Tag: TV news

  • The year the industry entered the ICU

    The year the industry entered the ICU

    Perhaps that best expresses what Television News underwent in 2013. Simply because it spells out to say: What (the) Hell Ever Happened!

    A pause would have been a positive sentiment; in a year that felt like the roller coaster was going to crash. Yes, flat revenues, would have been a positive. Flat viewership would have been a positive.

    If the TV News industry was a human body, it would have woken up at the end of the year, from a long and deep coma only to discover, multiple organ attacks and multiple surgeries on its meager body had thrashed whatever hope it started the year of 2013 with.

    There was a name change, a year that saw a new expression (and that’s the biggest positive outcome of 2013) – ‘TVT’ replace ‘TRP’ to aid acknowledgement of the growth of TV viewers, was the silver lining on an otherwise dark cloud. But still to gain currency and translate into value. So, at this stage for TV News, just a name change.

    Then came hope, with the promise of new infusion of body muscle with a change in thinking around foreign investment in TV News. But on the day the good Doctor did not show up and the patient will limber on trying to find investment funds. The strong may survive, but many will perish, without new hope of quality investment.

    Tossed from one operating theatre to another, the patient remains in ICU. Not knowing if the doctor will pull the plug or resuscitate.

    A series of cardiac attacks followed, with circulation of blood (advertising income) threatening to be restricted, cutting away supply of oxygen and threatening the very survival of the TV News industry and the consequent ill effects on democracy. Tossed from one operating theatre to another, the patient remains in ICU. Not knowing if the doctor will pull the plug or resuscitate. The patient though is showing visible signs of fighting strong.

    Finally, the cost of medication went up, with Digital Addressable System (DAS) 2 – carriage fees, which were expected and promised to go down (as was experienced with DAS1) headed northwards. The daily dose of vitamins just got more expensive.

    In this mayhem and bodily torture, what kept the soul and the body together, you may ask? The kindred of the TV News industry survives on the very one thing it does best – delivering quality news, round the clock, with commitment.

    There was lots of news. It became more social and digital and TV News leveraged that growth engine.

    It has built a sound set of principles and a robust mechanism to work together as an industry, in unison. This antibody resisted all those attacks and kept intact body and soul. Nourishing it for another day, another year.  One that the TV News industry, knows will not be easy. But it has got smarter and knows how to work together.

    For 2014, the TV news industry must make a Bang – big audacious news and glory. With a major election in sigh, the industry must learn to stick together even more, grow its value and turn away the woes and the Whew to bold steps of business collaboration, to drive down costs and bring profitability into the industry.

    Be it carriage, ad price, inventory, news standards, governance – the TV News business can evolve the industry’s future by creating its own self-regulation on best business practices and best shareholder practices to bring the shine back into it.

    2014 brings hope, renewed faith and will be full of News! Good News! BANG!

    (Sunil Lulla is MD and CEO of Times Television Network. The views expressed in the above article are the author’s personal views)

  • “There’s a lot of mileage in pay TV news”

    “There’s a lot of mileage in pay TV news”

    As the country sheds tears over  onion prices, cringes about the skyrocketing cost of LPG, cribs for a better system in place for tackling the ever-growing crime incidents and hopes for the 2014 general elections to change things, the news channels are gearing up to catch all the action live. 

    And when all the international and domestic news channels are at it, why should the Beeb – the world’s biggest pubcaster that reaches over 360 million households globally; 12 per cent of which are from India – miss a chance to report on the political battle of the world’s so-called largest democracy? 

    BBC Global News CEO Jim Egan, who was in Mumbai to launch its India Direct series, reveals that the channel is looking at grabbing more eyeballs during the election season. The channel plans to scale up the coverage on India in the coming months.

     
    And he gave some time to Indiantelevision.com’s Vishaka Chakrapani on the sidelines of the launch, to talk about the BBC World News’ India gameplan, its global digital push wherein it aims to melt the barriers between broadcast and online news. Egan emphasised that India is an important market for BBC in terms of pay TV and digital advertising. Excerpts from the interview:

    What is the benefit of investing in the news business in India?

    When I say investment I’m not talking about corporate investment, it’s about editorial investment. It’s been a good year for us in India. Digitisation has been broadly good for us and we are seeing our household penetration increase. 

    What is the growth in reach that you have experienced due to digitisation?

    It has grown steadily in single digit millions and has reached 30 million now, which means one in four homes. Digitisation is moving at a different pace in different parts of India. We would like to be bigger but we are addressing a relatively niche population in the English language and thus we are never going to be a mainstream news channel in the country.

     
    With so many international channels making a mark in India, how will BBC World News differentiate itself and stay on top?

    We are looking at doing product and editorial investments to the extent we can afford it. Other operators are well resourced such as CCTV in China is well financed, so is Al Jazeera. If we are going to get into a spending arms race, BBC won’t be able to get there. We will capitalise on our reputation and emphasise on being different. Being successful is not about spending a lot as some qualities cannot just be bought.

    Why has the industry been hit with a bout of layoffs happening across the world?

    The last five to 10 years have been very difficult for journalism. It’s coming to terms with internet and digitisation. In  print, it has been a very difficult time, but not so much in India. A lot of broadcast journalism has been buffeted by the internet, particularly in international news. You see lots of retrenchment and people closing bureaus. BBC is slightly different because we have both public and commercial funding that has helped us expand and maintain ourselves. We are swimming against the tide but we are doing it deliberately because we think having a well funded and well resourced international network of correspondents is what success is about.  

    What about the entry of many international news channels in the market? Could that also be a reason that’s leading to increased competition?

    There’s been a bit of fragmentation but I don’t see demand for news going down. Demand for news is going in different directions. But as long as you are prepared from the editorial and corporate points, there’s good business to be made. It’s just at slightly different places these days.  

    We would like to be bigger but we are addressing a relatively niche population in the English language and thus we are never going to be a mainstream news channel in the country…

    In the future, would having multilingual skills be an important criteria for journalists?

    That’s an interesting one. I don’t think we would hire someone just because they can speak many languages but the ability to broadcast and write digital content in those languages is something we are seeking to develop and nurture. We are going to have a dedicated Asian edition of our website with front page stories about India and China. There will be global programmes to improve the profile and output of bilingual journalists such as the ones in India. We are producing more relevant and easier to find content for our websites.  

    How important is India on a global scale for BBC World News?

    India has been and will be important for us. There is huge digital consumption that is growing in the mobile sector here. India is the fourth biggest market in terms of traffic, the first three being the US, Australia and Canada in that order. We need a big English speaking market to do well for us, and I’m leaving the UK out of this. One thing particularly exciting about India is that in the other markets digital penetration is nearing saturation point but in India there is a lot of room for growth in the mobile sector.

    In the recent years, the budget of BBC has been cut by 20 per cent. Does that affect the investment?

    The 20 per cent cut is due to TV licence fee being frozen for a period of five years, taking inflation into account. Internationally, we are funded through advertisements while domestically we are run by public money which is an involuntary payment of about $200 a year. We have the challenge and the freedom to earn commercial revenues. 

     
    Original content on mobile is what people seem to be asking for. Is that something you are looking to cash on?

    We are not doing that in mobile because on this platform the key for us is about following news from screen to screen. It’s about trying to make news consumption something that people can take with them with their screens and stay up to date on their mobile phones. That’s the editorial idea. The product idea is to get more video content on mobile. One line growing more steeply than mobile is ‘video on mobile’ as people’s devices become better, internet packs get cheaper and network availability becomes more reliable.  From the commercial point of view, it is working with the advertising community for digital. 

    How big is mobile advertising given that mobile marketing forms a relatively small part of the marketing budgets in India?

