ITV

Tag: TV

  • MipTV reports a marginal rise in attendance

    MipTV reports a marginal rise in attendance

    MUMBAI: The recently concluded television event in Cannes, France MipTV featuring Milia had an attendance of 12,249 participants, compared to 12,163 in 2005.

    Company participation rose to 4,201 from 4,138 last year, while the number of acquisition executives in Cannes was 3,565, a five per cent increase on the 2005 level of 3,393.

    Reed Midem’s television division director Paul Johnson says, “MipTV featuring MILIA 2006 saw a significant rise in the number of companies and executives coming from the digital sector, particularly IPTV, mobile and interactive television specialists. Our figures show that we welcomed some 1,800 companies from the Internet and mobile sectors.

    “Our conference programme and a series of new initiatives such as Content 360 and the International Interactive Emmy Awards, reflect the changes taking place in the industry. MipTV featuring MILIA is not just a television market, it’s a content market.”

    The event had 45 sessions and over 170 speakers. For the first time ever, the conference programme welcomed seven keynote speakers, including AOL chairman and CEO Jonathan Miller, reality television producer Mark Burnett, BBC new media head Ashley Highfield, FremantleMedia’s Gary Carter, Takeshi Natsuno of NTT DoCoMo and Erik Huggers of Microsoft.

    Miller at the event announced that AOL had brought programming originally produced for its Internet video channels and was selling the shows to traditional broadcasters.

    A highlight of MipTV was the inaugural International Interactive Emmy Awards, organised by the International Academy of Television Arts and Sciences and Reed Midem. This is the first time that an Emmy Awards ceremony has taken place outside the US. A gala dinner, hosted by Desperate Housewives star Roger Bart.

    Among the other new initiatives launched in 2006, Content 360 set out to commission innovative content and interactive applications for mobile and broadband. Organised in partnership with the BBC, the Korean Broadcasting Commission and the National Film Board of Canada, Content 360 rewarded six company projects and provided €80,000 of development funding to be divided between the winners.

    For the first time in MipTV’s history, the annual Lifetime Achievement Award was attributed not to an industry individual but to a whole company, in the form of Japanese production powerhouse TOEI. TOEI Company chairman Tan Takaiwa and TOEI Animation chairman Tsutomu Tomari accepted the tribute on behalf of the entire TOEI group.

    Now in its ninth year, the two-day Mipdoc documentary and factual programme screenings, which precede MipTV, saw a 14 per cent rise in participation with 438 companies from 57 countries attending. Production and sales companies sent 1,192 programmes to the digital screening library, of which 769 were appearing at a market for the first time.

  • Indians notch up MipTV success

    Indians notch up MipTV success

    MUMBAI: MipTV, the world’s biggest content marketplace, which ended last week in Cannes, proved to be a very successful one for India’s content creators, distributors and aggregators.

    Some 43 production, broadcasting and mobile phone companies jetted their way down to Cannes to keep a tab on content trends in Europe and globally, buy and sell films, series and formats, find co-production partners and schmooze with the world’s most important players in the TV, animation, film and mobile content sweepstakes.
    The change this time around was that TV producers have invested in buying formats as against just broadcasters doing so. “The power has been weighing heavily in the hands of TV channel programming executives who have been behaving in a high handed manner with TV producers ordering them around as if they were serfs and they – the programmers – the fount of all that is creative,” one of the producers was candid enough to say. “Now with us buying formats, we will also be able to have our say. The times have to change. More power has to come to TV producers’ hands.”
    And mobile players from India aggressively scoured the landscape looking to do deals for video. Among these: Reliance Infocomm, Hungama Mobile, and Cellnext Solutions.

    Almost everyone who attended the market from India went back with a smile on their faces. Krishna Durbha Head of Business and Marketing – Reliance Infocomm Ltd., Applications Solutions Group (India), a panelist at a session on Asian markets, received a standing ovation and was spoken of as one of the more eloquent and candid speakers during the conference programme. Says Durbha: “It’s been a major eye opener for us. We are in the content space for the mobile and I got at least half a dozen leads which will lead to positive results.”

