Tag: TV

  • BARC Week 33: Pay TV channels declines in ratings

    BARC Week 33: Pay TV channels declines in ratings

    MUMBAI: The standout of week 33 was the fall in ratings for all the major pay TV Hindi general entertainment channels, according to Broadcast Audience Research Council (BARC) all India data.

    Other noteworthy changes were: Big Magic exited the Rural HSM top ten channels list and Sab TV came in at number 10.  

    Urban + Rural HSM

    Star Plus continued as the  undisputed leader in the general entertainment channel genre even after a fall in ratings with 668069 Impressions (000s) as against 691536 Impressions (000). Star Utsav too witnessed a fall but maintained its position at number two with 549545 Impressions (000s) followed by Zee TV at third  position with 542520 Impressions (000s) against 598686 Impressions (000s). Fourth placed Colors generated 508811 Impressions (000s) as against 586734 Impressions (000s).

    Zee Anmol on the fifth spot with 479214 Impressions (000) against 490427 Impressions (000s) and number six was Life OK with 405279 Impressions (000s).

    In week 33, Sony Pal stood at seventh with 401288 Impressions (000s) and SPN’s other channels Sab TV and Sony Entertainment Television grabbed eight and ninth spot with 375133 Impressions (000s) and 369158 Impressions (000s) respectively.

    Rishtey bagged the tenth spot with 300669 Impressions (000s).

    Rural HSM

    In week 33, Star Utsav maintained its leadership position with 417767 Impressions against 4461095 Impressions (000s) in week 32, followed by Zee Anmol  at second position with 367641 Impressions (000s) and Sony Pal on the third spot with 309802 Impressions (000s). Zee TV retained its fourth position with 231427 Impressions (000s).

    Rishtey replaced Star Plus on fifth place with 222953 Impressions (000s)  and Star Plus  bagged the sixth spot with 216435 Impressions (000s) followed by Colors at number seven with 151145 Impressions (000s). Life Ok stood at eight with 147949 Impressions (000s) followed by Sony Entertainment Television at ninth place with 105116  Impressions (000s) while Sab TV entered the list at tenth spot with 103480 Impressions (000s). Big Magic exited this week.

    Urban HSM

    Star Plus garnered the pole position even after a dip ratings with 451634 Impression (000s)against   475066 Impressions (000s) in week 33 followed by Colors at second place with 357667 Impressions (000s) and Zee TV with 311093 Impressions (000s) stood at number three.

    Sab TV grabbed the fourth spot with 271653 Impressions (000s) followed by Sony Entertainment Television  at fifth with 257330 Impressions (000s) and Life Ok with 264041 Impressions (000s).
    In urban HSM,  &TV maintained its number seven position with 159776 Impressions (000s) followed by Star Utsav with 131778 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 111573 Impressions (000s).  Sony Pal was at tenth with 91486 Impressions (000s).

     

  • BARC Week 33: Pay TV channels declines in ratings

    BARC Week 33: Pay TV channels declines in ratings

    MUMBAI: The standout of week 33 was the fall in ratings for all the major pay TV Hindi general entertainment channels, according to Broadcast Audience Research Council (BARC) all India data.

    Other noteworthy changes were: Big Magic exited the Rural HSM top ten channels list and Sab TV came in at number 10.  

    Urban + Rural HSM

    Star Plus continued as the  undisputed leader in the general entertainment channel genre even after a fall in ratings with 668069 Impressions (000s) as against 691536 Impressions (000). Star Utsav too witnessed a fall but maintained its position at number two with 549545 Impressions (000s) followed by Zee TV at third  position with 542520 Impressions (000s) against 598686 Impressions (000s). Fourth placed Colors generated 508811 Impressions (000s) as against 586734 Impressions (000s).

    Zee Anmol on the fifth spot with 479214 Impressions (000) against 490427 Impressions (000s) and number six was Life OK with 405279 Impressions (000s).

    In week 33, Sony Pal stood at seventh with 401288 Impressions (000s) and SPN’s other channels Sab TV and Sony Entertainment Television grabbed eight and ninth spot with 375133 Impressions (000s) and 369158 Impressions (000s) respectively.

    Rishtey bagged the tenth spot with 300669 Impressions (000s).

    Rural HSM

    In week 33, Star Utsav maintained its leadership position with 417767 Impressions against 4461095 Impressions (000s) in week 32, followed by Zee Anmol  at second position with 367641 Impressions (000s) and Sony Pal on the third spot with 309802 Impressions (000s). Zee TV retained its fourth position with 231427 Impressions (000s).