    I don’t think mobile marketing in India is necessarily small compared to other countries. In most countries, mobile advertising has lagged behind mobile consumption of media. That’s another area where you are seeing rapid change and the amount of money we are generating from mobile globally has come a long way in the last four months. India is one of the biggest growth markets for mobile apart from sub Saharan Africa where mobile device consumption is also increasing.

      
    Do you see threat from OTT in the country?

    When I’m in India I haven’t till date heard people worrying about OTT. TV adoption is still growing as well as pay TV penetration, although not so drastically. Too many people have written of TV news as something people want to consume and as well as pay for. But I think there’s quite a lot of mileage left in pay TV news.  

    How do you deal with carriage fees in the country?

    I’m glad to say we don’t pay for carriage but we rather earn from it. I wouldn’t say we haven’t had a problem with it but it’s been a business policy. We don’t think we should have to pay people to carry us. We are very proud of the quality of BBC World News. Our business policy is often questioned.

     When do we get to see BBC HD TV in India?

    One of the new features of the new office in London is its native HD transmission from glass to glass, ie camera to screen. In a number of markets in Asia we are introducing BBC World News in HD. We would love to launch in HD here but we don’t have any active discussions underway. The markets in the world where we are present in HD, like Singapore, have given us good feedback and we believe HD would be a good value addition to our distributors.

     

    We will capitalise on our reputation and emphasise on being different. Being successful is not about spending a lot as some qualities cannot just be bought…

     Looking at a possibility if FDI norms are eased in India, do you see a Hindi news channel from BBC?

    I don’t think we will set up a corporate vehicle here to be honest. We have a Hindi show called Global India on ETV so it is a content supply set of arrangement. We’d like to be bigger in Hindi and other languages but I don’t see us making a corporate investment in the Hindi news business.

    Do you see the possibility of a JV in India?

    We were examining a possibility of doing a JV in the Hindi language but it didn’t work out due to issues such as FDI regulations and MIB stipulation around editorial. The concept of editorial content is very hard to share.

    There is also a financial reason. We are not in a position to make capital investment into a JV that will be successful and have an impact in one of the world’s highly contested news landscape. We are never going to be better at covering Indian news than the Indian news providers themselves.

    We will cover Indian news to show them globally but not try to outdo the local competition. That is something that you cannot do because it is an extremely dangerous and expensive game. 

    Will we see BBC World News going regional?

    We always talk about relevance more than presence. Although we won’t be a part of the Indian domestic news landscape, we want to be relevant to audiences here. There are financial limitations to such a prospect too. We can’t tailor everything for 100 different markets around the world. So, instead we always think from our broadcast centres as to where is the peak audience at that point of time that will view the channel. 

    How many Indian advertisers do you have and how have they been doing lately?

    We have about 10-20 advertisers from India such as Karnataka tourism, Bharati Airtel, Micromax and airlines who want to reach an international audience through TV as well as online. Our Europe market was hit badly due to recession but Asia stayed better. However, this year has seen a slowdown from our Indian advertisers.

  • Sumit Awasthi comes back for his second innings at Zee Media Corp

    Sumit Awasthi comes back for his second innings at Zee Media Corp

    MUMBAI:  Zee Media Corporation Ltd has announced the appointment of Sumit Awasthi as Resident Editor, today.

    Sumit Awasthi, a Science graduate and post-graduate in Journalism from Bhartiya Vidya Bhawan, has rejoined Zee Media after a gap of 14 years in which he had been with Aaj Tak and IBN7. In his last assignment at Aaj Tak, he was the Deputy Editor (Political) and a Primetime Anchor (Dastak – the flagship primetime show was anchored by him). In addition he also was reporting on major assignments.

    On the occasion Sumit Awasthi said, “14 years back, I had started my career at Zee Media and this is going to be my second stint here and it is feels like coming back to home. Zee Media is the place where I started my Journalism profession as a Reporter and then as an Anchor as well. And, it was here that people started recognising me. So it feels great to be part of Zee Media family once again.”

    In these last 14 years the TV News industry has seen a sea-change and I have come back to lend my hand to India’s biggest News Network to become India’s most watched network as well. In this TRP race, I will try to make Zee News to be No 1 Channel as well. With everybody’s efforts and teamwork, this can be achieved. ”

    His major forte has always remained Political assignments, but apart from this he has extensively worked on Cricket and International Politics. He is the proud recipient of NT Awards 2012 for ‘Best Anchor’ and Madhavji Jyoti Puraskar for ‘Best Journalist’. He has also been nominated for Indian Telly Awards and Hero Honda ITA Awards for ‘Best Anchor’.

    On the occasion, Mr Alok Agrawal, CEO, Zee Media Corporation Ltd said, “ We were looking for a seasoned hand in the Political Reportage spectrum and with Sumit on board, we are sure that Zee Media will gain with Sumit’s experience.” We are also confident that the job entrusted to Sumit will be undertaken with a finesse that has become his trademark.”

    On the occasion, Mr Sudhir Chaudhury, Editor, Zee Media Corporation Ltd said, “We at Zee Media are readying ourselves for major reporting during the Assembly Elections in Delhi, MP, Chhattisgarh, Manipur and Rajasthan in 2013 and the General Elections in 2014. Having Sumit will add to our Political Reporting acumen and Zee Media Corp is happy to welcome him.”

  • ‘Star to invest in India’s growth market and not be greedy about profits’ : Star India CEO Uday Shankar

    ‘Star to invest in India’s growth market and not be greedy about profits’ : Star India CEO Uday Shankar

    Uday Shankar had to wrestle with a thorny problem as soon as he took over as Star India CEO: How to be more successful than his predecessors Peter Mukerjea and Sameer Nair?

    Grown up as a journalist and in TV news for long, Shankar did not take long to take tough business calls in the television entertainment broadcasting business. He parachuted out of the Balaji Telefilms’ joint venture agreement as the popular long-running ‘K’ soaps were running out of steam and were turning out to be “expensively” priced. He brought in a bunch of young producers to connect with the changing India at a time when new players like Viacom18 (Colors), 9X (Mukerjea’s venture after quitting Star) and NDTV Imagine (headed by Nair) were making their entry.

    Shankar also quickly realised that Star’s creative, marketing and distribution strategies were not in sync to capture the new markets that had come into the C&S homes. He designed Star’s new strategy and laid out a clear road map for the Rupert Murdoch company’s growth in India which at that stage was heavily dependent on the flagship Hindi general entertainment channel (GEC) Star Plus.

    Asianet was acquired to get a footprint in the lucrative South Indian media market and Bengali and Marathi GECs were launched. He next launched the second entertainment channels in Hindi to house them under the ‘OK’ brand.

    Shankar knows well that India is a growth market and has, thus, decided to reinvest in the business aggressively to build a Star network that would grow and thrive in the future as well. “While we will always try to keep a very sharp eye on the profits, we will not be greedy about profit margins,” he says.

    In the third and concluding part of the interview with Indiantelevision.com’s Sibabrata Das, Shankar talks about how Star India is ring-fenced today to stay as a strong leader in the TV entertainment business and is ready to grow in a digitised environment.

    Excerpts:

     
    Q. How challenging was it for somebody who came from a news background to conquer the entertainment broadcast business as CEO of Star India? Or was the transition easier because TV news in India had imbibed entertainment content in its culture?
    Listen, the news that I was part of is very different from the news of today. I launched Aaj Tak which was a financially very healthy company. It did high quality news, it had a large number of viewers and it was profitable. Hence, it could invest in content. Today, the scenario is very different.

    I think too much is made out of this whole thing of news versus entertainment. At the end of the day, the viewer is the same. In a way, news allows you to engage with the consumer in a very dynamic environment and it gives you those insights. Those insights helped me.

