Tag: Television

  • Abhijay Prakash joins Blumhouse as president

    Abhijay Prakash joins Blumhouse as president

    The former studio executive, Abhijay Prakash has been named the new president of Jason Blum’s Blumhouse, an American television and production company, according to a news report. He will oversee all business aspects of the production house and will be succeeding veteran executive Charles Layton. 

    Layton will become vice-chairman of Blumhouse and stay on for two years in a strategic and advisory role. 

    Prakash served Universal Filmed Entertainment Group as president. Earlier, he was the chief operating officer at Focus Features and then DreamWorks Animation.

    “From my vantage point at Universal over the years, it was clear that nobody else in the business was as adept at figuring out how to create value from the content as the Blumhouse team,” Prakash said in a statement.

    Speaking on the new development, Layton said, “We are thrilled because it felt like the stars aligned for Abhijay to join us at a time when I was ready to pull back from the day to day and yet remain active, part-time as vice-chairman.”

    Blumhouse is expected to release five movies in 2022. “The Black Phone” from director Scott Derrickson, “Halloween Ends”, BJ Novak’s directorial debut, “Vengeance” and “DASHCAM”.

    On the TV front, Blumhouse produced shows such as NBC’s The Thing About Pam, starring Renee Zellweger, the documentary Our Father and Netflix’s Worst Roommate Ever.

  • Cartoon Network to telecast ‘Dragon Ball Super’ in Hindi, Tamil and Telugu

    Cartoon Network to telecast ‘Dragon Ball Super’ in Hindi, Tamil and Telugu

    Mumbai: Cartoon Network has announced Dragon Ball Super for the first time in Hindi, Tamil and Telugu. The channel is bringing the action-packed adventures of Goku and his friends with a day-long Dragon Ball Super Sunday stunt with back-to-back episodes on 22 May from 9 am. It will air every weekday at 10.30 am and 7:30 pm and weekends at 5.30 pm.

    The launch of Dragon Ball Super is a part of the channel’s re-energised brand promise and tagline Redraw Your World through which it aims to cater to the complete spectrum of kids and families including pre-schoolers, and family co-viewing, with over two hundred hours of diverse content throughout the year.

    The channel also planned various digital activities for its fans including a fan-art contest, a watch & win competition for the Dragon Ball Super Sunday stunt, a dance challenge based on the popular hook step of Dragon Ball Super and collaborations with influencers.

    Popular voiceover artists are lending their voices for main characters in the show in Hindi. Ankur Javeri for Goku, Neshma Chemburkar for Chichi, Rajshree Sharma for Bulma, Mayur Vyas for Krillin, Rajesh Kava for Beerus and Prasad Barve for Vegeta.

    Fans are in for a special treat as the follow-up of the blockbuster classic anime follows the tranquil lives of Goku and his friends after vanquishing the evil Majin Buu. However, they are disrupted when Beerus, the God of Destruction, challenges Goku who requires his friends’ assistance to become the venerable Super Saiyan God. Dragon Ball Super reconnects fans with these beloved characters through unimaginable and adventure-filled storylines that unveil twelve universes and gods.

    Talking about the show launch, Cartoon Network and POGO South Asia network head Abhishek Dutta said, “Cartoon Network has always had its finger on the pulse of what its fans want. The anime genre and in particular, the Dragon Ball franchise is always right up there on the wishlist, and we’re really pleased to present the series in new regional languages.”

    “We are sure this extraordinary title will make a great addition to our top-rated ‘Redraw Your Summer’ content line-up and will be enjoyed by kids and families,” he added.

  • Gigabyte Technology launches metaverse for Lucknow Super Giants

    Gigabyte Technology launches metaverse for Lucknow Super Giants

    Mumbai: Gigabyte Technology and its gaming brand ‘Aorus’ the associate sponsor of Lucknow Super Giants have launched the team’s metaverse. It is the first of its kind for sports in India that will help the team and fans to get closer.