    Sahara Motion Pictures, which took a stand for the first time, was so delighted with the response that it has evinced interest in exhibiting in MipCom as well. “MipTV proved a great platform for us for creating business opportunities,” says Sandeep Bhargava, Chief. Operating Officer, Sahara One Motion Pictures. “We get to meet the who’s who of content in the world in one place and get results.”

    Sony Entertainment Television India, which took a stand, too had a rewarding market. Led by Kaushal Modi on the sales and syndication side, and by programming head Anupama Mandloi on acquisition, the content owner had a very busy market.

    WEG India, Eros and Suman – three other companies that have been attending and exhibiting at MipTV and MipCom for several years now – too had a good market. “Both MipCom and MipTV to be honest are great ways for us to meet, greet and service all our clients at one place,” says Vimal Gupta of the UK based distributor Suman Film.

    Zee TV, which was represented by Deblina Chakrabarty, Parul Chatruvedi and digital head Abhijit Saxena, too, made its mark. While Chakrabarty was sizing up opportunites for content acquisition – though she had a fall from the stairs in the Palais des Festivals and was even taken to hospital – Chatturvedi was exploring how India’s largest network could up its syndication revenues. Saxena – like a lone ranger – moved around in the shadows meeting all and sundry trying to further milk the potential of the 60,000 hours or so of the Zee TV content library, which is currently being digitized by IBM. Watch out for action in this space from Saxena as Zee TV chairman Subhash Chandra is himself driving the digital initiative with Saxena as his lieutenant.

    Star India, which used to have a separate stand until a year and a half ago when it was brought under the umbrella of Hong Kong based centralized syndication arm Fortune Star, too had a sizeable presence. Viren Popley, Ravi Menon and Manju Nair were at the forefront of the Star TV charge. Syndication experts however point out that it would be better if Star India’s Hindi content were not subsumed by the larger interests of Fortune Star’s huge Chinese library. A separate stand with a separate identity for Star India would help it further exploit its syndication potential.

    Other broadcasters who made their way to the market included NDTV (represented by KVL Narayan Rao and I.P. “Baj” Bajpai) and Aaj Tak (CEO G Krishnan).

    The buzz this year from the Indian delegation was centered around the production companies. Optimystix, Contiloe, Miditech, Maverick, Clapstem, AIM Television, UTV, ESP Films were amongst those who made waves. ESP is on the verge of signing a huge deal with a European producer for co-producing a new documentary.

    Sorely missed at MipTV were the two other big players Balaji Telefilms and BAG Films, who, are missing out on several opportunities in the global content marketplace. “Agreed they are more than busy in the domestic marketplace,” says a Cannes veteran. “But not being present internationally means that not many people in the world know you at a time when boundaries between nations are dissolving and cultures are beginning to merge. That is a huge opportunity loss.”

    The animation presence at MipTV came in the shape of Maya, Crest, Toonz Animation, Graphiti Multimedia which continued with their efforts to make themselves better understood by the world at large. And in the process snap up some co-production, original IP deals.

    Indian presence at MipTV:

    Aim Television Pvt. Ltd.
    Broadcast Worldwide Limited
    Cellnext Solutions Limited
    Clapstem Productions
    Color Chips India Limited
    Contiloe Films Pvt Ltd.
    Dawsen Infotech Private Limited
    Dessin Works
    Digikore Studios Limited
    Digimate Productions
    DQ Entertainment Ltd
    Escotoonz Entertainment Pvt Ltd (Subsidiary Of Escosoft Tech)
    ESP Films
    Fortune Star
    Fusion Films Inc. (Part Of Giriraj Group)
    Graphiti Multimedia Pvt Ltd
    HTMT
    I Stylus
    Maverick Productions Pvt. Ltd.
    Maya Entertainment Ltd.
    Miditech Pvt. Ltd.
    New Delhi Television Limited
    Optimystix Entertainment India Pvt. Ltd.
    Oxigen Infovision Pvt. Ltd
    Percept Picture Company Pvt Ltd
    React Media Pvt Ltd
    Sahara One Media And Entertainment Limited
    Sony Entertainment Television India (P) Ltd
    Super Cassettes Industries Limited Aka-T-Series
    Toonz Animation India Pvt. Ltd
    TV Today Network Ltd
    UTV / Hungama TV
    Video Movie International
    Weg India Pictures Pvt Ltd
    Zee Telefilms Limited

  • Sinha moves to Percept Picture Co Motion Pics; Sand to head PPC TV

    Sinha moves to Percept Picture Co Motion Pics; Sand to head PPC TV

    MUMBAI: Percept Picture Company (PPC) business head – television Akhauri Sinha has moved to the company’s Motion Pictures division and will be jointly heading it as business head with current PPC Motion Pictures business head Chitra S.