    The other thing that helped me is that as a news editor or journalist you get to develop some understandings and insights about the Indian society which in all humility I think the entertainment guys lack completely. Their reference to India is a few films, a few shows and little stories that they pick up in newspapers. Sometimes I see what is portrayed in our films and stories and dramas about India is completely unrealistic. And that is what my advantage was in this aspect. Because I had done so many years of journalism, I understood India very well. My general understanding of this country, both as a journalist and as a student of social sciences, was fairly evolved. I think that helped.

    Q. When you inherited the chair, Star India had slipped into some sort of a management mess. What were the ills that you had to correct?
    No ills. Star was a great company even then and it had a solid leadership. It had an amazing brand; I don’t think there is or there ever will be a media brand in this country that would be as big as Star. The problem is that it was the victim of its own success. There was a sense of complacency that had set in.

    The other thing that had happened is that there was a disconnect that had developed between the channel and its viewers. The cable and satellite (C&S) TV universe had penetrated deeper into the countryside. And our creative, marketing and distribution strategies were not in sync to capture the new markets that had come into the C&S homes. I think that was the biggest challenge which I had to tackle. And that is what we have done slowly – by going regional, by creating stories which are more diversified and realistic. We got content which echoed the new sentiments, the new aspirations and the new women. We brought that into Star Plus by way of ‘Rishta Vohi Soch Nayi’.

    I also think that we changed the talent mix inside the channel and also the mix of the producers outside the channel. We brought in a bunch of young producers who were producing their first shows at that time. They brought in a fresh pair of eyes and a certain amount of freshness of creativity – and I would like to think that they were better connected. So that’s what helped.

    Q. Was there a need to bring about changes in Star Plus in phases? Are we seeing the Aamir Khan show as part of that content evolution?
    I don’t see those as different phases. I see them as a journey of evolution for a company, a channel, an entertainment network and for me as a professional.

    We were doing a certain kind of stories, we were reaching out to a certain kind of audiences and were addressing a certain kind of market. Slowly, we wanted to expand and diversify in all these three areas. First we started doing different kinds of dramas and then a different kind of non-fiction shows which finally evolved into ‘Satyamev Jayate’ (the Aamir Khan show launched in May 2012 and aired on Sunday mornings). However, it would be a mistake to say that ‘Satyame Jayate’ was the first such step that we took. As early as four years ago, we did a show with Kiran Bedi called ‘Aap ki kacheri…Kiran ke saath’ and in 2009 had ‘Sacch ka Samna’. In drama, we launched Kaali – Ek Agnipariksha.

    I go back to the philiosophy that I carry from my journalism background – we must constantly try out new things and must constantly innovate. Because the biggest story of yesterday becomes stale today. And that is something which is deeply ingrained in me.

    Q. When you earlier spoke about sports broadcast, you mentioned about drama becoming a bit of a commodity. What made you say that?
    Anybody who has the money and an idea can go and create a drama – lease the producer, the writer and the studio. But even if you have the money and the idea, you can’t go and create a sporting property because it is locked in IP. You have to have the teams and the sporting board has to back you up. In that sense, the access to drama is commoditised. But that is not the case with sporting content. If you want to create a cricket tournament, you can’t do it unless the BCCI is supporting it. And BCCI won’t go and support any cricket tournament.

     

    ‘My bosses and I are very clear about one thing: reinvesting in the business far more aggressively than taking out profits because India is a growth market and we are building a network that would grow and thrive in the future as well. This is the most critical phase of building the network. If we don’t continue to invest aggressively and ahead of the curve in a market that is so dynamic and evolving and segmenting, then the market forces might overtake us. While we will always try to keep a very sharp eye on the profits, we will not be greedy about profit margins‘

     

    Q. Is entertainment content limited by the fact that India is primarily a single TV household country? That is a bit of a concern. There is mature adult explicit content that you can’t do in a single TV household. Even otherwise, you can’t do that in multiple TV households because not everybody in his or her bedroom wants to watch adult content; the content consumption habits are heavily determined by our cultural systems. I am not sure whether Star as a network would want to do such kind of content even in multiple TV households.

    But what is bad is that the government, the regulator and a bunch of self-styled policemen want to act on behalf of the audiences. They act as guardians thinking that the audience is a mass of retarded, dumb, unintelligent people who do not know what is good for them. You go and show them one kiss and it is as if the whole culture of India will collapse. It doesn’t work like that. And these are the people who either have a vested interest and say this because they want to control media or their mindset is so corrupt and regressive that they think that because they have a dirty mind, the whole world has a dirty mind.

    Q. But isn’t the growth of niche content limited by single TV households in India?
    Surely, because niche content means content that is of interest to a very small set of people. It is difficult to have a business model for niche channels in an analogue cable environment where there is bandwidth constraint. A channel on health, education, classical music and serious political drama will not interest a large number of people and youngsters. Older audiences are not generally interested in science fiction; nor are women in crime or thriller-based shows. In a single TV household you will have to do content which appeals to a large common denominator.

    In Star Plus, for instance, we don’t want to put content that won’t deliver reach; it simply doesn’t work for us. But digitisation will change this whole content game. We can then create a channel only for youth or for older men or for teenagers. And audiences having digital cable can choose individual channels; in an analogue system they have to take the whole bunch of channels and pay for it. Why will a family having no youngster in the house want a youth channel? And if there is no old parent living with me, I wouldn’t want a channel meant for old people.

    Q. Star Plus made an effort in creating a Sunday morning band and we have seen other channels follow that. Is it possible to drive in audiences regularly in these time slots?
    I hope so. I do think that on Sundays there is an appetite that we as content providers are not able to satisfy. Sunday content is generally not satisfying except for a movie that gets shown once in a while.

    The quality and quantity of Sunday content is not adequate. Broadcasters should step in to fill that gap with all kinds of programming. What matters is the emotions that your content triggers, the stories that you tell and the connect that you build.

    Q. Haven’t all Hindi entertainment networks evacuated the afternoon band?
    This is kind of sad but reflects our economic compulsions. The advertising market is tough, rates are under pressure, subscription incomes aren’t going up much and the programming costs are up. That is why broadcasters have to do all kinds of things. But it is not good in the long run. There are a large number of people who tune in to watch TV in the afternoons. It is an audience that all of us had built over a period of time. I guess broadcasters have all had to take short sighted and tactical steps.

    I also think that there is another challenge. The creative capacity, particularly in Mumbai, is not developed enough. Or not broad enough to cater to the prime time, afternoon and the weekend needs of such a large number of Hindi entertainment channels. So somewhere the capacity construct is also influencing. You are not getting high quality content. At least that is what our experience has been.

    Q. Hindi GECs are almost entirely depending on prime time for ad revenues. As we are in the midst of an economic slowdown, is this the wrong time to make that shift and cultivate other time bands?
    There are challenges in opening other time bands. But there is never a right time and there is always a right time. The last few months have not been great for advertising. That has pulled back broadcasters from experimenting with the afternoon slots. But I see this as a short term tactical withdrawal.

    Q. Since Star is as you say an amazing brand, why did you create the OK brand for your second channels in the Hindi general entertainment and movie space?
    Though we have a big portfolio, each market in India is segmenting and new competition is coming. We were getting restricted because in Hindi we had only one channel and Star One was not doing well. When we were looking at fixing Star One, we thought why should we limit the company to just one brand. Though Star is an awesome brand property, we decided to create one more brand. That is how the OK brand was born.

    Q. Is Star being identified as premium and the OK brand with a more general appeal?
    I don’t see the positioning of Star Plus or Zee TV or Sony as any different but pretty much similar. If at all, we see Star Plus to be the channel that’s identified more closely with people who are more aspirational and OK with those who are satisfied with life. That is the only distinction we think we can make.

    Q. Is this more in tune with a flanking strategy?
    I don’t believe in flanking strategies at all. It is a very boring and owner-driven mindset. Viewers do not understand anything of that; they want to go to a channel and a programme that they like. Everything competes with everything in this market. It is a very dynamic and fluid market where one remote changes everything. Flanking is perhaps a product conceived by somebody who has been influenced by a military mindset and didn’t understand media much.

