Tag: Telugu

  • Spotify’s Sunte Ja hits the high note with Indian consumers

    Spotify’s Sunte Ja hits the high note with Indian consumers

    MUMBAI: Spotify India’s first multi-lingual national TV-led campaign ‘Sunte Ja’ has struck a chord with consumers in the country with its strategic media mix of TV, OOH and Digital. This campaign follows Spotify’s first geo-localised and hyper-contextualised marketing campaign ‘There’s A Playlist For That’. Featuring Bollywood actors Anil Kapoor and Ishaan Khattar, the current campaign is built on the insight that music is in the social fabric of all we do – right from daily experiences to special moments.

    The campaign’s creative digital activations generated 3 billion impressions, and digital amplification of the TVC and native films have garnered 350+ million views since its launch. 

    As a part of the campaign, a total of 4 TVCs in Hindi, Telugu, and Marathi, aired across 75+ GEC, movies and English cluster channels, as well as a few regional ones. 

    To get people talking (and streaming) even more, Spotify launched an artist-led OOH campaign where names of popular tracks were synchronised to create quirky one liners that appeal to the audience’s emotions and sentiments. The 100+ OOH billboards also featured artists who sang those tracks, including Amit Trivedi, Badshah, Armaan Malik, Diljit Dosanjh, Vishal & Shekhar, Sunidhi Chauhan, Nucleya, Shanker Ehsan Loy, Salim Sulaiman, Jonita Gandhi, Justin Bieber, Taylor Swift, Kate Perry, Alan Walker and Shawn Mendes. Recognising key factors such as visibility, a larger creative canvas, being less intrusive, and an effective capture of off-screen time, Spotify used OOH as a pivotal media for ATL communication as part of its larger media strategy across metros and regional markets.

    In addition to TV, the ‘Sunte Ja’ campaign also leveraged digital channels to integrate Spotify’s value proposition of its wide music library, on social media. Spotify took Antakshari, a game so culturally ingrained in India and gave it a modern-day twist, garnering 8100 engagements and reaching 4.1 million people. Spotify also released  six digital films – Chill Karo, Bae, Calm Down, Happy To Be Home, Bollywood Mush and Focus Now – that visually represent everyday millennial struggles and music as the background score in those situations. Viewed over 3.5 million times, the films resonated well with the audience. 

    The TV ads were also amplified across digital platforms – Slow Breakfast, What’s in the Age, What’s the score? and ‘K’ Pops, which highlighted that users have access to the latest music and uninterrupted background play. In fact, K-Pops, a film created for India’s K-Pop community used ‘Boy with Luv’ by BTS as the soundtrack, led to unprecedented engagement. #AnilKapoor trended in India for his “cool dad” role in the film, resulting in the BTS Army accepting him as one of their own. The film crossed over 1 million views on social media in just 12 hours and received 63k engagements– comparable to Bollywood film trailers in the same time period.

  • BARC week 29: B4U Bhojpuri leads in Bihar/Jharkhand (U+R) HSM

    BARC week 29: B4U Bhojpuri leads in Bihar/Jharkhand (U+R) HSM

    MUMBAI: In regional GECs, B4U Bhojpuri jumped to the leading position in week 29 of BARC India ratings. The channel has jumped from third position last week to first position in week 29. Last week Bhojpuri cinema was at first position, this week the channel has moved to second position. 

    Bhojpuri

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 B4U Bhojpuri 65061
    2 Bhojpuri Cinema 62589
    3 Big Ganga 59600
    4 Dabangg 16429
    5 Bhojpuri Dhamaka DISHUM 15485
    Bihar/Jharkhand (U+R) : NCCS All : 2+ Individuals,

     

    In Tamil segment, Star Vijay Super was the new entrant in the list of Tamil (U+R) segment. The channel replaced Star Sports 1 Tamil at fifth position.

