Tag: TV channels

  • Vidaa partners with RunnTV to launch free streaming service in India

    Vidaa partners with RunnTV to launch free streaming service in India

    MUMBAI: Vidaa, the global smart television operating system powering millions of connected devices worldwide, has struck a strategic partnership with India’s RunnTV to launch TV Channels, its free ad-supported streaming television (Fast) service, across the subcontinent this September.

    The collaboration marks Vidaa’s most significant push into one of the world’s fastest-expanding streaming markets, where ad-supported platforms are experiencing meteoric growth as viewers increasingly abandon traditional pay-television models in favour of free, on-demand content.

    TV Channels will offer Indian audiences an extensive lineup of premium international content alongside carefully curated regional programming spanning entertainment, films, music, lifestyle, children’s shows and infotainment—all delivered at zero cost to viewers through Vidaa-powered smart televisions.

    RunnTV, the streaming technology platform founded by Manish Sinha, brings crucial local market intelligence to the venture. The company will leverage its deep understanding of India’s complex linguistic and cultural landscape to help Vidaa localise its offering, secure partnerships with top regional content creators and maximise advertising revenues through sophisticated programmatic integrations and precision-targeted campaigns.

    The partnership extends far beyond simple content aggregation. Both companies will collaborate extensively on technology integration, distribution strategies and advanced monetisation models designed to capture and retain audiences in a market where free, advertiser-supported content is rapidly displacing subscription-based services.

    Industry observers note that India’s Fast ecosystem has reached an inflection point, with viewership patterns shifting dramatically as consumers embrace connected television experiences. The entry of established global players like Vidaa signals growing confidence in the market’s potential, particularly as smartphone penetration and affordable broadband access continue expanding across tier-two and tier-three cities.

    For advertisers, the platform promises unprecedented reach and sophisticated targeting capabilities, enabling brands to connect with specific demographic segments through data-driven campaign optimisation. Content creators and channel partners, meanwhile, gain access to new revenue streams through Vidaa’s established global advertising network.

    Viewers can expect a premium experience featuring seamless channel switching, intuitive navigation and high-quality streaming performance—all integrated directly into their smart television interface without requiring additional subscriptions or hardware investments.

    The launch comes as traditional broadcasting models face increasing pressure from streaming alternatives, with Fast services emerging as a compelling middle ground between expensive subscription platforms and conventional linear television. Industry analysts predict the segment could capture a substantial share of India’s entertainment consumption within the next two years, driven by rising data affordability and changing viewer preferences.

    Vidaa’s decision to partner with a local technology specialist rather than launching independently reflects the complexity of India’s media landscape, where success often depends on nuanced understanding of regional content preferences, regulatory requirements and advertiser expectations across diverse markets.

    The collaboration positions both companies to capitalise on what many consider the next major wave in India’s digital entertainment evolution, as millions of households transition from traditional cable and satellite services toward internet-connected viewing experiences that offer greater choice, convenience and cost savings.

  • BSNL signs IPTV provider Skypro to offer entertainment services to its customers

    BSNL signs IPTV provider Skypro to offer entertainment services to its customers

    MUMBAI:: It’s a connection that they are hoping will work out for the best. State-owned telecoms provider Bharat Sanchar Nigam Ltd (BSNL) has announced a strategic link up  with IPTV provider Skypro as a part of which it hopes to bring next generation TV  and internet experiences to the telco’s consumers across India.

    A press release states that BSNL’s FTTH  customers will gain free-of-cost access to Skypro’s IPTV services through the Skypro TV app in their smart TVs. The app will offer  500 plus  HD/SD/live channels, 20+ OTT and various other value added services, interactive features, with no set-top required.

