Tag: Television

  • Divya Bhaskar to donate funds to Surat Flood victims

    Divya Bhaskar to donate funds to Surat Flood victims

    Mumbai, August 10, 2006: The Divya Bhaskar Gujarat Team will contribute a day’s salary alongwith the Bhaskar Group, contributing similar funds, to assist the victims of the Surat floods. 36 lakh residents of Surat have been marooned since Tuesday as almost 95 per cent of the city has been drowned in 10-15 feet of water.

    Divya Bhaskar has been the only newspaper that was printed and distributed in Surat during the last two days of the unprecedented flood situation. This has been largely possible, by the dedication and hard work of the Divya Bhaskar Surat team in-spite of suffering huge personal losses, ensured that the newspaper is brought out as compared to other newspapers who had a very skeleton print run today.

    Bhaskar Group is a 1700 crore business conglomerate with strong presence in Newspapers. Television, Entertainment, Printing, Textiles, Fast Moving Consumer Goods, Oils, Solvents and Internet Services.

    The group has rocketed to the top of the print media industry in India with its flagship Hindi daily newspaper, Dainik Bhaskar, and the Gujarati newspaper, Divya Bhaskar. Brand ‘Bhaskar’ is today synonymous with success, quality, dynamism and ethics in millions of households across India and the corporate world alike.

    ***************

    For further information, contact::
    Amrita Sadhu, Euro RSCG PR
    Tel : 24937188, extn 259, Mobile : 9819622591

  • BSkyB bags Mobile TV broadcast rights to Premiere League soccer

    BSkyB bags Mobile TV broadcast rights to Premiere League soccer

    MUMBAI: Overcoming fierce competition from a consortium fronted by sports agency TWI and backed by the UK’s five mobile phone networks – Orange, Vodafone, 3, T-Mobile and O2, UK pay TV broadcaster BSkyB won the rights to telecast Premier League football matches on mobile phones.

    The rights will permit BSkyB to broadcast highlights on mobiles from the start of the 2007/8 season. With this property, BSkyB now has a share of all three types of domestic rights auctioned by the Premier League: Television, online and mobile.

    Earlier this year BSkyB won four of the six live TV rights packages and BSkyB and BT won the right to carry 242 “near-live” league matches each season online.
     

  • Headbanger’s Ball

    Headbanger’s Ball

    Usually my Sunday afternoon siestas are broken by Barking Boxer. He lives in the building behind ours and his weekly treat is playing cricket with his human friends on the street. He cheers loudly and unreservedly. Last Sunday, he went ballistic. The size of the ball in the narrowness of the playing area confused him and drove him ecstatic at the same time – that’s right, the kids next door had switched to footer.

    As had the whole country. Not just Kerala and Goa and West Bengal. Finally, cricket fever is abating. Forgive this terrible indiscretion, but I never could understand what millions saw in twenty two men in long pants chasing a tiny ball around a wide open field, every thirty excruciating seconds, and could keep at it for hours, even days, together.

    By now, the evidence that football fever has overtaken cricket is all over the place – the viewership figures of 5.2 million speak for themselves. In a couple of weeks, Intellect will tell us how much out of home television viewing occurred as well, and I would not be surprised if that added a good 50 per cent to the overall.

    Last Sunday gave us the unusual and perhaps unlikely occurrence of two awesome live telecast finals almost back to back. Not middle of the road pop music cricket, but the intense mastery of stroke making jazz music tennis at primetime, and the ultimate headbanger’s ball later that night. From the classy Federer sporting a pristine white jacket bearing his family insignia, to the crassness of a skirmish that a hero will regret all his life, the evening kept audiences glued to their sets.

    In sheer numbers, the total home viewing audience on July 9th in the top six cities went up by 33 per cent over the average Sunday (the average Sunday itself including a live telecast ODI cricket match between home team India and the West Indies at prime time on May 28). One and a half million more viewers were added, with the audience post 11 pm alone shooting up from 2.1 million to 4.1 million viewers. Average viewing minutes post 11 pm nearly doubled from 56 to 92 minutes.

    By now, the evidence that football fever has overtaken cricket is all over the place – the viewership figures of 5.2 million speak for themselves
    _____****_____

    The maximum increase percentage wise was observed among male children aged 4 to 14 years – at 43 per cent. Boxer’s friends sure had a well filled day that day. While the maximum increase in volumes was observed among the 35 plus. 3.75 lakh more men tuned in to watch television on Awesome Twosome Sunday, up from 9 lakh men over 35 in these six cities on an average Sunday in summer. Plus a whole lot more in pubs, clubs and friend’s places.

    And hold your breath – 3.34 lakh more women over 35 too! (One of them being me.)

    All in all it was a sports lover’s treat, of course, but not just limited to the sports lover. And that’s what makes this story all that more interesting. It holds out promise for all the other deserving but so far unsupported sport in this country. Add plenty of eye candy to the promotion of the sport, speed things up a bit, pour in millions of dollars, globalize the players keeping up with the worldly new definition of ‘home’, and who knows – twenty years down the line, Barking Boxer – or his progeny – could well be keeping time to hu-tu-tu.

