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Tag: Thailand

  • Performace sets sights on South East Asia expansion

    Performace sets sights on South East Asia expansion

    MUMBAI: Performace is gearing up to go global, announcing its strategic expansion into South East Asia with Vishal Raj at the helm as business head. Known for his stints at Jiosaavn, Bytedance, Network18, and Belive, Vishal brings nearly two decades of experience in digital advertising, media sales, and APAC business development to the table.

    Singapore will serve as the regional headquarters, with plans to build teams and partnerships in Vietnam, Indonesia, and Thailand. The expansion underscores Performace’s aim to strengthen its presence in high-growth markets and deliver data-driven, performance-focused marketing solutions to clients across the region.

    Performace CEO Saurabh Gaur said, “Expanding into southeast Asia is a crucial milestone in our journey to become a global player. The region’s dynamic digital ecosystem offers immense opportunity, and Vishal’s proven APAC expertise positions us to deliver meaningful value to clients and partners.”

    Welcoming his new role, Vishal Raj added, “My goal is to leverage Performace’s insights and technology to drive measurable growth across southeast Asia. I am focused on building high-performance teams, strategic partnerships, and scalable, sustainable business operations. By combining local market insights with innovative solutions, we aim to create a strong foundation for success across the region.”

    With this move, Performace is not just expanding its footprint but reinforcing its reputation for strategic innovation, operational discipline, and client-centricity, setting the stage for long-term global growth in digital marketing and performance media solutions.

  • Anymind banks on avatars to fast-track brand live streaming

    Anymind banks on avatars to fast-track brand live streaming

    MUMBAI: Talk about putting your money where your face is. Anymind group is banking on avatars to give live commerce a fresh facelift.

    The company has rolled out its new ‘Avatar Bank’ on Anylive, its AI-powered live commerce platform. Think of it as a ready-to-wear wardrobe, but for digital hosts: brands can now dip into a library of pre-made AI avatars instead of spending time and money creating one from scratch.

    The appeal? Speed and savings. With avatars off the shelf, brands can launch streams in just a week, making live commerce campaigns quicker, leaner and far less of a production headache. For brands juggling multiple campaigns, that’s as close to plug-and-play as it gets.

    Anylive isn’t just about pretty faces either. The platform can deliver content in multiple languages, run streams around the clock, and crunch data from both human and AI-led sessions to help brands fine-tune scripts and performances. The Avatar Bank slips neatly into this ecosystem, letting businesses mix and match, use custom avatars for premium projects, or pick from the bank when speed matters.

    Anymind Group, ceo and co-founder, Kosuke Sogo said the feature has already gained traction in Thailand, Malaysia and Vietnam. “This update makes it easier than ever for brands to incorporate AI avatars into their live commerce efforts. We will expand our lineup to give brands more choice, helping them achieve maximum results with minimal effort,” he said.

    For a world hungry for faster campaigns, the message is clear: avatars aren’t just virtual, they’re virtually indispensable.

  • Treeview partners with Arzooo to bolster its TV business in India

    Treeview partners with Arzooo to bolster its TV business in India

    Mumbai: Treeview, Thailand’s LED TV and appliance manufacturer, will leverage retail tech platform Arzooo’s network of retailers to market its smart android full HD range of TV models in India, from 24 inch to 85 inch. Treeview is spread across geographies such as the Middle East and African countries, among others.

    The company said India is currently witnessing a massive demand for world-class smart televisions as an increasing number of consumers are looking forward to transitioning from non-smart TVs to smart TVs with larger screen sizes. Treeview sees this as an opportunity to introduce its smart TVs. It aims to register sales of over half a million smart TVs in the next 12 months.

    Arzooo’s network of offline retail channels in India will enable Treeview to scale up and achieve pan-India penetration in the shortest span of time.

    “Our aim is to reach more households through Arzooo’s retail network. With enhanced specifications, superior quality, and affordable pricing, our range of smart TVs are best suited for Indian consumers,” said QThree Ventures director Jubin Peter.

    Arzooo director of TV categories Sai Krishna said, “We are pleased to extend the Arzooo platform to Treeview to offer high-quality smart TVs to Indian consumers through our retail network. This partnership is another step forward in strengthening our portfolio of large appliances going forward. We are committed to getting more high-quality brands on the platform from across the world and making them accessible to offline retailers and Indian consumers.”

