Tag: TV channel

  • TRAI issues draft regulations on register of interconnect agreements, wants comments by 25 April

    TRAI issues draft regulations on register of interconnect agreements, wants comments by 25 April

    New Delhi: The Telecom Regulatory Authority of India today asked stakeholders to give their views on the periodicity and authenticity of the proposed register of interconnect agreements, apart from the format for such a register.

    Stakeholders have been asked to post their comments by 25 April with counter-comments, if any, by 5 May to a consultation paper and a draft of the Register of Interconnect Agreements (Broadcasting and Cable Services) Regulations 2016.

    The primary objective of register of interconnection regulations is to prescribe the contours of a reporting system to service providers to report interconnection agreement details to the Authority so as to enable it to maintain a register of interconnect agreements as per the provisions of TRAI Act. It is also useful for monitoring and analyzing market practices prevailing for interconnection agreements. Presently, the regulations mandate service providers to report the prescribed information annually.

    One clause of the draft register is for ‘Reporting of information, relating to interconnect agreements, by broadcaster of pay channel and the distributor of TV channel’. It says every broadcaster of pay channel and distributor of TV Channel shall report the information relating to all interconnect agreements entered into by them or modifications or amendments or addendums thereto which have been signed before and after coming into effect of the regulations that are valid as on the date of commencement of the regulations and shall be reported within one month for the previous ones and by tenth of the month for the new ones.

    A para on format of reports says: “Subject to the provisions contained in regulation 5 of the regulations, the broadcaster of pay channel and the distributor of TV Channel , as the case may be, shall furnish to the Authority, the information relating to the interconnect agreements in the formats specified in Schedule-I ( Format for broadcasters of pay channels), Schedule-II (Format for MSO and HITS Operator) or Schedule-III (Format DTH and IPTV Service provider) of the regulations as applicable.”

    Stakeholders have been asked to provide suggestions on this regulation of draft regulations and also the formats given in schedules and told that they can also suggest modified format for reporting to make it simple and easy to file.

    TRAI also wants comments on how it can be ensured that service providers report accurate details in compliance of regulations, and on digitally signed method of reporting the information.

    TRAI wants to know why all information including commercial portion of register should not be made accessible to any interested stakeholders, and if the commercial information is to be made accessible, in which way can this commercial information be made accessible to fulfill the objective of non-discrimination.

    If the commercial information is not made accessible to stakeholders, then in what form the provisions under clause (vii) and (viii) of Section 11 (1) (b) of TRAI Act be implemented in broadcasting and cable sector so that the objective of non-discrimination is also met simultaneously, the stakeholders have to state.

  • Harmonic releases documentary on making of NASA’s UHD TV

    Harmonic releases documentary on making of NASA’s UHD TV

    MUMBAI: Harmonic, the video delivery infrastructure for emerging television and video services, has shot a documentary examining the making of NASA’s UHD TV channel.

    NASA TV UHD is the first noncommercial consumer UHD channel in North America. Showcasing the breathtaking beauty and grandeur of space using high-resolution images and video generated on the International space station and other current NASA missions, the channel also airs re-mastered footage from historical missions.

    The Harmonic documentary discusses the technical challenges NASA and Harmonic overcame within a matter of months to put NASA TV UHD up on one satellite link along with NASA’s existing SD and HD channels.

    Harmonic CMO Peter Alexander said, “Our signal is up on the bird, and so that’s exciting – to be blazing a new trail and leveraging the very latest state-of-the-art technology in television and video.”

    The video is also available on the Harmonic channel: www.harmonicinc.com/resources/videos/nasa-uhd

  • Harmonic releases documentary on making of NASA’s UHD TV

    Harmonic releases documentary on making of NASA’s UHD TV

    MUMBAI: Harmonic, the video delivery infrastructure for emerging television and video services, has shot a documentary examining the making of NASA’s UHD TV channel.

    NASA TV UHD is the first noncommercial consumer UHD channel in North America. Showcasing the breathtaking beauty and grandeur of space using high-resolution images and video generated on the International space station and other current NASA missions, the channel also airs re-mastered footage from historical missions.

    The Harmonic documentary discusses the technical challenges NASA and Harmonic overcame within a matter of months to put NASA TV UHD up on one satellite link along with NASA’s existing SD and HD channels.