    (With grateful thanks to aMap for the data and Deepa Menon of Intellect – LMG for the analysis).

    (The author is Lintas India Director of Media Services)

    (The views expressed here are those of the author and Indiantelevision.com need not necessarily subscribe to the same)

  • American television loses an iconic producer in Aaron Spelling

    A few days ago (Friday, 23 June) Aaron Spelling, who holds the Guinness World Record as the most prolific producer in television, passed away. The 83-year-old, who died in his mansion in Los Angeles, had suffered a stroke on 18 June.In a career spanning an astonishing five decades, Spelling, who had a great fear of flying, worked in one form or another on nearly 200 projects on both television and film.

    Such was his sphere of influence that a trivia fact on imdb.com indicates that in the 1970s, when he had one hit show after another, he had so many shows on ABC with who he had a contract that insiders used to joke that ABC stood for “Aaron‘s Broadcasting Company”. He was involved with around 70 weekly television series, which amounted to around 4,220 hours. Back to back it would take 176 days to watch all of them.

    Born into a Jewish family, Spelling, in his early life, had to fight against the tag of being different. He started his career in Hollywood in the 1950‘s. Success did not come in a hurry though. He spent some time as a writer and as a bit-player actor (he was a gas station attendant in an episode of I Love Lucy). He then donned the hat of a producer thanks to a break given by Dick Powell.

    His first hit was the crime drama Burke‘s Law, starring Gene Barry. However it was the next show The Mod Squad in 1969 that paved the way for his path breaking career. In the 1970‘s he cemented his reputation by producing one great show after another. Some of them included S.W.A.T., Starsky and Hutch, Charlie‘s Angels, which were conceptually so appealing that Hollywood, desperately searching for ideas, made them into films a few decades later.

    Charlie‘s Angels showed women in a role other than a homemaker happy with kids. It is justly considered ground breaking in terms of having women who took care of business and did not need a man to look after them. More importantly it gave young girls in the 1970‘s and 1980‘s strong role models to look up to.

    Starsky and Hutch was one of the first great cop shows on American television. It paved the way for numerous cop shows including the likes of Miami Vice.

    There are two clear reasons for Spellings‘ success. One was his keen sense of intuition of what audiences at a particular point of time wanted to watch. The other was the fact that he always respected the viewer. Spelling was also great in the casting arena, a prime example being Charlies Angels which made household names out of Jaclyn Smith, Kate Jackson and most of all, Farrah Fawcett.

    That is a knack he never lost. In the 1990‘s he produced Beverly Hills 90210 which is considered to have defined a generation of privileged youth who despite being surrounded by luxury in the svelte surroundings of Beverly Hills have anger issues. He was astute in casting his daughter Tori Spelling as a teen. While the father and daughter did subsequently have their differences, Tori issued a statement saying that she was glad that she had the chance to reconcile with her dad before he passed away.

    Another piece of great casting was having Joan Collins play the matriarch in the long running soap Dynasty. This show in fact proved that Spelling was comfortable working in different genres.

    Spelling noted that Collins brought a huge aspect of her personality to the role which lent the show more bite. “We wrote a character, but the character could have been played by 50 people and 49 of them would have failed. She made it work.”

    So there was Dynasty on one hand an escapist soap and then there was Family. This was a far more realistic drama that ran from 1976-1980. Spelling had the courage to tackle among other subjects – homosexuality which even now Hollywood is skittish about tackling. Dynasty too had a gay character. More recently Spelling was involved with the supernatural show Charmed which airs in India on Star World.

    Recently, 7th Heaven passed The Waltons and Little House on the Prairie as the longest-running family drama.

    In real life Spelling had a 123 room mansion in Los Angeles which many considered to be a parallel to the life of ease and excess that the rich characters in Dynasty lived. “The house that Dynasty built‘ is how tour operators describe his mansion to hordes of tourists. In fact, Spelling was known to on occasion wave a hello to tourists. the soure of his wealth came from Spelling-Goldberg Productions. In 1986 the company went public.

    Spelling may have made escapist crowd pleasing fare, but he was also not shy of working on projects that took a hard look at subjects. An example is the film And The Band Played On which looked at how Aids would not have been such a menace had the authorities paid more attention during the early days.

    As far as the critics were concerned Spelling had a choice to make. As he once said in an AP interview way back in 1986, “The knocks by the critics bother you, but you have a choice of proving yourself to 300 critics or 30 million fans.” Going by the ratings and the enduring appeal that his shows constantly got over the years, Spelling can rest in peace knowing that he fulfilled a mission that other producers will be lucky to come anywhere close to achieving.

  • UK pay TV provider Sky looking to launch another sports channel

    UK pay TV provider Sky looking to launch another sports channel

    MUMBAI: UK pay television service provider Sky is looking to launch a fifth sports channel to add to its Sky Sports 1, 2 and 3 and Sky Sports Xtra channels.

