Tag: The Big Picture

  • “We are happy the way Kia has been accepted in India for all their cars” B. Shridhar

    “We are happy the way Kia has been accepted in India for all their cars” B. Shridhar

    Mumbai: The power of movies on television, often referred to as “The Big Picture”, has impacted how we consume entertainment, making it an essential part of our lives. Not only that, the synergy of Movies and TV has also proven to be lucrative for brands who want to reach India at large and impact their daily lives. In a series of chats with marketers and media veterans, we discuss all things related marketing, media and especially movies. Indiantelevsion.com founder, chairman & editor-in-chief Anil Wanvari, discusses all things related to marketing, media and especially movies with Innocean Worldwide Communication Pvt Ltd executive VP B. Shridhar.

    Edited excerpts

    On your early life, educational qualifications and extra curricular activities

    I was born in Delhi in a Tamil Brahmin household and spent my whole life in Delhi. My parents always emphasized the need for education but I was little better than an average student. Sports were a big deal for me. It was an escape from Mathematics especially. I studied at the Kirori Mal College, Delhi University and did BA Honors in Geography with the objective of appearing for civil services. Few of my friends got involved in the bandwagon of MBA so I also followed them because I was told you would be needing Maths at a working level rather than a scientist level. I also went into doing an MBA in marketing. When I was growing up in the late 1980’s, it was a great period for Indian advertising. I got a sense of freedom while working in the industry rather than getting clogged in a corporate suit. That’s me in a nutshell and I can say that despite being raised with old school values, I would say that sports have been a big deal in my life.

    On your journey and milestones

    When I started my career in 1984, I actually wanted to be a part of Account Planning because Mr. Santosh Desai used to be a faculty. Once he called me in his office while he was in Mudra and he said we have an opening in Media Planning but I said I wanted to do Account Planning. He said that taking Account Planning in the initial year is about going and doing research left, right, center. He reckoned that I will do better in media planning. So at the end of the day, I thought about doing some planning and I got pretty latched on to it, starting my career in Mudra. I used to mainly work on Nestle. I carried on and moved to McCann for a while. Then again I came back to do a second stint with Mudra and used to work mainly for Samsung. I was very happy that I was part of a company that was launching product after product every half year.

    After a second stint with Mudra, I got an opportunity to work in Ogilvy. I used to have similarities in the work culture and the environment as such. The whole thing which I started of in my career as a lifestyle that the advertising professionals lead and I thought that would go to the next level. At Ogilvy, I used to work at Electroluxx and Dabur. GroupM came into India and the media divisions of Ogilvy contract, HTA etc got merged into the entity of GroupM. I also worked with Initiative Media where I used to work for many brands of ITC. 2006 is when I joined Innocean and worked in 2 parts. It was Hyundai’s group company. I used to drive the media functions for Hyundai Motors. I worked till 2015 for my first avatar in Innocean and then I went away for one and a half years where I was driving the strategy & insight lead for Initiative Media. Towards the end of 2017, I returned to Innocean this time to head the media function for KIA Motors. KIA Motors was just about to come in India, and they ultimately rolled out their first car in the middle of 2019 but all the proprietary work including building of the launch and corporate campaigns, I was like part of minus two years of KIA in India and it’s been a great journey.

    On work life balance and initiatives which you are proud of

    I had a good work life balance working at Innocean and it depends on how you understand the needs of clients so somebody is more strategy oriented and someone is more proactive or a good organiser, a good manager. The point is strategy is something we would tend to do together but depending on the domain of expertise. The other thing is that both Hyundai and Kia Motors need the efficiency and executional brilliance because at the end of the day proof of the pudding is being able to serve your audiences in their way. I would say stuff that works in the marketplace and not necessarily with the jury of XYZ awards. I am absolutely proud to say that I worked on many of the Santro campaigns and launches. Going forward from there, they also launched many products which worked well with the audience in terms of creating positive brand disposition towards the products of Kia. Point is like doing things efficiently that’s the way it has been for both Kia and Hyundai.