     

    Tamil

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Sun TV 800111
    2 STAR Vijay 506334
    3 Zee Tamil 386563
    4 KTV 254132
    5 STAR Vijay Super 94683
    Tamil Nadu/ Puducherry (U+R) : NCCS All : 2+ Individuals, 

    Zee Telugu and ETV Telugu have exchanged their positions and are at second and third positions. Star Maa Movies has replaced Gemini Movies in week 29. 

    Telugu

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 STAR Maa 645802
    2 Zee Telugu 441470
    3 ETV Telugu 438562
    4 Gemini TV 411539
    5 Star Maa Movies 196550
    AP/ Telangana (U+R) : NCCS All : 2+ Individuals, 

    There were no changes in the Marathi segment. The genre was led by Zee Marathi and was followed by Fakt Marathi, Colors Marathi, Zee Talkies and Star Pravah. 

    Marathi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Marathi 383723
    2 Fakt Marathi 226194
    3 Colors Marathi 177330
    4 Zee Talkies 136492
    5 STAR Pravah 109059
    Mah/ Goa (U+R) : NCCS All : 2+ Individuals, 

    Colors Gujarati Cinema was in the leading position in week 29. The channel was followed by Colors Gujarati, TV9 Gujarati, ABP Asmita and Sandesh News.

    Gujarati 

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Colors Gujarati Cinema 30314
    2 Colors Gujarati 22085
    3 TV9 Gujarati 13730
    4 ABP Asmita 12747
    5 Sandesh News 10162
    Guj / D&D / DNH (U+R): NCCS All: 2+ Individuals

    Sony Aath and Zee Bangla Cinema exchanged their place at fourth and fifth positions.

    Bangla

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Bangla 305114
    2 STAR Jalsha 241085
    3 Jalsha Movies 86279
    4 Sony Aath 60207
    5 Zee Bangla Cinema 55278
    WB (U+R): NCCS All : 2+ Individuals, 

    There were no changes observed in the Kannada genre. 

    Kannada

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Kannada 427263
    2 Colors Kannada 297329
    3 Udaya TV 209446
    4 Star Suvarna 156309
    5 Udaya Movies 140624
    Karnataka (U+R) : NCCS All : 2+ Individuals, 

    Surya TV and Asianet Movies have exchanged their places at fourth and fifth positions. 

    Malayalam

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Asianet 276397
    2 Flowers TV 111479
    3 Mazhavil Manorama 96391
    4 Surya TV 57650
    5 Asianet Movies 50346
    Kerala (U+R) : NCCS All : 2+ Individuals, 

    Tarang and Prarthana have exchanged their places at fourth and fifth positions in Oriya segment.

    Oriya

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Tarang 158029
    2 Zee Sarthak 130706
    3 Alankar 48263
    4 Tarang Music 25843
    5 Prarthana 25114
    Odisha (U+R) : NCCS All : 2+ Individuals, 

    In Punjabi genre, Manorajan Movies and T TV have exchanged their places at fourth and fifth positions.

    Punjabi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 PTC Punjabi 52076
    2 Pitaara TV 27215
    3 DD Punjabi 23063
    4 Manoranjan Movies 16792
    5 T TV 14713
    Pun / Cha (U+R): NCCS All: 2+ Individuals,

     

     

     

     

     

     

     

     

  • Viacom18 Studios announces six films across Telugu, Tamil languages

    Viacom18 Studios announces six films across Telugu, Tamil languages

    MUMBAI: After establishing itself as a pioneer in exhibiting path-breaking films like Devadasa (Telugu)and Kodathi Samaksham Balan Vakeel (Malayalam) for audience across the southern landscape, Viacom18 Studios looks at further consolidating its position in the regional market with a slew of six films in its South slate for the year 2019-2020.

    Indulging India’s diverse audience with assorted and delectable flavors of cinema, the studio presents its upcoming south slate with films starring the biggest names of the industry. These six films will be made in Telugu and Tamil languages are expected to release by the end of this year.