    Sky won a new TV licence from media regulator Ofcom. The licence has been issued under the name Sky Sports 4.

    A report in brandrepublic.com states that Sky already has a Premiership rights package, which was extended last month. It also has the rolling sports news channel Sky Sports News, which, as well as being broadcast on satellite and cable channels through Sky, is also broadcast on Freeview channel 83. In addition to Premiership football rights, Sky’s live sports coverage includes cricket, rugby, golf and boxing.

  • User content sites will not replace television: BBC

    User content sites will not replace television: BBC

    MUMBAI: A few days ago UK broadcaster BBC One controller Peter Fincham
    delivered a speech to the Royal Television Society. The speech was called BBC One – Risk, Creativity, Challenges and Audiences.

    He debunked the notion that video clips on the net would replace traditional broadcast television. He says that predictions that video on- demand and 30-second clips on the video content site YouTube would replace traditional viewing showed breathless over-enthusiasm. This he says is reminiscent in some ways of the dotcom boom of the late Nineties, when all conventional businesses were apparently heading for the scrap heap.

    “It also reminds me of the late Sixties – yes, I can just remember them – when a bloke I met in a youth hostel assured me that Western civilization was on its last knees and the future lay in self-sufficient collectives living in Wales. The trouble is, it’s missing the point. Conventional television – old media, linear, whatever you want to call it – and new media don’t exist in opposition to each other. In fact, they’re perfect partners.”

    “Any anthropologist will tell you that our ancestors, although they lived in caves, had exactly the same brains and bodies that we have. Evolution just doesn’t move that fast I guess the equivalent to those cave-dwelling ancestors is people who sat in front of cathode ray televisions with a choice of two channels, the BBC and ITV. Nowadays they’ve got hundreds to choose from. And yet the evolution of taste, like evolution itself, is a very different thing. YouTube’s great. Google’s great. It’s all great. But if the conclusion you draw – and some people love drawing it – is that television is over, I think you might just be wrong.”

    He was responding to an article in the Guardian a couple of weeks ago, by Jeff Jarvis. The headline was ‘Television is dead’. Jarvis had argued that all the old definitions of TV are in shambles. Television need not be broadcast. It needn’t be produced by studios and networks. It no longer depends on big numbers and blockbusters. It doesn’t have to fit 30 and 60 minute moulds. It isn’t scheduled. It isn’t mass. The limits of television – of distribution, of tools, of economics, of scarcity – are gone.’ Jarvis had said that his teen son and his friends are getting hooked on new series not via TV but through the web and iTunes.’

    Jarvis, Fincham points out assumes that where technology leads, our tastes will follow. “He thinks that to embrace the new, it’s necessary to reject all that’s familiar. I think he’s wrong”. Fincham points to the new adaptation of Jane Eyre. “It was watched by seven million viewers. Jane Eyre had been widely admired and acclaimed – quite rightly in my view. Adaptations of classic novels don’t come much better than this. Does Jeff Jarvis’ new world of television mean there’s no room for adaptations of Jane Eyre? And if so, is that something we’ve gained? Or something we’ve lost? ”

    “People like programmes. Seems like a pretty obvious thing to say, but in our noisy and novelty-driven world it can’t be said often enough. They also like, in my view, an intelligently-balanced linear schedule. Yes, of course video on demand will enable us to create our own schedules and time-shift programmes at will. But we won’t want to do that all the time, will we? ”

    “Video on demand is to linear viewing what the microwave is to conventional cooking. Quicker, more convenient, more attuned to a busy, modern life. But it won’t improve the flavours of the cooking. User-generated content is a wonderful thing, but it won’t simply replace the professional stuff. There’s such a thing as a user-generated garden shed – you buy it from Homebase and put it together yourself. Or there’s the other sort, which I must admit I prefer – you get somebody else to do it for you. The two markets don’t cancel each other out – they co-exist. In the future, a short clip on YouTube might be all we’ve got time for. Sounds plausible, doesn’t it, but the evidence doesn’t back it up.”

  • Karnataka Opening Up!

    In the last two years, the South Indian television market has witnessed much churn in terms of fresh investments and new initiatives. In all the languages combined, at least 10 new channels were launched during this period. In this two-year period, there has been one market missing all the action – Karnataka.

    However, 2006 holds something different for the Rs 1.5 billion Kannada television market. Zee has made the first move by launching its second South Indian channel Zee Kannada, a pay channel, on 11 May. Not to be left behind, the Hyderabad-headquartered Associated Broadcasting Company Pvt Ltd, which runs Telugu news channel TV9, is targeting a July launch for its Kannada news channel – TV9 Kannada.

    Exploring the news space further in the market will be Kannada Kasturi, promoted by chief minister Kumaraswamy‘s wife Anitha. The news channel is expected to launch by year-end.

    Though the Kannada television market is the third largest player in the regional space (behind Tamil and Telugu), it, surprisingly, didn‘t help much in attracting new investments. While the Rs 1.25 billion Malayalam (Kerala) television space witnessed the launch of about five channels in 2005, Karnataka received just one single player, Udaya 2, a youth-oriented music channel from the Sun Network stable. And it required two outside players – Zee and TV9 – to bring some changes in the pattern.