    Confirming the same to Indiantelevision.com, Sinha said, “I will now be heading the feature films’ division of PPC with Chitra. It was a great experience working in the television area but now I am quite excited about the new journey.”

    The change in portfolio came about last week.
    According to reliable industry sources, Salil Sand will be stepping into Sinha’s shoes as the business head of PPC’s television division. Sand is currently involved with Jassi Jaissi Koi Nahi as its creative head.

    When queried on the reason for having two business heads for one division, Sinha said, “We have many projects lined up in 2006 – 2007 and hence it made sense to divide the responsibilities.”

    In the pipeline from PPC Motion Pictures this year are Jai Santoshi Maa and Madhur Bhandarkar’s Corporate. “It is a bit too early to talk about the other projects,” he added.

    Prior to joining PPC, Sinha was general manager television at UTV and also has been associated with UTV’s animation division.

  • BBC introduces documentary shows for UK kids

    BBC introduces documentary shows for UK kids

    MUMBAI: UK pubcaster the BBC has announced that its children’s programme Newsround, which it says is still the only dedicated daily news service for children in the UK, is to screen Newsround Investigates.

    This is a half-hour documentarie series and takes an in-depth look at issues affecting children’s lives. It kicks off next month.

    Newsround Investigates is a half-hour documentary format for children on BBC One and, for the first time in its 34-year history, the award-winning programme has been extended to 30 minutes.

    In the first programme, Lizo Mzimba and leading criminologist David Wilson take a look at the alarming scale of arson attacks committed by schoolchildren.

    This documentary talks to some of the youngsters who commit arson, looks at some of the reasons why they do it and examines the consequences of their actions.

    Every year, around 90,000 children in England and Wales are affected by arson. Every week, there are around 20 fires in schools and most of them are started by children with some connection to the school.

    School fires traditionally happen when schools are empty, particularly in the summer holidays. But increasing numbers of these fires are now occurring in school hours.

    Newsround Investigates speaks to children whose schools have been burnt down, children who have been injured in fires and children who have deliberately started fires.

    It also visits various anti-arson schemes across the country, such as the first-ever fire fighter embedded in a school.

    The show also questions why less than 200 schools in England and Wales have sprinkler systems when the problem of fires in schools is so great.

  • China tightens control over international TV news

    MUMBAI: China’s broadcasting watchdog State Administration of Radio, Film and Television (SARFT) has issued a notice banning its local broadcasters from using news footage taken from foreign satellite programmes and international news material acquired from channels other than state-run.

    SARFT said in its latest notice that local television stations could draw only from the international news reports provided by the state-run China Central Television and China Radio International.

    “Recently, some foreign news agencies and media have used a variety of methods to sell international news material to domestic local TV stations, which have clear political intentions,” the notice said. According to SARFT, local broadcasters should avoid using international news material from foreign sources to make international news programmes or special coverage about international affairs.

    The new order also bans television stations using news footage taken from foreign satellite programmes broadcast with news reports from the official Xinhua News Agency. SARFT also insists that, broadcasting administrations at all levels should check up on local broadcasters and correct any wrong operations.

  • MTV, VHI US go Pink in association with Honda

    MTV, VHI US go Pink in association with Honda

    MUMBAI: MTV and VH1 in the US will paint their broadband and mobile platforms Pink with content from an exclusive flashmob concert in New York City with platinum-selling
    LaFace/Zomba artist Pink. The concert footage features music from Pink’s latest album, I’m Not Dead.

    The concert was the result of a contest launched last year in conjunction with Honda and its advertising agency RPA to promote the launch of the 2006 Honda Civic. MTV and VH1 worked with Honda to develop the extensive 12-week Honda Civic Under The Hood campaign featuring a series of music-based interstitials that drove viewers to various media platforms to enter their zip codes, giving the region with the most entries a “flashmob” concert by a national music artist.