    Arzooo Express, backed by a network of 35 hubs and warehouses across 22 states, will play a pivotal role in the distribution strategy. Recently, Arzooo has launched Quick Retail, which promises next-day delivery to metro cities including Mumbai, Delhi, Kolkata, Bengaluru, Hyderabad, and Chennai. It will further the quest of retailers to provide consumers with smart android TVs at viable prices with speedy delivery.

  • Content investment in India, Korea, and Southeast Asia to rise in 2022: MPA Report

    Content investment in India, Korea, and Southeast Asia to rise in 2022: MPA Report

    Mumbai: The video content budget in India, Korea, and Southeast Asia will grow by 15 per cent and reach $12 billion in 2022, according to the latest edition of Asia Video Content Dynamics, published by Media Partners Asia (MPA).

    In 2022, India and Korea will drive the bulk of the increase, but all markets and all verticals are expected to grow. The film industry will be the fastest, growing by nearly 140 per cent as theatres screen fresh movies. Online video will grow the most, by nearly $700 million.

    It increased by 21 per cent last year to $10.4 billion. Except for theatrical, all content verticals saw significant growth. OTT content was the fastest growing vertical, increasing 83 per cent year on year to become the second largest vertical, accounting for 26 per cent of industry investment. Korea & India saw particularly strong OTT investment growth, while Thailand and Indonesia made significant contributions.

    This report examined video content consumption, investment in video content, and production costs in seven key Asian markets: India, Indonesia, South Korea, Malaysia, Philippines, Thailand, and Vietnam. Free-to-air (FTA), pay-TV, online video, and film are among the verticals examined, along with key players and the production value chain.

    Also read: India’s OTT video market to reach $3 bn in 2022; estimated to double by 2027: Report

    Commenting on the findings of the report, MPA vice president Stephen Laslocky said, “Inflation, particularly with online originals, is a factor driving up content costs.”

    He went on to say that online video operators, broadcasters, and producers must see that higher budgets translate into more premium viewing experiences, or the cost increases will be unsustainable.

    According to this report, Pay-TV was the largest vertical, accounting for 46 per cent of total industry content investment, reflecting well-developed pay-TV markets in India and Korea. FTA ranked third with 25 per cent of the total.

    “Internationally successful programmes remain the content licensing holy grail, which thus far, only Korean dramas and some anime, as well as US and UK content, have sustainably achieved. Some Thai content has succeeded outside of Thailand. Quality production values and strong storylines with a focus on younger online demographics will be the building blocks of future investment strategies,” Laslocky added.

    While talking about the expanding online video sector, he expressed that it has been a boon to independent producers. He said, “Profit margins have stabilised at 10 per cent or more across much of the region. More can be done to bolster independent producers, including additional compensation for original concepts, commensurate rewards for breakout successes, and expanded use of pipeline deals (which allows producers to more reliably recoup overheads).”

    “In exchange, producers need to be transparent with production costs. Commissioners need to be willing and able to audit costs,” he added.

    Declining TV ratings 

    TV ratings continue to decline in measured markets. User-generated content (UGC) platforms continue to dominate video consumption, with their share of total video consumption ranging from 82 per cent in Korea to 95 per cent in Vietnam. While YouTube remains the leader, TikTok is driving growth in Southeast Asia. Premium video, both AVOD and SVOD, captures the majority of the balance.

    The consumption of television and online video is diverging. On TV, drama is generally the most watched genre, while variety, including reality, often ranks #2. Movies, kids, and news can be significant drivers of viewership, and sports can over-index with top-rating TV programs. Viewership of some key TV genres is transitioning to YouTube, where they generate significant classified consumption.

    Meanwhile, with premium online video, series account for approximately 90 per cent of consumption, with dramas accounting for the majority of viewership, while movies account for approximately 10 per cent. Dramas account for nearly all of the top titles. Except for India, variety consumption is largely driven by acquired Korean programming.

    Box office revenues 

    In 2021, box office revenues, admissions, and releases all performed poorly. Film costs fell by two per cent as pandemic restrictions delayed release dates in many markets, but delayed tentpoles performed well in 2022.

    Some markets, including India and Indonesia, are expected to recover completely. In other markets, a return to pre-covid may take until 2023. Returning to pre-covid levels in other markets may take until 2023. Elsewhere, prospects may be marginally better but permanently harmed.