    “It has something to do with people‘s mindset. It looks like Kannadigas are not very enterprising when it comes to television. They are more involved with the film business. Also it requires a mammoth effort to make your presence felt in the market since you have two established players — ETV and Udaya — to compete with. Then, Hindi also attracts audience here,” points out Shyamsundar, head of the production house Yantra Media.

    Explains ETV chief producer Manvi: “The Kerala market is different from Tamil and Telugu because, here it is not a one-sided competition. Asianet and Surya are going neck and neck, but you have smaller players also making significant contributions. The market attracts fresh investments since it is open to all kinds of experiments and fresh programming strategies. In Kerala, new players are thriving on this confidence. Other regional markets are yet to deliver that confidence.”

    In that case, what is the strategy that Zee has zeroed in on to take on ETV and Udaya in Karnataka? The media behemoth had suffered a setback five years ago when it first entered the South market through Kannada with Kaveri TV through a joint venture with Asianet. Understandably, Zee has done its homework before making the second attempt as an independent venture now.

    The preparations included extensive field research involving about 700,000 households to get its programming mix right. Soaps, films and telefilms will constitute 25 per cent of the channel programming. Gameshows and talk shows will make up another 25 per cent. As for the rest of it, there will be a stress on current affairs programmes, events and film-based shows.

    Zee Kannada‘s positioning is in direct contrast to that of its southern sibling Zee Telugu. The one-year old Telugu channel targets the young upwardly mobile viewer segment, while Zee Kannada is following the traditional strategy of going for the mass audience.

    “Being the second largest player in the regional space, you can afford to experiment a lot in the Telugu space. We had our options to choose our target group (TG) in Telugu. But Kannada is a comparatively a smaller market. Hence, the plan is to follow the traditional strategy,” states head of Zee South Initiatives Ajay Kumar.

    Most importantly, Zee Kannada will be making a conscious attempt to be very close to Kannada culture and retain the local flavour in its programmes. According to market sources, Zee has adopted this strategy from ETV Kannada.

    “ETV‘s programmes are very local oriented and that is the channel‘s USP. Almost 95 per cent of the programmes are done by local producers. Zee Kannada seems to be following the same strategy by signing up a chunk of local producers. At the same time, Udaya follows a different gameplan as it explores the whole of South and Hindi as well (Balaji Productions),” says a source.

    Shedding light on the programming strategies of the leading channels, both Udaya and ETV Kannada have created their own compartments in the space. ETV banks on serials and fiction programmes, while Udaya is known for its films and film based programmes. Udaya has three more channels in Udaya News, Ushe (film and music) and Udaya 2.

    One common strand in any South market is films and this plays a crucial role in Kannada television as well. Acquisition costs for a blockbuster film ranges from Rs 15 million to Rs 20 million.

    Knowing that having strong film content would matter a lot for the channel‘s strategy in the movie-crazy market, Zee Kannada has acquired a combo package of new and old films to create its movie library.

    “Since the TG is the same, Zee Kannada will have a head-on collision with Sun Network‘s Udaya TV and its sister channels. In this context, having strong film content will be crucial,” says a source.

    “Though ETV Kannada acquires many good films every year, Udaya is ahead when comparing the number of films acquired,” adds Shyamsundar.

    Switching to the news space, we have TV9 Kannada and Kannada Kasturi gearing up to explore the relatively virgin land. Finally offering some competition to the lone player in the segment, Udaya News. Kannada Kasturi is still in the process of streamlining its strategies whereas TV9 Kannada is preparing the ground for a July launch.

    Driven by the tagline “Close to your heart”, TV9 Kannada is positioned as a young-at-heart, urban news channel with an international look and feel. TV9 has adopted its Telugu strategy for Kannada as well.

    “We targeted the urban youth and women with TV9 Telugu. We are following a similar strategy for TV9 Kannada also. Within a short duration, TV9 Telugu reached an impressive position in the market, and we are confident of repeating this performance in Kannada as well,” states TV9 chief news coordinator Rajasekhar.

    TV9 Kannada is planning to create a space for itself in the film-crazy, entertainment-oriented market through efficient coverage and innovations. “The idea is to crack the market by providing something fresh. Kannadigas are used to the traditional methods of news delivery and presentation. Our attempt will be to take it to a new level, with a lot of innovations. The plan is to woo the urban crowd by offering them international standards in the local language,” says Rajasekhar.

    Inspired by the entry of new players, the Kannada television market is targeting a 25 per cent expansion this year. Market analysts feel that this would also inspire more local advertisers, including retailers, to try television.

    “The ratio between local advertisers versus national advertisers is as low as 10 per cent versus 90 per cent in Karnataka. The television advertising here totally depends on Mumbai and Bangalore clients. We hope this will change with the entry of players such as Zee and TV9,” says Shyamsundar.