    On initiatives which you are proud of

    This is going back to 2007 and when IPL was going to start in 2008. At that time, people really didn’t think the IPL was going to be glorified domestically. I am very happy to say that I could get a sense of what this is because I had an interest in football and watching the English Premier League etc. I thought that this was something to be in that zone. I was able to recommend that to folks at Hyundai to buy into it and really walk into the hearts of Indian audiences because in India there’s cricket and there’s Bollywood. I am happy that I could push this through and get them to invest in the IPL. I felt that nobody knew how to price this at that time because nobody has sense of what it could turn out to be. We also took it to the next level in terms of associating with ICC. Hyundai was a partner with the ICC for a good five years starting with the 2011 World Cup which after the rest of the 4 years it went into global association. If you could go back to the time when Dhoni had hit that six to win the World Cup, as the ball goes to the stadium, just at the nick of time, you can see a digital poll which pops up Hyundai. These are a couple of things which I have been part of. Going forward from there working on Kia which came as a late entrant when the market was very mature with big players in the market, a way dominant. Here comes a challenge for the brand. The thing that they backed themselves was the product quality and design as the big deal and turned it around into business success. I have been a part of each and every thing of Kia since they came into India to roll out their first car. So we are happy the way Kia has been accepted in India for all their cars. I am glad that I am gonna continue the journey with Kia even for the next few years.  

    On marketeers leveraging the box office success movies like Pathaan, Gadar 2 etc and strategies they can use for the growth of their brands

    Integration into content is the most important thing. Because you can do stuff over the promotion but being actually part of a movie and building synergy with the brand’s proposition and the movie’s plot. I dont watch many movies, but I remember one movie very vividly called ‘Road’. The car was such an integral part of the movie it seemed like a subject in itself. Therefore to be able to integrate meaningfully with the movie and it’s not so much about the screen time, it’s about the synergy.  Then it’s about magnification of collaboration by way of promoting it together. To create a lot of shoulder content to it and create anticipation both for the show as well as the brand and depending on the life stage of the brand whether it’s gonna be a tease for the audience or showcase what a product can do. Those things can come alive with a lot of shoulder content that can happen around it. Secondly, creating a ripple effect to content like post production, audience engagement. These are the buzzwords for leveraging a movie.

    On co-branding on promotional outlets whether its in retail outlet or digital-outdoor

    If you can do this exclusively, that’s the best thing. You can possibly take it into the realms of AFP (Advertiser Funded Programs). If not, there has to be some kind of synergy between the brands also wherein you are pulling in together. For example Coke and Adidas have better synergies and Pepsi and Nike have better synergies rather than vice-versa. So even if there are other brands coming into picture, we have to see whether they compliment each other or crossover with each other. Exclusivity is best but if not synergy is important in any case.  

    Between Hyundai and Kia, Hyundai is a little bit formal, more reaching out to the demographic kind of audience, not going on the edge kind of brand. Similarly Kia, being a late entrant, being salient is more important so therefore going more to the edge and kind of collaborating with people who personify the identity of Kia. I would define Hyundai as more functional plus lifestyle, Kia is more attitude. Kia could host Elon Musk and Hyundai could host Mr. Tim Cook better if we put it that way.

    On TV and OTT aggregating large audiences and brands leveraging big titles coming on TV.

    Being able to be there as a presenting partner or co-presenting partner and therefore using the brands own assets and creating a post production content piece and thereby engaging with the contest and gamification can work well. In any case they would get eyeballs because people definitely value a content that is two months old after theatrical release and doing well in the theaters. As I said, presenting partnerships, being a part of backend part stories, doing joint production. That can be a good way of leveraging WTPs.

     On strategy for movie genres and your ideal winning mix.

