Tag: Television

  • RBNL rolls out multi-media campaign for advertisers

    MUMBAI: Reliance Broadcast Network (RBNL) has launched a Multiple Media Customer focused campaign across its bouquet of English and regional channel offerings.

    This campaign, targeted at key marketing decision makers, media planners and buyers, aims to demonstrate the advantages of leveraging the different channels in the RBNL bouquet. It showcases the individual channel‘s core USPs, relevant to marketers and their business objectives.

    While the Big CBS Network has announced ‘The Choice is Obvious‘ campaign, its regional offerings including Big Magic and Spark Punjabi are also executing similar campaigns to reach out to their relevant customers.

    The marketing campaign will leverage multi-media platforms including print, television, radio, OOH and digital, besides RBNL‘s own media platforms.

    The RBNL channels will showcase their content line-up of “insight driven” local programming and regional content that creates communication opportunities for marketers.

    The Big CBS Network‘s ‘The Choice is Obvious‘ campaign highlights entertainment options available across the network, like American Idol, The X Factor USA, India‘s Sexiest Bachelor Season 2, Bridelicious and International Music Favourites that pose as platforms for marketers to showcase their respective brands to the urban elite.

    Big Magic through its campaign highlights the channel‘s properties like BIG Memsaab and Khulja Sim Sim and upcoming talent hunt shows like BIG Fame Star. The campaign also focuses on the channel‘s local relevance demonstrated through its shows like Hum Hain Bajrangi and Police Files.

    Spark Punjabi too offers properties like BIG Punjaban, Spark Da Star, Spark Top 20 and BIG Fame Star which according to the channel provides marketers with a strong regional platform.

    The company spokesperson said, “The RBNL Television network has distinctly positioned channels targeting specific geographies and audiences. The line-up of content and properties on these channels offer advertisers excellent platforms to reach out to their audiences. Beyond mere communication, there are engagement and interactivity opportunities we open for brands, which is value that marketers cannot ignore.”

  • ‘Sun will breake ven from the first year of IPL operations’ : Sun TV Network CFO V.C. Unnikrishnan

    ‘Sun will breake ven from the first year of IPL operations’ : Sun TV Network CFO V.C. Unnikrishnan

    Kalanithi Maran-owned media conglomerate Sun TV Network has won the Hyderabad Indian Premier League (IPL) franchise putting in the highest bid that was 23 per cent more than the second bid for the same team.

     

    Sun bid Rs 850.5 million a year while the next bid was for Rs 690.3 million from PVP Ventures.

     

    Sun will get to own the franchise for a period of five years till 2017 paying Rs 4.25 billion as franchise fee to the Board of Control for Cricket in India (BCCI).

     

    Sun plans to invest in the region of Rs 1.3-1.4 billion in a year and bets on leveraging its popular television and FM radio stations to make a success of the newly acquired IPL property.

     

    In an interview with Indiantelevision.com‘s Ashwin Pinto, Sun TV Network chief financial officer V. C. Unnikrishnan talks about what led the company to bid for the IPL team and how it plans to profitably run this new line of business.

     

    Excerpts:

     

    Q. Sun TV Network‘s bid at Rs 850.5 million was 23 per cent higher than the other bidder PVP Ventures. In hindsight, do you think you bid a bit higher?
    We are comfortable with the price that we bid. Our strength is in the south market. Our ability to leverage the property on TV and radio is much higher. We are confident that we will be able to make money.

     

    Q. How much does Sun plan to invest annually in the IPL property?
    A. We know our franchisee fee amount but other expenses like the IPL players are not frozen yet. Our early estimate is that our spends would be in the region of Rs 1.3-1.4 billion a year. Even given that broad number, I don‘t think that making ends meet would be an issue for us at all.

     

    Q. Does that mean that you will breakeven right from the start?
    We expect to breakeven from the first year itself. The profits may be small but will grow as we go along. We have proven our track record when we have entered into other lines of business like movie production. The major difference between us and the other players is that we have stepped into different domains quite successfully. We have strength in other areas of entertainment. IPL is just another major area of entertainment that we have stepped into.

     

    Q. For an IPL team franchise, there isn‘t much scope to drastically up the turnover. Will Sun stand to gain in valuation rise of this property say within the next three years?
    Sun has a market cap of Rs 140 billion and ended on a consolidated revenue of Rs 18.47 billion for the fiscal ended 31 March 2012. We won‘t depend on the IPL to add sizeably to our top line growth. The big growth driver will be digitisation. For every broadcaster, digitisation will trigger big growth.