    “The market has the potential to touch even the Rs 2 billion mark in a short time. New players mean competition, but it is surely a good sign for the business,” adds Manvi.

  • Television producer David Kelley to be honoured at Vision Awards

    Television producer David Kelley to be honoured at Vision Awards

    MUMBAI: Many of Hollywood’s talents in film, television and music will descend in Beverly Hills on 24 June for the 33rd Annual Vision Awards.

    Television producer David Kelley (Ally McBeal, The Practice) will be honoured. Also being honoured is director Rob Marshall who made Memoirs Of A Geisha and actor cum director George Clooney who was Oscar nominated for directing and writing Good Night and Good Luck.

    This is a gala fundraising event, which has become an annual Hollywood tradition. It honours entertainment luminaries and companies who have exhibited exceptional gift of “sight, foresight and insight” in the creative arts, related technologies and medical research.

    The campaign Hollywood Cures Blindness, Hope Is In Sight will be launched under the guidance of the 2006 Vision Awards chairman Arthur Hiller.

  • Sun TV to bank on pay revenues and radio biz for growth

    Since Kalanithi Maran started his media business 13 years back, he has been fighting against one rival: himself. Now, after years of staying almost unchallenged in the southern region, he is setting himself up for battle in newer markets.

    He has an expanded war chest of Rs 6.03 billion which he raised through an initial public offering (IPO) of Sun TV Ltd (STL) to pledge his new bet on private FM broadcasting. Also in the pipeline is a direct-to-home (DTH) service through Sun Direct TV, a privately held company.

    Holding 90 per cent stake in STL, Maran is worth Rs 78.28 billion. And the market cap of STL has hit Rs 86.98 billion in a brief span of two weeks, enjoying a 44 per cent premium over its IPO price. In media business, only Subhash Chandra‘s Zee Telefilms has a higher market cap with Rs 110.9 billion.

    Indiantelevision.com takes a close look at the ambitious plans Maran has to grow his media empire and the challenges that lie ahead of him as he heads a listed company.

    Concern for topline growth

    At question is Maran‘s ability to counter slow growth from his traditional revenue lines – advertising sales and broadcast fees. To squeeze more out of matured channels who enjoy a very high level of audience share can turn out to be a challenging task.

    Ad revenues have stayed flat for two years, sitting at Rs 1.55 billion in FY04 and Rs 1.56 billion in FY05. Broadcast fee (time slots that Sun sells to content producers on its channels) has also seen small change, going up from Rs 458 million to Rs 495 million during this period.

    Maran has attacked this somewhat in FY06. Advertising income was up 24.7 per cent to Rs 889 million in the first half of the fiscal, as against Rs 713 million a year ago. This was the period when Sun‘s combined audience share for all its Tamil channels (Sun TV, Sun News, KTV and Sun Music) went up from 60 per cent in FY05 to 70 per cent in the first half of FY06. In Kerala, the company‘s aggregate audience from its Malayalam channels (Surya TV and Kiran TV) rose from 29 per cent to 34 per cent during this period.

    The growth could escalate for the year-period (Sun has not yet announced its FY06 results), fuelled by a rate increase for Sun TV channel by seven per cent in September 2005. This is the first rate hike the channel has come up with in the last three years.

    Analysts also expect Surya TV to put up a better show in FY06, estimating its revenues to touch Rs 450 million. The Malayalam channel, facing stiff competition from Asianet, was raking in close to Rs 300 million. Other channels like KTV have also the potential to stimulate marginal growth.

    But several content producers and marketing agents associated with Sun network feel the potential to exploit more ad revenues from existing channels is limited. “With such a dominating viewership, Sun has been commercially exploiting its slots to the optimum. There is very little scope to raise ad or auction slot rates. This is particularly true of Sun TV, the Tamil flagship channel. And in case of Surya TV, the main Malayalam channel, Maran has to take into consideration the presence of Asianet as a strong competitor,” they say on request of anonymity.

    For speeding the growth engine, Maran has a multi-pronged strategy. In the short run, he expects pay-TV revenues to climb significantly once he takes flagship channels Sun TV and Surya TV pay. And in the medium-term period, the radio operations should be able to generate substantial cash flows to drive the company‘s topline growth. Also adding to the kitty will be the three yet-to-be launched channels and rise in international revenues with new alliances in overseas markets.

    “A master tactician, Maran has protected himself adequately from any slowdown in growth. Topline growth can see faster growth if Sun gets into movie production as well. Pay revenues will also fatten Sun‘s profitability,” an analyst in a leading equity firm says.

    A drag on the company‘s profitability, Maran has hived off his cable distribution business ahead of the IPO. Kal Cable, which operates under the SCV brand, was separated from 1 April 2005. In FY2005, SCV‘s revenues stood at Rs 156 million while costs were at Rs 301 million. The FY06 results will, thus, exclude the financial performance of Kal Cable.

    A result of this: net profit has surged to Rs 614 million in the first half of FY06, up from Rs 322 million a year ago. Rich profits have always been the strength of STL. On a turnover of Rs 2.9 billion for FY05, net profit stood at Rs 778 million. In fact, net profit as a percentage of total income has averaged 27.6 per cent over the past five financial years.