    Harmonic CMO Peter Alexander said, “Our signal is up on the bird, and so that’s exciting – to be blazing a new trail and leveraging the very latest state-of-the-art technology in television and video.”

    The video is also available on the Harmonic channel: www.harmonicinc.com/resources/videos/nasa-uhd

  • Prejudice caused to broadcaster by TV channel’s placement has to be established: TDSAT

    Prejudice caused to broadcaster by TV channel’s placement has to be established: TDSAT

    NEW DELHI: The Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has rejected the demand by Sun Distribution Services for placement of three Malayalam channels on numbers of their choice on Asianet Satellite Communications Ltd.

    Sun wanted restoration of its three channels – Surya, Kiran TV and Surya Music – to their original placements at 107, 144 and 146 respectively. It was said that after the hiatus of a few days when these were off air due to technical glitches (according to Asianet) the three channels are now being shown at LCN 648, 664 and 668. 

    TDSAT chairman Aftab Alam and members Kuldip Singh and B B Srivastava said no case is made out for any direction to the respondent to restore the LCN placements of the petitioner’s three channels by way of an interim order. 

    While accepting the terms in the interconnect agreement that the subscriber operator would ensure that no subscribed channel would be disadvantaged or otherwise treated less favourably with respect to the competing channels on a genre basis, the Tribunal said no case had been made out in support of this.  

    Whether or not the change in placement has caused any disadvantage or amounts to inferior treatment with respect to competing channels on a genre basis is a pure question of fact, which can be gone into only after evidences are led by the two sides, the Tribunal said while posting the matter before the Registrar’s court on 17 March for getting the pleadings completed, framing of issues and taking evidences.

    Sun had initially filed the petition agitating the grievance that Asianet had discontinued the supply of its signals on its network without any notice and in violation of the Regulations. The petition was filed on 14 January but when it came up before the Tribunal the next day, it was stated that the broadcast of channels was resumed on the respondent’s network but their placements were changed causing much prejudice to the petitioner.  

    Noticing this grievance of the broadcaster, the petition was adjourned to enable the counsel for Asianet to get proper instructions in the matter. 

    Thereafter Sun filed an affidavit on 28 January and its reply was filed by Asianet the next day.

    Sun Counsel Abhishek Malhotra strongly contended that the Asianet action in changing the placements of the channels was in violation of the Regulations and the terms of the agreements.

    Asianet counsel Navin Chawla submitted that there was no violation of any Regulations or the terms of agreement in shifting the positions of the three channels and the respondent was fully entitled to place the channels as and where it suited its interests.

    The two sides have been in interconnect relationship for the past several years. In the past, the agreements between the two sides were based on mutual negotiations and the petitioner’s three channels were consistently placed at LCN 107 (Surya), 144 (Kiran TV) and 146 (Surya Music). The parties executed a fresh agreement on 31 December, 2015 to take effect from 1 January, 2016 covering Kerala that came under the Digital Addressable System (DAS) regime in Phase-III. 

    The present agreement, unlike the previous agreements, is based on the Sun’S RIO. It is well known that a distributor accepts the RIO based agreement only as a measure of last resort.

    Malhotra submitted that the three channels belong to “GEC (Malayalam)”, “Movies (Malayalam)” and “Music (Malayalam)” genres respectively and Asianet was legally obliged to put them in the genres to which each of them belonged. He further submitted that at LCN 107, 144 and 146, the three channels were rightly placed in their respective genres but at LCN 648, 664 and 668, those channels are placed among channels, which do not belong to their respective genres. 

    However, Chawla said the three channels, which were earlier in Malayalam Package-I were now in Malayalam Package-II among all the Malayalam language channels and the only grouse of Sun was that they had been assigned distant numbers.  

    The Tribunal, which saw the earlier and present groupings found that in the present grouping, the number of GEC channels in its neighbourhood had become relatively fewer. Chawla sought to justify the change by stating that it was open to the Asianet to make language based groupings rather than content based groupings and all the three channels of Sun continued to be in the Malayalam group.

    Malhotra drew attention to Regulation 5[14(A)], [14(B)] and [14(C)] of the Telecommunication (Broadcasting and Cable Services) Interconnection (Digital Addressable Cable Television Systems) (First Amendment) Regulations 2012.  The Regulations said, “The multi system operator will place the channels of a broadcaster in the genre declared by such broadcaster and no broadcaster shall demand from the multi-system operator to assign a particular number of its channels.”