    Rishtey replaced Star Plus on fifth place with 222953 Impressions (000s)  and Star Plus  bagged the sixth spot with 216435 Impressions (000s) followed by Colors at number seven with 151145 Impressions (000s). Life Ok stood at eight with 147949 Impressions (000s) followed by Sony Entertainment Television at ninth place with 105116  Impressions (000s) while Sab TV entered the list at tenth spot with 103480 Impressions (000s). Big Magic exited this week.

    Urban HSM

    Star Plus garnered the pole position even after a dip ratings with 451634 Impression (000s)against   475066 Impressions (000s) in week 33 followed by Colors at second place with 357667 Impressions (000s) and Zee TV with 311093 Impressions (000s) stood at number three.

    Sab TV grabbed the fourth spot with 271653 Impressions (000s) followed by Sony Entertainment Television  at fifth with 257330 Impressions (000s) and Life Ok with 264041 Impressions (000s).
    In urban HSM,  &TV maintained its number seven position with 159776 Impressions (000s) followed by Star Utsav with 131778 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 111573 Impressions (000s).  Sony Pal was at tenth with 91486 Impressions (000s).

     

  • &TV’s The Voice India Kids gears up for Battles

    &TV’s The Voice India Kids gears up for Battles

    Mumbai: &TV’s premiere singing reality show The Voice India Kids has gained immense popularity and fan following for its great talent, fun banter between the Coaches and superlative singing. The young voices introduced in BLIND audition have definitely lived up to the motto of “Size kum hai, par dum nahi” with the youngest contestant being all of 6 years old! The Coaches – Shekhar, Neeti and Shaan have fought for the Voices that struck a chord with them and have now formed their teams with the best contestants. With 18 contestants in each team, the race to the finish has only intensified further! Don’t miss the unique, spellbinding and high voltage episodes of the fiery BATTLES starting August 27th every Saturday and Sunday at 9:00 pm only on &TV.

    If you thought the BLIND audition was unique, the BATTLES will be even more impactful. Each coach will choose 3 kids from their own team and train them for a song that highlights their best aspect of singing. The coaches will be seen leaving no stone unturned to spend time with their teams and imparting knowledge about music. However, during the BATTLES, the coaches will find themselves in a tight spot as they will take a call and eliminate 2 contestants from the trio they formed themselves. To add to this metaphorical round is the set design wherein the stage will be set up like a boxing ring.

    Interestingly, for the BATTLES, the coaches have sought help from the best in the industry. While Singer Harshdeep Kaur joined Neeti to sort trios and pick songs for them, Music Director Shantanu Moitra backed Shaan and engaged in the selection process of his team. Composer, Musician, Singer and Lyricist Amit Trivedi spent time with Shekhar and his team and tried various combination of voices till they found the perfect trio.

    The excitement among the three judges is intense and the response overwhelming. Said Coach Shaan, “Last time, it was tough for me to pair two adults for the BATTLES and this time around it’s even more challenging to form a trio with the kids wherein two of them will be eliminated. What is overwhelming and encouraging is the fact that these kids are so eager to learn and grasp new things. It has certainly been an enriching experience.”

    Added Coach Shekhar Ravjiani, “While the BLIND Auditions have been exciting, the real task has just begun. As a coach, my priority is to train these kids to the best of my ability in the given time and prepare them for the next round which is the BATTLES. Matching the scale and the tempo of each child with the other and forming a trio is definitely difficult but the end result will be fabulous. We have spent time together and selected songs that the kids have worked upon and enjoyed.”

    Coach Neeti Mohan further added, “I am proud of each and every contestant who has participated in The Voice India Kids. I can completely understand their fears and anxieties and hence adopted a different style of coaching them. I have had various interactions with them to tell them that this is a learning ground for them and what they experience here is certainly going to help them in the long run. They may seem to be 10- 14 years old, but their maturity is commendable.”

    From the house of Talpa Media and produced by Endemol Shine India, The Voice India Kids has become definitely popular with ardent fans around the globe encouraging the contestants through social media platforms. And now the enthusiasm goes several notches higher as the battleground is set to choose the best.

    Tune in to The Voice India Kids BATTLES starting August 27th every Saturday and Sunday at 9.00 pm on &TV!

  • &TV’s The Voice India Kids gears up for Battles

    &TV’s The Voice India Kids gears up for Battles

    Mumbai: &TV’s premiere singing reality show The Voice India Kids has gained immense popularity and fan following for its great talent, fun banter between the Coaches and superlative singing. The young voices introduced in BLIND audition have definitely lived up to the motto of “Size kum hai, par dum nahi” with the youngest contestant being all of 6 years old! The Coaches – Shekhar, Neeti and Shaan have fought for the Voices that struck a chord with them and have now formed their teams with the best contestants. With 18 contestants in each team, the race to the finish has only intensified further! Don’t miss the unique, spellbinding and high voltage episodes of the fiery BATTLES starting August 27th every Saturday and Sunday at 9:00 pm only on &TV.