    You will have a scenario as in your max investment goes into the hero movie of the month, but you can also have a sprinkling of surround inventory to that movie and catch audiences also and in any case even if you didn’t want to invest more on hero movie, you will get peripheral content also, therefore you will have presence in ROS so far which is fine ultimately when you do post campaign analysis of any metric of ROI, Hindi movies tend to do very well and besides only focusing on hero content, if you take a package, it becomes much more efficient and greater amount of GRPs on any metric. In a nutshell, I would say diversify the mix.  

    On TV playing important role in building brand awareness

    Awareness is one point related to the mind metric to an audience. It’s not important that you know me or I know you but how well do I know you or how well do you know me that matters. Which means to say that awareness is one thing but do you build trust? Do you build confidence? Good amount of research has shown offline media, linear TV, newspapers, radio have greater trust and credibility than that in the digital space. Having said that, TV brings a lot of things other than basic awareness. It is trustworthy and credible. Therefore you will have a scenario of an influencer and the consumer of the product are all consuming the content at the same time. TV goes beyond the space of credibility and those kinds of mind metrics. Research has actually proven that it works very well from a brand’s lifecycle perspective also. Within the offline media space, TV was always a big thing. It is even bigger now. I would say generally even from my own practice, TV does continue to have its own importance and it’s not going anywhere.

  • Indiacast partners with ABS Broadcast to launch Viacom18 channels on Sky Glass

    Indiacast partners with ABS Broadcast to launch Viacom18 channels on Sky Glass

    Mumbai: IndiaCast Media Distribution has partnered with ABS Broadcast to launch Viacom18’s marquee channels – Colors and Colors Rishtey on the streaming TV platform Sky Glass. Launched in October last year, the custom-designed 4K TV doesn’t require a satellite dish or box for it to work.

    Viewers in the UK can now watch shows such as “Bigg Boss,” “The Big Picture,” “Dance Deewane” and others on the Sky Glass platform with more content added every day.

    “We wanted to expand onto Sky Glass, and choosing ABS Broadcast to deliver proved to be a decision which has more than paid off,” said IndiaCast Media Distribution executive vice president and head international business Govind Shahi. Indiacast is a multi-platform content asset monetisation entity jointly owned by TV18 and Viacom18. “It’s important that our channels are accessible across as many platforms as possible, and I am pleased to say that Colors and Colors Rishtey are now available on Sky Glass for our UK audiences.”

    ABS Broadcast managing director Sass Jahani said, “I am very proud of the teams at ABS, Viacom18 and IndiaCast for getting this service launched with such a fast turnaround, whilst also dealing with the many hurdles along the way.”

    The addition of Viacom18 channels has set ABS Broadcast as the provider with most launches on Sky Glass.

  • Colors doubles down on weekend programming with ‘The Big Picture’

    Colors doubles down on weekend programming with ‘The Big Picture’

    Mumbai: With few days left for the launch of its new show, ‘The Big Picture’, Colors TV is gearing up to cement its position as one of the most preferred weekend destination for TV viewers. The new launch builds on the success of its previous unscripted shows – ‘Khatron Ke Khiladi’, ‘Dance Deewane’ and ‘Bigg Boss’.

    All set to launch this Saturday, 16 October, ‘The Big Picture’ will also mark the Television debut of Bollywood actor Ranveer Singh, who will host the quiz show based on general knowledge and visual memory. According to the channel, the new show will air between 8:00 p.m. to 9:30 p.m. on weekends followed by ‘Bigg Boss 15’ hosted by Salman Khan. With these two big entertainers, the channel hopes to see record viewership on the weekends.

    According to Viacom18 – head of Hindi and Kids TV network Nina Elavia Jaipuria, Colors TV currently occupies 24 per cent market share in terms of viewership on weekends. “The pandemic has led to a trend where families are coming together to watch on TV. So, we are doubling down on the weekends with two big properties,” said Jaipuria. “There was a clear white space that we wanted to address for our viewers. Audiences have missed theatres for 18 months, so we brought Ranveer Singh, one of the most versatile actors in Bollywood, to drawing rooms.”

