on-demand library, which includes movies and over 400 additional popular video titles.  Over time, Sling TV will become the exclusive over-the-top (OTT) provider in the US for all but one of Zee’s South Asian channels. In the coming months, Zee will transition viewers from its direct-to-consumer services to Sling TV or to authenticated access only.

    Speaking on the partnership, Zeel CEO of International Broadcast Business, Amit Goenka said, “America is one of the most important markets for our International business. The deal with Dish further consolidates our leadership position and is in line with our ambitious 2020 goals. We are very delighted to announce that with this deal not only has our reach in the Mainstream American market for our Z Living network quadrupled, but we will also now be serving the high potential Spanish language subscribers with two 24×7 networks. With this deal we will cater to 16 different language groups in America across 5 genres. Zee and Dish have been natural partners for the last 18 years and we both share our vision on future growth of pay TV in USA.”

    “Our agreement with Zee enables us to provide a vast amount of entertainment to fans of South Asian content, while also giving customers a more streamlined way to access and enjoy both linear and on-demand content,” said Sling TV & Dish senior vice President of Programming Chris Kuelling. “Zee shares our goal of growing the South Asian market, and together we are able to better serve this community, as well as the other language groups served by Zee.”

    To broaden the options available to fans of South Asian content, Sling TV and Dish are launching a new ‘Hindi Gold Pack,’ which will contain all of the Zee Hindi channels, plus other leading Hindi channels. In addition, &TV, one of the most requested Hindi channels by current Sling TV and Dish customers, will be added to the existing lineup. Zee’s on-demand content will be available at no additional charge to Dish and Sling TV subscribers with the Hindi Gold Pack.

    Dish and Sling TV will also add two Spanish-language channels, Z Living Español and Zee TV Español, and two Brazilian channels, Zee TV Portuguese and Z Living Portuguese, to their respective line-ups.  The new Spanish channels can be found on Dish in the DishLATINO Clasico, DishLATINO Dos, DishLATINO Plus and DishLATINO Max packages, and the Best of Spanish TV package on Sling Latino.

    Zee Alwan and Zee Aflam, two popular Arabic channels will launch in the Dish Arabic Super Elite and the Arabic Mosaic Pack on Sling TV as well.

  • Magna revises Indian Adex growth in 2016 from 18.4 to +16.2 percent

    Magna revises Indian Adex growth in 2016 from 18.4 to +16.2 percent

    MUMBAI: Going by the recently released half yearly Adex report by IPG Mediabrands India, the Indian advertising industry is growing at a rate of +16.2 percent in 2016. The size of the industry is expected to touch $ 9 billion or Rs 564 billion (Rs 56,400 crore) equivalents by this financial year. Magna Global, an IPG resource that puts together this industry recognized report has revised the rate from its earlier prediction of 18.4 per cent in 2015, to 16.2 percent in the current report. Magna also predicts that Indian Adex will see a slight dip in 2017 and grow at a rate of +15.7 per cent.

    On  revising the forecast,  Magna Global – India director of intelligence practice EVP S Venkatesh  said, “Basis our initial read of the emerging trends we had envisaged a stronger headwind across digital formats on the mobile platform while the real numbers for H1-2016 suggests a lesser significant acceleration”

    From a global perspective, India has overtaken Italy and made space for itself in the top ten list of advertising markets, and estimated to move up 4 ranks to become the 6th largest advertising market by 2020.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna1.jpg?itok=nAzHVEH8

    On India’s performance as an advertising market, IPG Mediabrands CEO Shashi Sinha said, “The outlook is extremely positive as globally India remains one of the fastest growing markets. In fact, India is now one of the top ten advertising markets in the world.”

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna2.jpg?itok=wwjk769f

    Breaking the report further into media sectors, Television with 42 per cent market share will grow +17 percent. The biggest revenue growth drivers in the sector would be the T20 World Cup, Indian Premier League (IPL) and non-cricketing leagues buttressed by E-commerce, Telecom, Auto and CPG advertising. Addressable television and expansion of the measurement into rural India equips advertisers to reach more consumers and broadcasters to monetize now counted audience. Measurement will evolve to include addressable TV audience and though connected TV currently doesn’t pose a threat to linear advertising, it will open doors for more on demand content access. Mushrooming of both domestic and international OTT (over-the-top) players will eventually fragment TV viewing time.

    Print will continue to be the second biggest medium in India with 35 percent market share and ad sales growth of +8 percent. Conventionally print heavy advertisers in CPG, BFSI, Automobile and now E-commerce will contribute to the segment growth.

