ITV

Tag: TV

  • Mumbai to host ATP tournament in September

    Mumbai to host ATP tournament in September

    MUMBAI: Following a calendar switch, Mumbai is becoming the second city in India after Chennai to host an ATP tournament. Mumbai replaces the $380,000 Vietnam Open in Ho Chi Minh City, tennis’ governing body said in a statement issued Monday.

    The Mumbai Open will take place between 25 September and 1 October and will be held at the The Cricket Club. Ahead of the event, the CCI will be renovated to include a new 3,500-seat Centre Court plus two match courts and two practice courts.

    Globosport India, promoted by doubles ace Mahesh Bhupathi, will be responsible for the marketing, management and promotion of the Mumbai Open.

    The big question of course will be who gets the telecast rights for this event. With Zee Sports making its presence felt and even Sahara getting into the sports broadcast game, expect another bidding war.

    The telecast rights of the $400,000 Chennai Open were awarded to Star Sports by IMG, which owns and organizes the tournament. IMG’s television division, TWI, was responsible for producing the programming for the Chennai Open.

    Till now the Chennai Open was India’s and South Asia’s only ATP event. It was hosted at the Nungambakkam Stadium in Chennai from 2 – 8 January and was telecast on Star Sports in the India sub-continent, including India, Pakistan, Bangladesh, Sri Lanka, Nepal, Maldives, and Bhutan.

  • MTV US president Van Toffler highlights the importance of short form videos during CTIA keynote

    MTV US president Van Toffler highlights the importance of short form videos during CTIA keynote

    MUMBAI: In his keynote address at the CTIA Wireless 2006 event in the US, MTV Music Group president Van Toffler highlighted the appeal of short-form video from the MTV, VH1, CMT, Comedy Central, Logo and Spike TV brands on the wireless platform.

    He described the mobile platform as a rich, creative medium for new and emerging talent to connect with and cultivate new audiences.

    To underscore that point, Toffler welcomed recording artist LL Cool J, to the stage. LL offered an advance look at an upcoming episode of MTV’s Life & Rhymes, which chronicles his life as an artist and is set to debut tonight 10 April on MTV, MTV’s broadband channel Overdrive and on MTV Mobile.

    Toffler noted that audiences have increasingly embraced MTV Networks’ diverse array of mobile programming. Last month MTV Networks streamed nearly 2.5 million videos cross-carrier, an all-time high, Toffler reported, adding that the number is growing by nearly 40 per cent month-to-month for the first three months of 2006.

    He says, “Our audience is responding in droves to our mobile programming. They have a personal relationship with our brands and they increasingly want to consume our content on the handset, the new ‘holy grail’ of electronic
    devices.”

    LL Cool J echoed that sentiment saying, “The mobile phone helps me establish closer ties with my fans, connect with new ones and hopefully inspire everyone I touch through my music. The cell phone — which has become
    the accessory for today’s young adults — is one way that helps me reach them.”

    Among the varied types of mobile programming driving audience consumption are music videos, comedy segments, user-generated content, scenes from television shows, ‘after shows’ developed exclusively for mobile, never-
    before-seen outtakes, and short art breaks, also known as “sharts,” featuring animated and live-action segments.

    In many respects, the burgeoning mobile
    platform is a return to MTV Networks’ early roots, when MTV gained significant
    notoriety for the five- and 15-second art breaks created by brilliant, young talent and which lived between the music videos. For the MTVN Music Group, which encompasses the CMT, MTV and VH1 brands, three types of programming — extensions of on-air franchises; made-for-mobile episodes; and music — are all performing well on the mobile platform.

    Extensions of On-air Franchises
    VH1’s Flavour of Love, the most successful show in that channel’s history, was also the most popular VH1 Mobile content in February
    and March.
    — Web Junk 20 also on VH1 and VH1 Mobile, ushered in the user-generated era to TV and simultaneously to mobile phones.

    — MTV will showcase a 20-year-old college student’s visual interpretation using stick figures based on the lyrics of Fall Out
    Boy’s Sugar We’re Going Down, representing original user-generated content.
    — VH1 is debuting Dingo Ate My Video, a made-for-mobile series that combines VH1’s comedic voice with music videos from a wide
    range of artists, including Green Day, Missy Elliot, Jewel and others.
    — Country Music Television soon will debut a made-for-mobile reality series called Road Hammers about a southern rock/blues band trying to make it in the music business.

