Tag: TV

  • Learning the importance of video marketing today

    Learning the importance of video marketing today

    MUMBAI: “Is it viral yet?” More often than not, this is what you will hear from marketers and agencies soon after they make a brand campaign or a video live on social media. The virality of a video is the new scale of measurement for most advertisers now, and rightly so! When a video goes viral, it can increase your search engine ranking, click-through rates, open rates and conversions.

    Brands have for the longest time needed a video marketing strategy but what has changed is how important video has become on every platform and channel. It is no longer restricted to doing television commercials or doing product placement on some television show or a movie. It has become the centre to their outreach and social strategy.

    While videos are great and should be every marketer’s best friend, there are several questions around it that need to be answered.

    How do you know if your videos are working? How can you measure the efficacy of your videos? How do you build brand confidence? What is the role of videos in overall brand strategy? What platforms should you choose to deliver the videos? How do you treat videos in regional languages? And most importantly, what are the top 5 things to keep in mind for branded videos and video marketing?

    To find out the answers to these compelling and perplexing industry questions, Indiantelevision.com will host a summit on branded videos and video marketing – BrandVid 2018( brandvid.in) on 30 October 2018 at Sahara Star, Mumbai. The summit will see industry stalwarts discuss these topics and map out a way for the industry where all major stakeholders can make the most of videos.

    Video has absolutely dominated social media and according to a recent HubSpot Research report, four of the top six channels on which global consumers watch video are social channels. And a common topic for every A&M conversation – video is the way forward – finally seems to look right.

    Video marketing isn’t just limited to slapping a video on television, YouTube and other social media platforms. Today, 70 per cent of millennials prefer watching a brand’s video when shopping online. According to Video Marketing Statistics 2018 report, 84 per cent of consumers are convinced to purchase a company’s product after they’ve watched their video. It is also interesting to note that 81 per cent of businesses with an explainer video on their homepage said that those videos have increased their sales.

    As per a report by Syndacast, click-through rates increase by between 200-300 per cent when a marketing email contained a video.

    Remember the Dancing Uncles video that went viral? No? Well, have a look at it here:

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    Bajaj Allianz signed Sanjeev Srivastava aka the internet’s dancing uncle to promote one of its offering. Lately, he was also seen promoting Amazon India’s Great Indian Festival Sale. The power of internet and video today!

    In a general media ecosystem, you would have a brand, an agency and a production house where a brand gives a brief to an agency about the kind of video they want and they in turn hire a production house to shoot the video and later get it edited from a third party. But that’s changing now. Brands are now becoming media companies and they have their own in-house content studio that creates content for them on-the-go. It’s challenging for a traditional agency to sustain and survive in a competing environment like this. But is there a way where brands, agencies and publishers can co-exist and collaborate? Maybe yes but how only time will tell.

    Most videos today seem to be mindless and done just because every other brand on the block is doing it. Marketers often forget that they don’t need to follow the herd mentality.

    It is incorrect to judge your video campaign solely on it becoming viral and famous. It may not always lead to your products being sold from the shelves. As simple as video marketing seems, it is actually more complex than that. While brands and agencies have exploited video marketing to the core, whether or not it works entirely depends on what do you want your audience to hear, see and feel. And most importantly, what message are you trying to convey and what is the call to action?

    All in all, video marketing is not only fun, it’s also one of the best ways to get up close to your audience and give them a real glimpse of what you and your business or your clients are doing The more they know about your positive practices, the more likely they are to stick around.

  • Facebook planning smart STB for TVs with video calling support

    Facebook planning smart STB for TVs with video calling support

    MUMBAI: According to a United States news website, Cheddar, social networking company Facebook is working on smart set-top boxes for TV.

    And according to the sources, the set-top box will be camera equipped. It will also allow video calling along with entertainment services like Facebook’s YouTube competitor.

    Internally codenamed ‘Ripley’, the device uses Artificial Intelligence (AI) to automatically detect and follow people as they move around during a video call.

    Apart from opening the door for video chat feature, the new hardware would help Facebook compete in the TV market averse to Apple and Amazon.

    With concepts like Ripley, Facebook is attempting to build consumer hardware business outside of its virtual reality brand ‘Oculus’. Oculus VR is an American technology company acquired by Facebook in March 2014 for around $2 million.