    The 26-episode show will air over 13 weeks and feature multiple contestants vying to win the grand prize of Rs five crore. The show format is owned by ITV Studios Global Entertainment B.V and is produced by Banijay Asia and SKTV. “Everybody has been bogged down by the pandemic. So, when there was a programming opportunity at Colors, we took the show to them because the format encouraged audiences to play along,” said Banijay Asia – founder and chief executive officer Deepak Dhar. “And, there was a tremendous response for the digital auditions of the show that began in July.”

    Viacom18 believes in a TV+ strategy and ‘The Big Picture’ format definitely has an interactive element, where viewers can ‘Play Along’ via the OTT app Voot. Apart from fixed commercial time (FCT) inventory, the channel is keen to take away a bigger share of the advertising wallet as the festive season spends grow bigger.

    “It’s a win for advertisers because they won’t just engage with the audience via regular inventory on the channel but have the opportunity to customise and communicate their brand messaging and reach their customers in a clutter-breaking manner,” said Jaipuria ahead of the show’s launch. The show’s sponsors include BYJU’S, Bikaji, LIC, and Haier refrigerator.

    The channel has cleverly incentivised audiences to engage with the show by adding monetary rewards for viewers. For example, there is an element called ‘India wale lifeline’, where a contestant may choose to ask a friend for help with a question. The show has made it such that the person who helps with the correct answer will also share in the prize money. “If I win Rs 100 by getting the correct answer, the person who helped me will get Rs 25” explained Jaipuria.

    The channel has gone live with a multi-media campaign on 8 October across TV, digital, print, and a high decibel OOH campaign covering billboards, bus shelters, auto-rickshaws, and kiosks across cities like Bombay and Delhi and states like Uttar Pradesh, Madhya Pradesh, and Gujarat.

    “We have the largest reach on TV with 121 viewers and a solid fanbase of 110 million on digital,” said Jaipuria. The show will be also promoted across Jio platforms which has a reach of 300 million. Viacom18 has also engaged with fans by sending them a personalised invitation from Ranveer Singh to catch the show premiere.

  • Colors to launch ‘The Big Picture’ on 16 October

    Colors to launch ‘The Big Picture’ on 16 October

    Mumbai: Hindi general entertainment channel Colors is all set to launch its quiz show ‘The Big Picture’ on 16 October starting at 8:00 p.m every Saturday – Sunday. The show will telecast on Colors and stream simultaneously on the OTT platforms Voot and Jio TV.

    Bollywood actor Ranveer Singh will make his television debut as the host of the show, which will be co-presented by ed-tech brand BYJU’S, with Bikaji, LIC, and Haier Refrigerator as ‘associate’ sponsors.

    “We have been earnestly preparing for this show for a long time, and I can’t wait for the audience to play along and be a part of this unique proposition,” said Singh. “The format of the show will allow me to closely interact with the audience which makes it even more special.”

    A next-generation quiz show, it’s based on knowledge and visual memory, allowing the contestants to answer 12 visual-based questions and stand a chance to win the jackpot of five crores. Additionally, the viewers can also participate and win money with the Weekend and Weekday play-along on Voot app.

    “Whether it is introducing home-grown properties or adapting international formats, we push the envelope of innovation to give the best of fiction and non-fiction shows to our viewers,” said Viacom18, head of Hindi mass entertainment and kids TV network, Nina Elavia Jaipuria. “We are excited to kick off the festive season on a high note with the launch of two big properties – ‘Bigg Boss’ and ‘The Big Picture’ to keep the momentum going.”

    “People today consume and reciprocate well to any visual-based content and the concept of ‘The Big Picture’ is based on this insight,” said Viacom18, chief content officer – Hindi mass entertainment, Manisha Sharma. “It is a new-age, contemporary, and never seen format that will give the audience, playing from the studio and from the comforts of their home, an opportunity to answer questions based on pictures and walk away with the prize money.”