    BSNL CGM Punjab circle Ajay Kumar Karaha said – “On 28 November CMD  Robert Ravi launched our new internet TV service, powered by Skypro’s state-of-the-art IPTV platform. This service offers FTTH customers access to popular channels like Colors, Star, Zee, and sports channels like Star Sports, with no need for separate bandwidth and set-top box. After thorough testing, we’re ready to roll it out in Chandigarh, starting with 8,000 customers. We also plan to expand internationally, providing BSNL users with easy access to this exciting new feature.”

    Skypro chief technology officer Pawanpreet Dhaliwal said “ This partnership with BSNL is a proud moment for Skypro as we continue our mission to revolutionise entertainment in India. We are starting from Punjab circle and the service will extend to other circles soon. Our focus has always been on delivering innovative solutions that transform the way people consume content. By joining forces with BSNL, we are combining reliable connectivity with cutting-edge entertainment to make world-class viewing experiences accessible to every home.” 

    “We are excited to partner with BSNL to bring Indians a truly modern and immersive entertainment experience,” added  Skypro business head Nitin Sood. “At Skypro we have been working towards building solutions that bring the quality of the theatre screen in the comfort of your living rooms. This partnership represents a major milestone for us, enabling Skypro to expand its reach and deliver cutting-edge entertainment solutions to a wider audience. By combining our expertise with BSNL’s extensive network, we are setting a new benchmark for home entertainment in India.”

    Skypro claims that its service offers the lowest latency, multi CDN, low bandwidth, low channel zap time and crystal clear viewing experience for the customer.  

    “By joining forces with BSNL, Skypro is stepping into a new era of entertainment,” said Skypro president emeritus Ranjit Singh Sandhu. “This collaboration is a huge leap towards our vision of making premium content accessible to all, combining BSNL’s reliable network with Skypro’s innovative technology to deliver an unparalleled viewing experience that connects and engages audiences across India.“

    To date, Skypro has partnered with over 100+ ISPs across the country, expanding their reach and ensuring high-quality services for users nationwide. Additionally, it is also planning the launch of Oneplay – an online cloud gaming platform. 

    With Oneplay, consumers will be able to stream their favourite games anytime, anywhere, on any device, especially on TVs without the need for high-end gaming consoles with players’ progress securely saved in the cloud for seamless gaming experiences. This service will enable rural India access to high-end games at a fraction of the cost. 

  • MIB gives nod to RIL’s Viacom18 to transfer TV channel licences to Disney’s Star India

    MIB gives nod to RIL’s Viacom18 to transfer TV channel licences to Disney’s Star India

    MUMBAI: The creation of a media monolith in India got another tick mark over the weekend.

    Oil to telecom to retail giant the Mukesh Ambani-owned Reliance Industries Ltd and its broadcast subsidiary  TV18  Broadcast Ltd informed the Bombay stock exchange that the ministry of information & broadcasting (MIB) has given its offshoot Viacom18 Media the go-ahead to transfer its non-news and current affairs TV channel licences to the Walt Disney owned Star India.  

    The ministry issued the clearance on 27 September, stating that it is subject to complying of conditions laid down by the Competition Commission of India (CCI). 

    RIL and the mouse house had on 28 February announced that the two giants were “setting up a strategic  joint venture to  bring together the most compelling and engaging brands in India.”

    The transaction had valued the joint venture at Rs 70,352 crore, with RIL pumping  Rs 11,500 crore into it.

    The two had also agreed to merge Viacom 18 Media’s assets with Star India with the  transfer and vesting of the Media Operations Undertaking from Viacom 18 and Jio Cinema into Digital 18, a subsidiary of Viacom 18.

    RIL owns a clutch of channels including the Colors and Sports 18 brands through  Viacom18 as well as the OTT platform JioCinema whereas Star operates market leader Star Plus, several regional language channels  and the OTT service Hotstar. 

    Under the finalised deal, RIL and its affiliates will hold a 63.16 per cent  stake in the newly formed entity, which will manage two streaming services and 120 television channels. The Walt Disney Company will retain the remaining 36.84 per cent stake.