  • Karan Johar adds bold new flavours to our cuppaKoffee

    Karan Johar adds bold new flavours to our cuppaKoffee

    MUMBAI: Unabated and utterly unafraid – Koffee with Karan is back for its 6th season. The longest running chat show on Indian television sets new benchmarks with every new season creating unprecedented buzz and aggregating premium consumers across TV and digital. 

    This year, Karan will bring unique celebrity pairings and unravel different facets of these superstars that promise to be fresh and endearing. The crowd favourite Rapid Fire will be even more fiery with tougher questions. And, finally, fans will see a brand-new gaming section that’ll bring out the crazy competitive side of even the most zen celebs.

    Koffee with Karan season 6 premieres this Sunday at 9PM with a stellar showcase of girl power featuring Deepika Padukone and Alia Bhatt. The leading ladies with the biggest box office blockbusters get candid with Karan on success, marriage and even address “the elephant” in the room. As the season continues, see Akshay Kumar go toe-to-toe with Ranveer Singh, the endearing father-daughter duo Saif and Sara Ali Khan, sibling stories of Arjun and Janhvi Kapoor to name a few, making the wait for the new season absolutely worth the while.

    Karan Johar, the ultimate host, masterfully cajoles the biggest superstars into revealing their real selves. The marketing campaign for this season in the ‘unafraid boy’ film captures in essence why this show has been successful for so long – Karan asking all the wrong questions and audience loving the answers. 

    Over the last 6 seasons, Koffee with Karan has established a loyal fanbase. This season, Star World will endeavour to give those fans a more immersive experience to engageand express their love for the show. In a first for a TV show in India, fans will be able to pose with the iconic Koffee Mug using hand-tracking AR technology on Facebook. Not only this, fans will also get a chance to posewith their favourite celebrities. The most die-hard fans, will get a once-in-a-lifetime opportunity to be on the hot seat and field Rapid Fire questions from Karan through a Facebook camera innovation and can capture this experience on social media.

    Koffee with Karan season 6 together with Google Home, driven by Audi, powered by Idea 4G, lifestyle parterJaquar Group, special parterOppo F9 Pro and beauty parterL’Oreal Paris.

  • &TV presents epic fantasy Vikram Betaal Ki Rahsya Gaatha depicting the battle between good and evil

    &TV presents epic fantasy Vikram Betaal Ki Rahsya Gaatha depicting the battle between good and evil

    MUMBAI: The magical and mysterious tales of the courageous King Vikram and the fascinating spirit Betaal, transported the audience to an enchanting world and etched a special place in the hearts of people many years ago. &TV is all set to bring alive this tale in a larger-than-life avatar, giving the fabled narratives a contemporary take through its new epic fantasy Vikram Betaal Ki Rahsya Gaatha. Depicting the tussle between good and evil, the show will take viewers through the quest of the intelligent King Vikramaditya to find the wise ghost Betaal as challenged by the evil Bhadrakaal. On the other hand, the wily Betaal has identified that it is only brave King Vikramaditya who can cause the downfall of the dark Bhadrakaal. Engaging in this battle of brain and brawn, popular television actor Ahem Sharrma will be seen essaying the role of the righteous King Vikramaditya. The versatile theatre and film actor, Makarand Deshpande steps into the shoes of the witty Betaal, while the powerful character of Bhadrakaal will be played by veteran actor, Sooraj Thapar. The show brings together a strong ensemble cast including names like Ishita Ganguly, Amit Behl, Sonia Singh amongst others. It is slated to go on air on 16th October 2018, every Monday – Friday at 8:00 pm only on &TV.

    Artistically portraying Vikram’s several futile attempts to bind the free spirit’s tail to himself, Vikram Betaal Ki Rahsya Gaatha showcases the challenges faced by the King while choosing between right and wrong. Through captivating illustrations, it will also bring forth the untold story between Betaal and Bhadrakaal and the repercussions of their starkly opposite ideologies. With each character having a magnificent and strong appearance, the show will take viewers through the three contrasting worlds of Vikram, Betaal and Bhadrakaal, while also offering a vital life lesson at the end of each episode. Peninsula Pictures, headed by Alind Srivastava and Nissar Parvez along with Writer and Creative Producer of the show, C. L. Saini are the creative minds behind this epic fantasy.

