Tag: The Big Short

  • Movies NOW to premiere Academy Award-winning movie, ‘The Big Short’

    Movies NOW to premiere Academy Award-winning movie, ‘The Big Short’

    MUMBAI: For the first time on Indian television, Movies NOW, India’s favorite English movie channel, premieres the celebrated biographical film ‘The Big Short’. An irresistible film, ‘The Big Short’, is a true story of a handful of investors who bet against the US mortgage market in 2006-7. The film portrays three separate but concurrent stories starring Brad Pitt, Christian Bale, Ryan Gosling, Steve Carell and Marisa Tomei, amongst others. The movie will premiere on Sunday, August 19 at 1 p.m. and 9 p.m. on MOVIES NOW.

    Based on the book ‘The Big Short: Inside the Doomsday Machine’ by Michael Lewis, the movie has major dramatic themes, punctuated by comedic comments and moments. Directed by comedy veteran Adam McKay, the film won the Academy Award for Best Adapted Screenplay and received nominations for Best Picture, Best Director, Best Supporting Actor (Christian Bale), and Best Film Editing.

    Through its distinctive international content, Movies NOW is a leading ‘premiere’ destination for Hollywood blockbusters. With movies like ‘The Big Short’, viewers can enjoy the best of biographical films that take you back in time to a watershed event in life, revealing what exactly happened and why.

  • Q2-2016: Viacom segments report decline in numbers

    Q2-2016: Viacom segments report decline in numbers

    BENGALURU: Viacom Inc (Viacom) reported 2.5 percent year-on year (YoY) drop (reduced by $77 million) in revenue for the quarter ended 31 March 2016 (Q2-2016, current quarter) at $2,381 million as compared to $2,452 million in Q2-2015. Revenue for the company’s Media Networks segment declined 2.9 percent YoY in the current quarter to $2,381 million from $2,452 million in the corresponding year ago quarter. Filmed Entertainment segment revenue declined 0.6 percent YoY to $655 million from $659 million in Q2-2015.

    Adjusted operating Income in the current quarter declined 29 per cent to $586 million from $822 million in Q2-2015. Media Networks adjusted operating income in Q2-2016 decreased 11 per cent to $805 million from $903 million in Q2-2015, reflecting revenue declines as well as an increase in programming expenses. Filmed Entertainment adjusted operating loss was $136 million, driven by the performance of certain films released in the quarter.
    Quarterly adjusted net earnings attributable to Viacom decreased to $303 million. Adjusted diluted earnings per share for the quarter were $0.76.

    A common trend across a number of media and entertainment verticals in the US for the quarter that ends 31 March is that revenues are at the lowest. In general as per this cycle, revenue can only go up from here for the other quarters if a business has a normal year. In the case of Viacom Inc., 31 March corresponds to the close of the second quarter of its fiscal, since the company’s financial year ends on 30 September.

    Viacom, executive chairman, president and chief executive cfficer Philippe Dauman, said, “Viacom’s brands are among the most popular and culturally connected in the world. Nickelodeon remains the number one network for kids and many of our other networks have shown sequential improvements in ratings and consumption across platforms. The continuing strength of our brands was validated by our recent renewals with Dish and Frontier on attractive terms. In the past year, we have successfully closed long-term carriage agreements with domestic distributors representing more than 44 million subscribers. Around the world we continue to expand the global reach of our networks, launching several new channels in the quarter. At Paramount, we are looking forward to upcoming blockbusters Teenage Mutant Ninja Turtles: Out of the Shadows and Star Trek Beyond this summer.”

    “We are responding to industry consumption shifts with innovative, thoughtful, and long-term strategic solutions and are generating meaningful results in many important areas, including content creation, data-based audience measurement and distribution innovation. There is much more work to be done, but we see the path to growth ahead and are very optimistic about our future,” he added.