     

    ‘The C&S TV universe had penetrated deeper into the countryside. And our creative, marketing and distribution strategies were not in sync to capture the new markets that had come into the C&S homes. I think that was the biggest challenge which I had to tackle. And that is what we have done slowly – by going regional, by creating stories which are more diversified and realistic‘

     
    Q. Do you see the need of a second channel, particularly in a digital environment which will lead to further audience fragmentation?
    It will always help in segmenting the market. But there is no question of a second GEC. Who knows? The viewer doesn’t. That is why we have decided to keep Life OK totally separate from Star Plus. A large number of viewers may not be even aware that the two channels are owned by the same company.

    In a market where there is Star Plus, Life OK, Zee TV, Colors, Sony, Sab and Sahara, everyone competes with everyone. At an ownership level, you might have two channels. But in the marketplace, the two channels are relevant only when they are the only two channels.

    But yes, second channels help in aggregating audiences. And it is becoming increasingly difficult to address the entire Hindi heartland through one channel. Demographic segmentation is also taking place.

    Q. Was Movies OK conceived because Star had a vast movie library and a new channel gave it more ad inventory to sell?
    India is a very movie crazy market. TV attracts more audiences than cinema theatres for movies. We beefed up Star Gold. We thought we should go deeper into that market and so launched a second movie channel. In any case, we had invested in a big enough movie library.

    Movies OK gives more fizz to the OK brand. And opens up ad inventory.

    Q. Will we see more launches in the OK brand?
    It is always an option. In Hindi entertainment content, we have already got Life OK and Movies OK. Unless there is some clarity on the digitisation front, I am not sure we are going to launch more channels in the near future. We have a huge challenge on the sports front and need to build it after the deal (buyout of Disney’s stake in ESPN Star Sports) finds the necessary regulatory approvals. We also need to consolidate Life OK and Movies OK.

    Q. What led Channel [V] to shed its Bollywood music content to become a youth GEC from 1 July?
    In the ‘90s, Channel [V] and MTV connected to the youth through music offerings. But now music has become a commodity; it is accessible across many devices including FM radio, mobile and online sites. So we needed a different proposition to get to the youth segment. We came up with the idea of capturing their aspirations through regular TV viewing formats and dramas; we thought this way we would integrate more deeply with youth and address them more effectively.

    The other route some music broadcasters have taken is some kind of non-fiction content which reduces youth to being sex-starved and having non-thinking minds. Reality shows like Roadies (MTV) have painted the youth as a group that is sensually-driven. We have not gone through that path. We believe the youth is interested in society, career and education.

    Q. How is Zeel’s Ebitda margins from non sports business (Q1 Fy’13 at 34%) higher than Star’s which market estimates say is around 25-27per cent?
    First of all, I am not commenting on Ebitda margins because Star doesn’t discuss its financials. But my bosses and I are very clear about one thing: reinvesting in the business far more aggressively than taking out profits because India is a growth market and we are building a network that would grow and thrive in the future as well. This is the most critical phase of building the network. If we don’t continue to invest aggressively and ahead of the curve in a market that is so dynamic and evolving and segmenting, then the market forces might overtake us. While we will always try to keep a very sharp eye on the profits, we will not be greedy about profit margins.

    Q. Will digitisation increase content costs with many more channels being launched?
    Yes, but your earnings should also go up. If you have more channels, you will have more inventory to sell and your subscription income should be more if you succeed.

    Q. Will Star launch new channels or enter into new regional markets?
    No, I don’t see any immediate plans. In regional markets, the carriage capacity is even more constrained. Even if digitisation happens with contracts, its impact will not be felt for at least 2-3 years after the implementation.

    We might do small channels here and there. We just launched a movie channel in Kerala (in July) to take our bouquet of Malayalam channels to three – Asianet, Asianet Plus and Asianet Movies. In Tamil Nadu, we have Vijay TV which is a very successful Tamil GEC but is still not the leader. There is an opportunity to make it grow bigger. In Kannada, we have Suvarna which is doing very well now and is the No. 1 channel in prime time. But it is still not the unqualified leader in the Karnataka market. So there are certain unfinished agendas that we have to first complete before we launch something new.

    Q. Sun TV network is seeing some sort of market share erosion due to cable TV distribution being challenged by state-owned Arasu Cable. It is also losing control over movie studios in the state. Will Star be aggressive in Tamil Nadu to capitalise on this opportunity?
    Everybody has been talking about it (market share erosion) but it has not happened yet. And I don’t see that happening in a hurry, if at all. Don’t forget that despite everything, Sun has built a very loyal viewership profile. It also has many channels and is, thus, able to segment the market very well.

    The shift in viewership you are talking about is marginal, not gigantic. There would always be a bit of an opening in that market but it would be a mistake to swing to the other extreme. Sun has some very strong content and some very successful channels. And those are not easy to take away.

    I won’t launch anything where we don’t have clarity on breaking even and making the business profitable. Otherwise, it doesn’t make business sense. And right now there is no business model.

    Q. When Star expanded into regional-language markets why did it look at Bengali and Marathi GECs?
    Though the states of Bengal and Maharashtra form part of the Hindi TV viewing population, they are also distinct linguistic markets with strongly driven local creative communities. While Gujarat and Punjab are also attractive markets, the creative class does not work in the local language. Mumbai is more attractive for them and they find it lucrative churning out Hindi content. We, thus, decided to launch Bengali and Marathi GECs first.

    Q. Why are broadcasters pressing for a new television ratings system under the aegis of BARC?
    Television advertising is cheaply priced today. TAM (the sole TV audience ratings agency in India) does not map the entire C&S universe and only a part of India is measured. We want the ratings coverage to spread out into more areas and socio-economic demographics.

    The ratings system should primarily be for a broadcast market. BARC will reflect this need of the broadcasters and allow them to monetise the eyeballs that they deliver more effectively.

    Also read:

    ‘BCCI rights great opportunity to build Star‘s sports biz‘

    ‘Cross-media regulation has only discouraged clean, legitimate players in DTH & cable‘

  • ‘BCCI rights great opportunity to build Star’s sports biz’ : Star India CEO Uday Shankar

    ‘BCCI rights great opportunity to build Star’s sports biz’ : Star India CEO Uday Shankar

    Star India CEO Uday Shankar, conqueror of TV news and entertainment business, is ready to wage a new battle in sports broadcasting.

    When the BCCI rights came up for grabs after the abrupt termination of contract with Nimbus, Shankar quickly pounced upon it. He tiptoed in, surprising hot contender Sony to pocket the prized rights to telecast international cricket in India from 2012 through 2018. His winning bid: a whopping Rs 38.5 billion.

    “We believe in the power and value of cricket as content in India. By acquiring the BCCI rights for telecast, we think it is a great opportunity to create a new business,” he says.

    Shankar‘s timing couldn‘t have been better. A couple of months later, joint venture partner Disney agreed to sell its 50 per cent stake in ESPN Star Sports, allowing Star to aggressively build and expand the sports broadcasting business in India.

    “Drama and cricket are the two big pools of content that the masses love to watch in India. We are already a key player in entertainment. Now we can have independent charge over the sports broadcasting business,” he says.

    Shankar has placed huge bets on digitisation that would plug leakages in subscription revenue and dramatically increase the paying subscribers to broadcasters. “In the current construct, those rights are not profitable. The market is primarily so unattractive because of the theft and leakage in subscription revenues. Digitisation would enable content owners to get a better share of the subscription revenue,” he avers.

    In the first part of the interview with Indiantelevision.com‘s Sibabrata Das, Shankar talks about Star‘s game plan in sports broadcasting, the rise in acquisition costs, the huge opportunity that digitisation would throw open and the need to build a robust subscription income.