    Commenting on the new fiction offering, Vishnu Shankar, Head, &TV said, “Vikram Betaal Ki Rahasya Gaatha is one of our most ambitious projects and we are proud to present it on such a majestic scale. It’s also one of the first few shows to launch right after the break of our new brand campaign ‘Hai Khaas Har Andaaz’ and takes forward the ideology. At the heart of the show is an effort to convey gems from Indian culture and traditional knowledge to the society and families in an entertaining manner suitable to today’s time. We are sure it will revive childhood memories of the evergreen tales of Vikram and Betaal, adding a hint of nostalgia yet giving the new generation a chance to live this epic fantasy and gain some valuable lessons. Apart from the grandeur involved in the show, the characters have been mounted on a huge canvas and audiences can expect nothing short of a visual spectacle.”

    Talking about the show, producers Alind Srivastava and Nissar Parvez, Peninsula Pictures said, “While a small segment of the Indian audience might have seen the stories of Vikram and Betaal, a large part of them have not even heard about the characters or the stories depicted in these tales. Vikram Betaal ki Rahsya Gatha will not only attempt to bring forth several stories that have been lost in time but will also concentrate on the real and untold stories of Vikram, Betaal and the infamous character, Bhadrakal. With a modern look and feel to support these characters, the story further delves into the making of King Vikramaditya and his journey to be the royal and poised King that he is. The essence of these timeless classics remains the same, but the characters and stories have a younger and edgier vibe to them which is sure to appeal to the younger audience as well.”

    Returning to television after 20 long years is acclaimed theatre artist, director and film actor, Makarand Deshpande, essaying the character of Betaal. He said, “I am looking forward to play Betaal in Vikram Betaal Ki Rahasya Gaatha. He is an intelligent and generous spirit who wishes to help humanity in any capacity. His clever and tactful way of throwing challenges at the great King Vikramaditya in the form of riddles showcases the wise and free-spirited side of him. Unlike the original character, the new Betaal is a friendly spirit that floats in the air and will have an ivory appearance. He has a misty tail for his legs that will wrap around King Vikramaditya’s waist. The character is sure to appeal to the audience and I hope this new creation also works its magic, just like the previous rendition of Vikram and Betaal did.”

    Adding to his excitement on playing the character of King Vikramaditya, the popular actor, Ahem Sharrma said, “I am very happy that I have the opportunity to play the character of King Vikramaditya in Vikram Betaal Ki Rahasya Gaatha. Vikramaditya’s name itself reflects the strength and bravery of the King of Ujjain. Although he is praised by many for his intelligence and righteousness, he possessed an egoistic trait that compelled him to take up Bhadrakaal’s challenge of capturing Betaal. It’s this weakness of his that constantly finds him torn between choosing the good and evil. He has an authoritative aura surrounding him which has been proficiently incorporated in his modern-day look consisting of leather tunics, royal golden embroidery and fine jewellery complemented with a shining golden sword that reflects upon his opulent life. I am really enjoying portraying this powerful character and I hope that the audience love and appreciate this new version of the classic tale.”

    Thrilled about essaying the grand and powerful character of Bhadrakaal, actor Sooraj Thapar said, “Until now Bhadrakaal was often just a character many had heard of, but for the first time the audience will see the character of Bhadrakaal prominently in Vikram Betaal Ki Rahasya Gaatha. His evil and cunning side is represented through his magnificent, dark and unusual avatar. Extremely sharp with his moves, Bhadrakaal has a manipulative charm which he often uses to his advantage to get what he wants. With an extreme power and control over the five elements of earth in his hand, he often finds ways to be a constant obstacle in Vikramaditya and Betaal’s story. Bhadrakaal’s dark world and tussle with Betaal is sure to add more intrigue to this epic show.”  

    Get ready to enter this sawalon ki maya, jawabon ki duniya, as &TV presents the timeless legend Vikram-Betaal’s collection of iconic tales in a present-day avatar with Vikram Betaal Ki Rahsya Gaatha.