    If you thought the BLIND audition was unique, the BATTLES will be even more impactful. Each coach will choose 3 kids from their own team and train them for a song that highlights their best aspect of singing. The coaches will be seen leaving no stone unturned to spend time with their teams and imparting knowledge about music. However, during the BATTLES, the coaches will find themselves in a tight spot as they will take a call and eliminate 2 contestants from the trio they formed themselves. To add to this metaphorical round is the set design wherein the stage will be set up like a boxing ring.

    Interestingly, for the BATTLES, the coaches have sought help from the best in the industry. While Singer Harshdeep Kaur joined Neeti to sort trios and pick songs for them, Music Director Shantanu Moitra backed Shaan and engaged in the selection process of his team. Composer, Musician, Singer and Lyricist Amit Trivedi spent time with Shekhar and his team and tried various combination of voices till they found the perfect trio.

    The excitement among the three judges is intense and the response overwhelming. Said Coach Shaan, “Last time, it was tough for me to pair two adults for the BATTLES and this time around it’s even more challenging to form a trio with the kids wherein two of them will be eliminated. What is overwhelming and encouraging is the fact that these kids are so eager to learn and grasp new things. It has certainly been an enriching experience.”

    Added Coach Shekhar Ravjiani, “While the BLIND Auditions have been exciting, the real task has just begun. As a coach, my priority is to train these kids to the best of my ability in the given time and prepare them for the next round which is the BATTLES. Matching the scale and the tempo of each child with the other and forming a trio is definitely difficult but the end result will be fabulous. We have spent time together and selected songs that the kids have worked upon and enjoyed.”

    Coach Neeti Mohan further added, “I am proud of each and every contestant who has participated in The Voice India Kids. I can completely understand their fears and anxieties and hence adopted a different style of coaching them. I have had various interactions with them to tell them that this is a learning ground for them and what they experience here is certainly going to help them in the long run. They may seem to be 10- 14 years old, but their maturity is commendable.”

    From the house of Talpa Media and produced by Endemol Shine India, The Voice India Kids has become definitely popular with ardent fans around the globe encouraging the contestants through social media platforms. And now the enthusiasm goes several notches higher as the battleground is set to choose the best.

    Tune in to The Voice India Kids BATTLES starting August 27th every Saturday and Sunday at 9.00 pm on &TV!

  • European trust in media: radio outshines social networks, TV falls steeply

    European trust in media: radio outshines social networks, TV falls steeply

    NEW DELHI: This one will make radio fans go ga-ga with delight.

    Radio still remains the number one trusted source of news for European citizens even as the overall perception of the trustworthiness of the media has decreased over the last five years.

    The European Broadcasting Union (EBU) also found that social media, increasingly the primary source of news, is the least trusted, and even a distrusted medium in Europe.

    The annual Eurobarometer survey showed that although trust has decreased for radio as well, it remains by far the most trusted source of information. Most countries show a positive attitude towards radio and it came out as the primary trusted source in 20 countries, with an average of 55% positive response. Particularly high scores came from Sweden (74%), Finland (66%) and Denmark (57%).

    Television, the second most trusted medium, is still the number one source in 11 countries but trust in television has decreased much more rapidly over the last year than the other media – with 10 points as opposed to radio, which only fell by three points, and the written press, the internet, and social media which decreased by only one point.

    In only one out of 33 countries surveyed, Albania, the number of people who trusted social media as a source of news outweighed those who tended not to. In all other countries people “tend not to trust” social networks, with those in Sweden, Luxembourg, and Britain having the least trust in social networks as a source of information.

    The internet also scored particularly low, as in the majority of countries, people “tend not to trust” it. Only 12 countries had positive results, most of which are in Southeast Europe.

    The written press is not perceived to be much more trustworthy than the internet.

    Only 13 countries showed positive results, mostly in Nordic and Benelux regions where people have more trust in the press. In 14 countries it is regarded as the least trusted medium.

    Roberto Suárez Candel, head of Media Intelligence Service at EBU, told The Guardian that the results did not come as a surprise: “People maintain a strong relationship with radio and TV, which are still their primary sources of information and entertainment.”

    “It is also not surprising that in countries with a high level of funding for public service TV and radio there tends to be more trust in the media in general – they produce good quality content and provide valuable information for society,” he told The Guardian.