    Media Networks

    This segment’s revenue and results have been mentioned above. Viacom says that domestic advertising revenues decreased 5 per cent, as pricing increases were more than offset by softer ratings at some of its networks. International advertising revenues declined 1 per cent, driven by a 7 per cent adverse effect of foreign exchange. Absent the impact of foreign exchange, international advertising revenues increased 6 per cent, driven principally by growth in Europe. Domestic affiliate revenues decreased 2 per cent, reflecting a modest decline in subscribers and a previously disclosed rate adjustment with a major distributor partially offset by rate increases across the remaining subscriber base. International affiliate revenues increased 4 per cent, driven by new channel launches, increased subscribers, and rate increases. Absent a 7 per cent adverse impact of foreign exchange, international affiliates revenues increased 11 per cent.

    Filmed Entertainment

    Filmed Entertainment revenues mentioned above decreased as an increase in license fees and theatrical revenues was more than offset by declines in home entertainment and ancillary revenues. The company says that excluding foreign exchange, which had a 2 per cent unfavourable impact, worldwide revenues increased 1 per cent. Worldwide theatrical revenues increased 6 per cent to $217 million in the quarter, reflecting revenues from Daddy’s Homeand The Big Short, both released late in the first fiscal quarter. License fees increased 17 per cent to $240 million in the quarter, driven by the licensing of certain titles for subscription video-on-demand services. Worldwide home entertainment revenues decreased $41 million in the quarter, primarily reflecting lower revenues associated with catalogue and third-party distribution titles.

  • Q2-2016: Viacom segments report decline in numbers

    Q2-2016: Viacom segments report decline in numbers

    BENGALURU: Viacom Inc (Viacom) reported 2.5 percent year-on year (YoY) drop (reduced by $77 million) in revenue for the quarter ended 31 March 2016 (Q2-2016, current quarter) at $2,381 million as compared to $2,452 million in Q2-2015. Revenue for the company’s Media Networks segment declined 2.9 percent YoY in the current quarter to $2,381 million from $2,452 million in the corresponding year ago quarter. Filmed Entertainment segment revenue declined 0.6 percent YoY to $655 million from $659 million in Q2-2015.

    Adjusted operating Income in the current quarter declined 29 per cent to $586 million from $822 million in Q2-2015. Media Networks adjusted operating income in Q2-2016 decreased 11 per cent to $805 million from $903 million in Q2-2015, reflecting revenue declines as well as an increase in programming expenses. Filmed Entertainment adjusted operating loss was $136 million, driven by the performance of certain films released in the quarter.
    Quarterly adjusted net earnings attributable to Viacom decreased to $303 million. Adjusted diluted earnings per share for the quarter were $0.76.

    A common trend across a number of media and entertainment verticals in the US for the quarter that ends 31 March is that revenues are at the lowest. In general as per this cycle, revenue can only go up from here for the other quarters if a business has a normal year. In the case of Viacom Inc., 31 March corresponds to the close of the second quarter of its fiscal, since the company’s financial year ends on 30 September.

    Viacom, executive chairman, president and chief executive cfficer Philippe Dauman, said, “Viacom’s brands are among the most popular and culturally connected in the world. Nickelodeon remains the number one network for kids and many of our other networks have shown sequential improvements in ratings and consumption across platforms. The continuing strength of our brands was validated by our recent renewals with Dish and Frontier on attractive terms. In the past year, we have successfully closed long-term carriage agreements with domestic distributors representing more than 44 million subscribers. Around the world we continue to expand the global reach of our networks, launching several new channels in the quarter. At Paramount, we are looking forward to upcoming blockbusters Teenage Mutant Ninja Turtles: Out of the Shadows and Star Trek Beyond this summer.”

    “We are responding to industry consumption shifts with innovative, thoughtful, and long-term strategic solutions and are generating meaningful results in many important areas, including content creation, data-based audience measurement and distribution innovation. There is much more work to be done, but we see the path to growth ahead and are very optimistic about our future,” he added.

