Tag: Times Internet

  • Comscore: India Today Group leads in digital video general news publisher with highest reach

    Comscore: India Today Group leads in digital video general news publisher with highest reach

    MUMBAI : Comscore’s Video Metrix data for August 2022 has reported the list of highest reach amongst general news publishers. India Today Group tops the list with 106 million viewers, followed by Zee Digital (98 million), ABP Network (80 million) and Network 18 (78 million).

    India Today Group’s consistency in covering and broadcasting matters of national and global importance in a rigorous manner backed by a battery of stellar journalists and ground-reporters has earned it its place of pride in the national digital video publishing space.

    According to Comscore, India Today Group has the highest reach amongst the list of streaming video providers in the news and information category, with 106 million viewers, leaving behind Times Internet (82 million), Network 18 (78 million), ABP News @Youtube (76 million) and TV9 Network (71 million).

    The numbers released by Comscore leave behind competitor offerings by a huge margin in the video reach race and once more place the group at the top spot.

  • Comscore ranks India Today Group at No.1 in video news streaming

    Comscore ranks India Today Group at No.1 in video news streaming

    Mumbai: As the nation’s top multi-platform news outlet and the provider with the highest digital viewing reach for streaming news platforms according to Comscore, India Today Group has persevered in outshining the competition on its relentless journey.

    As per the Comscore Videometrix MultiPlatform Report for July 2022, the media giant tops the rankings list with a digital viewership of 98,600 in the streaming video attribute of the news/information streaming ranked category.

    This development showcases the group’s focus on constantly innovating and servicing its trusted viewership base in the digital ecosystem.

    The India Today Group’s enormous success can be attributed to its strategy of emphasising video, being strong on mobile, and making sure it has a strong social media presence and ranks at the top of YouTube, Facebook, Instagram, and Twitter.

    In the Comscore Videometrix MultiPlatform Report for July 2022, the India Today Group tops the charts by over 15,000 points, beating Times Internet (83,000), Network18 (79,000), and ABP News on YouTube (73,000) by a distance.

    The group’s multiplatform products have had enormous success, which can be credited to its strengths in mobile, video, and social media, and to being the most popular brand on YouTube, Facebook, Instagram, and Twitter.

  • Titus Upputuru’s short film shines bright at Indian Cine Film Festival 2022

    Titus Upputuru’s short film shines bright at Indian Cine Film Festival 2022

    MUMBAI: “Nip in the bud”, a short film by the media conglomerate, Times Internet, has won big at the Indian Cine Film Festival. Written by famous adman, Titus Upputuru, it has been awarded the Best Screenplay award and the Best Public Service award at the event.

    Titus is the man behind the screenplay and has also directed the film. Elaborating on the win, The Titus Upputuru Company founder and chief creative officer Titus said, “Wow, I am so thrilled! I thank God for these awards and dedicate them to every voice that had the courage to share the abuse that happened at their workplaces. I am also glad that a film like this has been recognized and awarded at so many award shows as I believe that voices like these influence, inspire and contribute towards rooting out this very diabolic, sickening culture from our society.”

    The film opens on a young girl weeping profusely and with a determined look, she knows what she wants to do. The very fact that her business role model, a business tycoon, tried to get awkwardly close to her, breaks her apart. But it obviously doesn’t break her confidence and grit to make sure that the world knows about his misdeeds – she walks into a café and pens a note on social media to share the horrific experience. The film takes a twist when we see the post being read by a woman, realising to her horror that it was the same man who abused her years ago. A photograph on the mantle reveals that the two women were related and happen to be mother and daughter. The film ends with the message ‘If you are delaying, you may be encouraging’.

    For the record, “Nip in the Bud” also won the prestigious DadaSaheb Phalke Award earlier this year.

  • IPL e-auction: Viacom18, Disney Star & Times Internet win media rights for 2023-27

    IPL e-auction: Viacom18, Disney Star & Times Internet win media rights for 2023-27

    Mumbai: The 2022 Indian Premier League (IPL) media rights auction has concluded. The Board of Control for Cricket in India (BCCI) has sold the rights at a combined value of Rs 48,390 crore. Disney Star has won the TV broadcast rights, Viacom18 has laid claim to the digital rights, including exclusive and non-exclusive games, and Times Internet has won the bid for international media rights.

    “IPL is now the second most valued sporting league in the world in terms of per match value!” said BCCI secretary Jay Shah on Tuesday.