    Thus, the Tribunal noted that while prima facie Sun was right, the fact remained that there was nothing to show that Sun made the declaration regarding the genres of the three channels to the distributor at the time of execution of the agreement.

  • Prejudice caused to broadcaster by TV channel’s placement has to be established: TDSAT

    Prejudice caused to broadcaster by TV channel’s placement has to be established: TDSAT

    NEW DELHI: The Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has rejected the demand by Sun Distribution Services for placement of three Malayalam channels on numbers of their choice on Asianet Satellite Communications Ltd.

    Sun wanted restoration of its three channels – Surya, Kiran TV and Surya Music – to their original placements at 107, 144 and 146 respectively. It was said that after the hiatus of a few days when these were off air due to technical glitches (according to Asianet) the three channels are now being shown at LCN 648, 664 and 668. 

    TDSAT chairman Aftab Alam and members Kuldip Singh and B B Srivastava said no case is made out for any direction to the respondent to restore the LCN placements of the petitioner’s three channels by way of an interim order. 

    While accepting the terms in the interconnect agreement that the subscriber operator would ensure that no subscribed channel would be disadvantaged or otherwise treated less favourably with respect to the competing channels on a genre basis, the Tribunal said no case had been made out in support of this.  

    Whether or not the change in placement has caused any disadvantage or amounts to inferior treatment with respect to competing channels on a genre basis is a pure question of fact, which can be gone into only after evidences are led by the two sides, the Tribunal said while posting the matter before the Registrar’s court on 17 March for getting the pleadings completed, framing of issues and taking evidences.

    Sun had initially filed the petition agitating the grievance that Asianet had discontinued the supply of its signals on its network without any notice and in violation of the Regulations. The petition was filed on 14 January but when it came up before the Tribunal the next day, it was stated that the broadcast of channels was resumed on the respondent’s network but their placements were changed causing much prejudice to the petitioner.  

    Noticing this grievance of the broadcaster, the petition was adjourned to enable the counsel for Asianet to get proper instructions in the matter. 

    Thereafter Sun filed an affidavit on 28 January and its reply was filed by Asianet the next day.

    Sun Counsel Abhishek Malhotra strongly contended that the Asianet action in changing the placements of the channels was in violation of the Regulations and the terms of the agreements.

    Asianet counsel Navin Chawla submitted that there was no violation of any Regulations or the terms of agreement in shifting the positions of the three channels and the respondent was fully entitled to place the channels as and where it suited its interests.

    The two sides have been in interconnect relationship for the past several years. In the past, the agreements between the two sides were based on mutual negotiations and the petitioner’s three channels were consistently placed at LCN 107 (Surya), 144 (Kiran TV) and 146 (Surya Music). The parties executed a fresh agreement on 31 December, 2015 to take effect from 1 January, 2016 covering Kerala that came under the Digital Addressable System (DAS) regime in Phase-III. 

    The present agreement, unlike the previous agreements, is based on the Sun’S RIO. It is well known that a distributor accepts the RIO based agreement only as a measure of last resort.

    Malhotra submitted that the three channels belong to “GEC (Malayalam)”, “Movies (Malayalam)” and “Music (Malayalam)” genres respectively and Asianet was legally obliged to put them in the genres to which each of them belonged. He further submitted that at LCN 107, 144 and 146, the three channels were rightly placed in their respective genres but at LCN 648, 664 and 668, those channels are placed among channels, which do not belong to their respective genres. 

    However, Chawla said the three channels, which were earlier in Malayalam Package-I were now in Malayalam Package-II among all the Malayalam language channels and the only grouse of Sun was that they had been assigned distant numbers.  

    The Tribunal, which saw the earlier and present groupings found that in the present grouping, the number of GEC channels in its neighbourhood had become relatively fewer. Chawla sought to justify the change by stating that it was open to the Asianet to make language based groupings rather than content based groupings and all the three channels of Sun continued to be in the Malayalam group.

    Malhotra drew attention to Regulation 5[14(A)], [14(B)] and [14(C)] of the Telecommunication (Broadcasting and Cable Services) Interconnection (Digital Addressable Cable Television Systems) (First Amendment) Regulations 2012.  The Regulations said, “The multi system operator will place the channels of a broadcaster in the genre declared by such broadcaster and no broadcaster shall demand from the multi-system operator to assign a particular number of its channels.”

