Tag: TV

  • NBF backs supreme court observation on misused sedition laws

    NBF backs supreme court observation on misused sedition laws

    KOLKATA: The News Broadcasters Federation has supported the concern, as expressed by the Supreme Court, over rampant misuse of antiquated sedition laws in India to gag and muzzle the media from dissemination constructive criticism of authorities in power in public interest.

    “We are of the view that the ambit and parameters of the provisions of Sections 124A, 153A and 505 of the Indian Penal Code 1860 would require interpretation, particularly in the context of the right of the electronic and print media to communicate news, information and the rights, even those that may be critical of the prevailing regime in any part of the nation,” a three-judge bench comprising of justices Dr. Justice D.Y. Chandrachud, L. Nageswara Rao, and S. Ravindra Bhat, said in their order delivered on Monday.

    The bench was hearing petitioners TV5 and ABN, who had challenged the first information report registered against broadcasters of news and views, critical of the state government of Andhra Pradesh and its chief minister Y.S. Jagan Mohan Reddy. The order restrained the state government of Andhra Pradesh from taking any coercive actions against the two news channels, till the next date of hearing.

    “The News Broadcasters Federation strongly stands and appreciates TV5, our respected member who have taken (up) this issue, of freedom of speech and expression,” NBF stated.

    The NBF communication further said, “We believe that fair and honest criticism is the backbone of democracy. NBF reiterates and urges the government of India to immediately set-up an independent, neutral national agency to investigate into any allegations of professional misconduct by journalists, executives, and owners of news media companies, in order to prevent selective harassment by the state authority and to ensure the freedom of the press.”

  • Cable TV, broadband services impacted, as Cyclone Tauktae slams into west coast

    Cable TV, broadband services impacted, as Cyclone Tauktae slams into west coast

    KOLKATA: Cable TV services and broadband services were impacted across various places in Maharashtra and Gujarat, as Cyclone Tauktae left a trail of destruction along the west coast. Many users took to Twitter complaining about the long hours of network outage. However, both video and broadband services were restored within 12 hours, say cable operators

    NXTDigital MD & CEO Vynsley Fernandes said there were evident impacts on services especially in areas with overhead fibres and overhead wires. But timely weather warnings helped in making arrangements in advance. MSOs had placed teams in strategic locations to address issues and respond. “In most places, the network was restored in the shortest possible time. It did not take more than 12-14 hours,” Fernandes said.

    “There were damages but we were able to mobilise the staff and the workforce immediately. Major lines both for cable and broadband were down,” said Maharashtra Cable Operators Foundation (MCOF) president Arvind Prabhu. “There may still be some minor problems in certain households and we are in the process of addressing those as well.”

    The Konkan region was among the most-affected, as it witnessed the devastating impact of one of the most intense storms to hit the west coast. “Some independent control rooms reported problems in the Konkan region. In Mumbai city, there were issues mostly with fibre cables and overhead cables,” Prabhu added.

    GTPL Hathway cable TV head and chief strategy officer Piyush Pankaj said, the services were disrupted for around 3-4 hours in most areas. “But we were well-prepared this time. Even materials like wires were ready in advance to immediately address damages like a wire being cut or washed up,” he added.

    According to MSOs, cable TV was less impacted than broadband services as the latter not only faced connectivity issues but stress on speed as well. The impact on speed persisted for a longer time.

    Most importantly, the operators say, they learnt from two cyclones of 2020- Nisarg and Amphan after which they incurred huge infrastructural losses, especially in West Bengal. The staff had to invest more than a month to normalise the connections with damage of lakhs of set-top boxes, fibres of few crores.

  • TV advertising stares at a stressful quarter amid low market sentiment

    TV advertising stares at a stressful quarter amid low market sentiment

    KOLKATA: Television advertising is expected to bounce back this year, courtesy a power-packed live sports line-up. While the January-March period has been exceptionally good for the industry, there has been a sudden reversal since then – IPL 2021 has been halted midway, partial lockdown has been imposed in several states, and the augury of a third wave of the Covid2019 pandemic have raised the question whether the year will pan out as initially forecast. It is for certain that this quarter will be under stress, experts said in a virtual roundtable organised by Indiantelevision.com.