    “The BCCI will utilize the revenue generated from IPL to strengthen our domestic cricket structure starting from grassroots, to boost infrastructure and spruce up facilities across India & enrich the overall cricket-watching experience.”

    He further said, “Now, it’s time for our state associations, IPL franchises to work together with the IPL to enhance the fan experience and ensure that our biggest stakeholder – the cricket fan – is well looked after and enjoys high quality cricket in world-class facilities.”

    The bidding for Package C and Package D concluded on Tuesday. Viacom18 and Times Internet shared Package D that included international media rights. Viacom18 won the rights to Australia, South Africa and the United Kingdom while Times Internet won the rights to the rest of the world that included the Middle East and Africa (MENA) & US. Package D was sold for Rs 1,058 crore for five years or Rs 2.58 crore per match for 410 matches.

    Package A for TV broadcast rights was won by Disney Star at the value of Rs 23,575 crore for five years or Rs 57.50 crore per match for 410 matches. Package B for digital broadcast rights for exclusive matches was sold to Viacom18 at Rs 20,500 crore for five years or Rs 50 crore per match for 410 matches. Viacom18 also won the bid for Package C that included non-exclusive digital matches at a value of Rs 3257.52 crore for five years or Rs 33.24 crore per match for 98 games.

    Sony Pictures Networks India MD and CEO NP Singh said, “I want to begin by congratulating and thanking BCCI for an extremely well-managed and transparent bidding process. Next, I want to congratulate the winners of the four IPL media rights packages. The IPL began with SPN and has since developed into one of the world’s most popular sporting leagues in its 15-year history. We’ve seen the league grow and would have liked to see it on the Sony Network again. In this regard, we made a reasonable bid, considering all the expected returns. We had to factor in the market’s anticipated expansion and potential economic and other concerns over the next five years. Fiscal prudence, in my opinion, is critical for strategic management.”

    The highly anticipated auction was first announced on 29 March by the Board of Control for Cricket in India (BCCI). The contenders for broadcast rights included Disney Star, Sony Pictures Networks India and Viacom18. The bidders for digital rights include Zee Entertainment Enterprises, Disney+ Hotstar and Reliance Jio. Mjunction conducted the auction.

    The IPL is the second most valuable sports property after the National Football League (NFL) in terms of broadcast price per match. The value of the media rights per match has reached almost Rs 114 crore leaving the Premier League behind which is valued at around Rs 81 crore per match. The action continues on Wednesday.

  • Google appointed Durga Raghunath as India’s news partnerships head

    Google appointed Durga Raghunath as India’s news partnerships head

    Mumbai: According to a LinkedIn update, Google has appointed Durga Raghunath as head of news partnerships – India. Previously, she was the head of digital at Times of India associated with Times Internet.

    Raghunath, formerly, worked as senior vice president of growth at Zomato and was also the CEO – digital at The Indian Express. Simultaneously, she was the co-founder and CEO of Juggernaut Books and CEO of Network18 Digital/Web18. During her career, Raghunath has had stints at publications such as The Wall Street Journal, LiveMint, HarperCollins and Orient Longman. She is an alumnus of India School of Business and Columbia University.  

    With over two decades of experience, Raghunath’s expertise lies in digital media and commerce, product development, consumer technology, mobile experiences and monetisation of digital products via ads, daily transactions and subscriptions.

  • Swiggy announces acquisition of Dineout from Times Internet

    Swiggy announces acquisition of Dineout from Times Internet

    Mumbai: Marking its foray into the high-use dining out category, Swiggy India on Saturday announced that it has entered into a definitive agreement with Times Internet to acquire its dining out and restaurant tech platform, Dineout. Its founders Ankit Mehrotra, Nikhil Bakshi, Sahil Jain and Vivek Kapoor will join Swiggy once the acquisition is completed, while Dineout will continue to operate as an independent app, the food aggregator said in a statement.

    Announcing the development on Saturday on LinkedIn, Swiggy India posted: “It’s a big day for #Swiggy and we’re happy to announce that we have acquired #Dineout – India’s leading dining out and restaurant tech platform.”

    Dineout brings with it a network of over 50,000 restaurant partners along with a ‘proven technology’ and ‘invaluable experience’ that Swiggy can benefit from.  

    “Dineout is a well-loved brand that enjoys loyalty from both consumers and restaurants. Times Internet and the founding team should be credited for the transformational impact they have brought about in the dining out experience through their products, technology and vast selection of restaurant partners,” said Swiggy CEO Sriharsha Majety. “The acquisition will allow Swiggy to explore synergies and offer new experiences in a high-use category.”