    Based on the international format owned by ITV Studios Global Entertainment B.V, ‘The Big Picture’ will be aired in India in association with Banijay Asia and SKTV. “Our collaboration with COLORS for the internationally acclaimed title ‘The Big Picture’ brings forward an intriguing format molded as per the Indian mindset and milieu,” said Banijay Asia, chief executive officer, Deepak Dhar.

    COLORS has devised a 360-degree multiscreen, multicity, high investment campaign spreading across the length and breadth of the country to build visibility and awareness of the show. A high-frequency promo campaign will run across the network and non-network channels, Local Cable channels, and major DTH service operators, along with ads in key HSM publications and an extensive out-of-home campaign on billboards, bus shelters, radio cabs, railway and metro stations, auto rikshaws and tempos.

    “The show is all set to nurture millions of dreams across the country and as brand partners, we hope to celebrate the spirit of Indians and also inspire a love for learning,” said BYJU’s, marketing head, Atit Mehta.

    On the digital front, the network will launch innovative campaigns like ‘The Big Picture Ki Paathshala’ and ‘#TaqdeerKiTareekh’ on the OTT platforms, social media, Voot, and Jio TV. In the launch week, the audience will also get a personalised invite to watch the show from Ranveer Singh using AI technology.

    As a part of the influencer outreach, Colors has roped in notable social media personalities and artists to bring alive the concept of ‘The Big Picture’ by posing against popular monuments and iconic locations across various cities, as well as to optimise its impact and reach.

  • Viacom18 eyes a bumper festive season, with new show ‘The Big Picture’ set for launch

    Viacom18 eyes a bumper festive season, with new show ‘The Big Picture’ set for launch

    Mumbai: Viacom18’s portfolio of entertainment channels is targeting double digital growth this festive season. According to Viacom18, head – network sales, Mahesh Shetty, the broadcaster expects to beat 2019 festive revenues with two marquee properties to capitalise on.

    2020 was an outlier for the media industry because of the impact that Covid-19 had on the industry. Advertising spends that are closely correlated to the GDP and the business economy was depressed for several quarters. “The way the industry bounced back after the second wave was phenomenal. The last quarter results of most companies have been good and that has had a positive impact on ad spends. As we enter the festive period it is just getting better. Most broadcasters are dealing with a problem of plenty i.e., we’re full up on inventory,” remarked Shetty.

    The volume of advertisers is yet to recover to the 2019 levels but the values have significantly increased over the past two years. The recovery of ad rates has been driven by the strong demand that the media industry is seeing during the festive period. This is having a positive impact on pricing, observed Shetty.

    The broadcaster has invested in big-ticket properties to take advantage of the traction from advertisers. This year its mainline Hindi general entertainment channel (GEC) Colors will telecast two marquee shows during the festive season namely – ‘Bigg Boss 15’ and ‘The Big Picture’.

    “Bigg Boss 15 has signed 18 brands and 75 per cent inventory filled at the time of launch” noted Shetty. “We’ve already signed six brands for ‘The Big Picture’ whose launch is two weeks down the line and are confident that this number will go up.”

    Hosted by actor Ranveer Singh, the quiz show is all set to hit the airwaves on 16 October and will be aired on weekends at 8 p.m.

     

     
     
     

     
     
     
     
     

     
     

     
     
     

     
     

    A post shared by ColorsTV (@colorstv)

     

    The network has roped TRESemme, Lotus White Glow, Dabur Red Toothpaste, Knorr, Jeevansaathi.com, JK Smart Tyre, Hershey’s Kisses, Garnier Men, Wow Skin Science, Spotify, Moj App, Fogg Deodorant, and Haier Washing Machine for ‘Bigg Boss 15’ on TV and additional five exclusive sponsors on their OTT platform Voot.