  • Thailand Prime Minister leads National Committee to promote 5G development

    Thailand Prime Minister leads National Committee to promote 5G development

    A 26-member National 5G Committee has been formed with Thailand Prime Minister Prayut Chan-o-cha as chairman to coordinate the 5G development and boost the digital economy in the country.

    The committee is also tasked with mitigating obstacles regarding the recall of unused spectrum, from state agencies for the National Broadcasting and Telecommunications Commission (NBTC), in exchange for compensation. It is expected to enhance cooperation between related agencies for 5G development support.

    Deputy prime ministers Somkid Jatusripitak, Prawit Wongsuwon and Wissanu Krea-ngam serve as the deputy chairmen of the committee. The minister of finance, minister of tourism and the minister of education are also part of the committee.

    The permanent secretary for the Digital Economy and Society Ministry serves as the director and secretary of the committee.

    This committee is formed to promote vertical 5G development, ensuring optimum benefits of 5G adoption for the economy and end users. It will promote a clear roadmap for 5G adoption and infrastructure development by ensuring the participation of representatives from key ministries, said Thailand NBTC secretary-general Takorn Tantasith.

    The COVID-19 pandemic has prompted Thailand's major telecom operators to rev up deployment of 5G technologies. The country's top mobile operators are racing to deploy 5G networks at hospitals to support doctors and medical personnel to fight the virus.

    “Application of 5G to public health demonstrates how digital infrastructure can have a significant impact on people's health during a major emergency,” said Buddhipongse Punnakanta, Thailand Digital Economy and Society Minister.

    The Digital Economy and Society Ministry, together with Huawei Technologies Thailand, are providing AI-assisted solutions with 5G technology to hospitals in the country with the aim of enabling output diagnosis results more efficiently through a high-speed network.

    Industrial organizations such as GSMA pointed out that 5G technologies are crucial in the fight against the pandemic and will be a “backbone” for the economic recovery. It is increasingly accepted in the industry that ICT and digital economy will be a major push as work resumes post pandemic.

  • HOOQ announces six new originals and new distribution partnerships in Thailand

    HOOQ announces six new originals and new distribution partnerships in Thailand

    MUMBAI – HOOQ, Southeast Asia’s leading video-on-demand service, has announced plans to strengthen its footprint and grow aggressively in Thailand by launching six new HOOQ original productions by the first half of 2020. HOOQ also announced a new partnership with Grab and a renewal of long-time exclusive partnership with M Pictures.

    HOOQ’s commitment to increase content tailored to Thai’s, combined with the best distribution partnerships in the region enables HOOQ to broaden its offerings across the country. HOOQ has strong existing partnerships with AIS, DTAC, LINE Pay, Channel 3 and Thairath TV in Thailand. Adding to the extensive list, HOOQ announces a new partnership with Grab, enabling customers to use Grab reward points to redeem a one-month HOOQ subscription voucher and a movie rental ticket worth 240 Baht. In order to cater to a wider range of consumers nationwide, HOOQ is also increasing offerings on the Free to Air layer, delivering free content through an ad-funded model.

    HOOQ Thailand managing director Piyanuch Meemook says, “Our viewers these days prefer watching content on their mobile devices from wherever they may be. HOOQ Thailand’s vision for 2020, in line with our mission – Made in Asia, For Asia, is to bring even more local productions and HOOQ originals to our viewers as quickly as possible, allowing access anywhere, anytime. With the significant investment towards Thai content and partners, we are proud to increase the number, variety and genre of our HOOQ Originals, and in turn, increase user base and engagement on the platform.”

    HOOQ is also renewing its long-time exclusive partnership with M Pictures to bring Thai blockbusters such as Love Battle, Khun Bun Lue, Art of the Devil Series and Necromancer 2020, the biggest Thai action movie; producing HOOQ Originals rooted on relatable Thai stories, including The Cave and Someone; and adding a massive e-sports platform which includes King of Gamers and a PubG game battle between the Indonesian and Thai teams. Viewers are also able to watch new episodes from Channel 3 only two days after it airs on the channel. This paves the way for a wider audience in Thailand to truly enjoy innovative and unique Asian stories like no other service has delivered.