    Excerpts:

    Q. Why did News Corp. and Disney end their 16-year-old joint venture partnership in ESPN Star Sports (ESS) when it allowed them to lead the sports broadcasting business in Asia?
    When the discussions started two years back, it was not on a buyout proposal but on how to take ESS forward in a changed market environment. The sports business was under financial pressure and both partners were worried. The Champions League T20 rights (for $975 million) did not bring much value. Acquisition prices were rising and competition was not helping stem it. This later turned into the need to go separate ways but the possession of the rights over sporting events made a split in the properties complex and impossible.

    The obvious course was to acquire the entire 50 per cent stake of the joint venture partner and be the sole owner. The deal took time because Disney had to take the final call on whether it wanted ESPN to exit from Asia.

    Q. When Star bid for the BCCI rights on its own, had Disney agreed to sell or it was an act of defiance to build a sports broadcasting business outside the JV?
    We were still discussing the future of ESS when the BCCI rights came up for renewal. And because there was no clarity on the future of ESS, we could not come to an understanding on what its position would be on BCCI. We at Star knew the strategic value this property would add to our thriving entertainment business. We expressed an interest that in case ESS was not clear and since the bid had a final deadline which was approaching fast, Star would go ahead and bid for the rights as a one-off.

    Even in the JV agreement, this kind of provision was there that either party (ESPN or Star) could go and bid for the rights. However, they could not use the rights on their own without the approval of the other party. So we agreed that instead of letting BCCI go away to a competitor, Star would bid for it as a one-off and then assign the rights to ESS in case they wanted it. If ESS didn‘t want, Star could go ahead and broadcast it. So that‘s how it happened.

    Q. Did the BCCI rights tilt the deal in your favour as we understand that even Disney had expressed an intent to acquire News Corp‘s stake in ESS (though they had made heavy investments in UTV and were looking at consolidating that business)?
    The two are not linked. We were very clear that it would be a one-off bid (for rights). Now let‘s assume that Disney had bought out ESS. Then they would have definitely insisted on a non-compete agreement and we would have had to find a way of handing over BCCI. I don‘t know what would have happened; that‘s a conversation one can only speculate on. But if Disney had chosen to play in the sports market here, then they would have definitely tried to also get a piece of the BCCI.

    Q. When you realised the strategic value of the BCCI rights, did the fear of Sony haunt you as it had the lucrative IPL (Indian Premier League) rights and its entertainment business was on the upswing?
    Of course, it was an important consideration. It would have made Sony a very formidable player in the sports space. And we were then not present in that space; we were only an entertainment company.

    We also knew that there were a few others like Ten Sports and BCCL (Benett Coleman and Company Ltd) who had bought the tender documents. All of them were key competitors. And anybody who had the cricket rights would have a serious strategic weapon.

    But that wasn‘t why we decided to go for the BCCI rights. We definitely believe in the power and value of cricket as content. It gets the largest number of viewers across all target groups. We also genuinely believe that there is an opportunity to improve the quality of cricket on TV. And we thought the best place to start that would be the BCCI rights.

    ‘In the current construct, those rights are not profitable. Our big punt is in digitisation‘ 

    Q. Was the bid of Rs 38.51 billion on the higher side?
    You would bid only what is the rational value of the tournament and not beyond reasonable limits. In fact, Sony and our bids were pretty close; it clearly tells you that there was a consistent logic that both of us were applying.

    You must appreciate that nobody had the time to plan for it because it happened suddenly. BCCI (rights) wasn‘t on Sony‘s or anybody‘s horizon. It was comfortably settled with Nimbus; they were holding the rights for almost six years and they were going to have it for several years more. If anybody says it was part of their serious strategic consideration, that wouldn‘t be correct. How can you plan for something that is not available in the market? But when it came up for grabs, everybody thought it was a great opportunity. And we definitely thought of it is as a great opportunity to create a new business.

    Q. But since it was unplanned, you could have overestimated the value of the property? Or how did you arrive at a right value?
    There was a reserve price that BCCI had indicated and based on that we did the mathematical calculations. The ad rates for India cricket matches per 10 seconds and the kind of distribution revenues that can be earned are available in the market. So based on that we did our calculations.

    Q. Media analysts say those numbers wouldn‘t make up for the bid amount unless digitisation happens. Did you bet too heavily on digitisation when you did the calculations?
    In the current construct, those rights are not profitable. The market is primarily so unattractive because of the theft and leakage in subscription revenues. More than Rs 150 billion gets collected from the ground in form of subscription income. But the net off carriage fees that comes to the broadcasters and content owners is a small fraction of that.

    Our big punt is that in the next couple of years when digitisation moves significantly forward, a lot of that would change. The leakages would have been plugged, there would be more fair and transparent business processes. And that would enable content owners to get a better share of the subscription revenue.

    Sports nowhere in the world has sustained on advertising revenue; that is a small part of it. Wherever it makes money, it makes it on the back of subscription income. And that is what we are hoping would happen in India as well.

    Q. Since Star has a very strong entertainment broadcasting business, will the network power not enable you to push up advertising rates for your sports properties?
    You can‘t move that synergy to up the ad rates much just because you have more properties under your belt. The target audiences and the set of advertisers are different. The big advertisers on sports, for instance, are telecom and auto companies. General entertainment channels primarily address a female TG.

    So you can‘t play much on network strength. We have not factored in any dramatic upside in advertising revenues. Let‘s face it; ad rates can‘t go beyond a certain level of elasticity.

    Q. Are you expecting ARPUs (average revenue per subscriber) to climb with digitisation of cable networks?
    No, I am not factoring in a tremendous increase in ARPUs. India is always a value conscious market and cricket is a mass market product. There would, of course, be some people who have the ability to pay higher value. But most people won‘t pay that kind of money.

    There is also enough competition in the market which would ensure that the ARPUs don‘t go beyond a certain limit. What we are looking at is the big shift in cable that should happen. In case of transparency, we clearly see a visible link between the subscriber base and the payouts. 

    Q. What sort of paying subscribers would sports broadcasters attract?
    If the whole country goes digital, you are talking about 120-130 million C&S homes in the next few years. Even if you say 60 per cent of the entire universe goes cable, you are talking about 70-75 million C&S homes.

    The 8-9 million paying subscribers for sports currently under analogue cable would go up significantly. Sports is driven by events. But at any time, the genre would be attracting 60-70 per cent of the total subscriber base. I think that is the ratio that DTH (direct-to-home) gets.

    ‘Sports had been relatively less competitive in India because the two big players were together. Now since ESPN and Star have parted ways, the next 5-10 years, will see a new round of competitiveness and aggression in the sports market‘

    Q. After having acquired the BCCI rights for such an aggressive price, will Star match that aggression for the upcoming cricket boards that will be up for grabs within a year?
    We neither choose to nor can afford to be over aggressive. If we are also aggressive, then rights prices would shoot up. Now it is Sony‘s and Ten Sports‘ turn to be aggressive.

    Q. Do you see acquisition prices climbing further?
    If the competitive norm stays, then there will definitely be a tendency for the acquisition prices to go up. A lot, however, depends on how the distribution market pans out. If the distribution market continues to be so leaky and porous and cable stays largely analogue, then even the current prices will be unsustainable. However, if the digital transformation happens and if there is a matured digital distribution market that comes up, then definitely the prices will go up.

    Q. Even if Disney decides to come back after the two-year non-compete period is over and India continues to have analogue cable?
    I am not too sure if it continues to be analogue, how many players would be interest. That is the biggest stumbling block. But on the other hand, I also think analogue cable will not survive even if the current digital initiatives fail to go through; analogue will dies on its own. This is a funny market. The analogue experience is poor and the number of channels that the consumers can watch is very few. The cable operator doesn‘t pay taxes; nor does he pay fair value to the content owner. How long will the society tolerate this kind of a distorted model?