    One of the major talking points at The Television Ad Room, moderated by Indiantelevision.com founder, CEO & editor-in-chief Anil Wanvari, was how the spend on IPL would be reallocated. As the cricket festival is a high-profile media event, cancelling it would result in a massive setback, Madison Media Sigma CEO Vanita Keswani acknowledged. However, it should be taken in true spirits by the advertisers and stakeholders involved due to health and safety concerns.

    Undoubtedly, monies will have to be switched around, plans for upcoming launches and campaigns will need to be recalibrated, panelists concurred. In this highly volatile situation, planners have to be more agile than ever, Keswani noted.

    Policybazaar brand marketing head Samir Sethi agreed that the suspension of the IPL will be tough for brands that planned around the league, albeit the safety angle should be considered. Now, advertisers will have to look somewhere else to make up for the loss of eyeballs. Nonetheless, it would not be possible to fully compensate for the loss due to the mammoth viewership of IPL.

    “We went in with the mindset that what if there is a cancellation. We had a Plan B early on and ensured to be nimble to switchover. Half the event is gone – which is the good news, because there’s exposure for brands to that extent,” OMD India CEO Priti Murthy said.

    Moreover, this May is a month when advertisers don’t want to go aggressive on media. Looking at the market reality, the spike in cases, lockdowns in different states, suspending IPL could be a blessing in disguise; otherwise, advertisers would not have been able to pull out easily. Hence, they can now look at more digital-led, content-led campaigns, Murthy added.

    While a pre-planned strategy can be more focused on content-led high impact digital marketing, Keswani is of the view that the roles of TV and digital are intertwined, not exchangeable. The television spend for IPL will not go totally into digital but can be fragmented and dispersed. However, a lot of the brands may not want to put the same amount of money in the quarter.

    Already, many businesses have decided to go slow and want to look at the next quarter. In addition to that, consumer sentiment is also not right in the present scenario.

    Following the outbreak of the pandemic, several brands had pulled out of advertising entirely last year, but 2021 will not repeat the trend. Although many categories will be affected, this year will see work in motion. For example, auto, luxury FMCG, consumer durables will be affected but essential FMCG, e-commerce will continue to grow.

    “Businesses have figured out a way to operate in this volatile environment. Spends are not going to be completely pulled back in any category. There will be recalibration and rethinking but things are going to keep moving,” Policybazaar’s Sethi commented.

    Yamaha Motor India Sales marketing head Vijay Kaul added that if a brand has already invested money in a regular platform, it’s also not good to hold back. In case of the IPL, it would be wise for brands that have already carried out launches not to stopper their advertising spends and lose the momentum they have gained. There will be a rejig in terms of switching to digital, he agreed, but the brands will back it up with TV too.

    For Yamaha Motor, both TV and digital are the preferred modes of advertising. But with the IPL off the table now, the kind of money that they had set aside may be reallocated to subsequent quarters. While the brand will not pull out of media, it will be cautious with its ad budget given the unpredictability of the situation. However, the two-wheeler maker may double its spends in the festive season again if the current state of affairs improves.

    While every business is differently affected, they will continue to spend depending on the nature, dynamics of business, Sethi said. But brands will try to be very careful when spending big bucks. Big-ticket launches may get delayed in the next one-two months, events like sale days may get postponed, he noted.

    Despite the momentary headwinds, TV advertising will grow this year, at a double-digit rate, experts asserted.

  • ZeeL’s Vibha Chopra joins Amazon Prime Video

    ZeeL’s Vibha Chopra joins Amazon Prime Video

    KOLKATA: Media professional Vibha Chopra has moved on from Zee Entertainment Enterprises Ltd (ZeeL) to join Amazon Prime Video. She will be looking at content acquisition in her new role.