  • European trust in media: radio outshines social networks, TV falls steeply

    European trust in media: radio outshines social networks, TV falls steeply

    NEW DELHI: This one will make radio fans go ga-ga with delight.

    Radio still remains the number one trusted source of news for European citizens even as the overall perception of the trustworthiness of the media has decreased over the last five years.

    The European Broadcasting Union (EBU) also found that social media, increasingly the primary source of news, is the least trusted, and even a distrusted medium in Europe.

    The annual Eurobarometer survey showed that although trust has decreased for radio as well, it remains by far the most trusted source of information. Most countries show a positive attitude towards radio and it came out as the primary trusted source in 20 countries, with an average of 55% positive response. Particularly high scores came from Sweden (74%), Finland (66%) and Denmark (57%).

    Television, the second most trusted medium, is still the number one source in 11 countries but trust in television has decreased much more rapidly over the last year than the other media – with 10 points as opposed to radio, which only fell by three points, and the written press, the internet, and social media which decreased by only one point.

    In only one out of 33 countries surveyed, Albania, the number of people who trusted social media as a source of news outweighed those who tended not to. In all other countries people “tend not to trust” social networks, with those in Sweden, Luxembourg, and Britain having the least trust in social networks as a source of information.

    The internet also scored particularly low, as in the majority of countries, people “tend not to trust” it. Only 12 countries had positive results, most of which are in Southeast Europe.

    The written press is not perceived to be much more trustworthy than the internet.

    Only 13 countries showed positive results, mostly in Nordic and Benelux regions where people have more trust in the press. In 14 countries it is regarded as the least trusted medium.

    Roberto Suárez Candel, head of Media Intelligence Service at EBU, told The Guardian that the results did not come as a surprise: “People maintain a strong relationship with radio and TV, which are still their primary sources of information and entertainment.”

    “It is also not surprising that in countries with a high level of funding for public service TV and radio there tends to be more trust in the media in general – they produce good quality content and provide valuable information for society,” he told The Guardian.

  • “We plan to double staff in a year in pace with client growth”: Vizeum India MD Shripad Kulkarni

    “We plan to double staff in a year in pace with client growth”: Vizeum India MD Shripad Kulkarni

    Shripad Kulkarni is man on a mission. The mission is to transform Vizeum India digitally, not with just an add-on digital arm but from within. Thereafter, establishing the agency as an indispensable AoR partner for clients seeking real measurable value addition from its media management. And the last few account wins including Warner Bro. and TCL show that he is on the right track.

    The agency is believed to handle Rs 200 crore worth of media businesses spread across all its clients, of which the last quarter has been a significant contributor.

    But these numbers are not fruits of labour of just the past few months. Its foundation was laid when Kulkarni had joined Vizeum India as the managing director in 2015 from Percept Allied Media (where he was the CEO), following Dentsu Aegis Network (DAN) Ashish Bhasin’s laying out of his vision for the agency.

    It will be an understatement to say that the soft spoken professional had taken that vision seriously. It’s been a little over a year, and Kulkarni is already confident that the agency will double itself around the end of next financial year.

    In a freewheeling conversation with indiantelevision.com’s Papri Das, Kulkarni delves into his grand plans to realise this target, and more.

    Excerpts:

    What were your personal benchmarks in the last one year of working for Vizeum?

    I have kept a very ‘people first’ approach to my targets within the company since I joined almost a year back. The large team that operates in Delhi is undergoing its digital training  and familiarisation with the tools available within the agency and the group. The last quarter has given us a positive indication that the strategy is working. We have got Warner Bros, we have Panasonic as a client and just recently signed up as the media agency for TCL Corp.

    Given the momentum, I see a significant increase in our client portfolio in the coming few years. We want to double our staff strength in 12 to 18 months to handle this increase in new businesses and our entire budget planning is being worked out to favour this development.

    The one P&L structure that DAN follows is best in terms of getting integrated marcom planning done, and getting various specialists in verticals to work for a brand. The fact that a very high proportion of the revenue of the group comes from digital says a lot about DAN  as a future facing agency.

    Every media agency is ramping up to be the ‘all rounder’ these days. How differently is Vizeum positioned in the market?

    One has to understand that digital is changing your customers, and their linear behaviour in the purchase cycle; the classic AIDA (Attention, Interest, Desire, Action) is no longer working. Now that is a fundamental shift that we must align everyone to, even if one is planning for television. Based on this, we are remodeling Vizeum, to keep our clients up to date.

    At the core of the remodelled Vizeum, with its refreshed approach to traditional media with digital outlook, we believe that media can directly make a difference to business. Media can add value to businesses because of this entire disruption digital is doing across all media, and this significant value addition will be measurable.

