Tag: The Walt Disney Company

  • Disney acquires 33% stake in video streaming company BAMTech for $1 billion

    Disney acquires 33% stake in video streaming company BAMTech for $1 billion

    BENGALURU: The Walt Disney Company (Disney) announced that it has acquired a thirty three percent stake in Direct-To-Consumer video streaming company BAMTech for $1 billion to be paid in two tranches. One instalment will be paid immediately and one will be paid in January 2017, with Disney having the option of acquiring a majority stake in the company. BAMTech was previously formed by Major League Baseball (MLB). As part of the transaction, BAMTech was separated from MLB’s broader digital business, MLB Advanced Media (MLBAM).

    “Our investment in BAMTech gives us the technology infrastructure we need to quickly scale and monetize our streaming capabilities at ESPN and across our company,” said Disney chairman and CEO Robert A. Iger.

    Commissioner of Baseball Robert D Manfred, Jr. said, “Every day the powerful partnership of technology and content becomes more important to consumers. We are excited to get to work with Disney and our longtime partners at ESPN in the important and ever-changing area of content distribution.”

    “Bringing a multi-sport service directly to fans is an exciting opportunity that capitalizes on BAMTech’s premier digital distribution platform and continues ESPN’s heritage of embracing technology to create new ways to connect fans with sports,” said ESPN Disney Media Networks president and co-chair John Skipper. “As WatchESPN continues to grow and add value to the multichannel video subscription, this new service will be an outstanding complement.”

    Disney’s investment in BAMTech will provide the latter capital to accelerate growth of its proprietary video-delivery platform, deliver greater flexibility to clients and develop new technologies and capabilities says a Disney release. BAMTech will become a key partner for Disney in the delivery and support of streaming video and other digital products from Disney|ABC Television Group and ESPN, as well as its future digital initiatives.

    BAMTech will also collaborate with ESPN to launch and distribute a new ESPN-branded multi-sport subscription streaming service in the future. The direct-to-consumer service will feature content provided by both BAMTech and ESPN, and include live regional, national and international sporting events. Current content on ESPN’s linear networks will not appear on the new subscription streaming service.

    BAMTech is a player in direct-to-consumer streaming services, data analytics and commerce management with nearly 7.5 million total paid subscribers to its clients’ OTT products BAMTech’s roster of sports, news and entertainment clients includes HBO NOW, the National Hockey League, Major League Baseball, the PGA TOUR, WWE Network and Ice Network (a digital platform for professional figure skating).

    Following Disney’s acquisition of a stake in BAMTech, the National Hockey League received a minority interest in BAMTech, as the result of a previous agreement, says the Disney release.

  • Disney acquires 33% stake in video streaming company BAMTech for $1 billion

    Disney acquires 33% stake in video streaming company BAMTech for $1 billion

    BENGALURU: The Walt Disney Company (Disney) announced that it has acquired a thirty three percent stake in Direct-To-Consumer video streaming company BAMTech for $1 billion to be paid in two tranches. One instalment will be paid immediately and one will be paid in January 2017, with Disney having the option of acquiring a majority stake in the company. BAMTech was previously formed by Major League Baseball (MLB). As part of the transaction, BAMTech was separated from MLB’s broader digital business, MLB Advanced Media (MLBAM).

    “Our investment in BAMTech gives us the technology infrastructure we need to quickly scale and monetize our streaming capabilities at ESPN and across our company,” said Disney chairman and CEO Robert A. Iger.

    Commissioner of Baseball Robert D Manfred, Jr. said, “Every day the powerful partnership of technology and content becomes more important to consumers. We are excited to get to work with Disney and our longtime partners at ESPN in the important and ever-changing area of content distribution.”

    “Bringing a multi-sport service directly to fans is an exciting opportunity that capitalizes on BAMTech’s premier digital distribution platform and continues ESPN’s heritage of embracing technology to create new ways to connect fans with sports,” said ESPN Disney Media Networks president and co-chair John Skipper. “As WatchESPN continues to grow and add value to the multichannel video subscription, this new service will be an outstanding complement.”

    Disney’s investment in BAMTech will provide the latter capital to accelerate growth of its proprietary video-delivery platform, deliver greater flexibility to clients and develop new technologies and capabilities says a Disney release. BAMTech will become a key partner for Disney in the delivery and support of streaming video and other digital products from Disney|ABC Television Group and ESPN, as well as its future digital initiatives.

    BAMTech will also collaborate with ESPN to launch and distribute a new ESPN-branded multi-sport subscription streaming service in the future. The direct-to-consumer service will feature content provided by both BAMTech and ESPN, and include live regional, national and international sporting events. Current content on ESPN’s linear networks will not appear on the new subscription streaming service.

    BAMTech is a player in direct-to-consumer streaming services, data analytics and commerce management with nearly 7.5 million total paid subscribers to its clients’ OTT products BAMTech’s roster of sports, news and entertainment clients includes HBO NOW, the National Hockey League, Major League Baseball, the PGA TOUR, WWE Network and Ice Network (a digital platform for professional figure skating).