    VH1 and MTV joined forces for the first time ever in creating a cross-channel multiplatform campaign that amplified the reach of the networks’ live music franchises to support the launch of the 2006 Honda Civic.

    On 5 April, text messages and emails went out to contest entrants informing them of the Pink “flashmob” concert in New York that evening. The first 200 to respond to the message won access to the event at Crobar. Pink Across All VH1 and MTV Platforms

    From tomorrow 13 April, footage from the exclusive concert, including full songs from Pink’s performance will be available on VH1 and MTV’s broadband channels VSpot (vspot.vh1.com) and Overdrive (overdrive.mtv.com).

    Fans will also be able to enjoy video clips of the concert on MTV Mobile and VH1 Mobile cross-carrier. Pink appeared on MTV’s Total Request Live the day of the concert and upon her exit took a few of the members of the audience and escorted them to the show. In addition, a half-hour version of the concert will air on MTV on 14 April.

    VH1 will also produce a video podcast interview with Pink that will be available for download on VH1.com and iTunes.

  • Focus Features to distribute Iraq doc globally

    Focus Features to distribute Iraq doc globally

    MUMBAI: Focus Features has acquired the worldwide rights to Patricia Foulkrod’s documentary feature The Ground Truth: After the Killing Ends.

    The film tells the stories of a half-dozen Americans – men and women who heeded the call for military service in Iraq — as it charts recruitment and training, combat, homecoming, and the struggle to
    reintegrate with families and communities. The conflict in Iraq is a prelude for the even more challenging battles fought by the soldiers returning home — with personal demons, an uncomprehending public, and an indifferent government.

    As these battles take shape, each soldier becomes a new kind of hero, bearing witness and giving support to other veterans, and learning to fearlessly wield the most powerful weapon of all — the truth.

    Focus Features president James Schamus said, “Patricia has made a searing film, one with exclusive footage that will stun audiences. These soldiers are patriotic Americans articulating stories that must be heard, and we think filmgoers around the world are ready to watch and listen.”

    Foulkrod said, “This film has been made from the soldiers’ point of view, and it captures their shattered lives and broken hearts. My intent was to give them a voice, and to inspire viewers to reach out to all soldiers and their families.”

    Focus Features made the most critically acclaimed film of last year Brokeback Mountain.

  • IPTV to face tough climate: research firms

    IPTV to face tough climate: research firms

    MUMBAI: This is a piece of news that should put a word of caution on telecom firms like Reliance Infocomm and Bharti who are keen on IPTV. While the telcos are keen on leveraging the new media platform to augment revenues, two research reports indicate that they face severe challenges ahead.

    One report from research firm Gartner says IPTV services will struggle for years against the established pay-TV and free-to-air (FTA) platforms. Subscribers for television services over the internet, which hit 1.7 million last year, is expected to grow at a 58.8 percent aggregate rate until 2010, when the service is expected to attract 16.7 million subscribers.

    But despite this robust growth prediction, Gartner says IPTV will struggle over the next five years to become a mainstream revenue opportunity for carriers.

    The other report from Multimedia Research Group (MRG) states that uncertainties in large carriers in the US and Asia holds the forecasts for these regions down. Europe should be the strongest IPTV market through 2009, with Asia catching up by the end of the forecast period. IP TV set-top boxes will dominate the capital spending for IPTV services and account for two-thirds of spending.

    Europe is surging ahead with a large number of strong IPTV deployments that include France Telecom, Free, Neuf in France, Telefonica in Spain, FastWeb in Italy, and a number of strong competitive offerings in Scandinavia.

    Gartner meanwhile notes that while the short- to medium-term profits from IPTV will be modest at best, carriers cannot afford to delay the deployment of the IPTV platform. Those who delay too long will risk undermining their ability to be long-term key players in the consumer ‘infotainment’ communications business.

    There will be 3.3 million subscribers to IPTV services in Western Europe by the end of this year and 16.7 million within four years, according to the report.

    The UK currently has one of the smallest numbers of IPTV subscribers in Western Europe with only 75,000 subscribers predicted in 2006.

    Although this is set to increase fairly rapidly to reach 1.9 million by 2010 with the introduction of services such as BT Vision Gartner predicts that the UK will remain a weaker prospect for IPTV. This is mainly due to the existing pay TV landscape and dominance of Sky TV.