    Permissions for the initiative got the CCI green signal, subject to certain conditions, on 28 August, while the Mumbai bench of the National Company Law Tribunal (NCLT) gave its clearance on 30 August for the two to merge, subject to clearance for the transfer of licences by the MIB.

    Post the merger, RIL director Nita Ambani will be appointed as the chair person of the new entity with Uday Shankar being  the vice-chairman. 

  • MIB advises digital publishers, private channels against broadcast of online betting ads

    MIB advises digital publishers, private channels against broadcast of online betting ads

    Mumbai : The Ministry of Information and Broadcasting ( MIB) has advised digital media publishers, OTT platforms and private TV channels to refrain from broadcasting advertisements of online betting platforms and/or their surrogate news websites or any such product/service depicting these platforms in a surrogate manner. 

    The Ministry has observed that promotional content and advertisements of betting platforms are still visible on certain news platforms and OTT platforms. 

    The online advertisement intermediaries have also been advised not to target such advertisements towards the Indian audience. 

    The circular said ,”The advisory had been issued for the reason that betting and gambling is prohibited in most parts of the country, and pose significant financial and socio-economic risk for the consumers, especially youth and children. Accordingly, the promotion of offline or online betting/gambling through advertisements is not advised in larger public interest.”

    The ministry also observed that some online offshore betting platforms have started using news websites as a surrogate product to advertise betting platforms on digital media.

    “Betting and gambling is an illegal activity in most parts of India. In accordance with the Paragraph 9 of the Guidelines for Prevention of Misleading Advertisements and Endorsements for Misleading Advertisements 2022 under the Consumer Protection Act, 2019, it has been 
    observed that since betting and gambling is illegal, advertisements of online offshore betting and gambling platforms are prohibited,” the note said.

    The ministry reminded that according to the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules 2021,  advertisements of betting platforms, being an illegal activity, can not be shown on digital media.

    “In respect of the advertisements of the surrogate news websites operated by the online betting platforms, it may be mentioned that the logos of the concerned news websites are strikingly similar to the betting platform”, the note said.

    The concerned betting platforms and the corresponding news websites are also not registered with any legal authority under Indian laws. “Accordingly. the online offshore betting platforms appear to be promoting betting and gambling under the garb of news as surrogate advertising.”

    The Department of Consumer Affairs has also informed that online betting platforms have been advertising themselves as professional sports blogs, sports news websites, etc. while providing an indicative list of online betting platforms which are using news for surrogate advertising. 

    “The provisions of the Guidelines for Prevention of Misleading  Advertisements and Endorsements for Misleading Advertisements 2022 under the Consumer Protection Act, 2019 read with the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules 2021, it is informed that advertisements of concerned news websites, which are infact surrogate advertisements for online offshore betting platforms, do not appear to 
    be in strict conformity with these laws,” the ministry said.

  • PRCAI’s Deeptie Sethi emphasises PR industry’s need to upskill

    PRCAI’s Deeptie Sethi emphasises PR industry’s need to upskill

    NEW DELHI: The PR and communications industry is doing very well thank you. That’s the view of The Public Relations Consultants Association of India (PRCAI) CEO Deeptie Sethi. The former Ford India communications boss who was brought into lead the professional organisation after stints in the US expects the spin doctoring business to grow at a healthy 12 percent year on year and she estimates it to cross Rs 2,000 crore in the not too distant future.

    “It has been growing  rapidly and is almost back to pre-pandemic levels,”  she says with a big smile.

    Sethi has brought in a new drive into the PRCAI, organising workshops, training masterclasses, keeping in mind the demands that clients are dishing out in a complex world consisting  of newspapers, whatsapp, digital media print and video outlets, TV channels, social media influencers, bloggers, fake news, podcasters, paid media, earned media, short video platforms  and what have you. 