    MTV adds that labels and artists like LL Cool J increasingly are embracing the mobile platform to connect with fans and institute new marketing paradigms.
    The Arctic Monkey’s new video I Bet You Look Good on the Dance floor made its debut on: mtvU, MTV’s network for college students; mtvU’s Uber broadband network; mtvU.com and mtvU wireless.

    The approach mirrored a similar one taken by VH1 last year, which debuted Te Amo Corazon, the new Prince single, on VH1, VH1’s
    VSPOT broadband channel, and VH1 Mobile. The Prince debut marked the world’s first-ever multimedia, multiplatform worldwide
    exclusive premiere.
    — Prior to releasing her latest single and album, Madonna distributed an exclusive ringtone for Hung Upon MTV Mobile and VH1 Mobile.

    Spike TV is delivering the Ultimate Fighting Championship’s ‘Ultimate Fight Night(TM) Live’ to Amp’d Mobile subscribers tonight.
    This represents the first time the live sporting event is being simulcast to both mobile devices and to television subscribers.

    “The wireless platform is as important to us as television and computer screens. As soon as we start developing a new concept, we think beyond the television. We think of how that idea can live on broadband and mobile” Toffler says.

  • BBC News website wins graphics awards

    BBC News website wins graphics awards

    MUMBAI: The BBC News website in the UK has won prizes at an awards ceremony a few days ago celebrating the world’s best visual journalism. A range of election and politics content was awarded a ‘best in show’ prize and gold medal at the Society for News Design’s annual Malofiej awards.

    BBC News Interactive editor Steve Herrmann said, “The online resources we created for the election coverage were, I believe, second to none. It means a lot to have won against such stiff competition.”

    The winning package of content included the general election results map, swingometer, results index and poll tracker. Also included was the site’s unique Thatcher years in statistics feature and the Born Abroad special on British immigration. Herrmann said that both “showed quite simply that some stories can be told better by graphics than words”.

  • David Ellender is FremantleMedia Enterprises CEO

    David Ellender is FremantleMedia Enterprises CEO

    MUMBAI: Television format crestor and distributor Fremantle has announced that David Ellender who is currently Fremantle International Distribution (FID) MD, has been promoted.

    He is now FremantleMedia Enterprises CEO. He also joins the company’s operating board. Ellender will now oversee both FID and FremantleMedia Licensing Worldwide (FLW) – the two commercial divisions that report into FremantleMedia Enterprises. FID has a global network of sales offices and licenses over 19,000 hours of programming including American Idol, The Apprentice: Donald Trump, Project Runway and Jamie Oliver series to 150 countries worldwide as well as handling DVD exploitation through Fremantle Home Entertainment.

    FLW exploits the company’s brands including Idols, The X Factor and The Apprentice across multiple off-screen platforms including merchandising campaigns, interactive and wireless support and music publishing.
    Under Ellender’s leadership FremantleMedia Enterprises will continue to build on its position and its ability to exploit brands in partnership with FremantleMedia’s international network of 25 production companies around the world. FremantleMedia Enterprises is already a substantial contributor to FremantleMedia’s overall profitability.

    FremantleMedia CEO Tony Cohen, said: “David has led FID superbly over the last few years, turning it into a distinctive and very profitable distributor of a huge range of factual, entertainment and scripted programming, representing both leading independent producers as well as our own extensive catalogue. He has been responsible for a great turnaround in the division’s operations and his promotion is highly deserved. FLW has also been one of the great success stories of our company in the last few years, both commercially and in the great scope of its activities, from traditional licensing through to telephony and interactive. FLW has an outstanding management team and is now one of the world leaders in its field.”

    Ellender says, “I am very proud of my achievements strengthening FID’s portfolio of programming over the last few years and building up a superb team of sales executives. We have worked very hard to establish FID as a leading international distribution company. I am grateful for the opportunity to oversee FLW and look forward to increasing Enterprises contribution to the company going forward.”

  • Nick to launch four new shows in May

    Nick to launch four new shows in May

    MUMBAI: Nick has a scorching hot line-up this summer. After launching Trollz in February, Gili Gili Gappa in March and Drake & Josh on 1 April, Nick is launching four new shows in May.

    This brings the tally of new shows on Nick in 2006 so far to seven, not to mention new episodes, a fully made-over programming schedule and marketing events.

    Nick India vice president and general manager Hema Govindan said, “The four new shows are in line with Nick’s programming plans to introduce more than 500 episodes of new programming for the kids this year. We’re also making some major changes to our programming grid so watch out for that. With a philosophy that puts kids first, Nick strives to keep the excitement alive for kids given their short attention span and quest for newer things.”