    Digital formats continue to disrupt traditional with the highest growth at +40 percent and increasing its share of market by 2 points to 13 percent. Videos will be the fastest growing format driven by consumption on mobile devices. Screen time will only increase as smartphones get bigger with better displays and faster bandwidth. Trailing this trend expect advertisers to ear mark higher promotional budgets. 

    Radio through foot print expansion along with increase in volume is estimated to grow +18 percent in 2016, whereas OOH will grow +15 percent in 2016. Both these segments will hold onto their market share of 4 per cent and 6 percent respectively.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna3.jpg?itok=4D6kB7Yw

    The report also shared that India will retain its position as the fastest growing economy with real GDP (gross domestic product) growth of +7.5 percent in 2016. According to International Monetary Fund (IMF), India is likely to maintain the same GDP growth in 2017 as well. Consumer inflation slightly outside of target will force the central bank to hold onto its policy rates.

    However the earlier reduction in rates gave the much needed impetus to automobile, housing, durables and education sectors. The farm sector, if favoured with a good monsoon, will set to rebound its output. The report estimates private consumption to mirror the growth rates and push for higher marketing spends.

  • Magna revises Indian Adex growth in 2016 from 18.4 to +16.2 percent

    Magna revises Indian Adex growth in 2016 from 18.4 to +16.2 percent

    MUMBAI: Going by the recently released half yearly Adex report by IPG Mediabrands India, the Indian advertising industry is growing at a rate of +16.2 percent in 2016. The size of the industry is expected to touch $ 9 billion or Rs 564 billion (Rs 56,400 crore) equivalents by this financial year. Magna Global, an IPG resource that puts together this industry recognized report has revised the rate from its earlier prediction of 18.4 per cent in 2015, to 16.2 percent in the current report. Magna also predicts that Indian Adex will see a slight dip in 2017 and grow at a rate of +15.7 per cent.

    On  revising the forecast,  Magna Global – India director of intelligence practice EVP S Venkatesh  said, “Basis our initial read of the emerging trends we had envisaged a stronger headwind across digital formats on the mobile platform while the real numbers for H1-2016 suggests a lesser significant acceleration”

    From a global perspective, India has overtaken Italy and made space for itself in the top ten list of advertising markets, and estimated to move up 4 ranks to become the 6th largest advertising market by 2020.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna1.jpg?itok=nAzHVEH8

    On India’s performance as an advertising market, IPG Mediabrands CEO Shashi Sinha said, “The outlook is extremely positive as globally India remains one of the fastest growing markets. In fact, India is now one of the top ten advertising markets in the world.”

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna2.jpg?itok=wwjk769f

    Breaking the report further into media sectors, Television with 42 per cent market share will grow +17 percent. The biggest revenue growth drivers in the sector would be the T20 World Cup, Indian Premier League (IPL) and non-cricketing leagues buttressed by E-commerce, Telecom, Auto and CPG advertising. Addressable television and expansion of the measurement into rural India equips advertisers to reach more consumers and broadcasters to monetize now counted audience. Measurement will evolve to include addressable TV audience and though connected TV currently doesn’t pose a threat to linear advertising, it will open doors for more on demand content access. Mushrooming of both domestic and international OTT (over-the-top) players will eventually fragment TV viewing time.

    Print will continue to be the second biggest medium in India with 35 percent market share and ad sales growth of +8 percent. Conventionally print heavy advertisers in CPG, BFSI, Automobile and now E-commerce will contribute to the segment growth.

    Digital formats continue to disrupt traditional with the highest growth at +40 percent and increasing its share of market by 2 points to 13 percent. Videos will be the fastest growing format driven by consumption on mobile devices. Screen time will only increase as smartphones get bigger with better displays and faster bandwidth. Trailing this trend expect advertisers to ear mark higher promotional budgets. 

    Radio through foot print expansion along with increase in volume is estimated to grow +18 percent in 2016, whereas OOH will grow +15 percent in 2016. Both these segments will hold onto their market share of 4 per cent and 6 percent respectively.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/meghna3.jpg?itok=4D6kB7Yw

    The report also shared that India will retain its position as the fastest growing economy with real GDP (gross domestic product) growth of +7.5 percent in 2016. According to International Monetary Fund (IMF), India is likely to maintain the same GDP growth in 2017 as well. Consumer inflation slightly outside of target will force the central bank to hold onto its policy rates.

    However the earlier reduction in rates gave the much needed impetus to automobile, housing, durables and education sectors. The farm sector, if favoured with a good monsoon, will set to rebound its output. The report estimates private consumption to mirror the growth rates and push for higher marketing spends.