    Following Disney’s acquisition of a stake in BAMTech, the National Hockey League received a minority interest in BAMTech, as the result of a previous agreement, says the Disney release.

  • Time Warner invests into Hulu as equity owner

    Time Warner invests into Hulu as equity owner

    BENGALURU: Time Warner Inc. and Hulu LLC announced today that Time Warner will become a 10 percent owner of Hulu, the premium streaming TV service that offers the best of current season programming, premium original content, films and full seasons of hit series. Time Warner joins The Walt Disney Company, 21st Century Fox, and Comcast in the joint venture.

    Turner’s powerful entertainment, sports, news and kids networks including TNT, TBS, CNN, Cartoon Network, Adult Swim, truTV, Boomerang and Turner Classic Movies will be available live and on-demand on Hulu’s new live-streaming service, which is slated to launch early next year. Hulu will continue its current offering of ad-supported and ad-free subscription video on demand products to complement both traditional pay TV packages as well as the new streaming service.

    Time Warner chairman and CEO Jeff Bewkes said, “Our investment in Hulu underscores Time Warner’s commitment to supporting and developing new platforms for the delivery of high-quality content and great consumer experiences to audiences around the globe.”

    Bewkes continued: “We’re also excited to join Hulu’s other owners in launching a new consumer-friendly package featuring leading networks that will deliver more value to audiences and complement Hulu’s core SVOD offerings. The inclusion of Turner’s networks in Hulu’s new streaming service furthers our efforts to allow consumers to engage with and enjoy our brands across a wide range of platforms and services.”

    Hulu CEO Mike Hopkins said, “This investment from Time Warner marks a major step for Hulu as we continue to redefine television for both consumers and advertisers. Our two companies have long enjoyed a productive relationship – which includes the availability of past seasons of popular Turner shows on our current SVOD offerings – and we are very proud that Turner’s networks will be included in our planned live streaming service.”

  • Time Warner invests into Hulu as equity owner

    Time Warner invests into Hulu as equity owner

    BENGALURU: Time Warner Inc. and Hulu LLC announced today that Time Warner will become a 10 percent owner of Hulu, the premium streaming TV service that offers the best of current season programming, premium original content, films and full seasons of hit series. Time Warner joins The Walt Disney Company, 21st Century Fox, and Comcast in the joint venture.

    Turner’s powerful entertainment, sports, news and kids networks including TNT, TBS, CNN, Cartoon Network, Adult Swim, truTV, Boomerang and Turner Classic Movies will be available live and on-demand on Hulu’s new live-streaming service, which is slated to launch early next year. Hulu will continue its current offering of ad-supported and ad-free subscription video on demand products to complement both traditional pay TV packages as well as the new streaming service.

    Time Warner chairman and CEO Jeff Bewkes said, “Our investment in Hulu underscores Time Warner’s commitment to supporting and developing new platforms for the delivery of high-quality content and great consumer experiences to audiences around the globe.”

    Bewkes continued: “We’re also excited to join Hulu’s other owners in launching a new consumer-friendly package featuring leading networks that will deliver more value to audiences and complement Hulu’s core SVOD offerings. The inclusion of Turner’s networks in Hulu’s new streaming service furthers our efforts to allow consumers to engage with and enjoy our brands across a wide range of platforms and services.”

    Hulu CEO Mike Hopkins said, “This investment from Time Warner marks a major step for Hulu as we continue to redefine television for both consumers and advertisers. Our two companies have long enjoyed a productive relationship – which includes the availability of past seasons of popular Turner shows on our current SVOD offerings – and we are very proud that Turner’s networks will be included in our planned live streaming service.”

  • Disney names Martha Welborne as SVP – real estate & global facilities

    Disney names Martha Welborne as SVP – real estate & global facilities

    MUMBAI: The Walt Disney Company has appointed Martha Welborne as senior vice president – real estate & global facilities.

     

    She will report to Walt Disney Company senior executive vice president and CFO Christine M. McCarthy.

     

    In this role, Welborne will drive the company’s overall real estate strategy while overseeing all real estate development, design, construction, asset management, portfolio management, and facilities support and services.

     

    “Welborne’s proven track record of bringing multiple stakeholders together on large scale projects makes her especially well-suited to her new role at Disney. Her experience positions her perfectly to lead our real estate strategy, working with various Disney businesses and external providers to deliver best-in-class service,” said McCarthy.

     

    Welborne most recently served as chief planning officer for countywide planning for the Los Angeles County Metropolitan Transportation Authority (MTA). Before joining the MTA, she was managing director of the Grand Avenue Committee.

  • ‘We have never got the cable television pay model right’: Ronnie Screwvala

    ‘We have never got the cable television pay model right’: Ronnie Screwvala

    Despite having a negative connotation more often than not, “disruption” can be a good thing, especially when it’s planned and executed in a strategic manner. And if there’s one person who is known for good disruption time and again in the Indian media and entertainment industry, it’s Rohinton Soli Screwvala or Ronnie, as he is popularly known as.