    ‘We won‘t depend on the IPL to add sizeably to our top line growth. The big growth driver for us will be digitisation‘

    Q. The IPL franchisee purchase will also lead to a confidence among the investment community that Sun is going to be aggressive in its media business despite all the recent controversies. Do you see the share prices getting corrected because of the new IPL team purchase?
    The stock price getting affected is something of a market sentiment and perception. We were always very focused about our business. The IPL is a new line of business and we will draw in a lot of synergies. We are in the entertainment and media business. And cricket is entertainment.

     

    Q. Why didn‘t Sun bid for the Deccan Chargers when it came up for auction under the aegis of the BCCI? Was Sun waiting for a clean IPL francise?
    The BCCI came out with a tender. And we decided to participate in a direct offer.

     

    Q. Will Sun‘s team consist of players from the Deccan Chargers?
    We will take some players from that team. There are also some players that were not sold during the earlier auction but who have potential. We will look at them as well.

     

    Q. How will this process of getting players work?
    The BCCI has to decide on the modalities for the process and we will follow it. After the next season, the players go back for an auction.

     

    Q. In terms of revenue many franchises still heavily depend on the central pool. How do you plan to grow the local revenue pool?
    We have a clear business plan. It is too early to reveal details. But the business lines have been drawn.

     

    Q. Only two parties including you bid. Was this a surprise?
    It was a surprise. In the market the names of Videocon, Jaypee Group and Adani were floating.

     

    Q. Is Sun TV looking at making a play in the sports broadcasting business?
    We have no interest in entering the sports broadcasting genre. Sports channels are not profitable. That is why while we are present in a variety of genres, sports is an area that we have stayed away from. We are not interested in getting the telecast rights for any sports property. In any business decision, the aim is to make money.

  • New Ford TVC built on change as a wonderful thing

    New Ford TVC built on change as a wonderful thing

    NEW DELHI: Ford India has launched a new campaign to unveil the new avatar of its car Ford Figo, embodying the philosophy of ‘Change is a Wonderful Thing‘.

    The campaign showcases the new Ford Figo as a compelling blend of style, performance and value-for-money with newly enhanced features.

    The 360 degree brand campaign runs across television, radio, print, Below-The-Line activation, online and mobile media nationally.

    The television commercial communicates the launch of the New Ford Figo while retaining its well-established proposition of “Bursting with Substance”. It begins by showcasing a recently married couple at the mall, shopping for groceries. The wife complains about managing everything in the house and the husband not changing after marriage. He is either focused on friends or office work leaving little time for them. While she complains, there is a call on the Bluetooth audio system of the Figo from a hotel confirming the husband‘s reservation for a candlelight dinner.

    The wife is pleasantly surprised at this gesture by her husband. The campaign thus exemplifies the ethos of ‘Change is a Wonderful Thing‘ not only in human relationships but also the relationship you have with one‘s car.

    While chronicling the couple‘s experiences with the new Ford Figo in everyday use, the commercial focuses on the new smart features such as its best in class space and an agile well-engineered steering. The clutter-free and easy to use Bluetooth technology in the new Ford Figo is showcased by the effortless manner in which the couple is able to attend calls while driving.

    Ford has also built a virtual test drive experience on mobile & tablets and used the technique of geo-fencing Ford dealerships in select cities which will push new Figo specific communication to users when they are within a 5 km radius.

    “The customer has evolved and Figo has evolved with them. We are going further to offer our customers the best in technology, styling and performance with the launch of the new Ford Figo. We are committed to delivering high quality products that our customers want and value,” said Anurag Mehrotra, Vice President, marketing, sales and service, Ford India.

    “Our target customer is a recently married 25-28 year old male. The new advertising campaign draws from the experiences that all recently married couples go through where the duality of the life-stage reflects a step change for them. Also, given that 60% of all Figo customers are first time car buyers, and they want the world to recognise this change in their life. And finally, the styling and performance changes in the Figo. Through the commercial we are establishing that Change is a Wonderful Thing – be it in your life-stage, your choice to buy your first car or even the changes made in the Figo”, he further added.