    Q. Consumers are probably tolerating analogue cable because the ARPUs are low?
    The ARPUs are not that low. How much does DTH charge? You can‘t charge beyond a certain reasonable price. What you can charge consumers also depends on affordability and the kind of value that they attach to it. Price doesn‘t escalate in isolation; there has to be a realistic basis.

    In certain areas of Mumbai, cable subscription is Rs 300-350 per month. In low income areas, people are paying less. ARPUs are not uniformly low. That will happen in a digital environment also.

    Q. Can‘t acquisition prices for cricket rights go up because of strategic value that the property brings?
    No mature media company will pay irrationally high for strategic reasons unless this can translate into business value. If they do that, they will go bankrupt. There are a couple of media companies who are prime examples of that. There is a company that launched an entertainment channel and decided to go completely crazy for what they thought was the strategic value. The strategic value worked so well for them that they had to sell out. The news companies have gone ahead and spent so much money on all kinds of distribution, etc. We know the financial mess they are all in.

    You think anybody would pay obscenely high just because it has strategic value. Star would not do that; nor would Sony and Zee. If BCCI prices were double this and tomorrow if IPL is available for three times more, would I go and buy those rights? No way. I don‘t want to go and acquire rights and be sacked or drive my company bankrupt.

    Q. With the current distribution of cricket properties across sports broadcasters, what sort of dominance will Star have?
    It is very difficult for anyone to have any kind of very big position in market share, let alone dominance. In this market, every sector of broadcasting and media is so competitive. Whether it is entertainment, news or regional, one thing that we have seen is that there is new competition coming in every day.

    If anything, sports all these years has seen less and less of competition in India primarily because there was a JV between ESPN and Star. Until IPL came, it was just ESPN-Star. Sony had a game only because it got the IPL; without it, it would have been a marginal player. Ten Sports continues to be a marginal player except for a few rights they have like the South Africa and the Sri Lanka boards.

    Sports broadcasting requires heavy investments. And not everybody may have the appetite to take big risks unless you are a Zee or Sony, specially because the distribution deals are so uncertain.

    Since ESPN and Star have parted ways, it is only a matter of time that Disney and ESPN will come back to India. So I think over the next 5-10 years, you will see a new round of competitiveness and aggression in the sports market. Sony has launched a sports channel; they will have to really work hard to build that and will need more rights. I am sure they will surely bid aggressive for whatever rights come up. Ten Sports will also be forced to bid for a few more rights if they want to stay competitive in the game. You saw how expensive their bid was for the South Africa rights. The price they paid was pretty high and they got it.

    Sports had been relatively less competitive in this country because the two big players were together. That phenomena is set to change.

    Q. But in UK you have News Corp as a big player and ESPN as a much smaller player. Wouldn‘t India replicate that market?
    Those are very settled markets and even there that is not quite the case. In India tell me one sector of media where one single player sits with 50 per cent share. When it started, that may have been the case. About 20 years ago, Zee had a large share. Then Star came and build a large share in Hindi entertainment. See how competitive the market is today.

    Take regional. The only market where one player continues to build a very big share is Sun network in Tamil Nadu. And we all know the reasons behind that. But if it‘s a freee market, then it is difficult for anybody to take a 50 per cent or a 40 per cent share. Very, very difficult.

    India is an emerging market. So global attention is on this market. Media, despite all the softening, is still delivering the second largest growth rate in the world year-on-year. And that will continue to be the case for a long time. The most attractive growth rate market is not available so easily for media. China does not allow media that easily. So where can you dominate ? India has a huge consumer base; you are talking of 120-130 million C&S homes. Incomes are going up. I think there will be more and more people coming in.

    Western media companies are looking at India primarily because they are not getting growth in their own markets. More and more large Indian companies are stepping in. You have seen what has happened in the last 2-3 years. Big Indian corporates have made their foray into media. Reliance Industries Ltd (RIL) and Aditya Birla have come into media. I think media is going to get more and more competitive. And no matter how much money you might have, no matter how aggressive you might be, I don‘t see a situation where anybody will be able to build a 50 per cent share in any vertical.

    Q. Since Rupert Murdoch had said that IPL was a big miss, would Star‘s next big stretch be on acquiring its rights when it becomes available in future?
    Of course, it was a big miss. I don‘t even know what the contractual agreement between Sony and BCCI is. They may have a preferred access to renew it. But if it comes up and continues to be a strong property, then we will surely be interested. We have seen a little bit of softening in IPL and hopefully that‘s temporary. But the renewal is long away and it would depend on what BCCI‘s price expectation is at that stage.

    Q. Do you see cricket viewership plateauing?
    Cricket viewership depends on a variety of things. First and foremost is the nature of the tournament. Following immediately afterwards is the performance of India. I think there is a value to be obtained from that.

    The quality of TV broadcast can make a big difference to how much the viewership can grow. Sports broadcasters generally have done a very good job of providing a professional cricket experience to the viewers. But it seems to have plateaued.

    The only rule of content – and that applies to drama, sports, news, anything – is that the sameness brings in fatigue. And there is a certain amount of sameness that seems to have settled in sports. That is the reason why cricket viewership might be peaking. If we can disrupt that sameness, bring in innovation and fresh approach to connectivity, to visual and to graphics, I think given the passion that cricket generates in this country only sky is the limit for viewership. When cricket is played in every nook and corner literally, how can you say that the viewership has peaked. I think the viewership can grow a great deal more provided we continue to grow and build on the experience that we can provide. And there the broadcasters and the boards can do a lot more together.

    Q. Are you talking of introducing doses of entertainment?
    No, I am not suggesting that. You can‘t turn cricket into soaps; you have to stay true to the sport. But within that, you have to innovate. And there is so much of technology to be used – you see what has happened in the last 10-15 years! New graphic technology has come in and the kind of replays that we get to see only can enhance the viewing experience. You can further enhance that experience a great deal more.

  • NT awards recognise the best in TV news

    NT awards recognise the best in TV news

    NEW DELHI: In a fitting finale to a year that saw some very tumultuous coverage for television news channels highlighted among others by the Indian victory of the ICC Cricket World Cup and the anti-corruption movement of Anna Hazare, the best in the world of the electronic media were felicitated at the gala event of the 5th News Television Awards here this evening.

    Over 135 awards in different categories in four languages – English, Hindi, Marathi and Telugu – were presented amidst huge cheers by a large number of high profile dignitaries from the world of television, performing arts, sports, fashion, bureaucracy, and politics.

    While presenting the awards, Indiantelevision.com founder and CEO Anil Wanvari said ethics and credibility will be the key to news coverage with the changeover to digital technology. He therefore advised media persons to find the right model for news according to their viewership.

    There were three cases where the awards were shared amongst two channels, but there were several individual programmes or individual newspersons and anchors who received more than one award.

    The awards gala was hosted by television actress Manini Dey Mishra and TV presenter Denzil O’Connell, who made some interesting comments on the way news is presented or about politics and personalities in general, leaving the audience in splits.

    Indiantelevision.com general manager Anoop Wanvari referred in his opening remarks that the awards were aimed at encouraging young people in doing better, and echoed the sentiments of Anil Wanvari, when he called for more channels to send entries for these awards – which were the first to be instituted especially for news TV channels.

    Awards were given for the best in categories like crime shows, sports shows, gadget and auto programmes, documentaries with limited duration, news presentation, anchors and news readers, business news programmes, investigative reporting, current affairs, prime time news cast, popular news show, use of graphics, set design (actual and virtual), cameraperson, promos, show packaging, news reporters and presenters, entertainment critics and news anchors, business programmes, public debates, and lifestyle and fashion.

