Tag: The Voice

  • AXN to premiere season 13 of ‘The Voice’  in India

    AXN to premiere season 13 of ‘The Voice’ in India

    MUMBAI: AXN India is back with the Season 13 of ‘The Voice’ from 30 September, on weekends at 8pm.

    Season 13 returns with the show’s innovative singing competition format with ‘five stages of competition: the first being the Blind Auditions, then the Battle Rounds, followed by Knockouts, Playoffs and finally, the Live Performance Shows.

    The coaches for season 13, who will decide on the new singing sensation for the world, are Miley Cyrus, Jennifer Hudson, Adam Levine and Blake Shelton. Levine and Shelton have been with the show from the start. While this is Miley’s second time in the coach seat, Hudson, an Oscar and Grammy champ, is the newest addition to the US team.

    The judges will be accompanied by a panel of mentors. Adam will be assisted by the dazzling, ‘Joe Jonas’ and the American country music trio ‘Rascal Flatts’ will be helping Blake Shelton. Miley Cyrus working with the American country music sensation and her Dad, ‘Billy Ray Cyrus’ and Kelly Rowland will be helping Jennifer Hudson’s team.

    The excitement is sky high as the enthusiasm, not just of the contestants but also of the judges and mentors, is contagious.

  • AXN to premiere ‘The Voice’ s12

    MUMBAI: It’s time we move from stunts to saxophones, action to accordion, and thrill to trumpets with the most awaited music reality show.

    AXN is back with the latest season of the popular singing reality competition The Voice. Season 12 premieres from 4 March, every Saturday – Sunday at 8 pm.

    The three-time Grammy Award winner Gwen Stefani will accompany Alicia Keys, Adam Levine and Blake Shelton in this season.

    The show’s innovative format features five stages of talent competition: the first being the blind auditions, followed by the battle rounds, the knockouts, the live playoffs and finally the live performance shows.

  • AXN brings season 11 of ‘The Voice’

    AXN brings season 11 of ‘The Voice’

    MUMBAI: The singing reality show The Voice is returning with a new season to its home channel, AXN. With some of the strongest vocalists from across the country, the new season will begin from 24 September and will be aired every Saturday and Sunday at 8 pm.

    The Voice season 11 format features five stages of competition: the blind auditions, the battle rounds, the knockouts, the live playoffs and, finally, the live performance shows.

    Singing sensations Miley Cyrus and Alicia Keys join judges Adam Levine and Blake Shelton this season.

    The judges will also be supported by a new panel of mentors. Shelton will get help from Bette Midler whereas Levine’s team will be working with Sammy Haggar. Cyrus will get tips from Joan Jett and Keys will be assisted by Charlie Puth to aid her team.

    Created by John de Mol and directed by Alan Carter, the show has won several accolades in the past.

  • AXN brings season 11 of ‘The Voice’

    AXN brings season 11 of ‘The Voice’

    MUMBAI: The singing reality show The Voice is returning with a new season to its home channel, AXN. With some of the strongest vocalists from across the country, the new season will begin from 24 September and will be aired every Saturday and Sunday at 8 pm.

    The Voice season 11 format features five stages of competition: the blind auditions, the battle rounds, the knockouts, the live playoffs and, finally, the live performance shows.

    Singing sensations Miley Cyrus and Alicia Keys join judges Adam Levine and Blake Shelton this season.

    The judges will also be supported by a new panel of mentors. Shelton will get help from Bette Midler whereas Levine’s team will be working with Sammy Haggar. Cyrus will get tips from Joan Jett and Keys will be assisted by Charlie Puth to aid her team.

    Created by John de Mol and directed by Alan Carter, the show has won several accolades in the past.

  • &TV strengthens weekend programming with So You Think You Can Dance

    &TV strengthens weekend programming with So You Think You Can Dance

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) is all set to take entertainment levels one notch higher with its channel &TV. After airing shows like India Poochega Sabse Shaana Kaun?,  Deal or No Deal and The Voice,  &TV is all set to kick start another exciting Indian adaptation of American dance reality show So You Think You Can Dance – ‘Ab India Ki Baari’ . To be aired twice a week, the show will be launched with a bank of 26 episodes for 13 weeks.