    “It’s been an exciting journey at Zee, where I got to learn , grow and work on exciting projects and with amazing people. I owe my rich experience to the wonderful teams across the globe with whom I had a chance to work. The achievements by my team at Zee Studios International of building it from scratch to the No.1 international distributor of Indian films across the world will always be cherished,” she wrote on professional networking platform LinkedIn.

    “ I am thankful to my seniors Amit Goenka and Punit Goenka who trusted me enough to give me different portfolios, latest being the opportunity to launch TVoD. There comes a time when you want to reinvent yourself. And with that in mind, I’m thrilled to announce that I have joined Amazon Prime Video, India. I’m super excited for this new chapter in my life and looking forward to an exciting journey with this global organization,” she added further.

    At ZeeL, Chopra was leading global syndication and international film distribution. She was associated with ZeeL in various capacities since 2006.

  • Star India clocks nearly 10 bn viewing minutes for IPL 2021 opener

    Star India clocks nearly 10 bn viewing minutes for IPL 2021 opener

    KOLKATA: Star India network has clocked 323 million total impressions for the opening match of IPL 2021. Although the curtain raiser between defending champions Mumbai Indians and Royal Challengers Bangalore received 42 per cent higher viewership than 2019, it ticked lower viewership than the 2020 edition of the league.

    IPL 2020 was hosted in an unprecedented situation which led to a tremendous growth. The country got the flavour of live sports after a long hiatus that caught more eyeballs. With limited entertainment and socialisation options at hand, it gave viewers a much needed break. But this year, the calendar has been jam-packed wit cricket; two international series took place right before the IPL. Moreover, the audience has other avenues of entertainment at hand as well. However, it needs to be mentioned that with parts of the country descending into lockdown again, the viewership may go up in the later part of the tournament.

     “We are delighted with fans' response to Vivo IPL 2021. Almost 10 billion minutes of consumption (9.7 billion) for the opening match of the tournament shows how eagerly anticipated the season was, despite just a four-month gap between the two seasons. We are confident that viewers’ interest will continue to grow as the tournament progresses,” said a Star Sports spokesperson. “We are committed to delivering an immersive experience that takes fans confined at home closer to the action. We also urge everyone to stay home as much as possible, take all precautions and be safe during these difficult times.”

    Since acquiring the media rights for the IPL, Star and Disney India have invested in and grown the league year-on-year, taking the most popular sporting event in the country to greater heights. This year, nearly every third TV-owning household in India watched the opening match live, the company stated.

    IPL 2021 is being broadcast in seven languages, custom-designed from the ground up for viewers of that region. With a team of 100 commentators across language feeds for the 14th season of the tournament, the illustrious panel is guaranteed to keep the audience gripped with live commentary in the language of their choice. The Select Dugout panel for the IPL 2021 that includes a decorated set of experts such as Scott Styris, Brian Lara, Brett Lee, Graeme Swann, and Dominic Cork will deliver detailed analytical commentary to create deeper fan engagement.

  • One day to go: Are marketers excited to cash in on the IPL 2021 craze?

    One day to go: Are marketers excited to cash in on the IPL 2021 craze?

    KOLKATA: As the country slowly descends into the second wave of the pandemic, a sudden sense of bleakness is on the rise among the populace. More and more people are trying to stay at home because of partial lockdowns, night curfews. Against this gloomy backdrop, the Indian Premier League (IPL 2021) is a cause for cheer. With just one day left, the tournament is exciting brand marketers as well.

    For IPL 2021, official broadcaster Star Sports has already onboarded 18 sponsors and 100 plus advertisers. According to media reports, the network has hiked ad rates for both TV and OTT this year looking at a cool Rs 3,200 crore in revenue. While the IPL has always been considered an expensive property, industry heads from advertising agencies and brands believe it should be looked at from a value proposition rather than a cost point of view.

    The insight emerged during a virtual roundtable IPL 2021: Brand marketers’ delight? hosted by Indiantelevision.com, and moderated by its founder, CEO and editor-in-chief Anil Wanvari. Mediacom national buying head Srinivas Rao, Initiative India EVP & head of south Priya Iyer, Byju’s marketing head Atit Mehta, Amplifi India (dentsu) group trading director Sujata Dwibedy took part in the engaging session.

