Tag: TRIP

  • How to use visual content format to create a long-term connect and impact with your audience

    How to use visual content format to create a long-term connect and impact with your audience

    Mumbai: First things first. Be honest to your audience and the craft. Visual content has the power to instantly grab our attention and convey messages that words simply can’t. Whether it’s an eye-catching graphic, an engaging video, or a stunning photo, visual content has become a vital component of modern marketing. With the rise of social media and the increasing availability of visual content creation tools, businesses of all sizes now can reach a wider audience and build stronger connections with their customers through the power of visuals. From creating brand awareness to boosting engagement and driving sales, incorporating visual content into your marketing strategy assists in forging long-term connections and influencing the target audience.

    The importance of visual content

    Visual content significantly elevates your marketing strategy by capturing attention, simplifying complex information, and evoking emotions. In an era inundated with information, visuals like images and videos stand out, increasing the likelihood of converting viewers into customers. It enhances brand recall by leveraging the human tendency to remember visuals better than text. Moreover, visual storytelling, particularly through videos, offers a compelling and immersive experience. Ultimately, integrating visual elements into your marketing efforts not only enhances appeal but also effectively delivers your brand’s message to the audience, driving conversions.

    Practices to create visually appealing content

    Consider your audience: Precisely target your audience for an effective strategy. Define the problem you’re solving, identify the audience you’re helping, and establish metrics for measuring engagement. This clarity informs a more impactful and focused strategy.

    Establish your brand: Visual content marketing is about crafting a unique brand story. Establish your brand concretely for a cohesive visual strategy. Consistency is key; for instance, if you’re in retail, maintain content within that space for a more focused appeal. Incorporate your brand’s colours, tone, and style consistently across all platforms to strengthen brand identity and recognition.

    Encourage user-generated content: Amplify your visual content marketing by inspiring user-generated content. Rather than doing all the content creation work on your own, build a community for the niche. Engage your audience through reviews, social media queries, and interactions. It not only creates a community that appreciates your brand but also makes your visual content gain more reach, which, in turn, makes your marketing efforts highly effective.

    Optimise for specific platforms: Tailor your visual content to various social media platforms to optimise visibility. Each social media platform demands specific formats to align with algorithms and gain the most views. Hence, it is essential to embrace vertical formats for enhanced discovery, especially on mobile devices. Businesses targeting these platforms should prioritise vertical framing, increasing the likelihood of impactful engagement and resonating effectively with their audience.

    The power of visual content in marketing!

    Modern marketing is witnessing the rise of visual content, which is an effective strategy for engaging people in new and significant ways. Its ability to draw attention, simplify information, and evoke emotion considerably improves marketing strategies. Through the implementation of optimal methodologies, including understanding the target audience, creating a unified brand identity, and promoting content created by users, companies can establish long-lasting connections and increase conversion rates. A lasting impression on the audience is ensured by further improving visibility through platform-specific visual content optimisation.

    The difference between “just another brand” and “this is the brand for me” lies in how you can convert probable and existing users into brand custodians using the power of genuine interactions using various formats for maximum reach.

    This article has been authored by TRIP creative agency founder Prateek A Sethi

  • Malaysia-Singapore co-production gets funds at Golden Horse in Taipei

    Malaysia-Singapore co-production gets funds at Golden Horse in Taipei

    NEW DELHI: The Malaysia-Singapore co-production The Era of Farewell has won the Grand Prize at the Golden Horse Film Project Promotion (FPP) in Taipei.

     

    Based on the novel by Li Zi Shu, Era is the multi-generational tale of a gang boss’s wife who fights for her own independence. Director Adric Chong receives a NT$1 million (US$32,300) cash prize.

     

    Juror Lee Lieh said that although Chong’s original treatment was problematic, he was awarded based on the strength of his short films and a revised synopsis. The film, budgeted at US$1.6 million, has yet to secure any financing.

     

    Three films won two prizes: Midi Z’s The Road to Mandalay, Maisy Choi’s Have a Nice Trip and Kuo Cheng-chui’s For?t Debussy.

     

    Mandalay, about illegal immigrants in Bangkok, won two prizes: The Pixelfly Digital Award and the inaugural Taipei New Horizon Screenplay Award, valued at NT$400,000 (US$12,900). It has raised US$100,000 of its US$750,000 budget.

     

    Trip — about four elderly relatives visiting Japan — won The Hualien International Most Potential and Creative Award, valued at NT$300,000 (US$9,700), and the Modern Cinema Laboratory Award. Budgeted at US$1.85 million, it is produced by Hong Kong’s Amy Chin and Stanley Kwan.

     

    France-Taiwan co-production Debussy — about a mother and daughter who flee into a forest to escape a media scandal — won the CNC Cash Award and the TMPC Award. The CNC prize, valued at €10,000 (US$12,500) is for projects that have potential as French co-productions.

     

    Jenny Lu’s UK-Taiwan co-production The Receptionist won the Central Pictures Corporation Award for post-production. 2 Love Stories about Liang Liang, which has no director officially attached, won the CPC’s award for pre-production.

     

    Both Debussy and Receptionist are also recipients of government production subsidies that were announced by Taiwan’s Ministry of Culture in July.

     

    Farewell the Good Old Days is set to be directed by Hong Kong’s Kevin CHU Ka-wang and Judy CHU — the duo behind indie drama I Sell Love — picked up the Moneff Award. The film will be Judy Chu’s directorial debut.

     

    Singapore’s A Small Place won the 3H Sound Studio Award. Packages from Daddy won the LAPCC Award. Notes of a Desolate Man, based on a novel by Chu Tien-wen, won the Arrow Award.

     

  • Taproot launches new division TRIP

    MUMBAI: Taproot is launching a new division, Taproot India Plus (TRIP).

    TRIP, headed by Purushottam Joshi, will handle creative execution and services, specialising in non – mass media and production activities for the advertising, publicity and marketing industry.

    The new division will be based out of Mumbai but the agency’s multi city network tie ups will support national level requirements too.

    Joshi, a partner in TRIP, will be leading it as a director and will be the face of this unit with an experienced team under him.

    Joshi said, “There is a disconnect between what kind of state-of-the-art technology available in the market versus what’s being used or rather how it‘s being used to reach consumers. In fact he is positive that ventures like TRIP can bridge the divide between brands and consumer across non mass-media touch points in a more relevant and effective way”

    The division will not only talk about the standard BTL but every single experience point where a brand has a connect with its consumer, for example POS, brand signage, in-shop displays, merchandise, exhibitions and events.

    Taproot India co-founder Santosh Padhi said, “The industry spends on retail / on-ground/ merchandise are already steep but sadly, the quality needs to improve much more to honestly justify those spends. The industry has moved ahead quite a bit on film production in last five years with our television work looking far better than what it was a decade back. But we are yet to do the same in other areas”.

    Taproot India chief creative officer Agnello Dias added, “This sort of service does exist in international markets where once the big idea is arrived at, the creative services execution team, with their practical knowledge of on-ground and retail space takes the idea forward in a more engaging, entertaining and effective way. To the extent that at times most clients do brief these set of team independently like one does to a research or a digital agency”.

    Joshi has over 25 years of experience in the advertising and print industry. He has worked in agency networks such as JWT, Euro RSCG and Mudra.