    “Based on data viewed year-on-year for the past three years, we’ve noticed that the most popular shows on HOOQ Thailand’s platform is local content,” said  HOOQ chief content officer Jennifer Batty. “These consumption habits drive our decision to keep laser-focused on creating even more localised content across all genres and segments, and to make that content more accessible to everyone – anywhere, anytime.  Filmmakers from Thailand showed a lot of promise in season three of HOOQ’s Filmmakers Guild last year, a ground-breaking initiative designed to give a voice to budding filmmakers, elevate new talent, and bring the most compelling and captivating stories to an audience in Asia who crave high-quality content.”

    HOOQ CEO Peter Bithos says, “HOOQ was born and raised in the heart of Asia. We know Southeast Asia and remain 100% focused on creating a truly Asian video platform for millions of subscribers. There is such a unique heritage in Thailand with so many local stories to bring to life. Our tie-ups with like-minded partners who want to push boundaries together allow us to deliver fresh and unique stories to our viewers across the country.”

    In line with HOOQ’s drive to deliver 100 HOOQ Originals throughout the region by Q2 2020, furthering its hyper-local approach – An Entertainment Platform Made in Asia, For Asia. The significant content investment is seeing more HOOQ Originals in development, in production and on the platform than ever before. Including the six announced in Thailand today, HOOQ’s Originals slate is now at 63 original productions across the region, complementing the more than 35,000 hours of movies, television shows, sports and currently on HOOQ, available anytime, anywhere. HOOQ also provides access to fresh new Hollywood TV shows and movies through its joint venture with Warner Bros. and Sony Pictures Entertainment.

  • SOTC Travel announces its Super Holiday Sale For Travellers

    SOTC Travel announces its Super Holiday Sale For Travellers

    Mumbai: SOTC Travel has announced its ‘Super Holiday Sale’ to celebrate its 70th anniversary. This sale comprises unique and exciting tour packages to exotic international destinations for travellers, along with offering them a free 4-Day international holiday to Singapore/ Thailand/ Malaysia/ Dubai/ Egypt/ Mauritius.

    The Super Holiday Sale will commence from August 21st to August 31st,which will provide a 10-day opportunity to travellers to avail offers and discounts on a number of international holidays ranging from 5-10 days to picturesque destinations in Asia, Europe, Africa, and Australia, along with a series of domestic destinations. These offers are available online (mobile and website) and offline, and are providing the best of experiences at highly attractive prices to new-age travellers.

    For over seven decades, SOTC Travel has redefined the travel sector with unique and novel offerings to enhance the holiday experiences of experiential and aspirational travellers across the country. we are glad to launch winter and festive season offers.

    Daniel D’souza, President & Country Head, Leisure, SOTC Travel said, “After an overwhelming response to our summer-special Super Holiday Sale, we are glad to launch our Winter and Festive Season offers. This 10-day sale is tailor-made to cater to the dynamic preferences of our diverse travel segments and cater to their budgets. Having always been a valued and customer-centric travel company, we are offering specially curated packages to international and domestic destinations that are attractively priced to further delight our customers. With this, we are not only providing value-for-money, but also channelling the holiday demand amongst our travellers to ensure that they get the opportunity to create memories of a lifetime.”

    The packages included are:

    GROUP HOLIDAYS INCLUDING AIRFARE:

    1.   5-Day Scenic Phuket

    Rs. 29,200

    2.   7-Day Malaysia with Singapore (Pay for 5 Nts. & Stay for 6 Nts.)

    Rs. 74,800

    3.   8-Day Wonders of Egypt

    Rs. 1,02,100

    4.   7-Day Highlights of Australia

    Rs. 1,73,900

    5.   10-Day European Splendours

    Rs. 1,59,800

    6.   8-Day European Dreams

    Rs. 1,27,200

    7.   8-Day Russia with Almaty

    Rs. 99,400 (Ex-Delhi)

    8.   8-Day South Africa with Kwantu

    Rs. 1,40,400

    CUSTOMISED HOLIDAYS WITHOUT AIRFARE:

    4-Day Bali / Bangkok / Phuket /Pattaya / Kuala Lumpur / Colombo at just Rs. 6,990

    4-Day Krabi / Langkawi / Penang at just Rs. 9,990

    Inclusions — Accommodation, Breakfast, City Tour, and Return Airport Transfers

    HOLIDAYS OF INDIA:

    1.   6-Day Bhutan – Rs. 47,200 (Ex-Delhi)

    2.   6-Day Andaman – Rs. 41,900

    3.   2-Day Rann Utsav – Rs. 8,900 (Ex-Bhuj) Land Only

    Also Get a 4-Day International Holiday Free on your holiday.
    You can choose from among Singapore, Thailand, Malaysia, Bali, Dubai, Egypt, and Mauritius.
    This Holiday includes Accommodation, Sightseeing, Transfers, and Breakfast.