    With a quest to grow and excel in whatever he undertakes, Screwvala belongs to the rare breed of first generation media entrepreneurs in India. For him, trying is not enough for he believes in achieving all his dreams as he dreams with his eyes open!

    The pioneer of cable television in India, Screwvala has been best known to build brands and enter untapped territories. From a humble beginning in the cable industry, erecting one of India’s well known media company UTV, grabbing The Walt Disney Company’s attention, foraying into Kabbadi – a sport that was never televised robustly to breaking even in the second year, Screwvala has always pushed the boundaries.

    Complacency and failure are two words that don’t exist in his dictionary. In a country where entrepreneurship means legacy business, Screwvala is the flag bearer for first generation entrepreneurs.

    In a conversation with Indiantelevision.com’s Anirban Roy Choudhury, Screwvala goes back in time and shares his views on the Indian cable TV industry, Disney, sports and more.

    Read on for more :-

    The Disney – UTV deal is touted as a landmark deal in the Indian broadcast space. How does it feel when you look back at it today?

    I feel very proud when I look back at Disney India. We have a phenomenal team, which is doing an incredible job across the board. The channel is doing well and the movie studio is doing fantastic. The live show Beauty and the Beast has given live experiences in India a new benchmark. The best part is that they did it with local talent. It was not some imported show that travelled in here and went away.

    So it’s an incredible job done by the Disney team in India and I am proud of them. The easiest thing would have been to get a travelling show in, but they took the difficult route with local talent so it’s a local Disney show. The Disney team makes me feel proud.

     

    As a pioneer of cable television in India, you played a pivotal role in building it from scratch. What is your view on the evolution?

    When I look at cable, I have to say I have a little bit of regret because we are the only country in the world where we have to explain what cable TV is!

    The concept of local cable operator (LCO), multi system operator (MSO) is not there anywhere in the world other than India. A cable operator means that you need to pay for content. There are cable operators who are actually aggregators of channel. We have never got the pay model right! It started because nobody wanted to pay. Then there was a whole decade of under-declaration and nobody made capital investment.

    There are two things: Firstly, after 25 years of cable we are still not paying for content and secondly, serious investments have not gone into cable. You need billions of dollars……. we are still using the same cable that we were using 25 years back. We are still using the same model that we were using 20 years back. Yes, there have been some improvements, but we cannot call it cable TV. We are not cable TV like the world understands cable TV and that’s my problem.

    On the flip side, I must say it’s an incredible cottage industry. Look at the number of jobs it has created! It’s such a gigantic industry and for that matter if it was not the way it flourished, TV might not have been that popular the way it is. People could still be watching terrestrial TV and there would have been no satellite programming. So the fact that it has spread because of its entrepreneur spirit is a proud moment.

    I am proud of the entrepreneur spirit that has gone in there. However, I am regretful because no serious investment has been made there and we could not manage to get the pay model right.

    Speaking about the pay model, are we getting it right in digital? We are providing content for free and hence making free content consumption a behaviour.

    Let’s be very clear… people think online is free, but we are not doing anything for free. The first entrepreneurship course that we are launching is for Rs 50,000 for three months. Yes, people are skeptical to pay but that’s the way forward.

    The problem with the digital platform is that the biggest player in the ecosystem – YouTube is for free. That becomes habit forming. Things will change on digital once we go to experiential viewing. There has to be something for you other than just watching… I don’t have any idea what that is but we are trying very very hard to figure it out.

    I think the digital paid space will be experiential where you are not paying for watching but for watching plus plus… We are trying to figure out what those plusses are.

    Do we have a content strategy ready for digital? People still consider it to be a platform for 2 to 3 minutes video consumption.

    You will be shocked to hear that since last year, people are watching 30 to 40 minutes of content online even while everyone thought that digital means two to three minutes. 

    There are more people now watching 20 to 30 minutes of content online compared to the ones watching two – three minutes. What’s more, people have been also heard saying that the smaller duration content is snaky. That habit is changing because there are increased offerings. You give people quality content, they will consume it.

    Quality of content and storytelling in digital is changing. People are ready to watch a full movie on digital but they cannot now because of the bandwidth issue. So content size is not an issue, it’s the quality that matters.

    Talking about films on digital, Netflix recently simulcast The Beasts of No Nations. What’s your take on Netflix and what is the revenue model that Indian players should follow?

    Today Netflix’s market cap is as much as 21st Century Fox’s, it is as big as Time Warner and higher than Viacom… with the sole exception of Disney, which is the largest media company in the world.

    The road ahead for digital has to be ad revenue. We cannot fool ourselves on that. But the frustrating part is that we are dealing with people who do not understand digital. So the problem is that when you start a new digital medium, the main constituent – the advertisers – do not understand it at all. They still think it’s niche. They just don’t get it that today movies can be launched on digital.

    There are huge advantages of the platform. Sorry to generalise on the advertisers but the fact is that they do not understand digital and it’s going to take them three to four years to understand it. The big challenge is that while digital players will rely on advertisers, there will be no one available to experiment. So players will have to experiment, prove and only then will advertisers come on board.