    “The philosophy and the inspiration for this campaign came from the very essence of Ford – a dynamic brand, constantly looking to ‘Go Further‘ to excite customers. Ford has been an integral part of our customers‘ lives and we wanted to capture one of the many memorable moments that define a positive change in their lives. By focusing on its smart technology, best in class features and improved looks, this campaign aims to make the customers experience a wave of change with the new Ford Figo,” added Vijay Simha, executive creative director, Global Team Ford.

    “Many of our customers are first time car buyers. They are entering the category; their aspirations and dreams of owning a car is coming true, that‘s a very significant moment. In their own lives they are experiencing ‘wonderful‘ change, from being single to married, becoming a parent, enjoying setting up their own home and so on. Our insights about change come from here and it is will connect with people as it is true about their lives. The new Figo comes in at this point and adds to their celebration of life,” said Antony Rajkumar, vice president & strategic planning director, Global Team Ford.

    TVC details:

    • Creative Agency: WPP – Global Team Ford
    • VP & Senior Creative Director: Vijay Simha
    • Creative Team: Sujatha Chakraborty, Nitika Parmar, Abhishek Singh
    • VP & Strategic Planning Director: Antony Rajkumar
    • VP & Client Services Director : Vijay Bhaskar
    • Account Management : Jose Scaria, Siddharth Shrivastava
    • TVC Director: Rajesh Saathi
    • Producer: Harish Nambiar
    • Music Director: R. Anand
    • TVC duration: 45 sec
    • Language: Hindi
    • Media Planning: Sushanto Biswas, Mindshare
  • ‘If you are up in the hierarchy, you will get pricing power’ : Star India president ad sales Kevin Vaz

    ‘If you are up in the hierarchy, you will get pricing power’ : Star India president ad sales Kevin Vaz

    Leading broadcasters will continue to post strong ad revenue growth while the long tail will be severely hurt as advertisers tend to consolidate their spends in a cautionary environment.

     

    Genre leaders will benefit as advertising monies get rejigged. It is the weaker performers that will not find support from advertisers; they will degrow.

     

    The television sector will see a 13-15 per cent growth in ad revenue this fiscal while print will be pushed back in a slowing economy.

     

    Star India, which has leader channels in most genres, has done more annual and network deals this year. Its top 10 clients, for instance, have done deals stretching from a minimum of 12 months to three years.

     

    The Hindi general entertainment channel (GEC) genre is on an upswing even as ad monies are moving away from cricket.

     

    The Hindi movie channel genre is set to grow at 15-20 per cent. The news genre will, however, continue to struggle this year.

     

    In an interview with Indiantelevision.com‘s Sibabrata Das, Star India president ad sales Kevin Vaz talks about the changing equations in the television advertising space.

     

    Excerpts:

    Is India‘s leading broadcasting network ready to announce that the advertising economy is slowing down?
    The ad market is not as buoyant as it was in January. The television sector will not see a 20-25 per cent growth in ad revenue this fiscal as was forecasted earlier. But it will still post a 13-15 per cent growth while print will be pushed back in a slowing economy. With print crawling at a 0-3 per cent growth rate, ad monies will move to television.

    Even then it is a slower growth for the TV broadcast segment. Is Star beginning to feel the heat?
    Leading broadcasters will continue to post healthy growth while the long tail will be severely hurt as advertisers tend to consolidate their spends in a cautionary environment.

     

    Genre leaders will benefit as advertising monies get rejigged. It is the weaker performers that will not find support from advertisers; they will degrow.

    Aren‘t Star‘s top advertisers noticing a slowdown?
    We have actually done more annual and network deals this year. Our top 10 clients, who account for 30 per cent of our revenues, have done deals stretching from a minimum of 12 months to 36 months. We will buck the trend and grow much faster than the industry. Having leader channels in most genres has helped us stitch long term deals.

    The fiscal first-quarter is indicating a slowdown for certain listed media companies. So isn‘t there a negative sentiment already prevailing in the market?
    The April-June quarter has been good for us. And the July-September quarter is even better. Of course, the channel performance has also improved. If you are up in the hierarchy, you will get pricing power.

    ‘The hard core press categories are shifting more to TV. The automobiles category is now spending 60 per cent of its ad budgets on
    TV, up from 30 per cent. The consumer durables segment is also
    following this trend‘

    But aren‘t we seeing a small dip in FMCG spending in the first quarter?
    The FMCG category is going to be aggressive this year. Some of them may have issues, but as a whole they will continue to spend more. P&G, Marico and ITC, for instance, will not shrink their promotional budgets. There are variants being launched and competition in the category is fierce. TV is the last thing they will cut down on as it is the most efficient medium for the category. And within TV, they will consolidate their spends.