    Commenting on the line up, Ajit Andhare, COO, Viacom18 Studios, says, “I have always believed that good content transcends regions, languages and even platforms and our recent content successes especially across regional markets is a testament to this belief. As story tellers, we want to continue to tell good stories and connect with our audiences and are collaborating with some of the best talent especially in the South to further consolidate and strengthen our position in the market.”

    The studio has carved its place in the industry at the pinnacle of entertaining and meaningful cinema.

    TELUGU

    1. ‘MANMADHUDU – 2’ – A rom-com sequel to blockbuster movie Manmadhudu, starring Nagarjuna and Rakul Preet Singh and directed by Rahul Ravindran. Releases 9th August 2019

    TAMIL

    2. ‘KANNUM KANNUM KOLLAIYADITHAAL’ – An upcoming romantic film starring Dulquer Salmaan and Rithu Varma in the lead roles and directed by Desingh Periyasamy.

    3. UNTITLED – Starring Chiyaan Vikram, a drama, directed by R. Ajay Gnanamuthu. A musical by AR Rahman. Releases, August 2020.

    4. UNTITLED – A film with Karthi and Jyothika in the lead and directed by Jeethu Joseph; Releases, October 2019

    5. TUGHLAK DURBAR – A mass film with satire, drama and action, the film will be a political fantasy starring Vijay Sethupati and directed by Delli Prasad.

    6. SARBATH – This movie will star Kathir and Rahasya in the lead and directed by Prabhakar

  • How engagement works in the kids’ space

    How engagement works in the kids’ space

    MUMBAI: Kids make our world go around! Quite literally, for channels focused on children as audience, observing their growing influence on choices, preferences and consumption habits of families in India, is a revelation! In this season of holidays when families gather around a TV set, it’s the children who call the shots.

    In 2018, we have witnessed an upward spurt in viewership in the kid’s category, with numbers rising by 10 per cent (from average GRP 499 to 550 GRP)*. The newer entrants in a competitive space of children’ TV programming has actually helped in growing the audience which indicates that more children are opting to watch new programming. Keeping this insight in mind, Sony YAY! is committed to adapting and developing kids’ programming suited to their preferences and such trends help further validate our approach. The consumption patterns that have significantly grown this year further ensures our focus on homegrown toon characters. 

    The 2018 emerging trends clearly reflect that flagship shows and localising content in regional languages pay dividends. Kids’ entertainment channels prosper on the dominance of marquee/flagship shows. 70 per cent of airtime and 80 per cent of GRP for leading channels in India comes from one leading show. Thus reiterating the fact that building a long-term relationship with toon characters, around whom shows, merchandise, and digital engagement are built, being the most effective manner to engage with kiddie audiences.

    While kids treat their favourite characters as their best friends, they prefer watching them on multiple platforms – digital platforms help us fulfil every kid's demand, where we focus on curating content especially for our YouTube channel. Kids are engaged on all the digital platforms through games, shows, contests on social media, etc. thus creating a strong affinity towards their favourite toons. Building upon toon characters and developing them as digital properties have had our audience respond enthusiastically. Using social media also helps in strengthening this relationship. Kids have the world at their feet; we’ve got to keep them engrossed by offering them the best of everything.

    We always sensed that regional language programming for children has potential and outreach. Hence, Sony YAY! produced content in Hindi, Bengali, Tamil, Telugu and Malayalam languages, of which we are leading in Kerala and West Bengal since we have the first mover advantage in these two markets. We have adapted to regionalisation effectively and swiftly. 

    Another trend is telefilms and programming with longer duration, keeps kids engaged for a longer time. We’ve produced over 12 films this year at Sony YAY! with each film was well received by the kids. It’s a space that’s waiting to explode and is evolving quickly. 

    The author is business head Sony Pictures Network India, Kids Genre (Sony YAY!). The views expressed here are  her own and Indiantelevision.com may not subscribe to them.