    Are you saying that the next few years will be very tough for digital players?

    It will be tough, but it will be tough in a good way. It won’t be scary tough. Only serious players in the ecosystem will stay. The others that are coming with a herd mentality, the MCN players etc… I have no idea what they are up to.

    You cannot wake up to 20 different channels. What is the need? What is the model? Where will it go? What will happen to it? And the worst part is, you got investors backing those models. I fail to understand what they are up to. But yes, serious players who want to be in the ecosystem for good will be there.

    After your successful stint with Kabaddi, are you eyeing any other sport?

    We are investing in football. We are doing global grass root training programmes but it’s not the training that everyone is doing here. The training that we are giving is very different wherein we will take 60 kids to Germany for six years of training.

    Since the cost of something like this is very high, the expenses will be shared by us and the candidates. The will pay for the lodging and boarding, whereas we will pay for the training. We will manage their careers for the next 10 years. The age group that we are looking at is under 12, under 14, and under 16. We have to catch them really young and that’s the challenge.

    There are people who do three months training and summer courses, but you cannot become football stars by that. In our initiative, the kids will have to be away from home for six years. The peer pressure to meet global standards, the environment, discipline and the commitment is what we plan to offer them.

    So is this a business proposition of USports or are you doing this to uplift the sport?

    (Laughs). Of course it is a business proposition! Swades is the only social initiative that I am in for non-profit. Everything else is pure business. I think we are in the process of developing 300 future football stars. Then we will manage their careers for 10 years, that’s our business model.

    What is the progress of your motor-sport innovation?

    My motor-sport venture is an attempt to start a destination sport in India involving two-wheelers. Lakshadweep, Daman and Diu, Leh and Ladakh and Puducherry are the locations that we have in mind. The infrastructure has to step up to it, and the most important part is not the track but safety.

    This year India will be number one in terms of bike consumption, larger than China. The two-wheeler population is massive in India. Therefore, sports is an interesting way to go forward with that. But to us, the most important part is safety. It’s not a rally that we are planning so we cannot do it on a muddy paddy field. The infrastructure will take time to grow. There will be one domestic team and one international. The domestic riders will go abroad and train for six months.

    How much more time do you think it will take to match the quality you need? Are there any other investors involved?

    I would have liked to start it in next six months but the safety level that we are targeting will take at least 18 months more.

    I am doing it on my own and there is no partner involved to start the league. Here, we are going to be a league owner and our partners will be the ones we sell our franchises to.

    You have entered into online education with UpGrad. What are your plans with the venture?

    UpGrad is in the education space for post-grads. We are eyeing 14 to 16 completely different online courses, which will all be post-grad and specialised courses.

    We kicked off on 25 November with our entrepreneurship course. UpGrad received 2000 applications and then eventually we shortlisted 600 participants for the first cohort that started on 25 November. This would be the first time someone is doing a course of such high scale on entrepreneurship. The number that we roped in is huge. For every hundred students, there will be a teacher associate, who will interact with them at regular intervals. There will be a continuous process of mentorship. The course on entrepreneurship is of three months. After that the next one on Big Data will be of nine months to a year. We are launching three new courses, which will be out between March and May.

     

    You recently wrote a book and that inspired many igniting minds. Are you planning a second one too?

    I am not an author for sure! A book takes a lot of effort, I am happy being a business man. I am not even thinking about one more book at this stage.

     

     

     

     

    What are your plans with Swades? How much do you invest in it both in terms of money and time?

    Swades to me is not an investment. We are putting our heart and soul in it. Zarina, my wife, is working full time for that. We are not cutting cheques. Philanthropy is when you cut a few cheques and give it to an NGO. We are building a foundation from ground up. Yes, we are putting our own money but we are also putting our sweat and toil. We have 1200 people working for Swades, which is also quite big. It is a life-long commitment for us and there is no running away from it.

     

     

    You are too much of a TV person to not be in TV. When are you going back? What’s next?

    I don’t feel I am being left alone. Look at the things we are doing with Football, UpGrad and with Kabaddi. If because of Filmfare, five people used to come for selfies, now at least 50 of them come because of Kabaddi. It’s the same in rural areas too. When we travel for Swades related work, we get to know the popularity and the craze of the sport.

    I am happy with what we are doing and have no plans of going back. Swades is a key focus for me and Zarina both and we will continue to do what we are doing.

  • FY-2015: Disney revenue up 7.5%; net income up 11.7%

    FY-2015: Disney revenue up 7.5%; net income up 11.7%

    BENGALURU: The Walt Disney Company Inc reported 7.5 per cent YoY increase in consolidated revenue at $52,465 million for the year ended 3 October, 2015 (FY-2015, current year) as compared to the $48.813 million reported for the year ended 27 September, 2014 (FY-2014, previous year). Net income in the current year increased 11.7 per cent YoY to $8.382 million from $7,501 million.