    “There was a time when all you had to do was draw up the right communications strategy and reach out to ensure print and TV channel journos got the right brand message through the dissemination of releases,” she explains. “But today you have several options and the responsibility of a communication professional has multiplied manifold. There is a high level of penetration of mobiles, and you know, millennials, the way they are absorbing content. Today, we are overloaded with information. Upskilling and sharpening existing skillsets are the order of the day. We listen, we learn, we educate, and we practise.”

    Towards this end, the PRCAI  has conducted a three month programme called ‘Writing Pen Upskilling’ which helps professionals to learn new techniques of writing and helps them visualize a story from the journalist’s and writer’s perspective.   “We had a batch of 41 PR people. Practitioners from 10 consultancies came forward and nominated their people, ” she reveals, adding that another upskilling programme is on the anvil.

    According to her, the manner in which communications messages are being delivered has transformed with digitisation. Currently, the audience consumes messages according to their taste and requirements. And it is quick to voice its opinion and ire against brands to their followers on social media. Hence, crafting the right communications strategy targeting the right audience and tracking its impact is becoming even more challenging.  

    “Performance marketing and influencer marketing are about having the right skills but public relations and communications is all about that trust and authenticity. We have that higher responsibility to make sure we are communicating the right story,” she highlights.

    Sethi cautions that  brands cannot be built in one day. “It is a consistent effort to put the message across to the audience and build credibility in the market. Defining a clear objective is imperative to achieve the right result. The problem is that people are unable to set a clear objective and what they would like to achieve from promotion or marketing.” she explains.

    The industry is focusing on bringing in research-oriented communication expertise and specialisation, which help to identify different trends and customise effective communication strategies.

    “Today, a lot of research is happening in our communication industry, from using data accurately, to learning and improving skills,” Sethi says. “Artificial intelligence, machine learning and automation are all the rage. It is something that agencies, consultancies and  brands are looking to adopt. It is important to figure out where the gaps are and how we can work together and overcome them. Through this the industry is also solving customer’s problems – a skill that is much-needed at this hour.”

    Sethi is optimistic about the growth of the PR and communication industry in 2022. However, she is concerned about the macro challenges that the country is facing currently, with rising inflationary pressures, a weak rupee, and economic uncertainty.

    “If economic slowdown and recession come, budgets will be impacted, thereby, various other things will be affected. We can also be impacted, so we need to be cautious in our approach,” she predicts.

    Wise words from a seasoned veteran.

     

  • Zee5 highlights regional offerings in a new campaign

    Zee5 highlights regional offerings in a new campaign

    Mumbai: Video streaming platform ZEE5 has announced the launch of the second edition of its campaign- ‘Dekhtey Reh Jaogey’ starring Sara Ali Khan and Amol Parashar. Revolving around the FOMO theme, the campaign showcases the platform’s content library, particularly the regional offerings.

    ZEE5 currently features 160+ live TV channels and 500,000+ hours of on-demand content spanning over 3,500 films, 1,750 TV shows, and 700 originals, in 12 Indian languages (English, Hindi, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, and Punjabi), all available in a new subscription of Rs. 599.

    The SVOD viewers on the platform get access to the range of movies and web series behind the paywall, along with AVOD content before they are aired on TV. The AVOD content roster at ZEE5 includes catch-up episodes of the most popular TV shows on ZEE Network and other properties which are available for audiences to watch anytime, and anywhere.

    Over the past 12 months, ZEE5 has become the fastest growing OTT platform in India as per AppAnnie’s latest industry report. The platform’s monthly active users (MAU) rose to 101.9 million and global daily active users (DAUs) touched 9.6 million in December 2021. ZEE5 users watched an average of 201 minutes of content per month during the last quarter, with the platform releasing 51 shows and movies, including 11 originals during the period.

    ZEE5 has planned a high-frequency promotional outreach for the campaign across TV, social media, and the internet as part of a 360-degree approach.