    “STL, the dominant broadcaster in the South Indian languages of Tamil and Malayalam, enjoys a phenomenal net profit. With a slot auction model for the main channels, programming expenses are in any case low,” says an analyst at a brokering firm.

    So how do the revenues pile up? Several estimates by analysts are available, ranging from Rs 7.5 billion to Rs 8.4 billion by FY08. Conservative estimates put it at a little over Rs 6 billion. Net income is also estimated to jump to over Rs three billion in FY08.

    A lot of these projections, however, will depend on how much growth takes place from pay-TV revenues and on the success of Maran‘s FM radio expansion.

    Sun to ramp up pay revenues

    Keeping flagship channels Sun TV and Surya TV free-to-air, STL has clocked pay-TV revenues well below its potential. In FY05, it stood at Rs 398 million, up from Rs 325 million a year ago.

    Maran wants to change all this by turning Sun TV and Surya TV into pay channels. Currently, it has three pay channels – KTV, Sun News and Sun Music. But in Chennai which is a conditional access system (CAS) market where consumers can view pay channels through a set-top box (STB), all these pay channels are free-to-air.

    Sun is yet to ramp up its pay-TV revenues. Analysts estimate revenues from pay-TV to go up progressively from Rs 500 million in FY06 to Rs 1.1 billion in FY07 and Rs 1.7 billion in FY08. This calculation is based on Sun TV going pay in the middle of this year and Surya TV converting from the free-to-air mode later in the year.

    “There is going to be a definite and substantial upside for Sun TV Ltd‘s pay revenues. Sun can scale up its pay-TV revenues by converting flagship and new niche channels to pay mode. The number of cable households, paying subscribers and pay channel rates are also expected to go up,” an analyst says.

    Sun TV, which is expected to be priced at Rs 15-20, is expected to ramp up STL‘s current 2.8 million paying subscriber base. Taking Surya TV pay, however, will be a difficult task if Asianet decides to stay free-to-air.

    STL‘s pay revenues will also come from its content contracts with direct-to-home (DTH) operators. Revenue from DTH consumers is estimated at Rs 260 million, putting the company‘s subscription revenues in the neighbourhood of Rs two billion by FY08 at the optimum level.

     

    Radio to tune in growth

    FM radio will be Maran‘s first media vehicle to have a national footprint, taking him outside the southern language market. He will operate 46 stations across the country through Sun TV Ltd‘s two subsidiaries, Kal Radio and South Asia FM.

    The investment required: over Rs 3.3 billion. Kal and South Asia FM will, in fact, require an approximate of Rs 1.83 billion towards acquisition of broadcasting equipement (FM transmitters, FM antennas, payment of common infrastructure), setting up of local offices and radio studios.

    But Maran realises this is where his big leap in revenues for Sun TV Ltd will come from. Though profitable, the revenues from the four operating stations are small. In Tirunelveli, for instance, Sun earned revenues of Rs 28 million in FY05 and Rs 13 million in the first half of FY06. And in Coimbatore, the income stood at Rs 56 million and Rs 32 million during this period.

    Some analysts, however, expect radio operations to contribute to 20 per cent of Sun‘s total revenues by FY08, compared to around five per cent in FY05. Sun‘s radio revenues are expected to leapfrog from Rs 147 million in FY05 to Rs 1.97 billion in FY08. In the southern language markets, Sun has the advantage of dominating ownership of movie rights which it can leverage for its radio business. But it remains to be seen how successful he can be in new markets outside the southern region.

    The structure that Maran has outlined for FM radio looks somewhat like this: Kal Radio (where Sun TV owns 89 per cent) will operate in the southern language states, while South Asia FM (Sun has 94.91 per cent equity) will take up stations beyond the Southern markets.

    Maran has not bid in Delhi, Mumbai and Kolkata, leading to speculation in the market that he may have some understanding with Astro (Sun has a JV with Astro for launching language channels). These are the cities where Red FM, which was acquired by a consortium of NDTV, Value Labs and Astro from Living Media Group‘s Radio Today, operates. But no official confirmation is available on this and it may be a matter of pure coincidence.

    Maran‘s plan is to consolidate the radio assets. The existing licenses of the four operational radio stations are, thus, being transferred to Kal Radio. While Suryan FM has licenses and operates in Chennai, Coimbatore and Tirunelveli. Udaya TV Pvt Ltd. runs Vishaka FM in Visakhapatnam.

    Analysts say Sun‘s design to operate the FM radio business through subsidiaries is to separate radio from other segment revenues for licence fee computation (4 per cent of gross revenues). Besides, Sun will have the flexibility to rope in a joint venture partner.

    Sun‘s ownership of rights of a vast number of films in various South Indian languages will provide it with a unique advantage to grow its radio revenues and earnings strongly over the next few years.