    “IPL gives us a platform like no other. It is a long event that keeps the audience engaged, it gives us the highest mass viewership, it is not only a cricket event, but an entertainment package. It is one of the events which has a very high co-viewership – meaning it is for the entire household to watch,” Dwibedy said.

    The annual extravaganza also gives the highest ratings and no other GEC programme comes close, she added. Most importantly, IPL gives brands a spike in the top of mind awareness (TOMA) which is the immediate awareness a brand looks for. Hence, emerging categories lineup every year as it drives up awareness in a short span.

    Moreover, one of the key reasons IPL sees interest from brands is it has moved from catering to specific cohorts to multiple cohorts long back, Iyer explained. Starting as a metro phenomenon, it has travelled across tier-2 and tier-3 cities to reach deeper with regionalisation efforts from Star Sports. Regional feeds have helped brands foray further into the heartland.

    Globally, any sporting property is expensive. If a brand does not opt for the cash-rich league or a sporting event, it might go for multiple other options at a lower price. But if they choose a music reality show, ten other channels will have such shows but the IPL is a unique property on one channel, Mehta stated. If a brand plans well and looks at long term ROI, enough value can be created from a business angle.

    Echoing the sentiment, Mediacom’s Rao also agreed to Mehta emphasising the value proposition of IPL. “You just need to be there through various elements. If I look from an advertiser point of view, you would want to have all aspects being in place. If you are doing an association with a smaller property and smaller pockets, you don’t get to ride on a campaign through Virat Kohli,” he explained.

    It is a well-documented fact that viewership switches to the IPL when it’s taking place, resulting in a significant decline in other genres. Hence, it becomes difficult for seasonal brands to avoid the league. If they have to choose another genre, they will have to plan very carefully. So, despite being expensive, the tournament brings out value for those brands as well.

    While the 13th edition of the IPL was like a welcome deluge after a drought of live sports, there have been two power-packed international cricket series since then. However, panelists played down fears of over-saturation and contended that Indian audiences can never get tired of cricket. Moreover, any victory of Indian team tends to boost viewership further, Iyer added. Dwibedy also reminded that the IPL has a more mass consumer appeal compared to other cricket properties, which have a more loyal and slightly male-skewed fan base.

    This segued into a discussion on female oriented brands being scarce on the IPL advertisers list. According to Dwibedy, many food and beverage and FMCG brands are now coming on board which was not the trend a few years ago. For instance, Reckitt came on board for IPL 2020. But she acknowledged the fact that female targeted brands are mostly efficiency oriented. Along with that, the high price could act as a deterrent as these brands need to be present in other genres too.

    Iyer highlighted that women-led FMCG brands are present on the event but they may not fall in the top 20 categories, their participation might be different in nature compared to big categories. On the other hand, Rao noted that more FMCG brands spent money on IPL 2020 as consumer demand was not back to track and those brands wanted to bet big. Now with demand coming back, supply chain issues solved, they have taken a step back again.

    In terms of overall expectation, the viewership this time around will be higher as more people would need to stay at home during night curfews and weekend lockdowns, opined Rao.

    By contrast, Mehta stated: “My expectation from IPL 2021 is somewhat lower than 2020. The excitement isn't as high as it was last year. But, I think it should deliver as much as it delivered last year, though it could be some percentage points behind compared to last year.”

    For this season, open competition will build up the excitement and the first three days of the tournament being close to the weekend will add to it. If games are played in all fairness, enough buzz will be created around it, giving brands recall value. The first 10-15 matches will set the tone of the entire season, Iyer noted.

  • Priyanka Chopra stars in first TVC for Parle Agro’s Fizz portfolio

    Priyanka Chopra stars in first TVC for Parle Agro’s Fizz portfolio

    MUMBAI: Beverage company Parle Agro has strengthened its positioning in the sparkling fruit drink category by rolling out a multi-media campaign for its Fizz portfolio. The brand’s Appy Fizz and B-Fizz offerings are all set to go big with a first-ever television commercial.