  • PNB MetLife gives a light hearted touch to ‘life insurance’ with LifeMeinTwist

    PNB MetLife gives a light hearted touch to ‘life insurance’ with LifeMeinTwist

    MUMBAI: In a country where life insurance is mostly either brushed off as a retired man’s business, or drill to get over with, or at the most, an investment tool, it becomes increasingly difficult for brands in financial services category to come forth and deliver an engaging campaign that doesn’t speak of ‘returns’, ‘services’ or ‘ease of claim settlement.’ To steer away from this clutter and make a unique brand positioning, PNB Metlife has launched their new campaign LifeMienTwist, which takes a light hearted take on the otherwise sombre topic of life insurance.

    Conceptualised by McCann Erickson and produced by Razorblade Films, with director Anwar Sayed behind the lense, the new campaign is digitally enhanced and rides on the success of its previous digital campaigns, #HappinessBuddy and #HealthForHappiness.

    PNB MetLife India strategy marketing and products director Niraj Shah said, “The objective with this digital-only film is to try and communicate our core proposition of trying to address situations where due to uncertainties life can come to a standstill or change from here on. In our case situations could be death, deterioration of health, or milestones such as retirement. We wanted to send home the message in a manner which is not very morose or serious. We wanted to communicate it effectively but not too seriously.”

    Though a shift from the band’s usual tone of brand communication, PNB Metlife took the decision to trial a completely different take on the treatment of the campaign after going through several consumer insights surveys and analysis. Using its social media touch points as a two way communication the brand gathered that consumers tend to engage with a serious subject like ‘life insurance’ with either heavy emotions or with laughter and fun, and are not concerned about mundane specifications and details of the product.

    The #LifeMeinTwist film opens with a couple and their son walking around in a street fair and their son drags them to watch a local magic show. The magician tries to attract a larger crowd by claiming to showcase his magical prowess of transforming a human being into a pigeon and subsequently turning it back. The magician’s assistant, who is a young boy, drags the reluctant man as a volunteer. The magician transforms the man into a pigeon. Unfortunately due to a background noise of balloon bursting, the pigeon flies off before the magician can transform him again. The film ends with a message that anything can happen in life at any time and it always better to be prepared.

    Through this film, the brand wants consumers to recognize the need for insurance to protect themselves and their families as ‘anything can happen in life’. While consumers are aware of this, they don’t want to even think that something unfortunate can happen to them.

    Keeping that in mind the phrase, ‘Life Mein Twist’ was singled out as the campaign message as it easy to relate to in a general situation, without preaching of preparedness for sudden death or accidents.

    Staying in tune with its core marketing strategy, for this campaign as well the brand has taken a digital first approach. Needless to say the bulk of the campaign’s marketing budget is also inclined heavily towards digital.

    On the digital only approach, Shah added, “We consciously tried to look at changing preferences of our consumer base of today and tomorrow. A lot of people are approaching viewership in a different way. If we look at data, a third of our population is already using the internet. We wanted to test our hypothesis and roll out a digital-only campaign and check our reach. We’ve done this in the past too, and the feedback we received was good. Digital allows instant feedback which allows us to react to it quicker and then put in a response.”

    The campaign will be first rolled out digitally followed by a spot on television, though the brand will follow up with regular consumer engagement activities on social media based on this campaign.

  • PNB MetLife gives a light hearted touch to ‘life insurance’ with LifeMeinTwist

    PNB MetLife gives a light hearted touch to ‘life insurance’ with LifeMeinTwist

    MUMBAI: In a country where life insurance is mostly either brushed off as a retired man’s business, or drill to get over with, or at the most, an investment tool, it becomes increasingly difficult for brands in financial services category to come forth and deliver an engaging campaign that doesn’t speak of ‘returns’, ‘services’ or ‘ease of claim settlement.’ To steer away from this clutter and make a unique brand positioning, PNB Metlife has launched their new campaign LifeMienTwist, which takes a light hearted take on the otherwise sombre topic of life insurance.

    Conceptualised by McCann Erickson and produced by Razorblade Films, with director Anwar Sayed behind the lense, the new campaign is digitally enhanced and rides on the success of its previous digital campaigns, #HappinessBuddy and #HealthForHappiness.

    PNB MetLife India strategy marketing and products director Niraj Shah said, “The objective with this digital-only film is to try and communicate our core proposition of trying to address situations where due to uncertainties life can come to a standstill or change from here on. In our case situations could be death, deterioration of health, or milestones such as retirement. We wanted to send home the message in a manner which is not very morose or serious. We wanted to communicate it effectively but not too seriously.”