    Special awards were given for coverage of two major events of 2011 – the World Cup win for India, and the agitation for a Lok Pal by Anna Hazare. There was also a special award for the best news person under 24 years of age.

    Those who had come to give away the awards included Central Information Commission chief Wajahat Habbibullah, Birju Maharaj, Aman Ali Khan, HK Dua, politicians Dr Subramaniam Swamy and Jaya Jaitley, Kiran Bedi, fashion designer Ritu Beri, danseuse Shovana Narayan, former cricket player Bishen Singh Bedi, former RBI chief Bimal Jalan, Doordarshan deputy director general Raj Shekhar Vyas, Rashmi Rizhwani, Babbal Sabharwal, Shaswati Sen, industrialist Mohit Burman, Francis Wacziarg of Neemrana Hotels, and veteran media person Kuldip Nayyar.

    The awards function came at the end of a news summit on ‘Seeking a growth injection: Is digitisation the answer for the news television business’ which saw representatives of leading news channels, direct-to-home platforms and others in the television news industry taking part in four different sessions on ‘Tech Trends’, ‘A look at the Genre’, ‘Content’, and ‘The Leader Panel’.

  • TV news coverage of corruption issues up 11 times: CMS study

    TV news coverage of corruption issues up 11 times: CMS study

    MUMBAI: Television news channels are crusading against corruption as never before. Corruption coverage in primetime bulletins by the six television news channels during 2005 to 2011 have grown over eleven times in terms of percentage, a research study by CMS (Centre For Media Studies) Media Lab reveals.

    Though the coverage of corruption-related issues by TV news channels as well as newspapers have increased substantially, especially during Anna Hazare‘s fast in August, petty corruption involving vulnerable sections of people are yet to become a concern for the media.

    The study – ‘Face of Corruption in News Media 2011‘ – says that the priority is for scams and scandals rather than for systematic issues and correctives that need to be pursued. The far off and grassroots level corruption hardly figured.

    It said the coverage related to corruption issues was well over eight per cent of primetime and six per cent of front pages from January-June 2011, but during Anna‘s fast the coverage overall went up to over 60 per cent of primetime of news channels and mostly live coverage.

    “Reporting on corruption in news media between the year 2010 and 2011 has doubled. However, during July – September of 2011 alone the coverage has more than tripled,” noted CMS director PN Vasanti in the report. “Since the Anna Hazare crusade, there are initiatives all around and all across the states towards curb, contain corruption and the compulsions. With the kind of spread of e-seva and e-governance services, and transparency movement gaining ground, hopefully news media would take up reporting these in 2012 and expedite the process of decline of corruption.”  
         
      Mainstream news media attached priority to scams and scandals involving high-profile personalities. “Most of the corruption covered in 2011 involved individuals, but with high profiles and of high scams. English channels focused relatively more – both on institutions and individuals; while Hindi news channels focused relatively more on individuals in their coverage of corruption,” the report stated.

    The study pointed out that there were seven scandals, which were reported more often in the stories of news media – channels, newspapers and radio – during the period of the study. Of these, four were to do with government (2G, CWG, Adarsh, Bofors), two were to do with civil society (Ramdev and Anna Hazare) and two (Hasan Ali and Citi Bank) were from private / corporate.

    “The news channels focused more on scams referring to politicians and bureaucrats and to big public utilities / services (like CWG, DGCA, GNDA, etc). CNN-IBN had only 21 percent for covering such corruption against as high 90 percent of Aaj Tak and 81 percent by Star News. Even DD News had 42 percent coverage to do with corruption involving or referring to bureaucrats. In all, major stories covered by news media were analysed. By and large they were all chasing the same stories, and even same way,” said the report.

    This CMS Media Lab study for January – June 2011 involves analysis of primetime (7– 11 pm) coverage of corruption by news media. It includes front pages of six newspapers (Dainik Jagran, Dainik Bhasjar, Hindustan, The Hindu, The Times of India and Hindustan Times), six news channels (NDTV 24×7, CNN-IBN, Zee News, Star News, DD News and Aaj Tak) and AIR news.

  • TV news genre expands as India watches Trust Vote

    TV news genre expands as India watches Trust Vote

    MUMBAI: While MPs flashed cash in Parliament, TV news channels made hay. On 22 July, when the government was on tenterhooks, the TV news genre expanded as viewers looked curiously at the drama that unfolded on the Trust Vote day.

    According to the latest Tam data, on 22 July, Hindi news genre viewership surged to grab 12.47 (C&S, HSM, 15+) per cent share of the TV viewing audience. On the previous and following days, the viewership stood at 8.77 and 8.06 per cent respectively.

    In the English news segment, the viewership spiked from 0.71(C&S, All India, 15+) per cent to 1.26 per cent on 22 July.

    Aaj Tak with 2.72 per cent has got the highest market share among all Hindi news channels, followed by Star News with 1.98 per cent. In the third spot is India TV with 1.62 per cent while Zee News gathered 1.53 per cent of the relative market share. NDTV India held 1.40 per cent and IBN7 captured 0.88 per cent.

    Times Now topped the English news segment pocketing 0.44 per market share. In terms of market share, NDTV 24X7 got 0.28 per cent, CNN-IBN held 0.22 per cent, Headlines Today had 0.1 and NewsX 0.11 per cent.

    Times Now covered six hours nonstop without a break interspersed withinteractions from experts like senior journalists and political analysts.

    The politicians present were PS Sangma, Ravishankar Prasad, Rajiv Shukla, D Raja and Mehbooba Mufti among others.

    Other distinguished panel members inside Parliament were Paranjoy Guha Roy, Swapan Dasgupta, Sacchidanand Murthi, Gautam Adhikari, Chidanand Rajghatta, Nirja Chaudhary, Mahesh Rangarajan, Cho Ramaswamy and Shankar Raghuraman.

  • Is Bollywood taking over TV news?

    Is Bollywood taking over TV news?

     As the world’s largest television news bazaar – with over 40 dedicated news channels, unrivalled by any other country – India offers exciting possibilities for broadcast journalism. At the same time, just as elsewhere in the world, television news in India shows a clear trend towards infotainment – soft news, lifestyle and celebrities – and a decline in journalism for the public interest.

    While news outlets have proliferated globally, the growing competition for audiences and, crucially, advertising revenue, has intensified at a time when interest in news is waning. Audiences for network television peak-time news bulletins have declined in the US from 85 per cent in1969 to 29 per cent in 2005 (though in India news audience has grown).

    With the growing commercialisation of television news, the need to make it entertaining has therefore become a priority for broadcasters. They borrow and adapt ideas from entertainment and adopt an informal style with an emphasis on personalities, storytelling and spectacle.


    This has been reinforced by the take-over of news networks by huge media corporations whose primary interest is in the entertainment business: Viacom-Paramount (CBS News); Disney (ABC News); AOL-Time-Warner (CNN) and News Corporation (Fox News/Sky News and Star News Asia). This shift in ownership is reflected in the type of stories – about celebrities from the world of entertainment, for example – that get prominence on news, thus strengthening corporate synergies.

    In the process, symbiotic relationships between the news and new forms of current affairs and factual entertainment genres, such as reality TV have developed, blurring the boundaries between news, documentary and entertainment. Such hybrid programming feeds into and benefits from the 24/7 news cycle: providing a feast of visually arresting, emotionally charged infotainment which sustains ratings and keeps production costs low. The growing global popularity of such infotainment-driven programming indicates the success of this formula.

    Infotainment – a term that emerged in the late 1980s to become a buzzword – refers to an explicit genre-mix of ‘information’ and ‘entertainment’ in news and current affairs programming. This new news cannibalises visual forms and styles borrowed from TV commercials and a MTV-style visual aesthetics, including fast-paced action, in a post-modern studio, computer-animated logos, eye-catching visuals and rhetorical headlines from an, often glamorous, anchor person. This style of presentation, with its origins in the ratings-driven commercial television news culture of the US, is becoming increasingly global, as news channels attempt to reach more viewers and keep their target audiences from switching over.