    The film, featuring national brand ambassador Priyanka Chopra and leveraged in the south with superstar Jr NTR, is already on air and will be aired across national and regional channels.

    Parle Agro’s summer campaign for 2021 is set to build the Fizz portfolio further and position it as the next big super duo brand in the beverage industry. It plans on generating tremendous buzz with an aggressive multimedia campaign, including TV, OOH and digital.

    “Our brand ambassadors are not only the biggest and most celebrated icons in their fields, they also complement the leadership position of Parle Agro’s fizz brands as well. With the collective effort of this massive launch for our Fizz portfolio, we aim to double our market share in the sparkling fruit drink category in the coming year,” said Parle Agro joint managing director & CMO Nadia Chauhan.

    The TVC this year will also have a strong focus on digital strategy and engagement as Parle Agro invests in IPL to a large degree. With B-Fizz being a youth-centric brand, and IPL being a cricket format favoured by the youth, Parle Agro believes this digital partnership with IPL on Hotstar will generate the right reach.

    Plans are underway to expand B-Fizz’s SKU to reach new audiences and to expand the brand’s footprint. This will help Parle Agro build new opportunities that will further bolster the positioning of B-Fizz.

    &Walsh, the creative agency for Parle Agro, has led the campaign narrative for the television commercials, print and digital. The films have been produced by Superlounge, LLC, New York, USA along with Scissor Films and directed by John Poliquin.

  • Digital media, gaming dominated M&E deals in 2020

    Digital media, gaming dominated M&E deals in 2020

    KOLKATA: Over the last few years, the media and entertainment industry has seen a number of major deals with the rapid change in the business. Some of the global merger and acquisition activities have impacted the Indian M&E sector too. Along with that, Indian media companies also witnessed big deals in the traditional broadcasting space as well as increased activity in the digital segment.

    The experts were skeptical about deals in the space as the Covid2019 pandemic derailed the economy. However, the sector witnessed moderate activity in 2020 with 77 deals compared to 64 in 2019. However, overall deal value reduced to Rs 68 billion in 2020 from Rs 101 billion in 2019, the recently released FICCI-EY report revealed.

    The decline in deal value has been attributed to the absence of big deals with only two deals crossing the $100 million threshold as compared to four such deals in 2019. But even before the pandemic, there were fewer high value deals in 2019 compared to earlier years. The overall deal value was significantly lower at Rs 101 billion as compared to Rs 192 billion in the previous year.

    The lockdown during the pandemic boosted the uptake of digital media and gaming. Hence, these two segments together attracted 92 per cent of the investment in 2020. New media increased its share in terms of deal value from 37 per cent in 2019 to 92 per cent in 2020. Considerably, television saw the highest investment in 2019.

    For instance, Dream11 raised $225 million from Tiger Global Management, TPG, ChrysCapital and Footpath Ventures. Dailyhunt got funding of $100 million from Google, Microsoft, Falcon Edge, Sofina and Lupa Systems.

    Moreover, a number of Chinese apps like TikTok, PUBG were banned due to political tension amid India and China. As many of the banned apps were leaders in the space, the sudden vacuum created opportunity for local apps which got investors' backing to scale up their operations.

    The audio streaming segment also saw a few important deals. While Reliance Industries bought a further 10.9 per cent stake in Saavn Media for Rs 6.5 billion from its erstwhile promoters, Gaana raised Rs 3.8 billion from Tencent and Times Internet.

    On the other side, traditional media’s contribution to overall M&E deal value plummeted to eight per cent, compared to 63 per cent in 2019. There were primarily just three deals in the space including the Eros International-STX Filmworks merger, PVR’s rights issue and Inox’s fund raising via QIP, compared to 10 deals in 2019 including four marquee deals.