    Has this fundamental shift impacted how television planning and buying happens?

    To start with, these days you have to look at video and not television, when doing planning for television, because there is a good chunk of the audience that watches TV on the Internet. There are youngsters who enjoy binge watching or as and when they want to. They are hardly watching television the way we know it. So that is changing the entire paradigm so that even the medium that was classically entirely outbound and spewing messages at its audiences is now changing.

    Another interesting aspect of this paradigm shift is how technology has made TV media more target-oriented. Technology now allows advertisers  to target people who have viewed their ads on television. We have experimented with this technology with a few of our clients where we have embedded certain beacons on their TV ads, and identified which  of the consumers had their smartphones around. Now these consumers could be reached digitally as well, now that we have made sure they had seen the TVC.

    We will soon see that technology and data is going to alter the way the entire marcom industry functions. It will require us agencies and clients as well to understand the complete customer decision journey, and accordingly reach out to them with specific messages at certain stages of the customer purchase journey.

    Do most of your clients come to you keeping a specific media in mind or do they have a specific outcome in mind, regardless of where the spend goes?

    Well of course a client has an outcome in mind to begin with. But the way the industry, and actually media itself, is getting more and more fragmented, advertisers too are seeking specialised use of media — some are looking at digital agencies, some are looking at mainline agencies, some are looking at agencies that are good at search engine optimisation, some are preferring social media only agencies and some are even doing it in house. I think the missing piece is a strategic direction across all media vehicles towards the outcome.

    Sounds like a massive level of unlearning and relearning on the part of the planners and buyers….

    Absolutely. In fact we are currently training every single planner under Vizeum with digital knowledge and skill sets. A planner classically handles mainstream media, and he can plan for digital. But we are aiming to make each one of them experts in digital. Every planner must know digital strategy on a par with an agency squarely into digital marketing. We plan to achieve this within one year, and there will be continuous refresher courses to keep them up to date.

    We have already initiated since a few months ago. It has picked up momentum and we should be able to see some of its results by the next quarter. The ultimate goal is to get all staff, irrespective of the department to be digital savvy. It is a DAN initiative.

    How do you measure a certain campaign’s performance? Is there any yardstick that Vizeum follows?

    Campaign performance must be measurable from day one, and it must be definitive and making a difference to the business. To achieve this, we look at performance in a three by three metric — three minutes, three weeks and three months of the  time spent on a campaign, where each time period gives us specific and significant measure of the campaign’s effectiveness. Certain tools that  we have developed using Facebook data, or Youtube data, or Google data, give us instant feedback on how a campaign is fairing.

    To start with, we can have this performance measure of all digital campaigns running for a few minutes to a day or, as we put it three  minutes to a day.. It will give an instant idea of what is working and what isn’t, which allows creatives to tweak a campaign. For example, if you have six campaigns or creatives running on Youtube, we can now tell which one is performing well, keeping a brand and campaign in mind.

    We make a second assessment after a campaign runs for a week, when we have significant data on it. For certain categories, this time period can extend to a month to be able to gather reliable data.

    The third assessment is made around the three month mark that leaves a planner with a lot of data to play with and analyse keeping quantitative results in mind. This assessment can give us insights on the brand health. In other words, we keep monitoring different measures at different entry points of a campaign within different parameters. We are heading towards an arrangement where we ask for compensations based on such performances.

    Where do you think the media management industry is headed in the next few years and what factors will impact it?

    We are doing a study called India 2020, where we are trying to understand the trends across the world and try and predict the entire media ecosystem of 2020 in India. We believe this disruption is going to stay for a while and lead to digital spends growing by leaps and bounds. As of now we are looking different simulations of different scenarios. We have narrowed down to three such scenarios for the time being based on how quickly high speed data will be available in our country. Whether it is brought about by Reliance Jio or the government, it doesn’t matter, but high speed internet is a deciding factor in the simulations. It will also need to be affordable and services will be free is what I believe. Open wifis will also be a huge thing.

  • “We plan to double staff in a year in pace with client growth”: Vizeum India MD Shripad Kulkarni

    “We plan to double staff in a year in pace with client growth”: Vizeum India MD Shripad Kulkarni

    Shripad Kulkarni is man on a mission. The mission is to transform Vizeum India digitally, not with just an add-on digital arm but from within. Thereafter, establishing the agency as an indispensable AoR partner for clients seeking real measurable value addition from its media management. And the last few account wins including Warner Bro. and TCL show that he is on the right track.

    The agency is believed to handle Rs 200 crore worth of media businesses spread across all its clients, of which the last quarter has been a significant contributor.