    Thus, the Tribunal noted that while prima facie Sun was right, the fact remained that there was nothing to show that Sun made the declaration regarding the genres of the three channels to the distributor at the time of execution of the agreement.

  • Paritosh Painter quits Reliance Broadcast Network

    Paritosh Painter quits Reliance Broadcast Network

    MUMBAI: Paritosh Painter, who was brought in as network creative director by Reliance Broadcast for radio channel 92.7 Big FM as well as television channel Big Magic, has quit. 

     

    Painter will now be concentrating on his theatrical productions, film & TV writing.

     

    Painter had created & written Akbar Birbal  for Big Magic, which is one of the channel’s biggest shows. He also helped create a number of shows for Big Magic & Big FM.

     

    “Beside concentrating on his theatre and writing projects, the channel’s gradual shift towards non-fiction from fiction is also a reason behind Painter’s resignation,” said a source close to the development.

     

    Having over 15 years of experience in the field of entertainment, Painter has directed over 23 plays in Hindi and English and has done 2500 shows across the globe. Besides this, he has scripted several Bollywood films like Dhamaal (2007), Paying Guest (2009) and All The Best: Fun Begins (2009). His repertoire also includes stand-up comedy, content development and producing shows on television.

  • I &B sets format for Home Ministry Security clearance for TV channels

    I &B sets format for Home Ministry Security clearance for TV channels

    NEW DELHI: In view of new clearances and those who need fresh security clearance for next 10 years, the government has set out the format in which applications should be sent by news and non-news television channels seeking Home Ministry security clearance to uplink or downlink.

     

     The applications have to be sent to the Information and Broadcasting Ministry within 15 days.

     

     The companies owning channels have to furnish the details of the company and its Board of Directors (in four additional sets) in the prescribed format listed out in the Ministry’s website mib.nic.in.

     

     The details required are details of the company/firm for whom clearance is sought; names of firms/bidders, registered office address, date of incorporation, details of the Directors/Key Executive in respect of whom clearance is sought, name/parentage, date of Birth, Present Position held and complete address including e-mail and websites etc.

  • DEN Networks to launch a TV channel

    DEN Networks to launch a TV channel

    MUMBAI: In one big development multi system operator (MSO) DEN Networks has announced its joint venture with Jasper Infotech, the entity that owns and operates the digital commerce platform, Snapdeal.com.

     

    As per this 50:50 joint venture, DEN Networks will set up a television channel to be used as a market place platform for facilitating the sale of branded and unbranded merchandise and services, including vouchers offered by third party sellers subject to necessary approvals.

     

    The MSO is currently busy setting up its internet broadband services in all leading metros. And according to a PTI report, it has already invested close to Rs 250 crore in the project, which will offer the broadband services in Delhi, Mumbai, Kolkata, Chennai, Pune, Lucknow and Ahmedabad in the first stage.

     

    Jasper Infotech currently offers a huge range of product categories, which include: mobiles and tablets; computers, laptops, and gaming; TVs, audio/video, and movies; cameras, lenses, and accessories; appliances; men and women clothing; footwear; sunglasses, bags, and accessories; watches; jewelry and gold coins; perfumes, beauty, and gifting; kitchen and home furnishing; sports, fitness, and health; kids toys, clothing, and baby care; learning, stationary, and hobbies; automotive; and furniture and fixtures through its online store.

     

    It also operates ‘Launchpad’, an e-window that allows Indian innovators and inventors to list, market, and sell their products on the site; and capital assist that provides sellers on its platform with access to funding. Based in New Delhi, the company was founded in 2007.

     

  • National Geographic Channel becomes the most liked TV channel on Facebook in India

    National Geographic Channel becomes the most liked TV channel on Facebook in India

    Keeping pace with digital times, leading infotainment channel National Geographic Channel has established itself as the most liked TV channel on Facebook. With  more than 66 lakhs likes and around 6 lakh people talking about it, the NGC Facebook page is currently the most interactive page on Facebook amongst all GECs, infotainment and news channels.

    Nat Geo interacts with its audiences and keeps them engaged through its path breaking and specially developed content for the digital medium. Interesting and breath-taking imagery and video sharing has contributed to its success amongst fans across the country. The page also brings fans closer to the iconic infotainment channel and satiates their hunger for knowledge through exciting contests, games and gratifications in form of classic Nat Geo souvenirs and memorabilia.