    First up, the Nick Jr. pre-school block sees a complete makeover with three new shows including Peppa Pig, Dougie in Disguise and Lazy Town all launching on 8 May.

    Peppa Pig is a cheerful pre-school show about a family of pigs. Peppa is a loveable, cheeky little piggy who lives with her little brother George, Mummy Pig and Daddy Pig. Peppa’s favourite things include playing games, dressing up, days out and jumping in muddy puddles. Her adventures in growing up and making friends always end happily with loud snorts of laughter.

    Dougie in Disguise is a pre-school show about Dougie, an ordinary kid. He loves to play with his sticker albums which turn into a living world through Dougie’s imagination. In each episode Dougie, with his viewers, meets new friends and enjoys exciting adventures in a unique environment, with songs and beautiful animated stickers. It’s a world of magic and wisdom where Dougie overcomes situations with his little dog while interacting with the audience.

    Lazy Town is a one-of-its-kind comic live action-cum-animation series about health and fitness for kids. Eight-year-old Stephanie has just moved to a strange new place called Lazy Town where people like to lounge and do nothing, where the word “healthy” brings her blank stares and the word “broccoli” can cause people to scream.

  • BBC’s broadband learning service for children begins a storytelling trial

    BBC’s broadband learning service for children begins a storytelling trial

    MUMBAI: BBC jam (bbc.co.uk/jam) the UK pubcaster’s new broadband learning service for 5 to 16 year olds, has begun a three-month Augmented Reality (AR) storytelling trial.

    AR is a concept which allows users to interact with virtual 3D objects in real time, by using their own hands, rather than a mouse or a keyboard.

    The trial will enable users to see themselves on a computer screen, holding and moving the 3D characters as they explore the specially-created story (bbc.co.uk/jam/trial/ar).

    AR works by mixing the live video from a digital camera with animated 3D models, which are made to appear in the hands of the user.

    This is achieved by special software which tracks patterns, printed on paper, in each video image. AR technology allows learners to literally pick objects off the page and explore them in a highly rewarding way.

    The animated characters are able to interact with other objects and each other; they are even able to walk off the page.

    Building on technology developments that have led to BBC using AR in the broadcast of BBC News and BBC Sport, the BBC is now able to bring the same technologies to the homes and classrooms of the public.

    To be involved in the first trial all users will need is a standard PC, a webcam and a broadband internet connection. Free software access will be provided and users will be asked to fill in two short feedback forms during the three-month pilot.

    This first trial uses a brand-new story by the award-winning children’s author, Rob Lewis. Written especially for five to seven year olds, it supports shared reading, at home or at school.

    During the trials there will be user guides, teacher notes, tutorials and technical support available and a space to share personal experiences with other participants.

    The BBC has been working with the collaboration of an open source community called AR Toolkit, to explore the use of the technology in broadcasting. They would now like to see it used in classroom and homes.

    The team has recently carried out two projects with teachers and pupils in the BBC’s 21st Century Classroom (21CC) – a digital learning centre in central London, dedicated to exploring creative and cutting-edge uses of technology in teaching and learning; they are now looking to gauge the general public’s reaction.

    If the trial is successful then the BBC hopes to launch further subjects for different ages to explore, learn and create. The pubcaster believes that AR has the potential beyond purely learning as a fun and initiative way of interacting with digital content in collaborative ways for both children and adults.

  • Content remains major issue for IPTV providers: seminar

    NEW DELHI: The industry is hyping IPTV in India as the next revolution, but has actually done little on the content side, said former member of Telecom Regulatory of India (Trai), DPS Seth.

    Speaking here today at IPTV India 2006 conference, organised by Bharat Exhibitions, Seth disagreed with some of the speakers before him saying that people who have been talking about IPTV have “failed to address the issue of content,” which could be delivered through IPTV.

    A certain section of the industry, especially the telecom companies have touted IPTV as a technology ready to ready to change the way Indians have been watching television.

    With its advantages over the current cable and satellite TV technologies, IPTV can be typically bundled with other services like video-on-demand (VOD), voice over IP (VoIP), or digital phone, and Web access, which are collectively called triple play.

    But, asked Seth, not many have given a thought to the type of content that should be generated to be delivered over this triple play platform.

    Seth¡’s argument was that unless the content issue is addressed — especially as in this segment content has to be customized — IPTV may languish.

    A report by Multimedia Research predicts that IPTV adoption worldwide will grow from 1.9 million users in 2004 to 25.3 million in 2008 and that the service provider revenue from IPTV is likely to jump from $ 635 million to 7.2 million by 2008.