  • &TV gets brand refresh; ad inventories sold out for new shows

    &TV gets brand refresh; ad inventories sold out for new shows

    MUMBAI: Zee took a bold step when it decided to launch channels under a different brand name ‘&’ five years ago. The bet worked and the brand lived. Now, &TV, the GEC, is undergoing a brand refresh with a new lineup of shows as well.

    In 2015, &TV was launched with the philosophy 'Jashn Jeene Ka' – celebrating the spirit of life. Now, the channel is bringing up yet another thought ‘Hai Khaas Har Andaaz’, created by Lowe Lintas that premieres this weekend, breaking first on its new live singing reality show for kids Love Me India at 9 pm. &TV has two more shows in the bouquet named Perfect Pati and Vikram and Betaal.

    ZEEL CEO Punit Misra said, “We believe &TV, the youngest GEC in the ZEEL portfolio, is best suited to cater to &dians – the multifaceted, progressive, young urban viewers who want to be more. With our unique brand point-of-view led content creation approach, the &TV team has crafted stories and characters that &dians will fall in love with.”

    Apart from its flagship show Bhabhiji Ghar Par Hain, that helped the channel gain immense traction from the viewers, it didn’t shy away from going against the tide and introducing a 100kg bahu on television with Badho Bahu or presenting kanha and radha differently. It pushed the envelope further by introducing supernatural-romance in Laal Ishq. 

    Commenting on the advertisers’ growth since its launch, ZEEL CMO Pratyusha Agarwal said that the growth has been phenomenal and ad inventories are already sold out for the upcoming shows. “Since the past three years, advertisers have grown up to 55 per cent,” she added.

    &TV head Vishnu Shankar has been associated with Zee for more than seven years now. He started working with Zee in February 2010 as the programming head of Zing, Zee ETC and Zee Trendz. A year ago he filled Rajesh Iyer’s shoes with a vision to scale-up the cluster’s growth in a bid to entertain audiences. He said, “In the last three years, we have created many marquee properties and the channel had a good 4.5 per cent market share and now we have 7.8 per cent market share.”

    We will soon get to see if the change will pay off.

  • Pritam Jit Das joins BBC GoodFood India as chief operating officer

    Pritam Jit Das joins BBC GoodFood India as chief operating officer

    MUMBAI: BBC GoodFood India has strengthened its top-level management by appointing Pritam Jit Das to expand their presence in Print, Digital, TV, Social Media and Events.

    Das has joined BBC GoodFood India as Chief Operating Officer (COO).

    According to the numbers provided, BBC GoodFood India, recently crossed the milestone of over 2 Lac readership in August 2018 (Just 6 months after launching the India Edition). Also the FoodFood TV Channel has 40 million viewership.

    Das was previously working as a Director with One Media Group (OMG) and has handled International & India Projects from Events, Movies, Digital Content & IPs, Food & Lifestyle Shows and Branded Content. Prior to that he was working as Assistant General Manager (AGM) with Hindustan Times (HT Media Ltd), where he was responsible for setting up the overall sales function for Brand Promotions. He was awarded with over achieving Annual Targets and also for Monetizing a new Sub-Category for HT Brand Promotions Entertainment Division. Prior to HT Media Ltd, he had worked with Discovery TLC as India Producer for Ian Wright series (RoastBeef Productions, UK),Mudra Communications, Lintas India Pvt. Ltd and Epigram Advertising, He has rich experience of eighteen years having worked across categories from Entertainment, Travel, Real Estate, Food, Sports, Fashion & Lifestyle.

    He will be directly reporting to CEO & Editor-in-Chief, BBC GoodFood India and CEO & Editor-in-Chief, FoodFood Awards, Shafquat Ali.

    Commenting on his appointment, Das said, “I am excited to join BBC GoodFood India. I believe that going forward, we are all set to bring a big name in the B2B luxury segment for Hospitality Industry (F&B). The focus is to give clients value for money and promote the same via Print, Digital, TV, Social Media and Events. I look forward to workingwith Shafquat &the India team increating new IPs and to consolidate BBC GoodFood India& FoodFood TV Awards as market leaders.