    Private equity and venture capitalist firms led 70 per cent of the M&E deals in 2020, contributing to 79 per cent of the total funding received in the year. The share of deals led by strategic players fell to 27 per cent compared to 52 per cent in 2019.

    The report forecasts more investments in scalable d2c business models, digital companies with a differentiated product offering, companies with strongholds in next-gen technologies in the next few years. Traditional advertising agencies and tech giants will both continue to invest in niche martech companies. Media entities under financial stress will also look at partnering with a larger strategic player.

  • HUL tops personal care & hygiene advertisers on TV, print: TAM AdEx 2020 report

    HUL tops personal care & hygiene advertisers on TV, print: TAM AdEx 2020 report

    MUMBAI: The TAM Adex overview of advertising in the personal care and hygiene sector across TV, print, radio and digital media for the year 2020 has thrown up some significant insights. All four media witnessed a thumping recovery in Q4 advertising over Q1. The trends also reflected the growing importance of handwashing and sanitisation due to the Covid2019 scare.

    The personal care/hygiene sector witnessed 38 per cent growth in television ad volumes in Q4 of 2020, compared to Q1, according to the TAM AdEx overview of the segment across TV, print, radio and digital in 2020. Compared to Q1 of 2020, Q4 witnessed 3X ad insertion growth on digital, while ad space in print witnessed double digit share from November 2020 onwards. Ad volumes for the personal care and hygiene sector grew by 4X on radio in Q4 over Q2 of 2020.

    Television

    Ad volumes of the personal care/hygiene sector on TV increased by seven per cent in 2020 over 2019. Compared to Q1 of 2020, Q4 witnessed 38 per cent growth in ad volumes of this sector. Due to Covid2019, the lowest ad Volumes were observed in Q2, which includes the lockdown period. A drop recorded in personal care and hygiene sector advertising was seen during April 2020 over March 2020 due to the lockdown. However, during September-December 2020, ad volumes on television witnessed a double digit share. The GEC genre topped preference list of personal care/hygiene players during 2020.

    The top three product categories contributed more than 55 per cent to the ad volume share of the personal care/hygiene sector. Top 10 Advertisers accounted for more than 80 per cent share of ad volumes in 2020 with FMCG major Hindustan Unilever (HUL) topping the list. Among the Top 10 brands, five belonged to the toilet soaps category. Top 10 brands accounted for more than 30 per cent share of ad volumes in 2020 with Dettol Toilet Soaps topping the list.

    Print

    Ad space in print witnessed double digit share from November 2020 onwards. Compared to the first quarter of 2020, Q4 witnessed 45 per cent ad space growth in print publications.

    Ad space of the personal care/hygiene sector in print decreased by 19 per cent in last year over 2019. Compared to Q1 of 2020, Q4 witnessed 45 per cent ad space growth. Print ad space recovered to pre-lockdown level within four months of post lockdown period. Ad space in print witnessed double digit share in the months of September, November and December of 2020.

    Fairness creams leads the list of top 10 categories under the personal care/hygiene sector. Top 10 advertisers accounted for more than 65 per cent share of ad space in 2020 with HUL leading the list, followed by SBS Biotech. 

    Among four zones, north topped for personal care/hygiene advertising with 41 per cent share in print during 2020. Mumbai and Kolkata were the top cities in the west and east zone respectively as well as in overall India.

    Radio

    Ad volume for the personal care/hygiene sector on radio dropped by 11 per cent last year over 2019. Q3 of 2020 registered the highest advertising of personal care/hygiene on radio. Due to Covid2019, lowest ad volumes were observed in Q2 which includes the lockdown period. Highest share of ad volumes for personal care/hygiene sector registered during August to October of the previous year.

    Ad volumes for the personal care/hygiene sector grew by 4X in the fourth quarter over second quarter of 2020. On radio, ads for tooth pastes and toilet soaps ruled with more than 45 per cent of the total ad volumes.

    Maharashtra was the top state with 16 per cent share of ad volumes followed by Gujarat with 15 per cent share. Top 10 advertisers accounted for 74 per cent share of ad volume in 2020 with Vicco Laboratories leading the list. 