     

    In a toughening economy, advertisers tend to flirt less; they commit their spends to the bigger players and keep aside a lesser amount for shopping with the rest.

    Are Hindi general entertainment channels going to benefit because cricket is not delivering due to India‘s poor performance?
    Cricket is hit in a big way. GECs are on an upswing even as ad monies are moving away from cricket. The Hindi GEC genre, pegged at Rs 37-40 billion, will grow at 12-15 per cent this year.

     

    It is important to note that cricket is losing out because of India‘s dismal performance; this has nothing to do with a slowdown. In fact, the Indian Premier League (IPL) will be tested next year; as ratings slip, there will be a churn.

     

    So what is working well for us? Cricket and print are on the losing side this fiscal.

    Are tentpole properties bringing in revenue spikes in GECs?
    Advertisers are supporting tentpole properties as they look at buying impact. Brands like Maruti and Cadbury, who are on cricket, are sponsors of Just Dance. Kaun Banega Crorepati has got Idea. If cricket was doing well, we could have come under some pressure. Even in regional language channels, we are seeing tentpole properties being created.

    What about the Hindi movie channel space?
    The ad revenue market for this genre is around Rs 8 billion. It is set to grow this year at 15-20 per cent.

     

    Star Gold will capitalise heavily as the channel is performing very well. We have cut the ad inventory time by 33 per cent with effect from 15 August to give it a Hindi GEC environment (Channel V saw a similar ad cut time from 1 January) and ramped up our investment on movie acquisitions.

    How will the launch of a Hindi movie channel by Viacom18 impact the market?
    We will see a huge erosion in viewership for some channels who have not invested in movies. But from a revenue perspective, we must remember that it is a very efficient genre.

    In the Bengali and Marathi regional markets, it is becoming a three-horse race with Star performing well. So how will this fragmentation impact?
    The successful launch of Star Jalsha has actually grown the market. The Bangla GEC advertising market has grown from Rs 3 billion two years ago to a size of Rs 6 billion. Even in Marathi, there will be a revenue expansion as we start monetising the growth of Star Pravah. In these stand-by-itself markets, advertisers had only limited GRPs to buy. Now that the supply has increased, we expect a 30-40 per cent expansion. National brands are going deeper and deeper and local brands are getting more aggressive.

    Now that Star is also handling ad sales of NDTV, how do you see the growth in the news genre?
    The news genre will continue to struggle this year. Banking, finance and automobile categories are seeing a huge hit; so news television will feel the impact. With the resurgence of GECs, the news genre has actually stagnated for the last few years.

     

    Regarding NDTV, we are selling it along with the network. So we are bringing in a wider range of advertisers.

    Do you see consortium selling growing as a concept?
    Yes, leading broadcasters will become the rallying point. It has happened in the case of distribution (Star and Zee merger) because they sensed value; we will see it in the advertising arena as well.

    Is the English entertainment segment under pressure?
    English general entertainment channels will benefit as the premium segment grows. High-end cars, for instance, will increase their exposure to TV. The English GEC genre will see a 30 per cent growth this fiscal.

    So is TV gaining at the cost of print?
    The hard core press categories are shifting more to TV. The
    automobiles category is now spending 60 per cent of its ad budgets on TV, up from 30 per cent. The consumer durables segment is also following this trend.

  • ‘The challenge is to differentiate in a cluttered market’ : HDFC Life executive VP marketing and direct channels Sanjay Tripathy

    ‘The challenge is to differentiate in a cluttered market’ : HDFC Life executive VP marketing and direct channels Sanjay Tripathy

    HDFC Life‘s advertising spend will stay flat this year as it seeks to turn profitable for the first time.

     

    The insurance company, which ranks No. 4 among the top 10 advertisers in the category in terms of ad volumes, is looking to spend more judiciously and utilise a 360 degree approach to reallocate money across new mediums like digital and OOH.

     

    While 70 per cent of HDFC Life‘s marketing spend goes towards above the line, 50 per cent of this goes towards television. On television, HDFC uses news and sports for advertising as it fits into the 25-45 male target audience.

     

    Print, radio and OOH play a supportive role. HDFC Life has also started using social media to engage the youth.