    Commenting on his appointment, BBC GoodFood India, CEO & Editor-in-Chief and FoodFood Awards, CEO & Editor-in-Chief, Shafquat Ali said, “BBC GoodFood India has grown from strength to strength with a record rise in readership, unique visitors and engagement in just six months from its launch. One of the strong pillars of this property is that it has a lot of potential in the luxury B2B segment. With the perfect blend of International & Indian content, BBC GoodFood India along with our Publisher Chef Sanjeev Kapoor, BBC GoodFood India andowner of FoodFood TV Channel, we are confident of being a market leader in this luxury space. We have had a tremendous response for the FoodFood Awards & Summit 2018 (Regional Round already done for Delhi-North, Mumbai-West, and all set to host Bangalore-South (21st Sep), Kolkata-East (28th Nov) &Grand Finale of All the Regional Winners in Mumbai on 19th Dec). BBC GoodFood India magazine is the proud media partner for the same. With the appointment of Pritam, we are gearing up to create new IPs that could bolster our portfolio and shore up the bottom lineand best-in-class events for our valued clients.”

  • Do ideal sons also make for ideal husbands, questions &TV’s new fiction show ‘Perfect Pati’

    Do ideal sons also make for ideal husbands, questions &TV’s new fiction show ‘Perfect Pati’

    MUMBAI: Can an ideal son also be an ideal husband? What happens when a newly married woman realises her husband is not the man she expected him to be? Answering these questions will be &TV’s brand-new fiction offering, Perfect Pati which premieres September 3rd every Monday to Friday at 9:30 pm. Produced by Filmfarm India Pvt Ltd., Perfect Pati marks the television debut of veteran actress Jaya Prada who will be seen essaying the character of Rajyashree Rathod, a dynamic and modern mother-in-law. Television actor Ayush Anand essays the role of her son, the stylish and cunning Pushkar Rathod while Sayali Sanjeev will play the small-town girl Vidhita Rajawat.

    Set against the backdrop of Rajasthan, Perfect Pati will take viewers through the life of Vidhita, who like many young girls dreams of an idealistic image of her prospective partner. Her approach towards life and situations is in complete contrast to that of Pushkar’s, a rich, attractive and aggressively over-protective man. As the story progresses, Vidhita is in for a rollercoaster ride when her marriage with Pushkar leads to a ‘not so perfect’ married life causing her to deal with various unexpected ups and downs. The narrative touches upon how Rajyashree successfully manages the roles of both being a mother and mother-in-law. Narrating the non–idealistic married life of Vidhita and Pushkar, the show attempts to question the thought that whether an ideal son is capable of being an ideal husband. 

    Speaking about the concept of this show, Vishnu Shankar, Head, &TV said, “At &TV, our attempt is to present narratives which highlight the evolving mindset of new India. Our latest addition to this portfolio is Perfect Pati that provides a fresh perspective to the portrayal of a mother-in-law on screen and highlights how the daughter-in-law, being a woman of today deals with her life choices. While we are proud to introduce a strong concept that will prove to be a catalyst of change, we are equally excited that we have a personality of the stature of Jaya Prada leading it. We are positive viewers will appreciate this new offering from our end.”

    Talking about the show Rupali Guha, Producer, Filmfarm India Pvt Ltd said, “The concept of Perfect Pati is quite fresh and contemporary with an extremely relatable narrative. The show highlights the emphasis that is put into finding the perfect bahu with set parameters of how an ideal daughter-in-law should be for the son of the house. But very little or no attention is given to whether that son deserves a perfect wife. The show aims to create a change in the way society looks at the entire process of marriage in India, I hope this show is accepted by the audience and furthermore broadens our perspectives.”

    Speaking about her first stint on the small screen, the legendary Jaya Prada said, “The character of Rajyashree Rathod will redefine the way a mother-in-law is usually portrayed on Indian television. She is a confident and dynamic woman who will be seen juggling various responsibilities, be it her family business, social work or running a household. She shows her mettle when faced with the difficult decision of choosing between right and wrong. I’m glad that &TV offered me such a progressive character in Perfect Pati with which I begin a new chapter in my professional life.”

    Talking about essaying the character of Vidhita, actress Sayali Sanjeev said, “Vidhita, a charming and optimistic 20-year old is an educated, young and independent woman. She is deeply rooted in tradition, yet modern in her thoughts and approach towards life. As I set out on this new journey with Perfect Pati, I’m both nervous and excited to play Vidhita.”