    This created platform will serve as a one-of-a-kind experience for the fans who especially this time around can’t visit the stadium due to the fact that the entire IPL group stage is being hosted in Maharashtra.

    The experience features a virtual creation of the Cricket Sports Stadium, from its distinctive curved facade to the spiral walkway at the front. Also featured are exclusively designed panels along the stadium’s internal walls, where visitors to the experience can view player stats and try on their jerseys. The external walls of the stadium are covered in vibrant custom artwork evoking the unique spirit of Lucknow through dancers, musicians and place-specific details.

    The cherry on the top will be visitors will have a unique opportunity to be one of the lucky few people who will get to make metaverse history and meet their cricketing idols in an exclusive meet-and-greet in this virtual world, and additionally, have a chance to win a real-life Gigabyte PC by competing in a PC assembly game. They can also explore featured Gigabyte devices in a beautiful product lounge.

    Gigabyte India Director Sunil Grewal said that everyone at Gigabyte has been looking forward to this launch, which will serve as a great experience for the fans. “We at Gigabyte are very excited about the Metaverse project in partnership with Lucknow Super Giants and XRC. We will be bringing to fans an immersive experience that will enthrall them for sure. At Gigabyte, we strive to make our community experience future ready/world-class products. And, this will be a perfect opportunity for them to know more about our brand and products”.

    Lucknow Super Giants’s Ceo Raghu Iyer said, “We are really excited about Gigabyte’s and Aorus’ metaverse project for our team’s supporters. Being our technology partners, it’s fitting that they create a tech platform providing a unique experience to engage fans and delight them. It will not only be interesting for the team’s fans but for our players as well.”

  • Global pay TV to add subscribers but lose $25 billion revenue in six years: Research

    Global pay TV to add subscribers but lose $25 billion revenue in six years: Research

    MUMBAI: Digital TV Research forecasts 19 million more pay TV subscribers across 138 countries between 2021 and 2027, but revenues will decline by $25 billion over the same period.

    Digital TV Research principal analyst Simon Murray said, “Between 2021 and 2027, 86 countries will add pay TV subs and 52 countries will lose subscribers. Most of the countries gaining pay TV subscribers are developing nations, with a low average rate per user (ARPUs). The US will be the biggest loser – down by 12 million subscribers.”

    IPTV will add 79 million subscribers globally between 2021 and 2027 to take its total to 439 million. Satellite TV will lose 10 million subscribers between 2021 and 2027.

    Revenues will decline in 70 of the 138 countries between 2021 and 2027. The US will fall by $19 billion. Global satellite TV revenues will drop by $14 billion, with digital cable down by $10 billion. Analogue cable will lose $1 billion. IPTV will grow slightly.

  • Sony Sports to broadcast ‘Badminton Asia Championships 2022’

    Sony Sports to broadcast ‘Badminton Asia Championships 2022’

    Mumbai: Sony Sports Network will broadcast the upcoming Badminton Asia Championships 2022. The tournament will take place between 26 April and 2 May 2022. The network will get exclusive TV and digital rights to the tournament. The event will be broadcasted in India and the subcontinent, including Pakistan, Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, and Sri Lanka.

    Badminton Asia Championships, rechristened version of the Asian Badminton Championships, will make its comeback in 2022, after being called off in 2020 and 2021 due to the ongoing COVID-19 pandemic. The tournament will be held in Manila, Philippines.

    The tournament will be televised between 29 April 2022 and 1 May 2022 with matches starting from 1:30 pm on April 29 and 10:30 am on the remaining two days.

    The high-octane matches will be available on Sony TEN 2 channels, as well as live-streamed on Sony Picture’s Networks’ on-demand OTT platform SonyLIV.

    India will be represented by Kidambi Srikanth in the men’s singles events. The women’s singles will see PV Sindhu and Saina Nehwal representing the country. The men’s doubles will have prominent Indian duos like Satwiksairaj Rankireddy & Chirag Shetty, Arjun M.R & Dhruv Kapila and Krishna Prasad Garaga & Vishnuvardhan Goud Panjala. The women’s double will feature Simran Singhi with Ritika Thaker and the Mixed Doubles tournament will witness Indian participation with Ishaan Bhatnagar & Tanisha Crasto and Venkat Gaurav Prasad & Juhi Dewangan.   