    But these numbers are not fruits of labour of just the past few months. Its foundation was laid when Kulkarni had joined Vizeum India as the managing director in 2015 from Percept Allied Media (where he was the CEO), following Dentsu Aegis Network (DAN) Ashish Bhasin’s laying out of his vision for the agency.

    It will be an understatement to say that the soft spoken professional had taken that vision seriously. It’s been a little over a year, and Kulkarni is already confident that the agency will double itself around the end of next financial year.

    In a freewheeling conversation with indiantelevision.com’s Papri Das, Kulkarni delves into his grand plans to realise this target, and more.

    Excerpts:

    What were your personal benchmarks in the last one year of working for Vizeum?

    I have kept a very ‘people first’ approach to my targets within the company since I joined almost a year back. The large team that operates in Delhi is undergoing its digital training  and familiarisation with the tools available within the agency and the group. The last quarter has given us a positive indication that the strategy is working. We have got Warner Bros, we have Panasonic as a client and just recently signed up as the media agency for TCL Corp.

    Given the momentum, I see a significant increase in our client portfolio in the coming few years. We want to double our staff strength in 12 to 18 months to handle this increase in new businesses and our entire budget planning is being worked out to favour this development.

    The one P&L structure that DAN follows is best in terms of getting integrated marcom planning done, and getting various specialists in verticals to work for a brand. The fact that a very high proportion of the revenue of the group comes from digital says a lot about DAN  as a future facing agency.

    Every media agency is ramping up to be the ‘all rounder’ these days. How differently is Vizeum positioned in the market?

    One has to understand that digital is changing your customers, and their linear behaviour in the purchase cycle; the classic AIDA (Attention, Interest, Desire, Action) is no longer working. Now that is a fundamental shift that we must align everyone to, even if one is planning for television. Based on this, we are remodeling Vizeum, to keep our clients up to date.

    At the core of the remodelled Vizeum, with its refreshed approach to traditional media with digital outlook, we believe that media can directly make a difference to business. Media can add value to businesses because of this entire disruption digital is doing across all media, and this significant value addition will be measurable.

    Has this fundamental shift impacted how television planning and buying happens?

    To start with, these days you have to look at video and not television, when doing planning for television, because there is a good chunk of the audience that watches TV on the Internet. There are youngsters who enjoy binge watching or as and when they want to. They are hardly watching television the way we know it. So that is changing the entire paradigm so that even the medium that was classically entirely outbound and spewing messages at its audiences is now changing.

    Another interesting aspect of this paradigm shift is how technology has made TV media more target-oriented. Technology now allows advertisers  to target people who have viewed their ads on television. We have experimented with this technology with a few of our clients where we have embedded certain beacons on their TV ads, and identified which  of the consumers had their smartphones around. Now these consumers could be reached digitally as well, now that we have made sure they had seen the TVC.

    We will soon see that technology and data is going to alter the way the entire marcom industry functions. It will require us agencies and clients as well to understand the complete customer decision journey, and accordingly reach out to them with specific messages at certain stages of the customer purchase journey.

    Do most of your clients come to you keeping a specific media in mind or do they have a specific outcome in mind, regardless of where the spend goes?

    Well of course a client has an outcome in mind to begin with. But the way the industry, and actually media itself, is getting more and more fragmented, advertisers too are seeking specialised use of media — some are looking at digital agencies, some are looking at mainline agencies, some are looking at agencies that are good at search engine optimisation, some are preferring social media only agencies and some are even doing it in house. I think the missing piece is a strategic direction across all media vehicles towards the outcome.

    Sounds like a massive level of unlearning and relearning on the part of the planners and buyers….

    Absolutely. In fact we are currently training every single planner under Vizeum with digital knowledge and skill sets. A planner classically handles mainstream media, and he can plan for digital. But we are aiming to make each one of them experts in digital. Every planner must know digital strategy on a par with an agency squarely into digital marketing. We plan to achieve this within one year, and there will be continuous refresher courses to keep them up to date.

    We have already initiated since a few months ago. It has picked up momentum and we should be able to see some of its results by the next quarter. The ultimate goal is to get all staff, irrespective of the department to be digital savvy. It is a DAN initiative.

    How do you measure a certain campaign’s performance? Is there any yardstick that Vizeum follows?

    Campaign performance must be measurable from day one, and it must be definitive and making a difference to the business. To achieve this, we look at performance in a three by three metric — three minutes, three weeks and three months of the  time spent on a campaign, where each time period gives us specific and significant measure of the campaign’s effectiveness. Certain tools that  we have developed using Facebook data, or Youtube data, or Google data, give us instant feedback on how a campaign is fairing.