    Ms. Debarpita Banerjee, Vice President, Marketing, NGC and Fox Traveller said, “It’s great news for all of us and we thank our viewers for contributing to our success. The page is a perfect platform for likeminded brands to reach and engage with their target audience. The exciting communication on a day-to-day basis attracts and retains fans from across the country. With each post reaching out to over 6,48,961 people, the page serves as the perfect medium for us to communicate with our viewers. “

     

  • The 7th RCF Sujla Doordarshan Sahyadri Krishi Sanman -2014

    The 7th RCF Sujla Doordarshan Sahyadri Krishi Sanman -2014

    MUMBAI: Doordarshan – a public broadcaster started its service in the year 1959 primarily to cater the farmers and the whole agriculture sector in the country. Since its inception, Doordarshan has been fulfilling its mandate religiously.  Doordarshan has recognized as its duty to keep the farmers abreast of the changes in the agriculture field, inform them latest technologies and advancements being imbibed in the sector, guiding farmers and disseminating information and innovations to yield more crops, development of allied sectors like fisheries, animal husbandry & dairy development, poultry & Sericulture etc.

     

    Right from 1959 and till the year 2008, no individual or organization ever thought of honoring these entrepreneurs through a TV Channel. Needless to say that agriculture is a prime sector in India responsible for country’s economic growth.

     

    However, DD Sahyadri understood this lacuna and started honoring the farmers’ fraternity in various categories since 2008. This year, DD Sahyadri will organise the 7th Doordarshan Sahyadri Krishi Awards function on Friday 7th February 2014 at 3.30 pm  in the studio of Doordarshan Kendra, Worli, Mumbai under the auspices of Shri Mukesh Sharma, Additional Director General (West Zone), Doordarshan Kendra, Mumbai. The function will be attended by luminaries belonging to various fields of the society e.g. films, art & culture, education, scientists and farmers of Maharashtra.

     

    The following farmers / entrepreneurs have been selected for these prestigious awards in eleven categories:

          1. Shri. Dadarao Hatkar, Buldhana (Excellent Work in Water Management)

          2. Shri. Madhukar Ghuge, Parbhani (Excellent Research Work in Agriculture)

          33. Shri. Shekar Dinkar Patne, Satara (Excellent Innovative  Work in Agriculture)

          44. Shri. Rajesh vitthalrao Chopde, Akola (Excellent Work in Rural – Agricultural Processing field)

          55. Shri. Ganesh Shankarrao Deshmukh, Satara. (Excellent Work in Animal Husbandry & Dairy  

             Development)

     

          6. Smt.  Prabhavati  Janardan  Ghogre, Ahmadnagar. (Excellent Work in Animal Husbandry & Dairy                Development)

          7. Shri. Rajesh Parab, Sindhudurg (Excellent Work in fisheries Development)

            8. Shri. Kuldip Raut, Washim (Excellent Work in Flowers, Fruits & Vegetable Cultivation)

          99. Shri. Mohan Tejrao  Jagtap, Buldhana (Excellent Work in Flowers, Fruits & Vegetable Cultivation)

        1010. Shri. Shankar dashrath Gaddekar, Gadchiroli  (Excellent Work  in Agriculture Allied Industries like,   

             Bee Keeping, sericulture, Varmi Culture,   poultry, sheep and goat rearing, piggeries, agro tourism  etc.)

     

    These awardees were selected by a four member jury comprising experts in Agriculture and allied fields. They acquire years of hands-on experience and have spent their life in this sector.

     

    Jury Members:

    1. Dr. A.G. Sawant, Former, Vice-Chancellor, Dr. Balasaheb Sawant Kokan Agriculture University, Dapoli.
    2.  
    3. Dr. S.D. More, Former Director, Marathwada Agriculture University, Parbhani.
    4.  
    5. Smt.  Rohini Bhosle, Deputy Director , Commissionrate of Agriculture Pune.
    6.  
    7. Dr. A.T. Sherikar, Former Vice-Chancellor, Maharashtra Animal & Fisheries Science University, Nagpur.   
    8.  
    9. Dr. Vyankatrao  Mayande, Ex. Vice chancellor, Panjabrao Agriculture University, Akola.