    Flexing muscles for cable distribution in South India

    Maran may be the king of content but he realises the importance of having distribution in his winning mix. Which is why he wanted to acquire Indian Cable Net (formerly RPG Netcom), the largest multi-system operator (MSO) in Kolkata, ahead of launching Bengali channel Surjo.

    Maran was so confident of the deal sailing through that in an earlier interview with Indiantelevision.com he admitted he was “on the verge of closing it.” But, as events rolled out, Subhash Chandra beat him to it and Siticable snapped up Indian Cable Net. Surjo‘s launch was shelved and the media king of the south is yet to gat a foothold into the northern market.

    No major investments have been made into the cable business for over a year. Maran did try to expand GCV‘s presence in Hyderabad but without much success. He even explored talks with Siticable to work together in that market but nothing conclusive came up. Sources say Siticable, which doesn‘t have signals from Star and Sony, is finalising plans on how to revive its network independently as it has lost market share in the city to Hathway Cable & Datacom. Maran will, thus, have to come out with a different formula even as he nurses ambitions to spread GCV‘s tentacles across Andhra Pradesh.

    In Tamil Nadu, the story is entirely different. SCV dominates cable TV operations, so much so that chief minister Jayalalitha introduced legislation in the state assembly that would allow the state to acquire and take over bigger cable TV networks in Tamil Nadu, including MSOs and optical transport systems. Though controversial, a lot of how things shape up will depend on who wins the assembly elections.

    Control of the distribution chain has put Maran in a unique position in Chennai, a conditional access system (CAS) market. The low offtake of set-top boxes (STBs) has meant that CAS has more or less been killed in this market. Sun has indirectly benefited by the virtual blackout of all the English-language channels like Star World, Star Movies and HBO. Hindi channels, in any case, did not have much of viewing in this southern-language market.

    “All the other channels have lost their business models here. Sun with its strong language content channels have become more powerful in this market,” the head of a large broadcasting company says.

    In a corporate restructuring, Sun has terminated its cable TV distribution agreement with Kal Cable from 1 April 2005. The reason: cable was losing money. “Unlike MSOs operating in the Hindi belt, SCV will have very less carriage fee. For digital to get a push, Sun TV has to go pay in the Chennai market,” says an analyst.

    Gearing up for DTH

    It is a slice of the business many players are keen to lay their hands on. In India, it doesn‘t matter if you run cable TV or IPTV operations. DTH promises to bring about addressability and better quality of service in a distribution chain that has been dominated by an unorganised cable TV industry.

    Maran hopes to kickstart DTH operations this year even as Insat 4C launches in July. Having booked space on the satellite, he is negotiating with the Indian Space Research Organisation (Isro) for eight Ku-band transponders. Initially, he had asked for five transponders on the satellite which could later be ramped up to nine.

    Sun Direct will join the race after Tata Sky launches its service. Already in existence are Dish TV and Doordarshan‘s DD Direct Plus, which offers subscribers free-to-air (FTA) channels. Soon to follow will be Anil Ambani‘s Blue Magic service, which has also booked space for its own DTH plans.

    So how will Maran stand out in this crowded market? He may come out with a specific south language package, keeping the pricing low. Along with this basic bundle, he can add sports and the other language channels to consumers who want more. Tata Sky and Dish TV as national players will find it difficult to compete in a target-specific market. Even if they match the pricing, they may not be in a position to offer all the south channels due to lack of transponder space.

    For broadening the menu to South Indian audiences, Maran will have to create more niche channels. Also necessary is to have Sun TV and Surya TV as pay channels by then. For those subscribers he fails to tap in DTH, he will try to retain through his cable network. But whatever DTH plans he has, no information is coming out from the company.

    Finding favour in the stock market

    Some analysts feel STL is an expensive buy with the stock price quoting at around Rs 1260 per share. But there are several indicators one should consider before taking a final view.

    a) There is a scarcity premium on the stock. With Maran offloading just 10 per cent stake, there is a chase among buyers.

    b) Sun enjoys a clear leadership position and there is no credible competitor emerging to challenge this status. Asianet is a strong contender but only in the Malayalam market. Maran is adequately protected with his breadth of channels. He has also developed extensive programming assets and holds rights for 2,650 movies (60 per cent are Tamils and 40 per cent Malayalam). He is in an ideal position to exploit content across all platforms including DTH.

    c) There is a growth trajectory in radio and pay-TV business. The success in these two areas is crucial to STL‘s future earnings and valuations.

    d) Profitability is the most attractive element in Maran‘s business and this is likely to continue

    e) Launch of kids and documentary channels will further add to STL‘s topline growth. Maran is in talks with Hungama TV for partnership in the kids space. While he will take care of the distribution infrastructure, the programming and other support for the southern version of the channel with initial focus in Tamil language will be handled by Hungama TV.

    f) Maran can also create a slew of channels for DTH which will allow him to increase bandwidth.

    g) These fresh investments run the risk of facing failure in the marketplace. But investors are currently betting on Sun more for its strategic than growth value.