    Media Networks

    This segment’s revenue and results have been mentioned above. Viacom says that domestic advertising revenues decreased 5 per cent, as pricing increases were more than offset by softer ratings at some of its networks. International advertising revenues declined 1 per cent, driven by a 7 per cent adverse effect of foreign exchange. Absent the impact of foreign exchange, international advertising revenues increased 6 per cent, driven principally by growth in Europe. Domestic affiliate revenues decreased 2 per cent, reflecting a modest decline in subscribers and a previously disclosed rate adjustment with a major distributor partially offset by rate increases across the remaining subscriber base. International affiliate revenues increased 4 per cent, driven by new channel launches, increased subscribers, and rate increases. Absent a 7 per cent adverse impact of foreign exchange, international affiliates revenues increased 11 per cent.

    Filmed Entertainment

    Filmed Entertainment revenues mentioned above decreased as an increase in license fees and theatrical revenues was more than offset by declines in home entertainment and ancillary revenues. The company says that excluding foreign exchange, which had a 2 per cent unfavourable impact, worldwide revenues increased 1 per cent. Worldwide theatrical revenues increased 6 per cent to $217 million in the quarter, reflecting revenues from Daddy’s Homeand The Big Short, both released late in the first fiscal quarter. License fees increased 17 per cent to $240 million in the quarter, driven by the licensing of certain titles for subscription video-on-demand services. Worldwide home entertainment revenues decreased $41 million in the quarter, primarily reflecting lower revenues associated with catalogue and third-party distribution titles.

  • Christian Bale, Brad Pitt, Ryan Gosling, Steve Carell cast in ‘The Big Short’

    Christian Bale, Brad Pitt, Ryan Gosling, Steve Carell cast in ‘The Big Short’

    MUMBAI: In a casting coup of sorts, Paramount Pictures’ has roped in Christian Bale, Brad Pitt, Ryan Gosling and Steve Carell to star in The Big Short.

     

    The movie is being produced by Paramount Pictures along with New Regency and Plan B Entertainment. It will be directed by Adam McKay. The film also stars Melissa Leo and Marisa Tomei. 

     

    The film’s screenplay is written by McKay, from a script by Charles Randolph, based on Michael Lewis’ bestselling non-fiction book The Big Short: Inside the Doomsday Machine

     

    The Big Short is the remarkable true story of the genius contrarian investors who, recognizing just how insane the housing bubble had become, figured out how to “short” the market prior to the financial collapse of 2008.

     

    Rounding out the cast is Tracy Letts, Hamish Linklater, John Magaro, Byron Mann, Rafe Spall, Jeremy Strong and Finn Wittrock.

     

    Pitt, Dede Gardner and Jeremy Kleiner will produce the movie via their Plan B Entertainment banner.  Production has begun in New Orleans.

  • Pitt, Bale and Gosling to star in ‘The Big Short’

    Pitt, Bale and Gosling to star in ‘The Big Short’

    MUMBAI: Bradd Pitt, Chistian Bale and Ryan Gosling have signed the dotted lines for The Big Short, which is being written and directed by Adam McKay. 

     

    The film, which is going to be produced by Brad Pitt’s production company, Plan B, will be an adaptation of a bestselling book written by acclaimed journalist, Michael Lewis.

     

    The Big Short will deal with the housing and credit bubble disaster that led to the global financial crisis in 2007. The film is likely to be structured as an ensemble effort featuring several characters who had a role in creating the credit crisis.

     

    The Big Short will also be jointly produced by Paramount Pictures and Plan B.

     

    Bradd Pitt founded Plan B in 2002 along with ex-wife Jennifer Aniston, who left the company in 2006 after the couple split. The leading production company has grown over the years from strength to strength, tackling weighty subjects including 2014’s best picture Oscar 12 Years a Slave, and civil rights drama Selma, which received multiple Golden Globes nominations.