    The acquisition will enable the food aggregator to cater to every food occasion by capitalising on Dineout’s assets and position in the dining out space, the statement said. “Swiggy will double down on the synergies with Dineout’s offerings, including dining out table reservations and events. In time, restaurant partners will be able to reach more customers and grow their business,” it added.

    “At Dineout, we always wanted to revolutionise the restaurant industry and this acquisition is an accelerating step towards the same goal. We strongly feel that with Swiggy’s deep understanding of the ecosystem and our shared passion for a superior consumer and restaurant experience, our joint forces will help provide a holistic platform in this industry,” said Dineout co-founder & CEO Ankit Mehrotra.

    Times Internet vice chairman Satyan Gajwani added, “We are proud of the positive impact that Dineout has created for consumers and restaurants, helping streamline and improve the eating out experience. Swiggy + Dineout is a powerful combination, and we are excited to join forces with Swiggy as we continue to look for ways to delight customers.”

    In the last 20 months, Swiggy has strengthened its food delivery business, expanded Instamart, its quick commerce grocery delivery to 28 cities, and Genie, its pick up and drop service to 68 cities.

  • CAMM Summit ’22: Adtech is a gamechanger for publishing industry, say experts

    CAMM Summit ’22: Adtech is a gamechanger for publishing industry, say experts

    Mumbai: Advertising and technology have undoubtedly made great strides over the last few years. And to discuss the various cutting-edge innovations in this dynamic space, IndianTelevision.com has organised ContentTech, Adtech, Martech and More (CAMM) Summit and Exhibition 2022. The virtual event took off on Tuesday with a panel discussion on ‘Adtech Landscape: A Gamechanger for Publishing Industry,’ which put the spotlight on how adtech is emerging as a niche that helps publishers efficiently maximise the value of their content or ad inventory.

    Moderated by IndianTelevision.com founder, CEO and editor-in-chief Anil Wanvari, the guests on the panel were Times Internet chief technology officer Ashish Jaiswal, Pratilipi business and content head Jugal Wadhwani, Malayala Manorama general manager – marketing Boby Paul, Lokmat Media senior executive vice president and head of digital business Hemant Jain, and PubMatic director Harguneet Singh.

    The CAMM Summit saw a conversation that is perhaps the most crucial in the age of changing advertising technologies.

    Challenges ahead of publishing industry and the possible ways to overcome

    Opening the discussion, Wanvari highlighted the increasing fragmentation of audiences between the own platforms of publishers as well as the third-party platforms is becoming a common phenomenon.

    “In terms of trying to drive advertising revenue, what are the challenges that publishers are facing?” he asked the panel.

    Agreeing with his thoughts, Times Internet’s Jaiswal said fragmentation is clearly happening and the same content being available across platforms is a major challenge for publishers. But being a publisher, he also shared how they are overcoming the challenge. 

    “What we are doing on our side to overcome these challenges is to stay connected with our audiences across all the platforms. We do not just publish and leave, we ensure that there’s a clear connection between us and our audiences across all platforms,” stated Jaiswal.

    Taking ahead the conversation, Lokmat Media’s Jain said, “What demonetisation couldn’t do to digital payments, Covid-19 did to digital media.”

    With this statement, he hinted at the enormous growth in terms of audience engagement that publishers have witnessed. Coming to the challenges, Jain said optimising content for small screens is another major challenge. 

    “It is quite difficult to give the right reading or viewing experience to customers while giving enough space to advertisers also,” Jain noted. “The struggle doesn’t end here. Lack of a large inventory, audience fragmentation and ensuring that the consumer ends up on your platform at the end are also making it difficult for publishers to maintain their growth.”

    However, Jain feels that while there are so many challenges, it also keeps you pushing to develop and looking for newer opportunities.

    Coming to the opportunities, he suggested that today focusing on one platform is not enough, publishers need to have an open mind and need to create a holistic approach to the business. “At the same time, it is important to have a highly optimised platform that meets users’ and advertisers’ expectations,” he remarked.

    He feels that publishers have to accept the fact that the audience who is consuming content on Facebook doesn’t necessarily come to your website too because the content we put on Facebook is already customised in a way that people would love to watch it on that platform only. “If you work hard, each of these platforms will help you revenues apart from your direct sales from the website.”