    Sony Pictures Network’s Chief Revenue Officer and Distribution and Head – Sports Business, Rajesh Kaul said, “The following for badminton is steadily growing with strong performances by Indian players like PV Sindhu, Kidambi Srikanth and others in global marquee tournaments in the last few years.”

    “And badminton fans will once again get to see these players in action at the Badminton Asia Championship on Sony Sports Network. Broadcasting the Badminton Asia Championships will not only serve fans of the sport but also foster a multi-sport viewing culture in the country.”
     

  • Zee Cinema to premiere ‘Radhe Shyam’

    Zee Cinema to premiere ‘Radhe Shyam’

    Mumbai: Telugu romantic film “Radhe Shyam” featuring “Baahubali” star Prabhas and Pooja Hegde will make its world television premiere on 24 April at 12 noon on Zee Cinema.

    Touted to be India’s most expensive romantic genre film, this unique story, set in the background of old Europe, is replete with lavish imagery and spectacular picturisation, the company said in a statement.

    “Radhe Shyam” is a story from the 70’s, portraying Vikram Aditya, a renowned palmist who parades against the concept of Love, until he hopelessly falls in love with Prerana. Both Vikram and Prerana have conflicting belief systems, one swears by destiny while the other is pragmatic. But once Vikram predicts a future that guarantees a tragic end to the relationship, he pulls away from her. Was it fate, was it destiny that drew him closer to Prerana? Does their love have the power to change their future?”

    All this coupled with dreamy romance, mystery, popular chartbusters, and a narrative that will make you rethink your belief in destiny. With the legendary Amitabh Bachchan lending his voice to the film, “Radhe Shyam” also stars Bhagyashree, Kunaal Roy Kapoor, Jagapathi Babu and Murali Sharma in key roles.

    Commenting on the film, actor Prabhas said, “Radhe Shyam is more than just a star-crossed love story, it really challenges you to think beyond your faith and beliefs in soulmates. The fact that it was in the making for three years, seeing it all happen on the screens made it all worthwhile. Radhe Shyam is definitely a film that is meant to grace families with a good time. I am looking forward to seeing the reactions of the audience as the fascinating plotline of Radhe Shyam leaves them wondering and wanting for more.”

  • Sony welcomes NCLT order to start Manthan’s liquidation process

    Sony welcomes NCLT order to start Manthan’s liquidation process

    MUMBAI : The television distribution landscape is getting treacherous day by day with the rapid evolution of video consumption and the yo-yoing of pricing regulations by the Telecom Regulatory Authority of India (Trai). Carcasses of the leaders in the Cable TV distribution are lining the streets of India’s television land. A leader in Kolkata for many years, Manthan has been facing challenges with its mounting debts and dues that have forced its managers to give up the ghost as well as a nudge from the regulators.

    The corporate debtor, Manthan Broadband Services has been facing a financial crunch, bankruptcy, and challenges in repaying its debts to the creditors. Therefore, the liquidation of the Manthan is becoming a growing concern currently. Since the financial year 2019, there have been no business operations of the corporate debtor and no regular employees are working in the firm.

    Sony Pictures Networks India moves high court

    Sony Pictures Networks moved to the Kolkata high court and in January, it obtained an order directing National Company Law Tribunal (NCLT) to hear Manthan’s corporate insolvency resolution matter and pass an appropriate order within three months. An attempt to submit a resolution plan to revive Manthan was persistently opposed by Sony along with Alliance Broadband (another creditor of Manthan) and Kuldeep Verma (the appointed liquidator of Manthan currently). The long-pending Manthan matter finally was put to rest with NCLT passing an order on 6 April 2022 directing the liquidation of Manthan.