  • Thailand’s largest pay-TV operator TrueVisions extends partnership with Synamedia

    Thailand’s largest pay-TV operator TrueVisions extends partnership with Synamedia

    LONDON and SINGAPORE, 15 January 2019 – Synamedia, the largest independent video software provider, today announced it has extended its seven-year partnership with TrueVisions, Thailand’s leading pay-TV operator.

    As part of the new multi-year contract, Synamedia VideoGuard will protect and secure TrueVisions’ investments in live sports, news, entertainment and other premium content delivered to its 3.9 million cable and satellite subscribers. The deal ensures that TrueVisions can deliver new premium, blended broadcast/IP services to customers without compromising on security. In 2019, TrueVisions will roll out an Android TV set-top box which will also be protected by VideoGuard.

    Synamedia is the market leader in video security solutions with the industry’s longest and strongest track record safeguarding pay-TV operators’ revenues against pay-TV piracy. Drawing on its 30-year heritage, Synamedia’s continuing relationship with TrueVisions will involve working on new security solutions to fight piracy and protect revenue streams.

    Dr. Jen, Procurement Director of True Group of Companies, said, “We have benefitted from VideoGuard’s industry-leading security since 2011 to secure our investments in premium content. By extending our partnership with Synamedia we are protecting our brand with the world’s leading set-top box security solution and safeguarding subsequent potential revenues as we look to enhance and enrich our subscribers’ viewing experiences with new blended broadcast/IP services.”

    Sue Couto, Senior Vice President and General Manager, Asia Pacific for Synamedia, added, “Being the market-leader in Thailand, it is vital that TrueVisions’ video content and services are secured against all types of threats.  Synamedia is committed to stamping out piracy and will continue to work closely with TrueVisions to maximise their current revenues while also developing new solutions and services that will delight their customers and open up additional revenue streams.”

  • Realme introduces its new visual identity system and logo

    Realme introduces its new visual identity system and logo

    MUMBAI: Realme, the smartphone brand that specializes in providing high quality products for youth, launched its fully upgraded Brand Visual Identity system and Logo to provide a new visual experience and emotional connection with young consumers.

    The "R" logo in “Realme Yellow” designed by Eddie Opara, partner and chief designer at world-renowned design consultancy Pentagram, is an artistic and impactful representation of both the Realme brand identity and its vision of being ‘Proud to be Young’, which the brand hopes will become a symbol of youth culture around the world. Realme will be rolling out its upgraded brand image across all channels starting from today.

    The Brand Visual Identity upgrading comes as Realme is poised to make a strong entry into more markets around the world, where it will reach out to younger groups and accelerate growth. Very soon, Realme's new "R" logo and smartphones will launch across Southeast Asian markets including Malaysia, Thailand, Philippines, Cambodia, countries in South Asia, Middle East and North Africa. The new "R" logo will be a symbol of the brand’s powerful recognition of young people’s need for individualization and self-expression. It will differentiate Realme’s experience in offering smartphones and will become an icon for young people around the world.

    The new Visual Identity is a people-oriented design featuring original aspiration and absolute self-expression. Upgrading the new Visual Identity and Logo, the brand has adopted a more concise and universal letter shape, which was inspired by the observation of human behavior and actions when they are using smartphones. It is a combination of a human-figure and the uppercase “R”from “Realme” which conveys one of the brand’s design concept as being people-oriented.

    In the design, there are merged circles, squares and trianglesforming a nested uppercase “R” and lowercase “r” where the uppercase “R” signifies the original aspiration of “Realme” in providing the youth with quality products they need and lowercase “r” signifies young people’s true selves. This uniquenesting and blending design conveys Realme's vision of sharing pride in being young with young people, while the hidden arrows point to the deep connection between Realme and young groups and their direct goals as well as absolute strength of taking challenges.