  • Amazon Prime Video now speaks Tamil, Telugu

    Amazon Prime Video now speaks Tamil, Telugu

    MUMBAI: Amazon Prime Video, today announced the launch of Tamil and Telugu User Interfaces (UI), including navigation, browsing and customer support, to offer a more localised entertainment experience on Prime Video app and on PrimeVideo.com. In addition, a large and growing selection of Prime Video’s content can be watched with show descriptions and subtitles in Tamil and Telugu. The introduction of localised user interfaces, including the recently launched Hindi interface, exemplifies Amazon Prime Video’s effort to customise the offering based on needs of their customers. Prime Video already offers large content libraries in six Indian regional languages including Hindi, Tamil, Telugu, Marathi, Bengali and Kannada.

    Prime members with a preference for these languages can now discover and enjoy Prime Video’s collection of entertainment in their language of choice. Customers can now watch Prime Original Series like Breathe, Comicstaan, the recently launched Mirzapur, Bollywood blockbusters such as Padmaavat, Gold and Raazi with show-titles, show descriptions and dubbing or subtitles in Tamil and Telugu. Moreover, viewers can also enjoy Amazon Global Originals like The Marvelous Mrs. Maisel and Tom Clancy’s Jack Ryan with dubbing or subtitles in Tamil and Telugu. With this move, customers can now navigate, manage their account information, payments, receive customer support, and enjoy features like add to their watch-list in these local languages.

    Talking about the launch, Amazon Prime Video India business director and head Gaurav Gandhi said, “At Amazon Prime Video, we recognise the importance of localising our service as we continue to grow and expand the Prime customer base across the country. We are delighted to make Prime Video available in Tamil and Telugu User Interfaces, in addition to Hindi UI which we launched recently. A large base of our customers can now have an even more engaging experience by accessing and using Prime Video in the language of their choice. We will continue to build on our localisation initiatives, adding more content with Tamil and Telugu subtitles or dubbing, and evolving the service experience for Prime members in India, enabling them to watch their favourite movies and TV shows in the language of their choice.”

    Prime members opting for the Tamil or Telugu experience on Prime Video can select their preferred language option from the settings of their Prime Video app for iOS and Android, on their desktop or personal computers via PrimeVideo.com or through supported connected devices like Smart TVs, latest Apple devices, gaming consoles such as Xbox One and PS3, PS4. Once chosen, the preferred language option will be saved for their future usage. Customers will always have the choice to control and change their language preference at any time and they can set different language options for each device they own.

    With this launch, customers can also enjoy Tamil blockbusters including Kaala, Ghajinikanth, Kadaikutty Singham and Telugu titles including Goodachari, U Turn, NOTA, with titles and descriptions in Telugu and Tamil respectively.

    Amazon Prime membership is available at Rs 999 annually and Rs 129 monthly.

  • Do kids of today prefer OTT over TV?

    Do kids of today prefer OTT over TV?

    MUMBAI: There’s a tug of war going on today with both parties equally strong. On the one side, we have linear TV singing its praises and OTT on the other side glorifying its advantages.

    No matter which side you pick, you’ll notice that kids’ content has always been sidelined. In its initial TV phase, kids’ content was loaded with syndicated programmes and it is only now that home-grown content is a part of it. This is because producing local content is more expensive than producing Hindi GECs. As per the 2018 KPMG report, the importance of the kids’ audience in Indian TV in the age group of 2-14 years accounted for 20 per cent of all TV impressions in 2017 with a high stickiness for the above mentioned target audience, with average time spent ranging from 35-60 minutes. Moreover, as per reports, industry experts believe that owning IPs and localisation of content is going to be a way forward for the category which is expected to grow by 10-14 per cent in 2018.

    As per Broadcast Audience Research Council (BARC) data, 29 per cent of kids like watching Hindi GECs, followed by 18 per cent for Hindi movies and only 11 per cent kids consume kids’ channels. This could be due to parallel viewing that is done by kids while parents watch other channels. But, in the last two years, kids’ channels have observed a hike in the time spent by kids despite the fact that kids spend 26 per cent of their time on Hindi GECs. Tamil, Telugu, Bengali and Malayalam are the regional languages that work quite well in the kids' segment.