    Ayush Anand, who will be seen playing a dark and intense character said, “My character Pushkar has a menacing attitude and a rather daunting way of protecting his family. While he seems lovable and protective, his is a complicated personality, unpredictable in nature and has many shades of grey to him. Viewers though will be intrigued by his character and keen to know his next step as the story unfolds.”

    Bringing forth a new outlook to a woman’s decision of choosing her life companion, &TV’s Perfect Pati will answer the much-ignored question of whether an ideal son can also be an ideal husband. Tune into Vidhita’s journey of finding her Perfect Pati from September 3rd, every Monday to Friday at 9:30 PM only on &TV!

  • TV homes up by 7.5%, total TV viewership up by 12%

    MUMBAI: The Broadcast Audience Research Council of India (BARC) has released the findings of its Broadcast India (BI) 2018 Survey, based on a sample study of 3 lakh homes in the country. As per the latest findings, TV homes in the country has seen a 7.5 per cent jump, outpacing the growth of homes in India which grew at 4.5 per cent.

    India currently boasts of 298 million homes, of which 197 million have a TV set, having an opportunity of almost 100 million more TV homes in the country. 

    Two big takeaways from BI 2018 survey is the rise of the middle class and the increase in the number of flat TV screens. As per the survey, with 123 million TV homes belonging to the middle class, NCCS B & C accounts for 63 per cent of TV homes in India.

    Together NCCS ABC or the affluent TV owning homes form 84 per cent of TV homes in the country. The fact that homes falling under the low-socio economic class (NCCS D/E) have seen a 13 per cent drop, highlights the improving disposable income of an Indian home and is in line with the rising economic growth and prosperity.

    BARC India CEO Partho Dasgupta said, “With BI 2018 we have been able to showcase the changing face of India. However, what hasn’t changed is the fact that TV remains the most effective platform for both content creators and advertisers to reach their audiences. This years’ survey is also special to us since we have been able to bring it in-house. We have been investing heavily on technology and talent and moving this almost entirely in-house is a proof of our capabilities.”

    Some interesting trends that have emerged with BI 2018 Survey are:

    ·   Number of TV viewing individuals grew by 7.2 per cent to 836 million from the previous 780 million. However, viewership increase in week 29 vs Previous 4 weeks is 12 per cent.

    ·   TV homes in urban and rural India grew by 4 per cent and 10 per cent respectively. Viewership uptake in urban India is 10 per cent, while that in rural India is 13 per cent. 

    ·   The average time spent (ATS) by TV viewing individuals too has seen a 3 per cent growth and currently stands at 3 hours 44 minutes. This is driven by urban which has seen an increase of 5 per cent in ATS (4 hours 06 min), ATS in rural India has grown by 2 per cent and stands at 3 hours 27 minutes.

    ·   Both HSM and South markets have seen a spike in viewership. HSM saw an increase of 12 per cent, while South grew by 10 per cent in week 29. 

    ·   The male-female split of TV owning individuals as per BI 2018 is: 429 million-407 million. Male viewers grew by 6.9 per cent, while female viewers saw a growth of 7.5 per cent over BI 2016. 

    ·   In terms of viewership, in week 29, male viewership has seen a 11 per cent growth, while female viewership has increased by 12 per cent.

    ·   Viewership contribution of the affluent class (NCCS AB) grew by 15 per cent.

    ·   The daily TV tune-ins in week 29 saw a healthy growth of 8 per cent and currently stands at 614 million viewers. The previous 4-week average was 569 million viewers. 

    “As for the trends, BARC India has maintained that India is a country which is driven by family viewing and this shows in the increase in the number of TV households. With a penetration of just 66 per cent, there is still a huge scope of growth in the space,” Dasgupta added. 

  • BARC India: TV homes up by 7.5%, total TV viewership up by 12%

    BARC India: TV homes up by 7.5%, total TV viewership up by 12%

    MUMBAI: The Broadcast Audience Research Council of India (BARC) has released the findings of its Broadcast India (BI) 2018 Survey, based on a sample study of 3 lakh homes in the country. As per the latest findings, TV homes in the country has seen a 7.5 per cent jump, outpacing the growth of homes in India which grew at 4.5 per cent.