     “At ZEE5, we have always aspired to democratise entertainment and provide quality content to our audiences at a price that is convenient for the majority of the viewers,” says ZEE5 India chief business officer Manish Kalra. “While ZEE5 has a large content library that spans across various languages, the second leg of the ‘Dekhtey Reh Jaogey’ campaign will help us exhibit our diverse content offerings, especially regional content and further our aim of deeper regionalisation by making deeper inroads into the country. With the new subscription package, viewers will have access to an endless supply of compelling and binge-worthy entertainment at an annual price of Rs. 599.”

    Lowe Lintas chief creative officer Sagar Kapoor adds, “Today, content has become the perfect conversation starter and enabler. Conversations are invariably peppered with references to dialogues and characters from content pieces across OTT platforms. It is the “conversation drama” that people miss out on when they miss content. We decided to build on this idea for ZEE5 to pull in their audiences every week to watch new shows and movies and stay above content FOMO, so they never miss out on the excitement on and off the screen.”

  • Trai directs DPOs to comply with provisions of interconnection regulations

    Trai directs DPOs to comply with provisions of interconnection regulations

    Mumbai: The Telecom Regulatory Authority of India (Trai) has directed all distribution platform operators (DPOs) to ensure compliance with the provisions of the interconnection regulations pertaining to the listing and display of TV channels on the electronic programme guide (EPG).

    The telecom regulator has also asked DPOs to furnish a compliance report within fifteen days from the date of issue of the direction.

    After analysing the data received from multi-system operators (MSOs), Trai observed that some MSOs have failed to comply with the provisions under interconnection regulations relating to the listing of channels in EPG and display of channels in EPG.

    In a letter dated 17 September 2020, Trai had advised all MSOs to ensure compliance with the provisions of the interconnection regulations related to assigning a unique channel number for each TV channel available on the distribution network and indicating genre of TV channels as declared by broadcaster in the interconnection agreement and to submit to the authority data with respect to the same.

    As per the regulations, “every broadcaster shall declare the genre of its channels and such genre shall be either ‘Devotional’ or ‘General Entertainment’ or ‘Infotainment’ or ‘Kids’ or ‘Movies’ or ‘Music’ or ‘News and Current Affairs’ or ‘Sports’ or ‘Miscellaneous.”

    “It shall be mandatory for the distributor to place all the television channels available on its platform in the electronic programme guide, in such a manner that all the television channels of a particular language in a genre are displayed together consecutively and one television channel shall appear at one place only.”

    “Every distributor of television channels shall assign a unique channel number for each television channel available on the distribution network.”

  • Trai asks Cable TV operators to withdraw legal notice

    Trai asks Cable TV operators to withdraw legal notice

    Mumbai: The Telecom Regulatory Authority of India (Trai) on Tuesday wrote to the Tamil Nadu Digital Cable TV Operators Association to withdraw its legal notice filed through Utkrishtha Law Agency seeking directions for pay channels not to inflate the prices of Cable TV channels.

    In a letter dated 4 January, the regulatory body said it had already issued a letter to broadcasters, and distribution platform operators in November 2021 and asked them to report to the authority any change in name, nature, language, MRP per month of channels, the composition of the bouquets of channels as per the New Regulatory Framework 2020 by 31 December 2021. It had also asked them to simultaneously publish such information on their websites.

    The plan was to provide enough time for the migration of consumers to the New Regulatory Framework, 2020 to avoid any inconvenience to consumers. The broadcasters who had already submitted their Reference Interconnect Offers (RIOs) in compliance of the New Regulatory Framework, 2020 were also asked to revise their RIOs by 31 December 2021. Further, it informed the Association that there was no permission granted by MIB for OTT platforms at present, therefore, tariff orders issued by Trai are not applicable to OTT platforms.

    “In light of this, broadcasters including Star India has intimated about deferment of all changes made in the RIO filed on 15 October 2021. Therefore, you are advised to withdraw the legal notice against Trai,” it wrote.