     

    “We had a strong quarter, with adjusted EPS up 35 per cent, completing our fifth consecutive year of record performance. In Fiscal 2015 we delivered the highest revenue, net income and adjusted EPS in the Company’s history, reflecting the power of our great brands and franchises, the quality of our creative content, and our relentless innovation to maximize value from emerging technologies,” said Disney chairman and CEO Robert A Iger.

     

    For the quarter ended 3 October, 2015 (Q4-2015, current quarter), consolidated revenue increased 9.1 per cent YoY to $13.512 million as compared to $12,389 million in the quarter ended 27 September, 2014 (Q4-2014). Net Income in Q4-2015 increased 7.3 per cent to $1,609 million as compared to $1,499 million.

     

    Segment Results

     

    Four of the five Disney’s segments – Media Works, Parks and Resorts, Studio Entertainment and Consumer Products reported growth in revenue in FY-2015 and Q4-2015 as compared to FY-2014 and Q4-2014 respectively, while the fifth segment – Interactive – reported decline in revenues. However, all the five segments reported growth in segment operating income in the current year and quarter as compared to the previous year and year ago quarter respectively.

     

    Media Networks

     

    Media Networks revenue in FY-2015 increased 10 per cent to $23,264 million from $21,152 million in the previous year. Segment Operating income increased 6.4 per cent in the current year to $7,793 million as compared to $7,321 million in FY-2014.

     

    The segments revenue in the current quarter increased 11.7 per cent YoY to $5,286 million from $5,217 million. Operating income for the segment increased 26.6 per cent YoY to $1,819 million from $1,437 million.

     

    Disney says that Operating income growth at Media Networks was driven by higher affiliate fees, increased advertising revenue at ESPN and the ABC Television Network and higher operating income from program sales. These increases were partially offset by an increase in programming and production costs at ESPN and, to a lesser extent, the Disney Channels and the ABC Television Network.

     

    Two sub-segments contribute to Disney’s Media Networks – Cable Networks and Broadcasting.

     

    Cable Networks

     

    Cable Networks revenue in FY-2015 increased 9.7 per cent to $16,581million from $15,110 million in the previous year. Segment Operating income increased 4.9 per cent in the current year to $6,787 million as compared to $6,467 million in FY-2014.

     

    The sub-segments revenue in the current quarter increased 12.4 per cent YoY to $4,245 million from $3,776 million. Operating income for the sub- segment increased 29.8 per cent YoY to $1,655 million from $1,275 million.

     

    For Q4-2014, Disney says that Operating income at Cable Networks increased due to an increase at ESPN and, to a lesser extent, A&E Television Networks (A&E) and the Disney Channels. The increase at ESPN reflected higher affiliate and advertising revenues, partially offset by an increase in programming costs. Affiliate revenue growth was driven by contractual rate increases and an increase in subscribers. The increase in subscribers was due to a full quarter of the SEC Network, which launched in August 2014, partially offset by a decline in subscribers at certain of Disney’s networks.

     

    Growth in advertising revenue reflected higher units sold, partially offset by lower ratings. Higher programming costs reflected a full quarter for the SEC Network, additional rights for the US Open Tennis tournament and contractual rate increases for Major League Baseball and NFL rights, partially offset by the absence of rights costs for NASCAR.

     

    Higher equity income from A&E was due to lower programming and marketing costs, partially offset by lower advertising and affiliate revenue. The increase at Disney Channels was driven by higher affiliate revenues, partially offset by higher programming costs. Affiliate revenue growth reflected contractual rate increases domestically and subscriber growth internationally. The programming cost increase was driven by higher costs for original programming, including more hours of new series in the current quarter.

     

    Broadcasting

     

    Cable Networks revenue in FY-2015 increased 10.6 per cent to $6,683 million from $6,042 million in the previous year. Segment Operating income increased 17.8 per cent in the current year to $1,006 million as compared to $854 million in FY-2014.

     

    The sub-segments revenue in the current quarter increased 9.7 per cent YoY to $1,581 million from $1,441 million. Operating income for the sub-segment was flat YoY to $164 million from $163 million.

     

    For Q4-2014, Disney says that growth in advertising and affiliate revenue was offset by higher programming costs, lower operating income from program sales, an equity loss from Hulu and higher marketing costs for the fall season launch. The increase in advertising revenue reflected higher units sold, including the benefit of the extra week of operations, and higher rates. Affiliate revenue growth was due to contractual rate increases and new contractual provisions. Higher programming costs reflected the impact of an additional week of operations. Lower operating income from program sales was driven by an increase in cost amortisation and lower sales. Program sales reflected decreases for My Wife and Kids and America’s Funniest Home Videos, partially offset by the sale of How to Get Away with Murder in the current quarter. The equity loss from Hulu was due to higher content and marketing costs.

     

    Parks & Resorts

     

    Parks and Resorts segment revenue in the current year increased seven per cent to $16,162 million as compared to the $15,099 in FY-2014. Segment Operating income increased 13.8 per cent in the current year to $3,301 million as compared to $2,663 million in FY-2014.