    However, Malayala Manorama’s Boby Paul feels audience fragmentation is a choice. “It happens because you want to put your content out to more and more people. So all you need to do is to keep a close eye on the aggregator platforms and understand which platform is providing you benefits and strategise accordingly,” Paul said. “When you have an audience coming to your aggregator platforms, you should design strategy in a way so that you can entice them to come to your own platform.” 

    Taking note of the challenges and the possible solutions suggested by the experts, Wanvari asked Paul to highlight the challenges of technology as far as marketing is concerned.

    Speaking about the marketing and monetisation part, Paul said that digital publishing platforms are facing major challenges because most of the digital platforms are free to air. “There’s no set framework. But as adtech is evolving, there seems a hope,” he asserted.

     

    Adtech and programmatic: The way forward for publishers

     

    While all the publishers highlighted the challenges and opportunities, PubMatic provides a solution to all these concerns. Harguneet Singh acknowledged the challenges highlighted by the panel and explained how adtech platform like PubMatic comes into the picture and helps the publishers.

    “While the challenges are quite evident, adtech platforms like PubMatic come in the picture as a savior to the publishers,” he affirmed.

    Suggesting some adtech based solutions, he said that publishers have provided a lot of control to the users in the name of free content which they need to take back immediately. He feels that adtech and programmatic are the key tools for this.

    “While adtech platforms enable advertisers, ad publishers, and advertising agencies to create, run, and optimize ad campaigns with minimal human involvement, programmatic advertising uses artificial intelligence and real-time bidding to automate and streamline the ad buying process,” Singh said, adding that, “With the right use of adtech and programmatic, publishers can significantly grow their business and increase CPMs.”

    What do users want?

    Amid the emergence of adtech and programmatic, it is crucial to understand what users want? Pratilipi’s business and content head Jugal Wadhwani, who closely works with individual publishers, explained that initially all people wanted was social recognition, the concept of revenue was not there really. “But presently, generating revenue is equally important for individual publishers too,” he added.

    However, Wadhwani feels that once the publishing platform becomes a hit, distribution is not that big of a challenge, it is the discovery that they are actually looking for and platforms like Pratilipi come into the picture to help individual publishers.

    On being asked how things are working on the audio side, Wadhwani said that audio advertising is very low right now in India. “The numbers are rising, but there is no significant development on the audio front so far.”

    Coming to the subscription models and how paywalls work, Wanvari asked how conventional news publishers ensure that users buy their subscription instead of just reading the free version. 

    Lokmat’s Jain explained that India is a ‘sachet-driven country,’ so they need to come up with small offerings. “If publishers really need to sell high valued subscriptions, they need to build high-quality unique content rather than a generic piece,” he remarked.

    “Over the last 10-years, journalism in India has evolved and produced unique content which helped the subscription model to become common. One of the most successful players in this field is The Hindu, which has built a very robust subscriber base,” noted Jain.

    How will the removal of cookies impact the publishers?

    Google announced it will not build alternate tracking identifiers with similar cross-site tracking abilities after phasing out third-party cookies. This change will be made by Google in late 2023. While this announcement may not have come as a surprise, many advertisers find themselves confused about how to manage the situation.

    “How will publishers collect user data without cookies which is crucial for audience profiling?” Wanvari asked.

    Jain thinks that with the removal of cookies, profiling or identifying customers, which is extremely important for running a digital publishing business, would become difficult. “With this, targeting customers offsite will become impossible.”

    Suggesting a way for publishers after the removal of cookies, Jain said that in such a situation, targeting users on-site seems one possible solution. “To target them on-site, publishers really need to come up with relevant content.”

    Times Internet’s Jaiswal thinks that in a cookie-less world, trust-building will become crucial. “Publishers will have to ask users to fill out forms to manually provide their data, maybe we can call this idea a ‘profiling paywall.’ But to ensure that they really fill out the form, provide their email address and mobile number, publishers need to work a lot on trust-building.”

    Jaiswal suggested that publishers can win trust with unique content.

    Adding to the conversation, PubMatic’s Singh said adtech will play a really important role here. “Right technology and the right technology partner who has good sense will have great opportunities to work with publishers,” he averred.

    Concluding the discussion, all panelists agreed that adtech provides tools for both publishers of content and advertisers to efficiently navigate the appropriate price points and trading techniques to connect inventory with digital ad buyers.

  • We are second only to YouTube: MX Media’s Karan Bedi

    We are second only to YouTube: MX Media’s Karan Bedi

    Mumbai: Times Internet backed MX Media is expecting to triple its revenue for its advertising video on demand (AVOD) business in the year 2022, according to its CEO Karan Bedi. “We have more than tripled our revenue last year and expect to triple again next year,” he said while speaking about its OTT business.