    The Association had filed the legal notice last year, after several TV channels revised their prices, in compliance with Trai’s amended tariff order. The regulatory body had later extended the timeline for implementation of the new order to 1 April, 2022.

  • I&B ministry registers BCCC as Level II self-regulatory body under amended Cable TV rules

    I&B ministry registers BCCC as Level II self-regulatory body under amended Cable TV rules

    New Delhi: The ministry of information and broadcasting (I&B) has registered the Broadcasting Content Complaints Council (BCCC) as a self-regulatory body for redressal of grievances against the non-news television channels under the Cable TV Networks (Amendment) Rules, 2021 notified recently.

    Founded in June 2011 by the Indian Broadcasting Federation (IBF), BCCC is an independent self-regulatory body for non-news general entertainment channels that examines content-related grievances against over 300 non-news channels in the country.

    “The BCCC shall perform all functions specified for a self-regulatory body in Rule 18 of the Cable Television Networks (Amendment) Rules, 2021,” the ministry said. While Justice (retd) AP Shah was the BCCC’s founding chairperson, Justice (retd) Gita Mittal is the present chairperson of the Council.

    “It is a pleasant recognition of ten years of very hard work done by the BCCC under its various learned chairpersons,” BCCC’s general secretary Ashish Sinha told PTI.

    Under the amended Cable TV network rules notified by the government in May, self-regulatory bodies of TV channels are required to be registered with the central government.

    The amended rules stipulate a three-layer grievance redressal mechanism — self-regulation by broadcasters, self-regulation by the self-regulating bodies of broadcasters, and an oversight mechanism by the central government. The rules require each broadcaster to establish a grievance or complaint redressal mechanism, appoint an officer to deal with the complaints, display the contact details of their grievance officer on their website or interface and be a member of a self-regulating body.

    As per the rules, any person aggrieved by the content of a programme of a channel may file his/her complaint in writing to the broadcaster first. “The broadcaster shall, within 24 hours of a complaint being filed, generate and issue an acknowledgment to the complainant for his information and record. The broadcaster shall dispose of the complaint and inform the complainant of its decision within 15 days of receipt of such complaint,” the rules state.

  • Diwali with a bang: Hindi GECs bet big on special programming

    Diwali with a bang: Hindi GECs bet big on special programming

    MUMBAI: Crackers may be banned, but television channels are making sure Diwali 2020 goes off with a bang for their viewers. With the outlook that viewers will stay at home rather than jostle with crowds in the age of Covid2019, Hindi GEC’s have taken up an aggressive stance programming-wise to maximize viewership in the run-up to the festival of lights.

    Festive fervour has taken hold of Zee TV. While ongoing shows like Guddan Tumse Na Ho Payega, Tujhse Hai Raabta, Qurbaan Hua, Ram Pyaare Sirf Humare will see drama spikes and highpoints, its latest fiction offerings – Apna Time Bhi Aayega and Hamariwali Good News will see significant milestones that are bound to keep audiences on the edge of their seats this Diwali week. There is a special festive event on the cards for fans of the channel’s top-rated shows Kundali Bhagya and Kumkum Bhagya. During the day, audiences can look forward to the telecast of special awards shows and events like Zee Cine Awards 2020, Zee Rishtey Awards 2019 and the film, Good Newwz. The network will also premiere its highly anticipated collaboration with Balaji Telefilms, Brahmarakshas 2, on the weekend after Diwali.

     

     

    Colors Bangla, too, has a treat in store for its viewers. “Focusing on the special days including Navratri and Dussera, Karva Chauth, and Diwali, we started airing special programming called Shandaar Ravivaar hosted by the comic duo Bharti Singh and Harsh Limbachiyaa from 25 October, 12 pm. It will culminate over the Diwali weekend. We will also launch a new show Molkki featuring Amar Upadhyay and Priyal Mahajan that highlights another custom prevalent in Haryana wherein brides are bought by people. It will air starting 16 November. Apart from this, we have planned festive special segments on Bigg Boss and a few other fiction shows,” said Viacom18 Hindi mass entertainment and kids TV network head Nina Elavia Jaipuria.