    The upgraded Visual Identity system and Logo are all based on vibrant golden yellow. This specific color, called "Realme Yellow", represents power, style, modernity and youthfulness; as well as positive connotations in both Eastern and Western cultures, such as positivity, optimism, friendliness and emotional energy, wisdom, harmony, prosperity. The main auxiliary color, gray, represents professionalism, calmness, and inclusiveness;and will be used with other auxiliary colors including classic black and white, and a light gray tone, in Realme's overall brand Visual Identity.

    Showing his pleasure in rolling out the new Visual Identity, Realme CEO and founder Sky Li said, “As a global, youth-facing smart phone brand, Realme is continuing to introduce new products that feature stylish design and a powerfulperformance. At the same time, Realme hopes to create a symbol for young people through the new brand logo – one they can identify with, and where they see a visual symbol of their emotional identity and belonging,”

    “Realme's new brand visual identity system and logo will be key to providing self-expression and satisfaction for young people around the world:we define this as unique, trend-setting, self-loyalty, and personalized consumption that meets emotional needs." He added.

    Sharing his thoughts on the new Visual Identity launch, Realme India, Chief Executive Officer Madhav Sheth said, “As a young brand, Realme has witnessed a remarkable journey till now. We have always tried to connect with the youth of the nation by providing them the best of everything with ‘Power meets Style’ moto. We believe that the new logo will be a major tool in connecting with the youth going forward with it’s classic combination of vibrant colors and unique style.”

    Established in May 2018, Realme aims to provide young people around the world with smartphone products that combine powerful performance and stylish design. The brand gives young people experiences that integrate “technology” and “style” to recognize and satisfy their deep desires for personalization and self-expression. By November 2018, the half-year-old brand will expand its business to 7 countries in Asia. With 4 smartphone products launched globally, Realme is quickly building a strong following community among young consumers. The brand is set to become the fastest growing brand which has already made 3 million sales in total.

  • ‘Porus’ finds an audience in more countries

    ‘Porus’ finds an audience in more countries

    MUMBAI: In another shot in the arm for Indian television producers, the producers of mythological show Porus, Swastik Productions, have managed to bag content syndication deals in Malaysia, Thailand, Cambodia, Laos and Myanmar.

    Speaking to Indiantelevision.com, Swastik Productions founder Rahul Kumar Tewari said that it has already launched in Thailand and other countries will see launches by July 2018. In Thailand, the show is being broadcast on weekdays at a primetime slot. The show will be dubbed in Malay, Thai, English, and Burmese for the new markets.

    Last month, a source close to the development revealed that the 260-episodic series had been sold to Maharaja Television (MTV).  Porus is renamed as Digvijaya in the Sinhala-dubbed version and has been launched on channel Sirasa TV, during the weekend at the 8pm slot combining two episodes thereby giving each episode a one-hour run.

    The show started off well in India with 3.6 million impressions in week 48 but then saw a dip in ratings. It has managed to hook viewers till week 5 with 3.3 million impressions according to Broadcast Audience Research Council data.

    In an earlier interaction, Swastik Productions founder Siddharth Kumar Tewary said, “Porus has been consistent in its ratings since its launch and this was our plan to be consistent in the beginning and then grow slowly. We have made Porus with a huge amount of conviction.”

    In its 10-year existence, Swastik Productions has produced over fifteen television shows which also include Mahabharat, Razia Sultan, Agle Janam Mohe Bitiya Hi Kijo, Mata Ki Chowki, Amber Dhara, and Begusarai among others. It recently launched a light-hearted emotional drama on Sony Sab, Shankar Jay Kishan.

    The production house is free to sub-licence the show to a digital or international player, to air the episodes after 3-hours of original airing on Sony. While talking about the IP rights with the production house, a media report said that these kinds of deals vary. Historically broadcasters have been bearing all the cost. If the producer is ready to bear the cost, it will work out fine for the channel also as it reduces the risk and budget.

    The 22-minute show aired at 8.30 pm from Monday to Friday on Sony, depicts the untold story of the greatest conqueror of the world, Alexander and the most spirited defender of India, Porus. Set in 350 BC, the story traces its roots to a time when India was at its glorious best and Porus resisted the first attack on Indian soil by the Macedonian legend. The chronological narrative will trace the journey from birth to the epic battle between these two warriors born on the same day but raised with completely different upbringings.

    Also Read :

    ‘Porus’ launched as ‘Digvijaya’ in Sri Lanka

    Thai broadcaster Workpoint acquires TV rights for Porus