    With 14 Emmy awards, 26 localized productions representing 35 different countries, the show will be aired from 24 April on Saturday and Sunday at the 8.30 pm time band. Produced by Endemol Shine India SYTYCD will witness an epic battle of Street and Stage style dance for the very first time on Indian Television. The two styles will battle it out and give all that it takes for the ultimate supremacy title on the dance floor.

    Maruti Suzuki’s Alto K 10 has been roped in as the presenting sponsor for the show. Apart from this, the channel has also brought in Chings’ Secret and Yepme.com as co-powered by sponsors and Priyagold as special partner for the show.

    Leading the judges’ panel will be the epitome of grace and panache – Madhuri Dixit along with the national award winning choreographer – Bosco Martis and an encyclopaedia in dance and style – Terence Lewis.  While Bosco will represent the street styles of dancing, Terence will represent the stage styles.  Mouni Roy of the Naagin fame and the charming Rithvik Dhanjani are the hosts of the show.

    Speaking with Indiantelevision.com, &TV business head Rajesh Iyer said, “We have been evaluating dance shows and So You Think You Can Dance is one of the leading dance shows that has been around in 35 nations now. The format brings forth an immense concept where the contestants are classified into two groups as per their style of dancing – Street and Stage. The ultimate winner from a gruelling Street v/s Stage Gala rounds will be chosen under the guidance of an esteemed jury. We believe that the show will give a new momentum to weekend television viewing experience.”

    “We have to look at the overall strategy and So You Think You Can Dance tactically fit well with the 8.30 slot. Therefore we decided to take that particular time band to get more traction,” revealed Iyer.

    He further added, “We are targeting family audiences because we are bringing something that is so inherent to Indian families which is their love for song and dance. Obviously youth is a very substantial part of our target audience and we want them to watch the show as well.”  

    After The Voice, Deal or No Deal, this is the third show that Endemol is producing for &TV. Speaking about the expectation from the show, Endemol Shine India COO Abhishek Rege said, “It’s been a biggest dance format and it’s been there for the last 13 years now. Even in India some of the shows have drawn inspiration from this and it was high time to get this show in India. I am glad that &TV actually thought about it.  Aside from showcasing superlative content and talent, audiences will get to see a lot of dance variety on one platform. It is really good bet to have and we all are sure that it will succeed. With SYTYCD we would actually be able to take ratings averages of &TV also higher. We are sure that it will create a buzz around the dancing fraternity.”

    With a 360 degree marketing blitzkrieg planned pan India, &TV is certainly looking at engaging consumers across various touchpoints. The campaign emphasizes on Ab India Ki Baari highlighting that the country is now ready for the ultimate battle of Street v/s Stage on the lines of the global format.

    The original show was created by American Idol proytducers Simon Fuller and Nigel Lhgoe and is produced by Core Media Group’s 19 Entertainment and Dick Clark Productions. The channel has acquired the rights of the global dance reality format SYTYCD from Dick Clark Productions. In the US, the contract for SYTYCD was recently renewed by Fox for a 13th season, which is slated to go on air on 30 May.

     

  • &TV strengthens weekend programming with So You Think You Can Dance

    &TV strengthens weekend programming with So You Think You Can Dance

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) is all set to take entertainment levels one notch higher with its channel &TV. After airing shows like India Poochega Sabse Shaana Kaun?,  Deal or No Deal and The Voice,  &TV is all set to kick start another exciting Indian adaptation of American dance reality show So You Think You Can Dance – ‘Ab India Ki Baari’ . To be aired twice a week, the show will be launched with a bank of 26 episodes for 13 weeks.

    With 14 Emmy awards, 26 localized productions representing 35 different countries, the show will be aired from 24 April on Saturday and Sunday at the 8.30 pm time band. Produced by Endemol Shine India SYTYCD will witness an epic battle of Street and Stage style dance for the very first time on Indian Television. The two styles will battle it out and give all that it takes for the ultimate supremacy title on the dance floor.

    Maruti Suzuki’s Alto K 10 has been roped in as the presenting sponsor for the show. Apart from this, the channel has also brought in Chings’ Secret and Yepme.com as co-powered by sponsors and Priyagold as special partner for the show.

    Leading the judges’ panel will be the epitome of grace and panache – Madhuri Dixit along with the national award winning choreographer – Bosco Martis and an encyclopaedia in dance and style – Terence Lewis.  While Bosco will represent the street styles of dancing, Terence will represent the stage styles.  Mouni Roy of the Naagin fame and the charming Rithvik Dhanjani are the hosts of the show.