    Digital

    Ad insertions of the personal care/hygiene sector on digital decreased by 24 per cent in 2020 over 2019. Compared to Q1 of 2020, Q3 and Q4 witnessed 2X and 3X growth in ad insertions, respectively. The highest share on digital was observed during the festive period, that is, October-December 2020, which had 40 per cent share of total ad insertions on the medium.

    On the digital medium, tooth pastes and face wash were the top personal care/hygiene categories, with 24 per cent and 13 per cent share, respectively. The top 10 advertisers accounted for more than 75 per cent share of ad insertions in 2020, with GlaxoSmithkline leading the list.

    The top 10 brands accounted for 47 per cent share of ad insertions on digital in 2020. Sensodyne Rapid Relief topped the list with 11 per cent share of the total ad insertions for the personal care/hygiene sector.

  • M&E sector witnessed 24% degrowth in 2020: FICCI & EY report

    M&E sector witnessed 24% degrowth in 2020: FICCI & EY report

    KOLKATA: Following a pandemic hit year, the Indian media and entertainment (M&E) sector declined by 24 per cent to Rs 1.38 trillion in 2020, compared to Rs 1.82 trillion in 2019. However, the allied sector is already seeing recovery with improvement in revenues for most segments in the last quarter of 2020. It is expected to recover 25 per cent to reach Rs 1.73 trillion in 2021, touching almost pre-Covid level scale, according to a report by FICCI and E&Y.

    The report titled ‘Playing by New Rules: India’s M&E sector reboots in 2020’ states digital and online gaming were the only segments which grew in 2020, adding an aggregate of Rs 26 billion and consequently, their contribution to the M&E sector increased from 16 per cent in 2019 to 23 per cent in 2020.

    Other segments dropped by an aggregate of Rs 465 billion. Largest absolute contributors to the fall were the filmed entertainment segment (Rs 119 billion), print (Rs 106 billion) and television (Rs 102 billion). The share of traditional media (television, print, filmed entertainment, OOH, radio, music) stood at 72 per cent of M&E sector revenues in 2020.

    However, television stood as the largest sector despite a 22 per cent downturn in advertising revenues on account of highly discounted ad rates during the lockdown months. Moreover, the sector also witnessed a seven per cent fall in subscription income, led by the continued growth of free television, reverse migration and a reduction in ARPUs due to part implementation of NTO 2.0.

    On the other side, digital advertising did not see much impact, led by increased allocation from traditional advertisers who accelerated their investments in digital sales channels. SME advertisers continued to spend on the medium and experimented more with e-commerce platforms like Amazon and Flipkart.

    For the first time ever, OTT subscriptions surpassed the 50 million mark. From 28 million paid subscriptions, it went up to 53 million in 2020 leading to a 49 per cent growth in digital subscription revenues. Growth has been attributed largely to Disney+ Hotstar, which put the IPL behind a paywall during the year. Increased content investments by Netflix and Amazon Prime Video and launch of several regional language products also catalysed the growth, the report added.

    Online gaming crossed all the marks with 18 per cent growth helped by work from home, school from home and increased trial of online multi-player games during the lockdown. Online gamers grew 20 per cent to reach 360 million in 2020.

    Among the pandemic hit sectors, print’s revenue declines were led by a 41 per cent fall in advertising and a 24 per cent fall in circulation revenues. Theatrical revenues plummeted to less than a quarter of their 2019 levels, partly offset by direct-to-digital releases.

    “While the M&E sector usually grows faster than GDP, it also falls more than GDP degrowth, given the discretionary nature of advertising. In 2020, when the GDP fell by eight per cent advertising fell over 25 per cent while the sector overall fell by 24 per cent,” the report read.

    The M&E sector is expected to rebound in 2021 and double to around Rs 2.68 trillion by 2025, the recovery of various segments will vary albeit. TV, film, music will take one to two years, animation and VFX will take two to three years; print, radio, OOH will take the longest time, even more than three years.