    h) Maran has the flexibility to do a private placement and get in a strategic investor. The Foreign Investment Promotion Board (FIPB), in fact, has formally cleared STL‘s application for issue of preferential allotment of shares to foreign investors. No allotment has been made so far.

    i) Sun can also expand internationally through a $25 million joint venture agreement with Malaysia‘s Astro All Asia Network. The JV plans to collaborate in content creation for filmed and other entertainment products in Indian languages including Tamil, Telugu, Kannada, Malayalam, Hindi and Bengali for distribution to international markets.

    j) The market expects Maran to merge Gemini and Udaya at some stage with STL. But these are speculations and could prove to be wrong. Incidentally, Maran consolidated his ownership position by buying out entire stakes of Sharad Kumar and Dayalu Ammal (wife of DMK president M Karunanidhi). In Gemini and Udaya, he still has minor partners.

    k) When actor-cum-politician Sarath Kumar quit DMK to join AIADMK, speculation was rife that wife Radhika would walk her production house Radaan Mediaworks out of Sun TV. Since Radaan is the leading producer for Sun network with popular shows like Chithi and currently Chelvi, this would have an impact on STL. Nothing has happened so far and Radaan has not started making shows for Jaya TV. If it does, then it can‘t make content for Sun as Maran has a policy that disllows production houses from making shows for rival broadcasters. Will that be a severe blow for Sun? Analysts feel broadcast platforms have far higher long term strengths than production houses, particularly when competing channels are so far behind.

    Sun’s IPO may set the trend in the South

    Sun‘s IPO may have a ripple effect in the southern region, inspiring several broadcasting companies to tap the market.

    A strong case in point could be Asianet, though it has not expressed its intent to get listed so far. But Hyderabad-based Maa TV, which has been struggling to raise funds, is considering taking this route. Even Raj TV is closely observing the market trend.

    “We realise we have to add up channels so that we grow to some size. For our expansion, we require funds. We have been trying to raise private equity but have failed. We may plan for an IPO,” says a senior company executive.

    South-based listed companies like Radaan, Telephoto Entertainment and Pentamedia have actually spoilt the market with their poor financial performance after the IPO. A healthy company like Sun can open up the capital market for other players to step in.

    The problem is that companies of the size of Maa TV may not attract investor confidence unless they work out better business models. And those like Raj TV may not want to change the way they run their closely held business.

    But a transition in culture may well be on the way. Media organisations will have to keep pace with the changing times if they have to grow and flourish.

  • Microsoft India launches Electronic Programming Guide

    BANGALORE/MUMBAI: Microsoft Corporation India Pvt Ltd has launched an Electronic Programming Guide (EPG) for users of Windows XP Media Centre PCs. Making its debut in India, EPG is an on screen interactive guide to television programs.

    This new concept will allow viewers to navigate, select, explore and record shows across more than 80 channels in the country, at their own convenience.

     

    The service can be integrated into the Windows XP Media Center PCs and will be available to users free of cost. It has the capacity to automatically download and update every time the user is connected to the internet.

    The Microsoft Windows XP Media Center PC functions as a PC, TV, Radio, DVD player & Media Player. EPG adds to this functionality, as it serves as an electronic search engine that informs the user of what is playing on which channel and when, for a period of 15 days. Moreover, this time limit can be upgraded on a day-to-day basis, states an official release.

    Windows Client Business Group director Rishi Srivastava said, “TV as an entertainment medium provides limitless choices to the consumer today. Presently, their TV consuming time is undirected and cluttered. We believe that the Electronic Programming Guide will help consumers take control of their entertainment experience by helping them watch their favourite program any time, any where.”

     

     

    EPG caters to the diverse needs of the viewer by allowing him to locate his favourite shows by simply punching in key words like the name of the program, movie, actors, time, day and date. Besides this, the guide also provides viewers with relevant information like a short description of the program including the start time, plot, duration, censorship classification and genre. In order to make the guide easier to scan, it is possible to hide channels that are not included in their TV service package or the ones that they do not watch regularly.

    Combined with the DVR (digital video recording) capabilities of Windows XP Media Center, viewers can search for and record not just a single episode but also an entire series. With the help of this easy to use device, users can even create their own collection of favourite movies, soaps and serials.

    Along with these facilities it also comes with conflict resolution feature. In case, two programs are to be recorded, which are scheduled simultaneously, the EPG will resolve the conflict by automatically searching for the repeat telecast of either of the two programs over the next few days thus, recording them separately with much ease.

    Srivastava adds, “We believe that Windows XP Media Center combined with the electronic programming guide will be a huge success in India. Consider this, for Rs 30,000 a consumer can now buy a PC that also provides an unmatched TV viewing experience.”

    For the benefit of the user, microsoft has also agreed to launch an awareness campaign comprising of advertisements and activities to promote this one of a kind concept, which they hope will spiral demand. The company will also partner with additional OEMs, content partners, and other companies in the digital entertainment industry to catalyse the growth of this segment.

    Currently Windows XP Media Center PCs from HP, HCL and Sahara are available at more than 300 reseller outlets across 30 cities in the country for a price range starting from Rs 30,000.