    Speaking with Indiantelevision.com, &TV business head Rajesh Iyer said, “We have been evaluating dance shows and So You Think You Can Dance is one of the leading dance shows that has been around in 35 nations now. The format brings forth an immense concept where the contestants are classified into two groups as per their style of dancing – Street and Stage. The ultimate winner from a gruelling Street v/s Stage Gala rounds will be chosen under the guidance of an esteemed jury. We believe that the show will give a new momentum to weekend television viewing experience.”

    “We have to look at the overall strategy and So You Think You Can Dance tactically fit well with the 8.30 slot. Therefore we decided to take that particular time band to get more traction,” revealed Iyer.

    He further added, “We are targeting family audiences because we are bringing something that is so inherent to Indian families which is their love for song and dance. Obviously youth is a very substantial part of our target audience and we want them to watch the show as well.”  

    After The Voice, Deal or No Deal, this is the third show that Endemol is producing for &TV. Speaking about the expectation from the show, Endemol Shine India COO Abhishek Rege said, “It’s been a biggest dance format and it’s been there for the last 13 years now. Even in India some of the shows have drawn inspiration from this and it was high time to get this show in India. I am glad that &TV actually thought about it.  Aside from showcasing superlative content and talent, audiences will get to see a lot of dance variety on one platform. It is really good bet to have and we all are sure that it will succeed. With SYTYCD we would actually be able to take ratings averages of &TV also higher. We are sure that it will create a buzz around the dancing fraternity.”

    With a 360 degree marketing blitzkrieg planned pan India, &TV is certainly looking at engaging consumers across various touchpoints. The campaign emphasizes on Ab India Ki Baari highlighting that the country is now ready for the ultimate battle of Street v/s Stage on the lines of the global format.

    The original show was created by American Idol proytducers Simon Fuller and Nigel Lhgoe and is produced by Core Media Group’s 19 Entertainment and Dick Clark Productions. The channel has acquired the rights of the global dance reality format SYTYCD from Dick Clark Productions. In the US, the contract for SYTYCD was recently renewed by Fox for a 13th season, which is slated to go on air on 30 May.

     

  • FremantleMedia inks exclusive deal with former Endemol Shine execs

    FremantleMedia inks exclusive deal with former Endemol Shine execs

    MUMBAI: A new partnership between the top creatives behind the MasterChef phenomenon and production giant FremantleMedia has been unveiled.

     

    Eureka Productions, the newly formed production company from unscripted specialist producers Chris Culvenor and Paul Franklin, has formed an exclusive partnership with FremantleMedia.

     

    Culvenor and Franklin were most recently Endemol Shine SVP of development and EVP of programming respectively.

     

    The duo has worked together for a decade, including stints at FremantleMedia Australia, and are the creative force behind a vast array of unscripted hits in both the US and Australia. They’ve developed, adapted and produced franchises such as MasterChef, MasterChef Junior, The Biggest Loser, The Voice, Fake Off, The Apprentice, Restaurant Startup, The Face, Project Runway and Minute to Win It.

     

    Eureka opened its Los Angeles office in January and has three projects underway with top tier cable networks. Culvenor and Franklin will be opening their Sydney office in March and appointments to their creative team in both countries will be announced in coming months.

     

    The company will work with FremantleMedia to develop and produce projects that can be optimised through the super-indie’s international network of creatives, producers and sales teams.

     

    Culvenor said, “Paul and I are thrilled to be partnering with the global powerhouse FremantleMedia who have the best creative network in the business.”

     

    Franklin added, “At Eureka, we’re very excited to bring together the talented creative community that we have collaborated with over the last decade to create series that captivate and surprise audiences.”

     

    FremantleMedia director of global entertainment Rob Clark said, “Chris and Paul are two of the industry’s most highly regarded creatives. Their track records in production, development and sales complement our businesses in the US and Australia and we’re looking forward to creating and sharing ideas across our international network.”

  • FremantleMedia inks exclusive deal with former Endemol Shine execs

    FremantleMedia inks exclusive deal with former Endemol Shine execs

    MUMBAI: A new partnership between the top creatives behind the MasterChef phenomenon and production giant FremantleMedia has been unveiled.