    Though a shift from the band’s usual tone of brand communication, PNB Metlife took the decision to trial a completely different take on the treatment of the campaign after going through several consumer insights surveys and analysis. Using its social media touch points as a two way communication the brand gathered that consumers tend to engage with a serious subject like ‘life insurance’ with either heavy emotions or with laughter and fun, and are not concerned about mundane specifications and details of the product.

    The #LifeMeinTwist film opens with a couple and their son walking around in a street fair and their son drags them to watch a local magic show. The magician tries to attract a larger crowd by claiming to showcase his magical prowess of transforming a human being into a pigeon and subsequently turning it back. The magician’s assistant, who is a young boy, drags the reluctant man as a volunteer. The magician transforms the man into a pigeon. Unfortunately due to a background noise of balloon bursting, the pigeon flies off before the magician can transform him again. The film ends with a message that anything can happen in life at any time and it always better to be prepared.

    Through this film, the brand wants consumers to recognize the need for insurance to protect themselves and their families as ‘anything can happen in life’. While consumers are aware of this, they don’t want to even think that something unfortunate can happen to them.

    Keeping that in mind the phrase, ‘Life Mein Twist’ was singled out as the campaign message as it easy to relate to in a general situation, without preaching of preparedness for sudden death or accidents.

    Staying in tune with its core marketing strategy, for this campaign as well the brand has taken a digital first approach. Needless to say the bulk of the campaign’s marketing budget is also inclined heavily towards digital.

    On the digital only approach, Shah added, “We consciously tried to look at changing preferences of our consumer base of today and tomorrow. A lot of people are approaching viewership in a different way. If we look at data, a third of our population is already using the internet. We wanted to test our hypothesis and roll out a digital-only campaign and check our reach. We’ve done this in the past too, and the feedback we received was good. Digital allows instant feedback which allows us to react to it quicker and then put in a response.”

    The campaign will be first rolled out digitally followed by a spot on television, though the brand will follow up with regular consumer engagement activities on social media based on this campaign.

  • Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    MUMBAI: At Content Tokyo 2016, a record number of 1,530 exhibitors will gather from across Japan and the world to showcase their latest, most creative and innovative products and technologies. They are dealing with all genres of content such as music, game, animation, TV, film, technology in expression, AI, and publishing, etc. It causes chemical reactions not only between exhibitors and visitors, but also among all the participants, so the venue will be filled with excitement and creativity.

    Exhibitors are both content creators & production companies and companies dealing in the solutions for content business Content Tokyo consists of 6 specialised shows. At Production Companies Expo, Creators’ Expo, and

    Licensing Japan, you will meet from major production companies to up-and-coming creators and unique licensors. At the other 3 shows, Advanced Content Technology Expo, Content Solutions Expo, and Content Marketing Expo, you will find the solutions for your business.

    Industry front-runners will speak at Conference (free admission)

    At conference, industry leaders will reveal their secrets to make attractive content. David Lee from Netflix will talk about useful factors for when making original films and Netflix’s objectives for Japanese and Asian markets. Ms. Sandra Karpman, a camera operator of PIXAR, will reveal how the magical world of PIXAR is created through their camera techniques. Katsuro Onoue, the film director of “Attack on Titan”, will speak focusing on SFX/VFX. Access the website for the information on the other speakers and details on the sessions. These sessions are free of charge specially for visitors coming from outside of Japan.

    Visitors from Around the World

    38,000 professional visitors of the content industry are expected to gather from all across Asia. If you belong to content industry, you have no choice but to join this exciting 3 day event!

  • Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    MUMBAI: At Content Tokyo 2016, a record number of 1,530 exhibitors will gather from across Japan and the world to showcase their latest, most creative and innovative products and technologies. They are dealing with all genres of content such as music, game, animation, TV, film, technology in expression, AI, and publishing, etc. It causes chemical reactions not only between exhibitors and visitors, but also among all the participants, so the venue will be filled with excitement and creativity.

    Exhibitors are both content creators & production companies and companies dealing in the solutions for content business Content Tokyo consists of 6 specialised shows. At Production Companies Expo, Creators’ Expo, and

    Licensing Japan, you will meet from major production companies to up-and-coming creators and unique licensors. At the other 3 shows, Advanced Content Technology Expo, Content Solutions Expo, and Content Marketing Expo, you will find the solutions for your business.