    Coming back to digital trends, as per the report, 57 per cent of parents say that their child prefers a device other than the TV to watch video content. Mobile devices offer versatility, simple user interface and a ‘personal’ viewing experience. Also, nearly 50 per cent of parents say that when their kids misbehave, to punish them, they take away their tablet and make them just ‘watch TV instead’– creating a generation of kids for whom ‘TV is punishment.’ When the parents’ favourite shows are on such as the IPL, the remotes are automatically snatched away from kids and replaced with smartphones. These phones hold a wider world of content for kids right from Netflix to Amazon to YouTube Kids.

    Kids’ eagerness has also fuelled the digital content market with new dedicated platforms being launched for them. In 2016, nexGTv launched ‘nexGTv Kids’ app with videos and infotainment for kids. Later on, Viacom18’s Voot built a strong vertical around kids followed by YouTube’s YouTube Kids in partnership with ChuChuTV, Toonz Animation, Sesame Workshop and Appu Series in India. Sony LIV too introduced its new platform LIV Kids in Hindi and English.

    However, as per the KPMG report, 97 per cent of children still prefer television over other digital media. As compared to kids’ TV channels, digital has emerged stronger in the past few years due to convenience and availability. So, the tug of war goes on for now with both sides tugging equally.

  • No changes in Tamil, Marathi, Telugu segments in BARC data week 46

    No changes in Tamil, Marathi, Telugu segments in BARC data week 46

    MUMBAI: In the Bengali space, Aakash Aath climbed to the third position from fifth position as compared to the previous week in BARC data week 46. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position. Mazhavil Manorama and Surya TV interchanged their third and fourth positions in the Malayalam market. No changes were observed in Tamil, Marathi and Telugu segment.

    Bangla

    Zee Bangla and Star Jalsha continued to be on first and second positions with 359602 impressions '000s and 289451 impressions '000s respectively. Aakash Aath climbed to the third position from fifth position as compared to the previous week with 61725 impressions '000s. Colors Bangla and Jalsha Movies stood at fourth and fifth positions respectively with 61205 impressions '000s and 60091 impressions '000s.

    Bhojpuri

    Big Ganga, Bhojpuri Cinema, Bhojpuri Dhamaka Dishum, and Housefull Action retained their first, second, third and fourth positions with 57272 impressions '000s, 48736 impressions '000s, 16193 impressions '000s and 5110 impressions '000s respectively. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position with 3958 impressions '000s.

    Kannada

    No changes were observed in this segment. Colors Kannada, Zee Kannada, Udaya TV, Udaya Movies and Star Suvarna continued to be at first, second, third, fourth and fifth positions with 462359 impressions '000s and 401719 impressions '000s, 227776 impressions '000s, 184480 impressions '000s and 143776 impressions '000s respectively.

    Malayalam

    Asianet, the Malayalam general entertainment channel from Star TV and Flowers TV retained their first and second positions this week as well with 297815 impressions '000s and 105029 impressions '000s respectively. Mazhavil Manorama and Surya TV interchanged their third and fourth positions with 85263 impressions ‘000s and 76099 impressions '000s respectively. Asianet Movies continued to be at fifth position with 63712 impressions '000s.

    Marathi

    No changes were observed in this sector. Zee Marathi, Colors Marathi, Star Pravah, Zee Talkies and Zee Yuva continued to be in first, second, third, fourth and fifth positions respectively with 411590 impressions '000s, 135799 impressions '000s, 131606 impressions '000s, 112065 impressions '000s and 37392 impressions '000s.

    Tamil

    Sun TV, Zee Tamil, Star Vijay, KTV and Adithya TV retained their first, second, third and fourth positions respectively with 871265 impressions '000s, 484799 impressions '000s, 459320 impressions '000s, 352072 impressions '000s and 100077 impressions '000s.

    Telugu

    Star Maa, Zee Telugu, Gemini TV, ETV Telugu and Gemini Movies continued to be on first, second, third, fourth and fifth positions respectively with 637863 impressions '000s, 504682 impressions '000s, 452339 impressions '000s, 442173 impressions '000s and 213367 impressions '000s.