    To start with, we can have this performance measure of all digital campaigns running for a few minutes to a day or, as we put it three  minutes to a day.. It will give an instant idea of what is working and what isn’t, which allows creatives to tweak a campaign. For example, if you have six campaigns or creatives running on Youtube, we can now tell which one is performing well, keeping a brand and campaign in mind.

    We make a second assessment after a campaign runs for a week, when we have significant data on it. For certain categories, this time period can extend to a month to be able to gather reliable data.

    The third assessment is made around the three month mark that leaves a planner with a lot of data to play with and analyse keeping quantitative results in mind. This assessment can give us insights on the brand health. In other words, we keep monitoring different measures at different entry points of a campaign within different parameters. We are heading towards an arrangement where we ask for compensations based on such performances.

    Where do you think the media management industry is headed in the next few years and what factors will impact it?

    We are doing a study called India 2020, where we are trying to understand the trends across the world and try and predict the entire media ecosystem of 2020 in India. We believe this disruption is going to stay for a while and lead to digital spends growing by leaps and bounds. As of now we are looking different simulations of different scenarios. We have narrowed down to three such scenarios for the time being based on how quickly high speed data will be available in our country. Whether it is brought about by Reliance Jio or the government, it doesn’t matter, but high speed internet is a deciding factor in the simulations. It will also need to be affordable and services will be free is what I believe. Open wifis will also be a huge thing.

  • Startup finding reality TV series The Vault makes debut

    Startup finding reality TV series The Vault makes debut

    MUMBAI: The Indian version of Dragon’s Den – on which the iconic Mark Burnett show Shark Tank is based – is being readied to hit Indian TV screens come 1 October 2016. Called The Vault, the reality TV series is looking to fund start ups and nouveau entrepreneurial ideas.

    Each wannabe entrepreneur will get a chance to pitch his idea before a six member strong investor panel and get his or her idea funded to the tune of Rs 1 lakh to Rs 1 crore.

    The 12 episodic show spanning over 30 minutes will enable startups, household businesses, aspiring entrepreneurs with an extraordinary idea, or an established venture an opportunity to expand. The idea is to finance and mentor 36 entrepreneurs by the end of the show.

    But even before The Vault has gone on the floors, it seems to have to run into some sort of controversy. Which is what its American predecessor- Shark Tank – is known for.

    Jatin Goel, the creative brains behind it, says that it will air every Saturday at 7:30 pm on ET Now and every Sunday at 11:30 pm on Times Now. But the channel spokesperson told indiantelevision.com that nothing has been finalized yet.

    However Goel says that he has a signed contract with the Times Group for The Vault.
    Says he: “We have signed a contract with Times Group to discover the next big idea for startups to expand through The Vault. This show is a first-of-its-kind initiative in India towards developing a robust environment that fosters innovation and drives growth for promising business ideas irrespective of the sector they operate in.”

    Goel added that he will be helming the show.

    And he says the procedure to get a shot at the millions on the show has been kept very simple. Entrepreneurs have to register themselves on the show’s website by filling an application form with personal, company or idea related details and the funding expected by coughing up Rs 300 as a one time non-refundable fee. Applicants have to also mention how much equity they are willing to part and for what value. The last announced date of applications is 31 August 2016.

    Accepted applications will be screened and will be shortlisted for the first round of auditions in which each entrepreneur will be grilled about his idea by experts telephonically. A total of 100 applications will be taken forward from this round.

    The shortlisted 100 applications will have to upload a two minute video for the second audition round. From this, the list will be whittled down further to the final list of just 50.

    Goel strongly believes that the Indian entrepreneurial landscape is currently at its peak. “India has the third-largest and the fastest-growing startup ecosystem in the world. The growth witnessed by SMEs and household and rural businesses also indicates that there are many more milestones yet to be achieved.”

    The jury of six will – consisting of self-made millionaires who have already proven their mettle in various backgrounds- retail, technology, real-estate, FMCG, food, health, automobile industry- will judge the entrepreneurs on their idea or startup’s uniqueness and feasibility.

    The investors will be revealed one-by-one on TV and social media through various campaigns.

    A crew of 30 will be filming the show in Film City, Noida, starting the first week of September. An eight multicamera set up is being designed – with four cameras profiling the investors and their closeups when they are talking, two will zoom in on the entrepreneurs as they are pitching and their product showcase, and two will be used for long shots showing both the investor and entrepreneurs in one frame.

    As far as marketing is concerned, Goel says the show will be promoted highly on digital and will have some brand integration involved in it. He and his team are currently in talks with seven or eight advertisers to hop on board for this show.