     

    Eureka Productions, the newly formed production company from unscripted specialist producers Chris Culvenor and Paul Franklin, has formed an exclusive partnership with FremantleMedia.

     

    Culvenor and Franklin were most recently Endemol Shine SVP of development and EVP of programming respectively.

     

    The duo has worked together for a decade, including stints at FremantleMedia Australia, and are the creative force behind a vast array of unscripted hits in both the US and Australia. They’ve developed, adapted and produced franchises such as MasterChef, MasterChef Junior, The Biggest Loser, The Voice, Fake Off, The Apprentice, Restaurant Startup, The Face, Project Runway and Minute to Win It.

     

    Eureka opened its Los Angeles office in January and has three projects underway with top tier cable networks. Culvenor and Franklin will be opening their Sydney office in March and appointments to their creative team in both countries will be announced in coming months.

     

    The company will work with FremantleMedia to develop and produce projects that can be optimised through the super-indie’s international network of creatives, producers and sales teams.

     

    Culvenor said, “Paul and I are thrilled to be partnering with the global powerhouse FremantleMedia who have the best creative network in the business.”

     

    Franklin added, “At Eureka, we’re very excited to bring together the talented creative community that we have collaborated with over the last decade to create series that captivate and surprise audiences.”

     

    FremantleMedia director of global entertainment Rob Clark said, “Chris and Paul are two of the industry’s most highly regarded creatives. Their track records in production, development and sales complement our businesses in the US and Australia and we’re looking forward to creating and sharing ideas across our international network.”

  • MGM buys out Mark Burnett, names him as president of TV & Digital

    MGM buys out Mark Burnett, names him as president of TV & Digital

    MUMBAI: Metro-Goldwyn-Mayer Inc. (MGM) is acquiring full control of United Artists Media Group (UAMG), in which reality TV producer Mark Burnett owned a 23 per cent interest with his wife Roma Downey.

     

    Additionally, Burnett has been named president of MGM Television and Digital Group.

     

    Burnett, who signed a five-year contract, will report directly to MGM CEO Gary Barber. Burnett’s new appointment will occur simultaneously with the closing of MGM’s acquisition of the remaining 45 per cent of Hearst’s, Burnett’s and Downey’s interests in UAMG, which will be absorbed under the MGM Television Group umbrella.

     

    “Mark Burnett is one of the most successful producers in television and a highly sought-after executive in content creation. His leadership is the next step in our never-ending quest to expand and grow our television and digital businesses,” said Barber. “Combining all of our TV content efforts under the purview of this unparalleled chief is incredibly exciting. Additionally, we believe this synergistic transaction will be very accretive to MGM.”

     

    Burnett and Downey will exchange their 23 per cent interest in UAMG for 1,337,360 shares of MGM stock valued at $90 per share. Hearst will receive $113.5 million in cash for their 22 per cent interest. This transaction will enable the complete integration of UAMG’s and MGM’s television businesses and the consolidation of their operations. The transaction is expected to close at the beginning of 2016 and was valued based upon the original deal parameters established when MGM acquired the initial 55 per cent of UAMG in 2014, less distributions.  The planned OTT channel will remain a separate entity controlled by its investors, Downey, Burnett, Hearst and MGM.

     

    “Joining MGM under the incredible leadership of Gary Barber is an exciting new chapter of my television career,” said Burnett. “Demand for quality content is stronger than ever and the opportunities to grow our pipeline and develop projects from the wealth of Intellectual Property in the MGM and United Artists libraries are enormous. There is no better time to be creating premium content for distribution across multiple platforms. “

     

    Downey added, “We have entered into an era where faith-based and family programming is experiencing a creative renaissance. I am so excited and grateful to head up the team at LightWorkers Media under MGM. This is an enthusiastic marketplace that inspires us every day to create and curate new, thoughtful and dynamic content for all screens in the distribution landscape.”

     

    In 2016, MGM Television will now have numerous unscripted and scripted television shows airing on network and cable or in production including: The Voice (NBC); Survivor (CBS); Shark Tank (ABC); Beyond the Tank (ABC); Celebrity Apprentice (NBC);Fargo (FX); Vikings (History); Teen Wolf (MTV);  500 Questions (ABC); The People’s Choice Awards (CBS); Lucha Underground (El Rey Network) and America’s Greatest Makers (INTEL/Turner).