    In contrast Gartner predicts that by the end of 2006, almost half of Western Europe’s IPTV subscribers will be based in France – a total of 1.7 million generating revenues of €141m.

  • Comcast, Sony Pictures to thrill audiences with new horror network

    Comcast, Sony Pictures to thrill audiences with new horror network

    MUMBAI: Comcast and Sony Pictures Entertainment unveiled plans to premiere a new Horror and Thriller multi-platform network on Halloween, 31 October, 2006.

    Plans for the new advertising-supported network were unveiled by Comcast president emerging networks Diane Robina and Sony Pictures Television president Steve Mosko.
    The network will captivate fear seekers and fans of the horror film genre – one of the fastest-growing genres at the box office. It will debut on video on demand and the internet at launch, and will add a wireless platform in the future. The channel is the first multi-platform network that leverages the combined assets of the Sony and MGM libraries, which make up the largest collection of its kind in the world. Comcast and Sony announced their intent to create new distribution platforms for this content when the companies and other investors purchased the MGM library last year.
    Horror and thriller films have emerged on the mainstream film scene in the last several years with box office numbers skyrocketing. Twenty per cent of the feature films released by major studios in 2005 were in this category, and one in three of those debuted at number one at the box office. The genre, which now features top Hollywood stars and grosses more than $1 billion a year, has a growing fan base in the sought-after 18-34 demographic.

    “Horror fans not only like this genre, they are passionate about it. This is the first channel of its kind devoted solely to serving this expanding audience and a great advertising opportunity to reach this demographic. The number of horror fans is growing exponentially, and they are hungry for this kind of multimedia experience. This is the perfect time and the ideal platform to introduce a dedicated horror experience,” said Robina.

    “We are excited to be launching the first of our joint channels with our partners at Comcast. More and more people are looking to a variety of sources for their entertainment, and this new channel will be available on multiple platforms simultaneously, redefining the idea of what a network is,” said Mosko.

    The network will feature film and TV contemporary thrillers, suspense dramas, horror titles and more on Comcast’s On Demand service on 31 October and will launch its multimedia fan website the same day.

    “The depth of offerings available from the Sony and MGM libraries is unparalleled. We have hundreds of titles at our disposal to satisfy every thrill seeker,” added Robina.

    Horror movie fans will get the online experience they want through a video-rich, multimedia online environment that will become the horror destination for the fan community, and will include: exclusive horror outtakes, music downloads, a scream fest, original animation and behind-the- scenes footage. The network will add a wireless component that will feature horror ringtones, sound effects and other features designed specifically for the mobile experience.

    The companies will announce the new network’s name and additional details about the multimedia content in the coming months.

  • FremantleMedia appoints Wong as licensing manager, Americas

    FremantleMedia appoints Wong as licensing manager, Americas

    MUMBAI: FremantleMedia Licensing Worldwide, Americas (FLW, Americas) has appointed Nora Wong as licensing manager, Americas.

    In this newly created position, Wong will manage the licensing of key FremantleMedia brands such as American Idol, The Price Is Right and Family Feud for the apparel, health and beauty and publishing categories. She will be based in FremantleMedia’s Santa Monica office and will report directly to FremantleMedia Licensing Worldwide, Americas vice president licensing David Luner.

    “This has been a very active year for FremantleMedia as many of our properties like American Idol, The Price Is Right and Family Feud continue to gain in popularity and perform beyond our expectations. This success has provided us with a great opportunity to build our licensing division in order to meet consumer demand for products based on our brands. Nora will be an excellent addition to our team. Based on her experience with emerging youth trends, consumer publications, fashion and style trends and interactive home DVD gaming, we could not have chosen a better person to round out the licensing team,” said Luner.

    Wong brings a wealth of related experience into her new role at FremantleMedia. Most recently, Wong served as graphic novel editor for Tokyo Pop. Wong also served as a contributing writer to Magic and Women’s Wear Daily Magic where she covered the women’s contemporary wear, street wear, urban wear and accessories beat.

    Her position just prior to joining FremantleMedia was as Imagination Enterprises director marketing where she oversaw licensed DVD games based on Family Feud, Sponge Bob Squarepants, Pirates of the Caribbean and Name That Tune.