    Industry front-runners will speak at Conference (free admission)

    At conference, industry leaders will reveal their secrets to make attractive content. David Lee from Netflix will talk about useful factors for when making original films and Netflix’s objectives for Japanese and Asian markets. Ms. Sandra Karpman, a camera operator of PIXAR, will reveal how the magical world of PIXAR is created through their camera techniques. Katsuro Onoue, the film director of “Attack on Titan”, will speak focusing on SFX/VFX. Access the website for the information on the other speakers and details on the sessions. These sessions are free of charge specially for visitors coming from outside of Japan.

    Visitors from Around the World

    38,000 professional visitors of the content industry are expected to gather from all across Asia. If you belong to content industry, you have no choice but to join this exciting 3 day event!

  • BARC week 20: Sony Pal topples Zee Anmol while Star Plus replaces Colors

    BARC week 20: Sony Pal topples Zee Anmol while Star Plus replaces Colors

    MUMBAI: In this week 20 post the segregation of BARC ratings into rural and urban, Sony Pictures Network’s free to air channel Sony Pal has toppled down Zee Anmol in the rural genre while Star Plus has replaced Colors in the urban space.

    Rural HSM Data

    Sony Pal garnered the first position with 382703 Impressions (000’s) followed by Star Utsav with 364512 Impressions (000’s) and Zee Anmol with 352241 Impressions (000’s) stood at number three.

    Zee Networks’ Hindi GEC channel Zee TV bagged the fourth spot with 267343 Impressions (000’s) while another FTA Rishtey grabbed fifth spot with 261310 Impressions (000’s).

    Colors stood at sixth spot with 221685 Impressions (000’s) followed by Star Plus at number seven with 215485 Impressions (000’s) and Life OK at number eight with 160105 Impressions (000’s).

    In rural data, Big Magic stood at number nine with 157675 Impressions (000’s) and Sab TV with 107724 Impressions (000’s) grabbed tenth spot.

    Urban HSM data

    Star Plus replaced Colors leading the Hindi general entertainment channel (GECs) with 431857 Impressions (000’s) followed by Colors with 414213 (000’s) on second slot and Zee TV with 315703 Impressions (000’s) at third place.

    Life OK, Sab TV and Sony Entertainment Channel bagged fourth, fifth and sixth position with 283930 Impressions (000’s), 264192Impressions (000’s) and 216711 Impressions (000’s) respectively.

    &TV with 127052 Impressions (000’s) stood at number seven while Sony’s free to air channel Sony Pal grabbed eighth spot with 113523 (000’s) and Zee Anmol at ninth with 98875 Impressions (000’s).

    Star Utsav stood at number ten with 94964Impressions (000’s)

  • BARC week 20: Sony Pal topples Zee Anmol while Star Plus replaces Colors

    BARC week 20: Sony Pal topples Zee Anmol while Star Plus replaces Colors

    MUMBAI: In this week 20 post the segregation of BARC ratings into rural and urban, Sony Pictures Network’s free to air channel Sony Pal has toppled down Zee Anmol in the rural genre while Star Plus has replaced Colors in the urban space.

    Rural HSM Data

    Sony Pal garnered the first position with 382703 Impressions (000’s) followed by Star Utsav with 364512 Impressions (000’s) and Zee Anmol with 352241 Impressions (000’s) stood at number three.

    Zee Networks’ Hindi GEC channel Zee TV bagged the fourth spot with 267343 Impressions (000’s) while another FTA Rishtey grabbed fifth spot with 261310 Impressions (000’s).

    Colors stood at sixth spot with 221685 Impressions (000’s) followed by Star Plus at number seven with 215485 Impressions (000’s) and Life OK at number eight with 160105 Impressions (000’s).

    In rural data, Big Magic stood at number nine with 157675 Impressions (000’s) and Sab TV with 107724 Impressions (000’s) grabbed tenth spot.

    Urban HSM data

    Star Plus replaced Colors leading the Hindi general entertainment channel (GECs) with 431857 Impressions (000’s) followed by Colors with 414213 (000’s) on second slot and Zee TV with 315703 Impressions (000’s) at third place.

    Life OK, Sab TV and Sony Entertainment Channel bagged fourth, fifth and sixth position with 283930 Impressions (000’s), 264192Impressions (000’s) and 216711 Impressions (000’s) respectively.

    &TV with 127052 Impressions (000’s) stood at number seven while Sony’s free to air channel Sony Pal grabbed eighth spot with 113523 (000’s) and Zee Anmol at ninth with 98875 Impressions (000’s).

    Star Utsav stood at number ten with 94964Impressions (000’s)