  • Eros International reaffirms regional distribution expertise with ‘Saakshyam’

    Eros International reaffirms regional distribution expertise with ‘Saakshyam’

    MUMBAI: Eros International is looking to reaffirm its distribution expertise in the regional markets as it is set to release the highly anticipated Telugu action fantasy thriller Saakshyam on 27 July. The leading company in film entertainment industry will release the film in association with Abhishek Pictures.

    The action entertainer features superstar Bellamkonda Sai Sreenivas and Pooja Hegde as main leads while Abhishek Nama has produced and Sriwass has directed the much-hyped movie. Well-known music director Harshavardhan Rameshwar has composed the music in the film with Arthur A Wilson as cinematographer and national award-winning fight choreographer Peter Hein. The story is based on five elements of nature.

    “We are delighted to partner with Abhishek Pictures and come on board this eagerly awaited release. With a hugely popular cast, high octane entertainment and a talented director like Sriwass with who we hope to recreate the success of our previous venture dictator, we anticipate the film to be a mass entertainer. Our association on the film continues our focus to make strategic inroads into south Indian cinema,” Eros International Media managing director Sunil Lulla said.

  • Hotstar launches AdServe to empower advertisers

    Hotstar launches AdServe to empower advertisers

    MUMBAI: Hotstar, the video streaming platform from Star India, has launched Hotstar AdServe – a self-service ad tool aimed at empowering advertisers. With the introduction of this service, small and medium advertisers with smaller budgets will now be able to effectively use the power of premium content like live sports to reach their target audiences and followers.

    The tool, currently in beta, is potentially one of the first in the world that allows advertisers to associate with a big sporting event. The tool also offers regional players an opportunity to scout for new markets nationally at affordable prices.

    Advertisers on Hotstar can leverage this transformation, as buying options on Hotstar AdServe allow them to target their communication by language and team. These options effectively marry the massive scale and depth of cricket viewership with highly relevant targeting.

    The beta version of the service will allow advertisers to place in-stream video ads for Vivo IPL 2018. The service will be expanded to include entertainment programming over the next few weeks.

    The comprehensive rights for Vivo IPL for the next five years were won by Star in the last quarter of 2017. The tournament, starting 7 April, will be available in six Indian languages, including Tamil, Telugu, Kannada and Bengali, thereby taking cricket deeper into a wider array of languages and markets.

    Also read:

    Star to air IPL on 10 channels, in 6 languages; live on Hotstar

    Hotstar Trends 2017: Women, small town, cross-language consumption rises

    OTT players up the ante with niche content

    Star unveils Re.Imagine Awards for IPL ad campaigns

  • ALTBalaji launches original stand-up comedy in Tamil, Telugu

    ALTBalaji launches original stand-up comedy in Tamil, Telugu

    MUMBAI: ALTBalaji has added a pinch of fun, sarcasm, wit to its collection for Tamil and Telugu users. The OTT platform recently launched original stand-up comedy videos inthese languages.

    Tamil episodes feature popular stand-up comedians like Shanti Kumar and Shaik Baba Sharifuddin to name a few, while the Telugu library comprises talented and well-known artists Baggy, Manoj and Mervyn.

    “We are thrilled to bring original regional stand-up comedy on ALTBalaji. It is fast emerging as a high growth genre for web audiences. Offline stand-up shows have time, place and ticket constraints whereas web as a medium takes away all these pains and enables access on a click. Based on consumer insight, we understood that the stand-up available to viewers in India is mostly English or Hindi, neglecting the regional language demand and so we have identified local talents from these regions and got them on board,” ALTBalaji CMO Manav Sethi commented on the new episodes.

    It recently launched regional stand-up comedy videos in Marathi, Punjabi and Gujarati languages as well.

    Also Read:

    Known actors profitable to web series: ALTBalaji’s Manav Sethi

    ALTBalaji bets big on first-time producers with Haq Se