    As I demonstrate in my new book News as Entertainment: The Rise of Global Infotainment, such type of journalism has been very successful: in Italy, infotainment-driven private television catapulted Silvio Berlusconi from a businessman to the office of the Prime Minister. A study of journalism in post-Soviet Russia found that the media were ‘paying huge attention to the entertainment genre’, while in the Chinese news world, Phoenix channel regularly runs such soft news programmes as ‘Easy Time, Easy News.’

    In the world’s largest democracy, what I have described as – the three Cs – cinema, crime and cricket – encapsulate most of the content on television news. Here global influences are important: As in many other countries, the greatest contributor to infotainment in India has been Rupert Murdoch, whose pan-Asian network Star, launched in 1991, pioneered satellite television in Asia, transforming TV news and entertainment. Murdoch was responsible, among other things, for introducing the first music channel in India (Channel V); the first 24/7 news network (Star News) and the first adaptation of an international game show (Who Wants to be a Millionaire).

    Murdoch was also the first transnational operator to recognise the selling power of Bollywood, its glamour and glitz. The obsession of almost all news channels with Bollywood-centred celebrity culture today dominates coverage. Crime is big too: as the ratings battle has intensified, news networks have moved towards reporting sensational stories, which are becoming progressively gruesome: murder, gore and rape are recurring themes. The paradox is stark: although crime coverage has spiralled, especially on more populist Hindi channels, in the real India the crime rate has in fact fallen dramatically in the last decade.

    A third obsession is to be seen in the coverage of cricket: cricket-related stories appear almost daily on all networks – and not just on sports news. And as Bollywood stars start bidding for cricketers, the ‘Bollywoodisation‘ of news is likely to continue.

    These three Cs are indicative of a television news culture that is increasingly becoming hostage to infotainment. The lack of coverage of rural India, of regular suicides by peasants (more than 170,000, in the last 15 years, according to government figures), and the negligible reporting of health and hygiene, educational and employment equality (India has the world’s largest population of child labour at the same time as having vast pool of unemployed young people), demonstrates that such stories do not translate into ratings for urban, Westernized viewers and are displaced by the diversion of infotainment.

    The lack of concern among television news networks for India’s majority population is ironic in a country that was the first in the world to use satellite television for educational and developmental purposes, through its 1975 SITE (Satellite Instructional Television Experiment) programme. The interest in broader questions of global equality and social justice appear to have been replaced among many journalists by an admiration for charismatic and smooth-talking CEOs and American or Americanized celebrities.

    Should we worry about this perceived dilution and debasing of news? In the early 1980s, years before media globalization and rampant commercialization of the airwaves, Neil Postman, in his influential book Amusing Ourselves to Death, argued that television militated against deeper knowledge and understanding since it promoted ‘incoherence and triviality,’ and spoke in only one persistent voice – ‘the voice of entertainment.’

    A quarter century later, looking at the Bollywoodization of news in India, Postman’s words ring truer than ever.

    (Daya Kishan Thussu is Professor of International Communication at the University of Westminster in London. His latest book is News as Entertainment: The Rise of Global Infotainment – the first book-length study of this phenomenon, published by Sage.)

  • ‘Any attempt to gag freedom of media in garb of regulation has to be resisted’

    ‘Any attempt to gag freedom of media in garb of regulation has to be resisted’

    But, television viewer has only one option, to change the channel, if he/she doesn’t find the content interesting. Because TV viewers don’t have the option of skipping the news report and watching something else, as they might do with a newspaper. Therefore, at any given time television will have to put the best possible visuals on air. And it has been observed that if the viewer finds the story interesting, he stays on – else he shifts to another channel. So to stay in the rating game a TV channel has to give such content that makes the viewers stick with it.

    Therefore, the point to be noted is that the content on TV is not being controlled by the content maker, i.e, the journalist, but someone else who has the remote control in his hand. Basically the channel surfers, today decides the content and not an avid news watcher.

    Another observation is that news channels behaved like typical Bollywood producers in 2007. That is, if a certain formula was a hit, it was copied and you had a wave of that formula. Likewise in TV news, first came a wave of family drama, matrimonial discord, violence, divorce… People lapped it up. Once the novelty factor was gone, the audience got bored.

    Then came, ghost stories. So one after another channels started showing horror stories. While this content was very short lived, it was also alleged that some of the news reports were concocted. There might be some truth in these allegations, too. Just as it was proved in the Uma Khurana case (where a school teacher from Delhi was made a victim of a fake sting operation). Stories such as these do dent the credibility of the media, but the damage is limited.

    After ghost stories, came the Baba wave. Followed by amazing videos. This was a completely new phenomenon. In these videos, channels showed people doing crazy things. But finally this too seems to be nearing its end.

    Hence I believe that classical news will perhaps never die. Because, it is truly “new”, everyday. It’s unique and touches society. So amazing videos, Baba syndrome, ghost stories are fading in comparison to real news.

    This realisation is both internally generated and induced. Induced, as the government is considering a Broadcast Bill. Yet the handling of the bill raises many questions.

    I have stated earlier – freedom of press comes with some responsibilities. This freedom is critical for nation building. But freedom does not mean anarchy. It is necessary to give deep thought to what impact certain news will have on society. Then why are we opposing the Broadcast Bill? Because when the draft bill was brought out, it became very clear that the government wanted to bring in such a mechanism which can gag the media.

    Amazing videos, Baba syndrome, ghost stories are fading in comparison to real news
    _____****_____

    I strongly feel that self regulation is the need of the hour and to achieve this, we need a truly independent and free media body, with a transparent method of electing its members, which is funded by the media, runs its own independent office, and has some powers to deal with channels that flout guidelines. Currently this responsibility has been undertaken by the News Broadcasters Association, which has brought together editors of all news networks to work on the industry’s content code.

    But one thing is clear. Government can’t gag the media and any ‘regulation mechanism’ which is in the hands of bureaucrats or any such body which is directly or indirectly controlled by the government in any way is not acceptable to us.

    Coming to the issue of the media concentrating on the urban scenario and not doing ‘real’ stories – the rural stories… I do not think this will change vastly. Media will naturally give content that is relevant to the market it addresses. And it is that market which will assess its success or failure. Similarly, the channels will also modify their content as per the market’s needs and response, for instance, it would have been noticed that business content has vanished from most general news channels. While stock market has been hitting the roof, audiences prefer to watch business news channels for this news rather than general news channels. Hence most Hindi news networks did away with their business news bulletins.

    The changed economic reality has tremendously impacted the middle class psyche. Therefore the middle class does not relate to issues that they used to be concerned with a few years ago. So the content mix today cannot be the same as it was a decade ago. The viewer today is different. Plus, we have more than 50 per cent of our population below the age group of 25. Needless to say their taste and psyche is different and this changed reality today dictates the media’s content mix. We found this change quite apparent when Headlines Today showed the wedding of Aishwarya Rai and Abhishek Bachchan. Though it may be termed routine coverage, during these two or three hours, Headlines Today reigned supreme, all other English news channels paled in comparison.

    This changed content mix has dominated Hindi news for a while and we should accept the fact that it is here to stay. Similar will be the scene among English language news channels also, with the growth in audience base. So now we have to cast a new dye for moulding this new content. In today’s world, both technology and market are driving content – just as mobile phones have changed telephony, and sms has changed English.

    As for our channels, it is extremely satisfying that we have retained the number one position despite a virtual dogfight in the TV news market. We are proud to present balanced news content. Though this is a remarkable achievement for Aaj Tak, we are aware of the challenges ahead. A number of new channels coming in the fray and with a growing audience base, it will be our effort to retain our number one position – both in terms of content perfection and market share.