    Further, Sony Pictures is the only broadcaster that got the title deeds of three acres of land as collateral from Manthan under a watertight memorandum of understanding (MoU). It is the first time that any broadcaster used such a method to secure their dues. Incidentally, it is probably the first time that an Indian broadcaster had thought of such an idea of using real estate as collateral for securing outstanding financial dues.

    This could be described as a positive development for the broadcaster since it can now deal with the said portion of Manthan’s land parcel under the relevant provisions of the Insolvency and Bankruptcy Code (IBC).

    The collateral will help the broadcaster to gain the ‘Secured Operational Creditor’ status which was granted by the NCLT in January 2021. The first of its kind judgement in the entire broadcasting industry. The operational creditors are not given secured creditor status due to lack of collateral; no other broadcaster has ever taken any collateral in this industry.

    The Manthan case chronology

    On 8 March 2021, an order was first passed by the NCLT that Manthan should be liquidated. The decision to liquidate the Distribution Platform Operator (DPO) was taken by NCTL after various opportunities given to the company for producing a resolution plan. Manthan has undergone the insolvency proceedings on 18 September 2019 and the corporate insolvency resolution process (CIRP) was initiated after the financial creditor, Alliance Broadband Services had filed a petition in the court for claiming a defaulted loan amount of more than Rs 10.20 crore.

    In addition, there were two parties Atria Convergence Technologies Ltd (ACTL) and India Cable Network Company Ltd (ICNCL) who expressed their interest in submitting the resolution plan for the corporate debtor. However, both the bidders withdrew from CIRP after submitting a resolution plan.

    The committee of creditors (CoC) passed a resolution for winding up Manthan and Kuldeep Verma, the resolution professional had accordingly filed appropriate applications before the NCLT. The issue was further discussed during the 10th CoC meeting in March 2021 and ultimately, in the 11th CoC meeting, the decision to liquidate Manthan was approved after casting 100 per cent votes from the creditors.

    The industry spokesperson said that they have waited for a long time for the smooth running of the CIRP of Manthan. However, even after best efforts, the revival plan for Manthan could not happen within the timelines, including seeking extension and exclusion.

    So now, with the passing of the order by the tribunal for Manthan’s liquidation process, the creditors expect that it will streamline everything and facilitate recovering the pending dues from the corporate debtor.

  • ZMCL chief revenue officer Manoj Jagyasi moves on

    ZMCL chief revenue officer Manoj Jagyasi moves on

    Mumbai: Manoj Jagyasi has quit as Zee Media Corporation Limited (ZMCL) chief revenue officer, ending his 1.9 years stint with the company, sources confirmed to Indiantelevision.com 

    Having joined ZMCL in 2020 as executive cluster head – sales, Jagyasi was promoted as CRO in April 2021. Prior to this, he was executive cluster head – revenue for Zee Entertainment Enterprise Ltd.

    At ZMCL, Jagyasi was responsible for the top-line revenue for all 11 news channels of the Group. He is credited for turning around the regional news cluster for the organization, across all markets like West Bengal, Maharashtra, Gujarati and the North belt.

    Jagyasi has nearly 15 years of experience in business development and sales across industries including television, radio, internet, and FMCG. He has been associated with brands like ZEE Unimedia Ltd., ETV News Network at TV18, iTV Network – India News, HUL and India Today.

  • TV9 Network retains position as India’s biggest news network

    TV9 Network retains position as India’s biggest news network

    MUMBAI: TV9 Bharatvarsh has become the country’s most-watched national Hindi news channel disrupting the old order dominated by legacy channels.

    The BARC data for television news channels released today — after a long, inexplicable shutdown — put TV9 Bharatvarsh on top of the pile of national Hindi news channels with a jaw-dropping 16.8 % market share.

    TV9 Network which runs five other language channels — Telugu, Kannada, Marathi, Gujarati and Bengali – retained its rank as the country’s biggest television news network. With three of its channels being #1 and all others in leadership positions, the Network notched up a massive 292 million AMA (average minute audience). That is a clear 25 per cent lead over the nearest competitor, Zee Network with 13 channels.