    For ‘The Big Picture’ the sponsors include BYJU’S, Bikaji, LIC, and Haier Refrigerator on TV and two exclusive sponsors for Voot.

    New category advertisers who have become active post-Covid-19 are driving ad volumes and spends, according to Shetty. These advertisers have changed the advertiser mix for entertainment channels and have significantly grown in terms of contribution.

    “Looking at a three-year horizon (2019-2021), FMCG which used to contribute 72 per cent to the total ad revenue pie for mainstream entertainment channels, has come down slightly to 70 per cent. Categories like telecom, handsets, apparel have also dropped from about two per cent to one per cent,” said Shetty.

    The e-commerce marketplaces which used to be two per cent have grown to four per cent. The contribution of social media apps and OTT platforms which used to be around one to three per cent has jumped to six per cent. “Ed-tech which is a new category that has emerged post-pandemic and now contributes about one per cent to revenues. E-wallets also contribute one per cent. The entire contribution for internet brands which used to be around 12 per cent has now grown to 18 per cent. That’s where the advertising mix has seen a change,” he added.

    New categories like e-commerce, fintech, crypto, and ed-tech are investing heavily on TV to change consumer behaviour and drive adoption of their brands. The festive period is the best time to drive preference for their brands when the consumer is usually in a buying mindset and wants to engage with brands.

    Apart from GEC, the network’s portfolio of movies, music, youth, and regional channels are also performing well, shared Shetty.

    The movie genre is seeing advertising traction with inventories filling up. Restrictions on cinema exhibition halls have been relaxed in several states including Maharashtra and producers have announced the release slate for the next six months. “This will also add to the bank of our movie channels,” he added.

    Similarly, the broadcaster has made critical investments in its regional portfolio of channels that will drive growth during the festive period. Apart from Kannada, Tamil, and Bangla channels, the kid’s genre has been going steady and youth and music channels under MTV brand have attracted interest by offering bespoke solutions to advertisers.

    The broadcaster is also poised to ride the enthusiasm for fresh sports content with its upcoming Abu Dhabi T10 that will telecast on its movie channel COLORS Cineplex towards the third week of November.

  • Colors TV’s ‘The Big Picture’ registrations to start from 17 July

    Colors TV’s ‘The Big Picture’ registrations to start from 17 July

    Mumbai: Colors TV is set to open the registration process for its upcoming visual-based quiz show The Big Picture. Hosted by Bollywood star Ranveer Singh, the registrations of the same will begin on 17 July at 9:30 pm on Colors.

    The viewers can follow three simple steps to complete the registration process and participate from the comfort of their homes by logging on to Voot app, Voot.com, or MyJio app.

    STEP 1: Call for entries: Starting from 17 July, a new question will be shared daily at 9.30 pm on the channel for the next ten days until 26 July. Each question will remain valid only for 24 hours from the time of its announcement and viewers can answer by filling up the required details on Voot app, Voot.com or MyJio app.

    STEP 2: Online Test:  Of the viewers who answer the questions correctly, a few will be shortlisted through the randomiser system for the next round. The shortlisted candidates will be called and would be informed about the details of the online test. They would also get a link for the online test via SMS/Email before 8 August.  On the test day, the candidate will have to log in via mobile number to attempt the test and will get 20 seconds each to answer 20 visual-based questions with four options. After answering all the questions, the user will be directed to a page wherein they will have to upload their introduction video basis the parameters shared with them.

    STEP 3: On-ground audition: The selected candidates who successfully qualify after passing the online test will be invited r a personal interview in either of the mentioned cities that include Delhi, Mumbai, Kolkata, Bhopal, Ranchi, Jaipur, Ahmedabad, and Lucknow. The candidates who get through all three levels will get a chance to be a part of the main show and change their fate.

    The Big Picture is being produced by Banijay Asia and ITV Studios Global Entertainment and will also be streamed on Voot and Jio TV.