     

    The segments revenue in the current quarter increased 10.1 per cent YoY to $4,361 million from $3,960 million. Operating income for the segment increased 7.4 per cent YoY to $738 million from $687 million.

     

    Growth at Parks and Resorts was driven by Disney’s domestic operations due to higher average guest spending, attendance and occupancy, partially offset by increased costs driven by inflation and volumes. Results at Disney’s international parks and resorts operations reflected lower attendance and occupancy at Hong Kong Disneyland Resort and higher pre-opening expenses at Shanghai Disney Resort.

     

    Studio Entertainment

     

    Studio Entertainment segment revenue in the current year increased 1.2 per cent to $7,366 million as compared to the $7,278 in FY-2014. Segment Operating income increased 27.4 per cent in the current year to $1,973 million as compared to $1,549 million in FY-2014.

     

    The segments revenue in the current quarter was flat (increased 0.3 per cent) YoY to $1,783 million from $1,778 million. Operating income for the segment more than doubled (2.09 times) YoY to $530 million from $254 million.

     

    At Studio Entertainment, operating income growth was due to a higher revenue share with the Consumer Products segment reflecting the success of Frozen merchandise, an increase in television distribution revenue and higher domestic theatrical results. This growth was partially offset by a decline in home entertainment units sold reflecting the success of Frozen in the prior year.

     

    For Q4-2015, Disney says that Operating income growth was due to increased TV/SVOD distribution results, lower film cost impairments, improved theatrical results and a higher revenue share with the Consumer Products segment. These increases were partially offset by lower home entertainment results.

     

    The increase in TV/SVOD distribution was driven by a lower average production cost amortisation rate, the timing of title availabilities in international pay and domestic free television markets as well as SVOD revenue growth internationally. Lower production cost amortisation reflected a higher sales mix of catalogue titles in the current quarter.

     

    Operating income growth in theatrical distribution was driven by the performance of Inside Out and Ant-Man in the current quarter compared to Guardians of the Galaxy, Maleficent and no Pixar title in the prior-year quarter. Theatrical distribution revenues were lower in the current quarter as the prior-year quarter also included Planes: Fire and Rescue and The Hundred-Foot Journey, whereas the current year included no Disney feature animation or DreamWorks titles in release. Increased revenue share was due to the performance of Frozen merchandise in the current quarter.

     

    The decrease in home entertainment was due to lower net effective pricing and unit sales reflecting the prior-year quarter performance of Frozen internationally and Marvel’s Captain America: The Winter Soldier worldwide, partially offset by Marvel’s Avengers: Age of Ultron and Cinderella in the current quarter. These decreases were partially offset by lower per unit costs as well as decreased marketing spending in the current quarter.

     

    Consumer Products

     

    Consumer Products segment revenue in the current year increased 12.9 per cent to $4,499 million as compared to the $3,985 in FY-2014. Segment Operating income increased 29.2 per cent in the current year to $1,752 million as compared to $1,356 million in FY-2014.

     

    The segments revenue in the current quarter increased 11.5 per cent YoY to $1,195 million from $1,072 million. Operating income for the segment increased 9.8 per cent YoY to $416 million from $379 million.

     

    Consumer Products operating income growth was due to higher merchandise licensing revenue reflecting the strength of Frozen, Avengers and Star Wars Classic merchandise.

     

    Interactive

     

    Interactive segment revenue in the current year reduced 9.6 per cent to $1,174 million as compared to the $1,299 in FY-2014. Segment Operating income increased 13.8 per cent in the current year to $132 million as compared to $116 million in FY-2014.

     

    The segments revenue in the current quarter reduced 4.1 per cent YoY to $347 million from $362 million. Operating income for the segment increased 72.2 per cent YoY to $31 million from $18 million.

     

    Interactive growth was driven by the ongoing success of the Tsum Tsum mobile game and lower product development and marketing costs, primarily at Disney’s mobile businesses, partially offset by lower operating income from Disney Infinity console games.

  • Priyanka Chopra’s ‘Quantico’ makes smashing debut on ABC with 7 mn viewers; India awaits premiere

    Priyanka Chopra’s ‘Quantico’ makes smashing debut on ABC with 7 mn viewers; India awaits premiere

    MUMBAI: This girl tread on the trail that none before her have. She wiped out all boundaries and it seemed as if to her, no goal or dream was unachievable or out of bounds. We’re talking about the golden girl of Indian cinema – Priyanka Chopra, who is currently making waves on American television courtesy Quantico and living her dream Queen size. With 7.1 million viewers tuning in for the premiere episode, Quantico has shattered ratings records on ABC.

     

    It was a bold move on Disney owned ABC Network’s part to cast an Indian actress as the lead for their television series but the ‘no risk, no gain’ policy seems to have paid off for the network. Quantico’s premiere episode has given ABC its best Sunday ratings since the 2012 telecast of Desperate Housewives’ finale.