     

    As part of the new structure, Downey will serve as president of LightWorkers Media, which will be the faith and family division of MGM Television, and will report to Burnett.  Downey will also serve as the chief content officer for the planned OTT channel. 

     

    Additionally, Chris Ottinger has been promoted to president of worldwide television distribution & acquisitions for MGM, reporting directly to Barber. MGM president of television development & production Steve Stark will continue to oversee all scripted content and will report directly to Burnett in an expanded role.

     

    MGM president of domestic television distribution John Bryan will continue in his role overseeing domestic distribution. Roma Khanna has stepped down from her position as head of television and digital. “Roma has done a terrific job at MGM. We are thankful for her efforts in helping grow MGM and wish her much success in her future endeavours,” said Barber.

  • Time Warner revenues up 5% to $6.6 billion led by HBO & Warner Bros

    Time Warner revenues up 5% to $6.6 billion led by HBO & Warner Bros

    MUMBAI: Time Warner Inc’s revenue in the third quarter ended 30 September, 2015 was up five per cent to $6.6 billion. The revenue growth was led by Home Box Office (HBO) and Warner Bros, which was partially offset by higher intercompany eliminations and a decline at Turner. 

     

    Adjusted Operating Income grew 85 per cent to $1.8 billion due to growth across all operating divisions, reflecting the absence of programming charges incurred in 2014 at Turner and lower restructuring and severance charges across all segments, partially offset by higher intercompany eliminations.

     

    Revenues and Adjusted Operating Income included the unfavorable impact of foreign exchange rates of $290 million and $160 million, respectively, in the quarter. Operating Income increased 89 per cent to $1.8 billion.

     

    Time Warner chairman and CEO Jeff Bewkes said, “We had another very good quarter, with revenues up five per cent and strong growth in Adjusted Operating Income, which totaled $1.8 billion. Our revenue growth was led by Warner Bros. and Home Box Office, and illustrated how our investments in great content have been paying off in our traditional television businesses, as well as in newer areas such as video games. In September, HBO received a record 43 Primetime Emmy Awards, the most of any network for the 14th  consecutive year. That included 12 awards for Game of Thronessetting a record for a series in a single year,” he added.

     

    The company posted Adjusted Diluted Income per Common Share from Continuing Operations (Adjusted EPS) of $1.25 versus $1.22 for the prior year quarter. Excluding a net tax benefit of $639 million, programming charges at Turner and restructuring and severance charges in the prior year quarter, Adjusted EPS would have been $0.97 in the prior year quarter. Diluted Income per Common Share from Continuing Operations was $1.26 compared to $1.11 in the prior year quarter.

     

    For the first nine months of 2015, Cash Provided by Operations from Continuing Operations reached $3 billion and Free Cash Flow totaled $2.9 billion. As of 30 September, 2015, net debt was $21.2 billion, up from $19.8 billion at the end of 2014, due to share repurchases, dividends and investments and acquisitions, partially offset by the generation of Free Cash Flow.

     

    Segment Performance

     

    Time Warner’s segments performance for the third quarter of 2015 is as follows:

     

    TURNER

     

    Revenues decreased two per cent ($48 million) to $2.4 billion, due to declines of 15 per cent ($18 million) in Content and other revenues, one per cent ($17 million) in Subscription revenues and one per cent ($13 million) in Advertising revenues.

     

    Content and other revenues decreased due to lower subscription video-on-demand (VOD) revenues. The decline in Subscription revenues was due to the impact of foreign exchange rates and a decline in domestic subscribers, partially offset by higher domestic rates and local currency growth at Turner’s international networks. Advertising revenues decreased due to the impact of foreign exchange rates and the absence of NASCAR programming, partially offset by local currency growth at Turner’s international networks. Domestic advertising was flat in the quarter.

     

    Adjusted Operating Income increased 206 per cent ($721 million) to $1.1 billion, as the decline in revenues was more than offset by lower expenses, including decreased programming costs and lower restructuring and severance costs. Programming costs decreased 45 per cent primarily due to the absence of the prior year quarter’s $482 million of charges related to Turner’s decision to no longer air certain programming. Excluding these charges in the prior year, programming costs decreased in the high-single digits mainly due to the absence of NASCAR programming.