    Various speakers at today’s IPTV seminar harped on strategies to tap this opportunity in India as the consumer is getting increasingly demanding.

    Some of the pertinent questions that were raised during the day-long conference were the following:

    What should be the policy framework that will govern IPTV in India?
    How will the interdependence between various service, technology and hardware providers work?
    Will it require further expansion of broadband spectrum?
    What are the operational challenges that would be faced by service providers in transforming their existing businesses models to the one suiting IPTV?

    Key panelists included Airtel CTO (mobility) Jagbir Singh, Sun Microsystems director (telecom) Kapil Sood, URStarcom director sales K K Peringhat, Alcatel South Asia Ltd vice president and head of sales, India, Fixed Communications Group Anuj Kapur, BSNL director (planning and new services) RL Dube and Siemens Public Communication Networks (Pvt.) Ltd MD Michael Kuehner.

  • Foxtel, Mark Burnett Productions sign deal

    Foxtel, Mark Burnett Productions sign deal

    MUMBAI: Mark Burnett Productions (MBP) which specialises in reality shows has signed an output deal with Australian pay TV platform Foxtel.

    Foxtel will be able to show shows like the second season of Rock Star.

    The deal also covers seasons two and three of the boxing based reality show The Contender and season six of The Apprentice.

    Foxtel will also assist MBP in the Australian audition process for contestants to participate in Rock Star 2. Foxtel executive director of television and marketing Brian Walsh says, “Mark Burnett is truly a giant of television and Foxtel will now be the home to his hit series Rock Star, The Contender and The Apprentice. This deal will continue Foxtel’s ongoing strategy to offer our subscribers an increasing choice of exclusive content that is only available on our platform.”

  • MSO’s should be marketing CAS now: Sameer Nair

    MSO’s should be marketing CAS now: Sameer Nair

    MUMBAI: The cable fraternity is wasting the huge first mover advantage they already have in hand vis-a-vis pushing addressability in chasing the mandating of CAS, feels Star Entertainment India CEO Sameer Nair.

    Reiterating Star’s well documented opposition to mandated CAS, Nair asserts that the MSOs are seriously missing a trick on the matter in their “all-consuming” focus on getting a mandate out that will fix a time frame for the rollout of CAS.
    Nair drew attention to the latest reports circulating indicating that it could be anywhere between six to eight months at the minimum for the mandated CAS rollout to take off (if at all).

    According to Nair, even as big corporate players were preparing the ground for different addressable delivery platforms to roll out, the cable fraternity were only focussed on getting a cut-off date in place for the rollout of CAS.

    Nair is of the view that with the imminent arrival of Tata-Sky DTH, Zee’s Dish TV ramping up and the big telecom players aggressively pushing ahead with IPTV, market forces would soon make the whole debate irrelevant and the MSOs may well end up “missing the addressability bus”.

    Nair averred that MSOs should instead be focussing their efforts on attractively packaging and marketing CAS to their direct points to begin with and concurrently convincing their franchisees of the need to get CAS going, government or no government.

    Another issue he raised was on the inability of many cable ops to deliver on CAS even if it was mandated. He said that barring a few big MSOs, most operators were simply not ready for CAS. Neither did they have the set top boxes nor the subscriber management systems in place to get it off the ground.

    According to Nair, in such a scenario, the likely result would be a blackout of pay channels in many areas, as had been witnessed in Chennai. But the difference here, he pointed out, was that unlike in Chennai, where there was no great demand for pay channels, in this case it would more likely be because of inability to deliver.

  • Endemol UK & Cirque du Soleil Images sign 3 year collaboration deal

    Endemol UK & Cirque du Soleil Images sign 3 year collaboration deal

    CANNES: Producer of entertainment formats for the worldwide market Endemol via its U.K. arm Initial has signed a three-year deal with Cirque du Soleil Images to collaborate on the development and production of yearly Cirque du Soleil television specials.

    Specifically created for television, the one-hour specials will feature the best performances from Cirque du Soleil, as well as musicians and artists from around the world.

    Initial’s director of special projects Andy Ward said, “Cirque du Soleil are the most exciting, visual and popular artists in the world and we’re thrilled to have the opportunity to work with them to translate their spirit to television. Broadcasters are already very excited.”

    In addition to creating shows, Cirque du Soleil has for many years created original and innovative content for television, video and DVD and film through its multimedia division Cirque du Soleil Images. In every project, Cirque du Soleil Images aims to capture all the spirit of Cirque du Soleil shows.

    Cirque du Soleil will handle all creative content aspects of the stage show and Initial will be responsible for all aspects of the television production.