     

    Be it the larger than life scripting and narrative, the top notch production, or the fan base that Chopra has in the US as a Bollywood actress as well as a pop singer — the fact is that Quantico may just be perfect answer to what ABC Network was looking for. With an average demo rating of 1.9, the pilot episode aired on 27 September topped other popular shows on the network like Revenge and Once Upon A Time by a good margin, as per reports from international media. To reiterate, that’s over seven million viewers in a single day!

     

    Chopra’s growing popularity internationally, especially after her pop album release, is no secret. Her recent public appearance during the NBA match between Warriors and Cavaliers where they played the Quantico promo, made headlines instantly. However, having said that, it certainly doesn’t compare to her fan base back home in India.

     

    It’s a proud moment for Chopra’s fans, who are waiting with bated breath for Star World and Star World HD to premiere the show in India on 3 October.

     

    Chopra was recently seen reassuring a fan on Twitter, who questioned why her Indian fans have to wait seven days for the show to air in India. “@priyankachopra -:))) we are so deprived in India…why do we have to wait for one whole week to see your first episode? Not fair #Quantico,” a fan tweeted.

     

    Chopra responded back saying, “Tried my hardest @priyaguptatimes to show in India ASAP! Can’t wait for u all to c it on 3rd October!”

     

    It does seem a tad uncanny that while shows like Downton AbbeyModern FamilyHomeland and The Late Show with Stephen Colbert, are being simulcast in both the US and Indian network on Star World and Star World HD, a show likeQuantico, which has an obvious Indian connect and the potential to be more successful on home turf, is airing seven days after its airtime in the US.

     

    It will be interesting to see, if the broadcaster buckles under pressure from Indian fans, if they continue to demand Quanticoto be simulcast after the pilot episode is released.

     

    While it will be a one of a kind fan service for Chopra on the network’s part to allow the show to be simulcast here, the current air-time schedule might actually work in the show’s favour. Some argue that it couldn’t have been a better way to introduce the show in India — among a flurry of excitement of its international success. After all, having a Bollywood star as a cast isn’t always an assurance of the show’s success, as we observe from the fate of shows like Yudh, which starred none other than Amitabh Bachchan.

     

    While the show’s fate in India will only be decided after the pilot episode on 3 October, the broadcaster can easily piggy back ride its marketing and promotions on the buzz, which is already stirring around the show. What’s more with Chopra and the entire Bollywood fraternity cheering her on social media, the excitement is palpable.  

     

    Social networking platforms like Facebook, Twitter and Instagram are already abound with gossip about the show. Whatever little screenshots, dialogues and status updates that Indians can source online is effective in working them up for the premiere. Now, whether the show and Chopra’s role as an FBI agent will be able to live up to this hype, we will know soon enough.

  • Disney names Jonathan S. Headley as SVP & treasurer

    Disney names Jonathan S. Headley as SVP & treasurer

    MUMBAI: Jonathan S. Headley has been named senior vice president and treasurer of The Walt Disney Company.

     

    The Walt Disney Company senior executive vice president and CFO Christine M. McCarthy said, “During his 11-year tenure as assistant treasurer, Jon has shown himself to be a highly effective financial executive, and his proven expertise, leadership skills and strategic acumen make him the right choice for this role.”

     

    Headley will report directly to McCarthy, who had previously served as treasurer before becoming CFO earlier this summer.

     

    In his new role, Headley will be responsible for the management and oversight of the company’s global treasury functions including corporate finance,  liquidity management, capital markets and banking activities, financial risk management, enterprise project and structured finance, pension and investments, decision support, enterprise consumer payments and global cash management.

     

    “I am honored to assume this new role and to lead the great team that Christine has managed so effectively over the years. This is an exciting time of unprecedented growth at The Walt Disney Company and I am grateful to be able to leverage my experience into this new role and help shape the future of the organization,” Headley said.

     

    Headley most recently served as senior vice president, corporate finance and assistant treasurer, wherein he led and managed corporate finance, decision support, treasury control & compliance, real estate strategy and asset management. He joined the corporate finance team in 1996 as a senior analyst, and went on to assume roles of increasing responsibility within the department. He served as treasurer of Hong Kong Disneyland during the park’s development, and was named assistant treasurer of The Walt Disney Company in 2004.

     

    Prior to joining Disney, Headley was an analyst at Goldman Sachs & Co. and a research associate at Harvard University.

  • Q3-2015: Disney revenue up 5.1%, income up 10.6%

    Q3-2015: Disney revenue up 5.1%, income up 10.6%

    BENGALURU: The Walt Disney Company Inc reported 5.1 per cent revenue increase in Q3-2015 (quarter ended 27 June, 2015) to $13,101 million as compared to the $12,466 million in Q3-2014 (quarter ended 28 June, 2014). Net income during the current quarter improved 10.6 per cent to $2483 million from $2245 million reported for the corresponding year ago quarter.

     

    Of the five segments that add to Disney’s numbers, four – Media Networks, Parks & Resorts, Studio Entertainment and Consumer Products showed improvement in revenue and income, while its Interactive segments showed decline in revenues and income in the current quarter as compared to the corresponding year ago quarter.