     

     

    Dangal TV has shored up its primetime viewing with the debut of mythological series Devi Adi Parashakti on 9 November. The show has been produced by Swastik Productions and will be telecast Monday to Saturday at 9 pm.

    Ganga Deewali Carnival is BIG Ganga’s hot ticket property for this time of the year. The four-day multi-entertainment, multi-celebrity festivity will begin 10 November and culminate on 14 November.

    Promotional sparklers

    Besides special programming on the small screen, Diwali is always associated with contests and exciting games. Zee TV business head Aparna Bhosle mentioned that the channel has introduced Zee Wali Diwali contest for its loyal viewers, wherein they get a chance to win gold and special vouchers everyday through 2 November to 19 December. She added, “This contest will be promoted across digital, social media and PR where we will invite our viewers to share their experiences of making rangoli, mithai etc together as a family. We want to give our viewers another reason to make a fresh start, take a step forward, and make a shubh shuruwaat (auspicious beginning) with Zee TV through this contest and our on-going shows.”

     

     

    With Children's day and Diwali coinciding this year, Colors is going to run a campaign that will show the audience how to bring alive the Diwali spirit with children at the heart of it. The channel will host a #DIYwali party with the participation of notable characters and celebrities. The initiative will have a series of micro-videos that will teach DIY ways to do multiple festive rangoli, food, art & craft activities symbolic of the festival of lights.

    On the marketing side, Colors has designed a TV-focused campaign panning across network & non-network channels in all the Hindi speaking markets, along with print presence. The concept of bought bride or Molkki, the channel's newly launched show, will be brought to life with a promotional tie-in with Amazon, where customers will come across a unique buying proposition. In order to tap into the massive reach of 84.25 million people on its social media platforms, the ‘Colors golden petal club’ virtual event has flagged off ahead of Diwali.

    Ad spends rocketing too

    With market sentiments improving over the last few months, brands have started coming up with new and dynamic ways to connect with consumers. Experts observe that the festive season is the same every year – from consumer as well as advertisers’ perspective – enthusiastic and buoyant, even if celebrations may be a little toned down this time around. OMD Mudramax EVP & principal partner Navin Kathuria stated that if not all, most categories like e-commerce (Amazon, Flipkart, Pepperfry etc), cars, paints, white goods have started advertising.

    Jaipuria noted that gaming and edu-tech brands are also seizing the opportunity to invest big and have been receiving good traction for the last six months. She further added, “In the April-June quarter, most broadcasters gave attractive discounts to advertisers which helped the ad volumes to bounce back. However, ad rates were down due to the discounting. July to September quarter has witnessed a strong revival in pricing, with September discounting down to zero for movies and GEC genres.”

    According to both Kathuria and Madison Media Sigma CEO Vanita Keswani, the surge in advertising is more prominent on TV and digital. Meanwhile, print, radio, cinema, and OOH are nowhere close to their yesteryears’ inventory levels, though there also is a marginal increase in advertising. The only difference between last year and this year will be the scale of celebrations, advertising and spending / purchasing.

    Keswani also mentioned that ad spends started recovering since August and has almost reached the pre-Covid2019 levels in October, riding on the back of festive spending and the IPL. She said, “We expect ad-ex to recover in H2 2020 and grow at a dramatic rate of 60-70 per cent of the collapsed H1 half, or grow 6 per cent to 13 per cent versus H2 2019. This will lead to ad-ex in 2020 contracting by 14 per cent to 18 per cent.”
     
    Kathuria opined that advertisers will advertise only if they sense consumer demand. And many festive categories like cars, paints, e-commerce, electronic retail shops, home loans are advertising. In fact, a latest report indicated home purchase in October 2020 being higher than January this year – when the pandemic had not set in India. So all these signals point to consumer demand going up.