    However, history has been created in the Hindi news genre. TV9 Bharatvarsh displaced Aaj Tak which came in second with a 14.8% market share for Week 10 (March 5 to 11, 2022 / four-week rolling average, NCCS, 15+, 0600-2400 hours). The scale of this unprecedented disruption in the Hindi television news genre is best appreciated by juxtaposing two undeniable facts: One, Aaj Tak has been the leader of the genre from its inception more than 20 years ago. Two, TV9 Bharatvarsh is three weeks short of what will be just its third birthday (March 31).    

    TV9 Bharatvarsh’s coverage of landmark news events — such as the Russia-Ukraine war, the Covid pandemic and the Uttar Pradesh election to name just three — marked by its editorial prowess, newsroom innovation, impeccable packaging and unrivalled ground reportage, saw the channel rise sharply up the rating ladder. This rise has been consistent over the last two years.   

    Celebrating this unprecedented success of TV9 Bharatvarsh and TV9 News Network, CEO Barun Das said the BARC ratings only revealed what some people wanted to hide. “We always knew that we were destined to be the leader. I am happy that the ratings released today have offered empirical evidence of our leadership. I am amused that the only business strategy the legacy channels had to stop the rise of TV9 Bharatvarsh was to stop the ratings itself. And glad that the interest and the verdict of the viewers have finally prevailed.”

    Echoing Barun’s sentiment, Groups’ Editor, BV Rao said: “It is clear today that you cannot stop a leader by stopping BARC ratings.” 

    Expressing deep satisfaction over the leadership status, TV9 Bharatvrash Hemant Sharma, News Director said, “This is the victory of solid credible journalism. This is the victory of conviction in the newsroom capability.” 

    Sant Prasad Rai, Managing Editor and the architect of the content innovations at TV9 Bharatvarsh, said, “We owe a sense of gratitude to our viewers. We believe the viewer deserves the best. We don’t want to ever compromise on our commitment and responsibility to the viewer. We have established our editorial leadership in each and every genre in the news space.” 

    Talking about the network leadership status, Barun said, “It gives us immense pleasure to consistently remain the largest news network of the largest democracy of the world. When success is attained by design, it can be replicated. Our all-round supremacy at the Network level proves that.”

  • Adex to surge 20 per cent to reach ₹89,285 crore in 2022: Pitch Madison report

    Adex to surge 20 per cent to reach ₹89,285 crore in 2022: Pitch Madison report

    Mumbai: Despite the lingering impacts of the pandemic, advertising expenditure is set to surge by 20 per cent to reach nearly Rs. 90,000 crore, according to the Pitch Madison Advertising Report 2022 (PMAR) unveiled on Wednesday.

    Launched by Pitch in partnership with Madison World, the report forecasted a robust recovery for the industry in 2022, with the traditional media, expected to grow at 15 per cent while digital to grow at 2X of traditional, and eventually overtaking Television in 2022.

    According to the report, India will continue to be the fastest-growing ad market in the world. The Indian Adex registered an unprecedented 37 per cent growth rising to almost Rs 74,000 crore – the highest growth that Adex has registered in nearly the last two decades. The AdEx figures in 2021, according to the PMAR report, surpassed those in 2020 by Rs 20,000 crore and was over Rs 6,500 crore higher than 2019, bettering it by 10 per cent.

    Television remained the only traditional medium that surpassed the pre-Covid revenues, recording a 25 per cent increase over 2020 and an 11 per cent increase over 2019. Print, the second-largest traditional medium registered a growth of 39 per cent in 2021, but could not cross its 2019 levels, having fallen short by as much as 17 per cent, as per the report. Similarly, OOH and Radio also grew significantly by 69 per cent and 36 per cent respectively, but were nowhere near the 2019 levels. Cinema, expectedly, was the only medium that could not even reach its 2020 level, with theatres shut across most states.