    India currently boasts of 298 million homes, of which 197 million have a TV set, having an opportunity of almost 100 million more TV homes in the country. 

    Two big takeaways from BI 2018 survey is the rise of the middle class and the increase in the number of flat TV screens. As per the survey, with 123 million TV homes belonging to the middle class, NCCS B & C accounts for 63 per cent of TV homes in India.

    Together NCCS ABC or the affluent TV owning homes form 84 per cent of TV homes in the country. The fact that homes falling under the low-socio economic class (NCCS D/E) have seen a 13 per cent drop, highlights the improving disposable income of an Indian home and is in line with the rising economic growth and prosperity.

    BARC India CEO Partho Dasgupta said, “With BI 2018 we have been able to showcase the changing face of India. However, what hasn’t changed is the fact that TV remains the most effective platform for both content creators and advertisers to reach their audiences. This years’ survey is also special to us since we have been able to bring it in-house. We have been investing heavily on technology and talent and moving this almost entirely in-house is a proof of our capabilities.”

    Some interesting trends that have emerged with BI 2018 Survey are:

    ·   Number of TV viewing individuals grew by 7.2 per cent to 836 million from the previous 780 million. However, viewership increase in week 29 vs Previous 4 weeks is 12 per cent.

    ·   TV homes in urban and rural India grew by 4 per cent and 10 per cent respectively. Viewership uptake in urban India is 10 per cent, while that in rural India is 13 per cent. 

    ·   The average time spent (ATS) by TV viewing individuals too has seen a 3 per cent growth and currently stands at 3 hours 44 minutes. This is driven by urban which has seen an increase of 5 per cent in ATS (4 hours 06 min), ATS in rural India has grown by 2 per cent and stands at 3 hours 27 minutes.

    ·   Both HSM and South markets have seen a spike in viewership. HSM saw an increase of 12 per cent, while South grew by 10 per cent in week 29. 

    ·   The male-female split of TV owning individuals as per BI 2018 is: 429 million-407 million. Male viewers grew by 6.9 per cent, while female viewers saw a growth of 7.5 per cent over BI 2016. 

    ·   In terms of viewership, in week 29, male viewership has seen a 11 per cent growth, while female viewership has increased by 12 per cent.

    ·   Viewership contribution of the affluent class (NCCS AB) grew by 15 per cent.

    ·   The daily TV tune-ins in week 29 saw a healthy growth of 8 per cent and currently stands at 614 million viewers. The previous 4-week average was 569 million viewers. 

    “As for the trends, BARC India has maintained that India is a country which is driven by family viewing and this shows in the increase in the number of TV households. With a penetration of just 66 per cent, there is still a huge scope of growth in the space,” Dasgupta added. 

  • Netflix unveils new interface for TV

    Netflix unveils new interface for TV

    MUMBAI: Netflix has unveiled a new design that makes it easier for people to discover stories through the TV. The new interface is called App Menu, which aims to offer simpler and easier browsing using fewer buttons on the remote control.

    Netflix director product innovation Stephen Garcia said, “At Netflix, we are constantly asking ourselves what can we do to make it even easier for our members to spend less time browsing and more time discovering stories they will love. We realise that there so many great stories on the service, and that sometimes our members need a little bit of help figuring out where to start. The new interface was based on rigorous research and testing around how we can make it easier to find titles on TVs, where navigation can feel a bit tougher when you are restricted to just a few buttons on a remote control,” according to AdvancedTelevision.com.

    The new design rolled out to Netflix subscribers around the world from 18 July and is built specifically for the restricted navigation experience when using a TV remote.

    According to Garcia, the new TV interface was designed to make the Netflix experience simpler and more intuitive in a few different ways. “We’ve also made it easier to access titles you’ve saved for later viewing in My List. In our testing of this new interface, we saw that this simpler design helped members find something great to watch.”

    Other than the new side navigation bar, the Netflix interface is largely unchanged and is still tile-based with auto playing trailers and a vertical scrolling design.

    “While this may feel like an obvious update to some, validating that this TV experience was better for our members took extensive research, testing and technology improvements. Along those lines, we will continuously learn from our members and evolve the TV experience so that it gets even more simple, fun and easy to find the stories that make Netflix great,” he added.