    “We have not fixed any deals yet. There is no specific sector that we are targeting. Any company which can relate to our concept can be on board,” voiced Goel.

    Plans are afoot to launch a YouTube channel post the show’s run. Apart from a big push on digital, the show will also be marketed on TV, radio, print with various hoardings in metros mainly Delhi, Bangalore and Mumbai. The anchors from various channels falling under Times Network will also talk about the show.

    Will it do well in India? The wagers are on. The Subhash Chandra show on Zee Business has also been running for a couple of years . Shark Tank, which aired on Viacom18 English entertainment channel Colors Infinity earlier this year , met with a muted audience response according to reports. The challenge for The Vault does not only lie in securing advertiser backing but also in gaining its audience.

  • Startup finding reality TV series The Vault makes debut

    Startup finding reality TV series The Vault makes debut

    MUMBAI: The Indian version of Dragon’s Den – on which the iconic Mark Burnett show Shark Tank is based – is being readied to hit Indian TV screens come 1 October 2016. Called The Vault, the reality TV series is looking to fund start ups and nouveau entrepreneurial ideas.

    Each wannabe entrepreneur will get a chance to pitch his idea before a six member strong investor panel and get his or her idea funded to the tune of Rs 1 lakh to Rs 1 crore.

    The 12 episodic show spanning over 30 minutes will enable startups, household businesses, aspiring entrepreneurs with an extraordinary idea, or an established venture an opportunity to expand. The idea is to finance and mentor 36 entrepreneurs by the end of the show.

    But even before The Vault has gone on the floors, it seems to have to run into some sort of controversy. Which is what its American predecessor- Shark Tank – is known for.

    Jatin Goel, the creative brains behind it, says that it will air every Saturday at 7:30 pm on ET Now and every Sunday at 11:30 pm on Times Now. But the channel spokesperson told indiantelevision.com that nothing has been finalized yet.

    However Goel says that he has a signed contract with the Times Group for The Vault.
    Says he: “We have signed a contract with Times Group to discover the next big idea for startups to expand through The Vault. This show is a first-of-its-kind initiative in India towards developing a robust environment that fosters innovation and drives growth for promising business ideas irrespective of the sector they operate in.”

    Goel added that he will be helming the show.

    And he says the procedure to get a shot at the millions on the show has been kept very simple. Entrepreneurs have to register themselves on the show’s website by filling an application form with personal, company or idea related details and the funding expected by coughing up Rs 300 as a one time non-refundable fee. Applicants have to also mention how much equity they are willing to part and for what value. The last announced date of applications is 31 August 2016.

    Accepted applications will be screened and will be shortlisted for the first round of auditions in which each entrepreneur will be grilled about his idea by experts telephonically. A total of 100 applications will be taken forward from this round.

    The shortlisted 100 applications will have to upload a two minute video for the second audition round. From this, the list will be whittled down further to the final list of just 50.

    Goel strongly believes that the Indian entrepreneurial landscape is currently at its peak. “India has the third-largest and the fastest-growing startup ecosystem in the world. The growth witnessed by SMEs and household and rural businesses also indicates that there are many more milestones yet to be achieved.”

    The jury of six will – consisting of self-made millionaires who have already proven their mettle in various backgrounds- retail, technology, real-estate, FMCG, food, health, automobile industry- will judge the entrepreneurs on their idea or startup’s uniqueness and feasibility.

    The investors will be revealed one-by-one on TV and social media through various campaigns.

    A crew of 30 will be filming the show in Film City, Noida, starting the first week of September. An eight multicamera set up is being designed – with four cameras profiling the investors and their closeups when they are talking, two will zoom in on the entrepreneurs as they are pitching and their product showcase, and two will be used for long shots showing both the investor and entrepreneurs in one frame.

    As far as marketing is concerned, Goel says the show will be promoted highly on digital and will have some brand integration involved in it. He and his team are currently in talks with seven or eight advertisers to hop on board for this show.

    “We have not fixed any deals yet. There is no specific sector that we are targeting. Any company which can relate to our concept can be on board,” voiced Goel.

    Plans are afoot to launch a YouTube channel post the show’s run. Apart from a big push on digital, the show will also be marketed on TV, radio, print with various hoardings in metros mainly Delhi, Bangalore and Mumbai. The anchors from various channels falling under Times Network will also talk about the show.

    Will it do well in India? The wagers are on. The Subhash Chandra show on Zee Business has also been running for a couple of years . Shark Tank, which aired on Viacom18 English entertainment channel Colors Infinity earlier this year , met with a muted audience response according to reports. The challenge for The Vault does not only lie in securing advertiser backing but also in gaining its audience.