    TV and Digital now contribute 72 per cent of overall Adex. Digital Adex rose significantly by 50 per cent to make up for the lower than average 10 per cent growth in 2020.

    Madison World chairman and managing director Sam Balsara said advertisers should take advantage of the evolved digital infrastructure for distribution and advertising to prepare for future growth and invest in building their own D2C channels.

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    Despite a large number of viewers moving to OTT and Connected TV, TV Adex put in a spectacular performance, registering a high spend of Rs. 28,151 crore. Advertisers’ faith in TV, Covid, or No-Covid continued and the medium commanded strong loyalty amongst both large and medium-size advertisers. In fact, with its 38 per cent share in 2021, India shared the credit of one of the top TV advertising countries along with Brazil (46 per cent), Italy (42 per cent) and Japan (34 per cent), as per the report.

    Whilst Q1 started softly with a de-growth of minus six per cent over 2019, each subsequent quarter gained steam with TV Adex growing in size with Q4 of 2021 registering a sharp increase over respective quarters of 2019- thanks to IPL- which started in Q2 but got suspended and resumed in Q4.

    Emerging categories : Ecommerce and ed-tech

    Ecommerce ad spend almost doubled from Rs 3,000 crore to Rs 6,000 crore taking its share up from 8.5 per cent to 13 per cent and making it the second-biggest category of Adex, as per the PMAR report. Ed-tech sector also doubled its volume on the back of brands like Byju’s, WhiteHat Jr, Vedantu and Unacademy. BFSI also increased its share from two per cent to three percent on the back of new age Fintech Companies and CryptoCurrency players. For the first time in many years, BFSI showed a massive growth of 70 per cent in TV Adex, said the report. FMCG, the most dominant sector with a share of 51 per cent in 2020, lost as much as five percentage points and was down to 46 per cent. Ecommerce increased its share from 11 per cent to 18 per cent and Education from four per cent to six per cent. Telecom dropped its share substantially from eight per cent to four per cent.

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    TV AdEx by genre

    An analysis of ad volume beamed by various genres shows that all genres have grown significantly in 2021 versus a year ago with the exception of English movies which registered a de-growth for the second consecutive year. Hindi GEC continued to be the largest segment amongst all genres followed by Sports and then News, which came a distant third Sports genre on account of IPL, T20 WC and many bilateral cricketing tournaments across the globe, is 2nd in the pack in terms of absolute revenue. Despite the absence of Barc India ratings for the News genre, it registered a high growth of 19 per cent over 2019 and 29 per cent over 2020.

    The Digital Juggernaut

    The Digital Adex juggernaut moved ahead unabated, and grew by a phenomenal 50 per cent in 2021, taking Digital Adex to Rs. 25,438 crore. It even showed growth of 10 per cent in 2020, when all other mediums showed degrowth. Digital Adex has now reached a share of 34 per cent and is within striking distance of the largest medium TV. What helped Digital Adex grow, according to the report, is that it is firing on several verticals – Ecommerce, Search, Social and Video. With online sales galloping, the intense competition now has extended to online. Ecommerce advertising on brands such as Amazon and Flipkart have spiked. Traditional brands are also adopting Ecommerce and many of these brands in addition to using the E-commerce platforms are setting up their own online systems. D2C is expected to take off in a big way in the coming years.

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    Top Advertisers in 2021

    In keeping with the technology boom, 15 new-age Companies/start-ups entered the top 50 list, altering the composition of the list. These are Dream 11 at third position, BYJU’s at five, Phone Pe at 12, Upstox at 13, My 11 Circle at 14, and many others including CRED, Netmed, MPL, Policybazaar, Unacademy, WhiteHat Jr, Swiggy, Netflix, Coin Switch Kuber and Coin DCX, coming lower in the pecking order. The report shows as many as 14 new Advertisers in the list this year compared to ten last year. Six out of the top 10 are FMCG Advertisers, Hindustan Unilever, Reckitt, P&G, Reliance, Mondelez and ITC. FMCG still dominates the list with 15 players all with high ranks, but their dominance is decreasing.