     

    Operating Income increased 218 per cent ($735 million) to $1.1 billion.

     

    TNT’s NBA Opening Night doubleheader averaged 2.9 million total viewers, up 24 per cent over last year, and generated double-digit growth across all key demographics. TBS’ Major League Baseball postseason coverage averaged 6.3 million total viewers, up close to 50 per cent compared to last year, and was the network’s most watched postseason ever. For the 30th consecutive quarter, Adult Swim was ad-supported cable’s #1 total day network among adults 18-34, and it was #1 among adults 18-49 in the third quarter. CNN’s recent coverage of the Republican presidential debate garnered over 23 million average viewers – making it CNN’s most watched program ever – and the Democratic presidential debate reached over 15 million average viewers – making it the most watched Democratic debate ever on cable. CNN continued to grow primetime ratings across all key demographics, up 39 per cent and 35 per cent for adults 18-49 and 25-54, respectively, in the third quarter. Cartoon Network was once again the only top 3 kids network to grow ratings in the quarter, and ranked as the #1 ad-supported cable network in total day ratings among kids 6-11.

     

    HOME BOX OFFICE

     

    Revenues increased five per cent ($63 million) to $1.4 billion, due to increases of four per cent ($44 million) in Subscription revenues and 13 per cent ($19 million) in Content and other revenues. Subscription revenues grew primarily due to higher domestic rates, partially offset by lower international revenues, which included the impact of the transfer to Turner of the operation of HBO’s basic cable network in India. The increase in Content and other revenues primarily reflected higher domestic licensing revenues.

     

    Adjusted Operating Income increased 37 per cent ($139 million) to $519 million, reflecting higher revenues and lower expenses. The decrease in expenses was mainly due to lower restructuring and severance costs as well as decreased distribution and programming costs, partially offset by higher marketing and technology costs. Programming costs decreased six per cent primarily reflecting lower acquired theatrical programming costs. The higher marketing and technology costs related to HBO NOW, HBO’s stand-alone streaming service.

     

    Operating Income increased 37 per cent ($139 million) to $519 million.

     

    WARNER BROS.

     

    Revenues increased 15 per cent ($415 million) to $3.2 billion, reflecting higher video games and television licensing revenues, partially offset by the impact of foreign exchange rates, the absence of revenues from a patent license and settlement agreement in the prior year quarter and lower theatrical revenues. The increase in video games revenues was primarily due to the releases of LEGO Dimensions and Mad Max, as well as carryover revenues from several titles, including Mortal Kombat X and Batman: Arkham Knight. Television licensing revenues benefited from the initial cable and off-network availability of 2 Broke Girls and the initial cable availability and subscription video-on-demand licensing of Person of Interest.

     

    Adjusted Operating Income increased 61 per cent ($147 million) to $388 million, due to the increase in revenues, lower theatrical and video games valuation adjustments and decreased restructuring and severance costs, partially offset by higher print and advertising costs.

     

    Operating Income increased 62 per cent ($148 million) to $385 million.

     

    Season-to-date among adults 18-49: Blindspot and Supergirl ranked as the top two new series, The Voice ranked as the #1 non-scripted series and The Big Bang Theory ranked as the #1 comedy and #2 series overall in primetime on broadcast television. For the first nine months of the year, Warner Bros. ranked as the top US video game publisher, and Mortal Kombat X was the #1 videogame.

     

    CONSOLIDATED NET INCOME AND PER SHARE RESULTS

     

    Third-Quarter Results

     

    Adjusted EPS was $1.25 for the three months ended 30 September, 2015, compared to $1.22 in last year’s third quarter. The increase in Adjusted EPS primarily reflects higher Adjusted Operating Income and fewer shares outstanding, offset in part by higher taxes as a result of the $639 million net tax benefit in the third quarter of 2014 mainly related to the reversal of certain tax reserves in connection with an audit settlement.

     

    For the three months ended 30 September, 2015, the company had Income from Continuing Operations of $1 billion, or $1.26 per diluted common share. This compares to Income from Continuing Operations attributable to Time Warner common shareholders in the third quarter of 2014 of $966 million, or $1.11 per diluted common share.

     

    For the third quarters of 2015 and 2014, the company had Net Income of $1.0 billion and $967 million, respectively.