    In 2021,  MX Media’s OTT platform MX Player successfully scaled to more than one billion downloads and 280 million monthly active users globally. As its user base expands, the platform is effectively monetising its audience base by expanding its video offering. From a client perspective, MX Player is a part of all media plans and comes only second to YouTube in the consideration set for digital video advertising, remarked Bedi.

    Moreover, the company’s brand funded content business was spun off into a separate unit MX Studios. Bedi said, “The core focus of MX Studios is to provide brands another outlet to connect to their consumer. Branded content is something we’ve started to grow as a business and are bullish about it for the next few years. In terms of branded content, we’re second only to YouTube. Since, there’s only us and YouTube who have scale when it comes to AVOD in India, we’re very much a part of every client’s marketing plan.” 

    In February, MX Media sold its short video platform MX Takatak to Indian social media company Sharechat (Mohalla Tech) in a deal estimated at $700 million. Notably, MX Takatak was launched only in July 2020. Now, the company will focus on its long format video offerings including on-demand video and its game streaming offering MX Games.

    On the content front, the platform recently announced the launch of a reality series called ‘Lock Up’ in partnership with Balaji Telefilms. The show, which premiered on the platform on 27 February, is the streaming service’s first foray into unscripted content.

    “We are a data led organisation and were starting to see that our audience was ready for more. We have various partners who have done shows for MX Player and we have a lot of faith in Balaji (Telefilms) and Ekta (Kapoor) as someone who’s reinvented this business many times,” said Bedi.

    The OTT platform offers exclusive content in the form of MX Originals and has launched popular series such as “Campus Diaries,” “Bhaukaal 2” and “Raktanchal 2” this year. Despite being an AVOD platform, several MX Originals span across multiple seasons and garner more than 100 million views on the platform. It recently launched MX VDesi to house its international content acquired from Turkey, Latin America, Korea and Middle East and dubbed in Hindi.

    MX Player has not shied away from direct monetisation, with the launch of its MX Gold feature which allows subscribers to watch videos without any ads whatsoever. “MX Gold is not monetising access to content but rather it allows you to watch content ad free,” explained Bedi.

    “MX Player overall has multiple layers of monetisation. As we go forward, we think there is an opportunity to add on newer monetisation models as we continue to expand our user base. That can be NFTs or other blockchain based currencies. We have said from day one that we are a super entertainment aggregator. Our shows are an important vehicle for taking some of these opportunities and scaling them,” concluded Bedi.

  • Sharechat to acquire short video platform MX Takatak for $600 million

    Sharechat to acquire short video platform MX Takatak for $600 million

    Mumbai: Indian social media platform Sharechat has agreed to buy Times Internet-owned short video platform MX Takatak in a $600 million deal that includes a combination of cash and stock.

    MX Takatak is slated to be rebranded in six months and the target for the closure of the deal was at the end of this month, according to Moneycontrol.

    The report indicated that the value of the acquisition may change towards the closure of the deal.

    Mohalla Tech, the parent company of Sharechat, will also integrate 180 employees under MX Takatak as part of the acquisition. It currently employs over 2000 people. 

  • Outbrain India onboards Mehul Rao as head of engage

    Outbrain India onboards Mehul Rao as head of engage

    Mumbai: Outbrain, a recommendation platform for the open web, on Thursday announced the onboarding of Mehul Rao as head of engage in India. 

    Rao, who previously served as general manager-corporate at Times Internet, brings 14 years of digital and media expertise to the new role. His prior leadership roles include associate vice president digital at Times Network, associate vice president corp planning and strategic alliances at NDTV Convergence.

    “We are excited to have Mehul join the Outbrain team. Outbrain will be poised to expand the list of top premium publisher partners in the region” stated managing director India Shouneel Charles. “We are sure that Mehul will help publishers achieve their key goals using Outbrain’s platform to recommend personalised content and boost revenue.”  

    In his new role, he will be responsible for expanding top premium publisher partners in India.

    “After working and spending a good amount of time in publishing business in various revenue related roles, it’s an exciting move for me in native advertising and digital ad tech space,” said Mehul Rao. “India is poised to be one of the fastest-growing digital advertising markets and I am privileged to work with Outbrain, an established market leader across the world, increasing its reach in India, looking forward to working in this region to scale the business and be instrumental in the next growth phase of Outbrain in India.”