     

    “We’re very pleased with our performance in the third quarter, with record net income and diluted earnings per share of $1.45, up 13 per cent from the prior year. The strong results across our many diverse lines of business demonstrate the power of our unparalleled brands, franchises and creative content,” said Disney chairman and chief executive officer Robert A Iger.

     

    Segment Results

    Media Networks 

    Media Networks revenues for the current quarter improved five per cent to $5768 million from $5511 million reported for Q3-2014. Operating Income from this segment increased four percent to $2378 million in Q3-2015 from $2296 million in Q3-2014. 

     

    Two sub-segments – Cable Networks, and Broadcasting contribute to this segment. 

     

    Cable Networks

     

    Cable Networks reported a five per cent growth in revenue to $4140 million in Q3-2015 from $3942 million in Q3-2014. The sub-segment reported a seven per cent increase in Operating Income to $2078 million in Q3-2015 as compared to the $1942 million in Q3-2014. The company says the increases at the domestic Disney Channels and ABC Family were due to higher program sales and increased affiliate revenue, driven by contractual rate increases. Program sales growth reflected increased subscription video on demand (SVOD) distribution revenues in the current quarter.

     

    Operating results at ESPN were driven by growth in affiliate revenue, partially offset by lower advertising revenue. The increase in affiliate revenues was due to contractual rate increases and an increase in subscribers. The increase in subscribers was due to the new SEC Network launched in August 2014, partially offset by a decline in subscribers at certain of our networks.

     

    Lower advertising revenues reflected lower ratings and rates, partially offset by more units sold driven by NBA playoff games. Lower rates reflected the benefit of World Cup soccer in the prior-year quarter. ESPN programming and production costs were relatively flat in the quarter as the addition of the SEC Network and higher rights costs for NBA programming were essentially offset by the absence of rights costs for NASCAR and World Cup soccer.

     

    Broadcasting

    Broadcasting reported four per cent hike in revenue in the current quarter to $1628 million from $1569 million, but reported a 15 per cent decline in operating income to $300 million from $354 million in the corresponding quarter of last year due driven by higher programming costs, lower advertising revenue and higher labour related costs, partially offset by growth in affiliate fees and higher program sales revenue from SVOD distribution. Higher programming costs were driven by increases in the average cost of primetime programming and pilot costs in the current quarter.

    Lower advertising revenues reflected decreased news and daytime ratings, partially offset by higher rates. Affiliate fee growth was due to new contractual provisions and contractual rate increases.

     

    Parks and Resorts

     

    Parks and Resorts reported four per cent growth in revenue to $4131 million from $3980 million in the corresponding year ago quarter and a nine per cent increase in Q3-2015 operating income to $922 million from $848 million in Q3-2014. Operating income growth for the quarter was due to an increase at Disney’s domestic operations, partially offset by a decrease at its international operations. 

     

    Studio Entertainment

     

    Studio Entertainment reported 13 per cent increase in revenue to $2040 million in Q3-2015 as compared to the $1807 million in Q3-2014, and segment operating income increased 15 per cent to $472 million from $411 million in Q3-2014.

     

    Disney says that higher operating income was due to an increase in theatrical distribution, growth at international television distribution and a higher revenue share with the Consumer Products segment. These increases were partially offset by a decrease in home entertainment and higher film cost impairments.

     

    The increase in theatrical distribution reflected the strong performance of Marvel’s Avengers: Age of Ultron in the current quarter compared to Marvel’s Captain America: The Winter Soldierin the prior-year quarter. Theatrical results in the current quarter also benefited from the continuing performance of Cinderella, which was released in the second quarter of the current year. These increases were partially offset by the strong international performance of Frozen in the prior-year quarter and the results of Tomorrowland in the current quarter. The growth in international television distribution included sales of Star Wars titles, while the increased Consumer Products revenue share was primarily due to the performance of Frozenmerchandise. The decrease at home entertainment reflected lower unit sales due to the performance of Frozen in the prior-year quarter compared to Big Hero 6 in the current quarter.

     

    Consumer Products

     

    Consumer Products Q3-2015 revenue increased six per cent to $952 million from $902 million in Q3-2014 and operating income improved 27 per cent to $348 million from $273 million in Q3-2014.

     

    Higher operating income was due to an increase in merchandise licensing revenues and lower third-party royalty expense. Merchandise Licensing revenue growth reflected the performance of merchandise based on Frozen, The Avengers and Star Wars, partially offset by lower revenues from Spider-Man merchandise.

     

    Interactive

     

    Revenue from this segment fell 22 per cent to $208 million in Q3-2015 from $266 million in Q2-2014, but segment operating income was nil as compared to the $29 million in Q3-2014. The segment just managed to breakeven.

     

    Lower operating income was primarily due to lower results from Disney Infinity and decreased sales of console game catalogue titles, partially offset by the continued success of Tsum Tsum. The decrease from Disney Infinity was due to decreased unit sales and lower average net effective pricing.