     

    In an interview with Indiantelevision.com’s Ashwin Pinto, HDFC Life executive VP marketing and direct channels Sanjay Tripathy talks about how insurance companies need to differentiate in a cluttered market and build a brand equity that includes the youth.

     

    Excerpts:

    Why did HDFC Life go in for a brand makeover last year?
    We did a brand equity study as we wanted to see where our brand is and how it is faring versus competition. We had last done a similar study way back in 2005. We wanted to see the changes; we wanted to know how through our cmmunication and marketing activities the brand had progressed in people’s minds.

     

    Consumers found the brand ethical and the service value was strong. Then we asked about the areas where they felt the brand could be improved upon. They wanted it to look like belonging to the same HDFC family; they felt that the brand could look more modern and dynamic.

     

    Indian consumers are getting younger. People work in areas like BPO and they look at life insurance at an early age. A person buys their first insurance product between 23-28 years of age. As a brand, we wanted to attract the youth towards our products; we needed to be in the youth segment. We spoke to our board and got a favourable response.

     

    Also, the word standard only conveyed the basic level of facilities; it was not giving the message of Standard Life being an international brand. We wanted to be seen as being a customer centric brand. Through the rebranding, we wanted customer centricity to come out more strongly for us. The new logo represents a youthful, energetic HDFC brand.

    How do consumers perceive HDFC Life as a brand compared to the competition?
    Our awareness has gone up by 30 per cent over last year. Our communication has been well accepted.

    When marketing to consumers, what challenges do insurance companies like you face?
    The market is cluttered. There are over 23 players. The challenge is to differentiate and ensure that consumers can see your service offerings and products.

     

    We need to be seen as having products that are more consumer friendly; the challenge is to see that the consumer understands your brand and products.

    How do you build and leverage brand equity in the insurance category which is getting more competitive?
    We started six years back to find out why consumers buy insurance. We found that they bought it as they do not want to depend on anybody else; they want insurance for self respect. They do not want to depend on their parents; similarly, the parents do not want to depend on their children. This is how the thought for our campaign came about which is – Sar Utha ke Jiyo. We positioned our brand under the ‘self respect’ motive.

     

    Over time, we took the thought of Sar Utha ke Jiyo across our platforms – be it for children, pension, youth or home loan cover. It gives you a long term solution for pressing needs and self respect. Insurance operates in a long term savings plan; investment in insurance has to be linked to a long term need. This is what we have focussed on and have built consumer segments.

    To what extent will your marketing budget go up for the year?
    We are maintaining a similar spend as last year. This is the first year we are trying to become profitable. We are looking to spend more judiciously and utilise a 360 degree approach to reallocate money. New mediums have come in like digital and OOH. The aim is to make a more judicious mix of mediums available.

    “Our ad spend will stay flat this year. We are looking to spend more
    judiciously and utilise a 360 degree approach to reallocate money. New
    mediums have come in like digital and OOH”

    To what extent was this category affected by the economic downturn in terms of sales and marketing spends?
    New companies are spending heavily. Some of the older players who want to go for a public listing and want to make marketing money work harder are keeping a check on their spending. Spending in this category went down by around 20 per cent during the downturn.

    Which marketing vehicle is the most effective for you – print, TV, radio, online?
    Seventy per cent of our marketing spend is for above the line activities; fifty per cent of this goes towards television as it is the most effective medium for us.

     

    As we are present in over 700 cities, television offers a more cost effective reach. It provides an emotional touch point. You can link the customer with your brand and emotional thought. You can explain your concept in a situation linked to his day to day life.

     

    Print, radio and OOH play a support role. We have started using social media more to engage the youth.

    Which genres do you use on television?
    News and sports for TG 25-45 males works. Apart from cricket, we also do on-air sponsorship of Euro, Fifa World Cup and Wimbledon. We also spend on regional news and regional entertainment; they are pretty big for us.

     

    The aim is to get the top-end audience in metros and mini metros. The cost of contact may be high but cost of impact and cost to the top-end segment is less compared to other vehicles. This is the most profitable customer segment for insurance.

    Do you advertise heavily only during the end of the financial year?
    We advertise across the year. Our IPL campaign is running at the start of the fiscal. When schools open, we can run a ‘Children Plan’ campaign. Advertising in the insurance category has moved from just being end of the year to being more spread out.

    What about the festive time?
    Advertising at that period does not work. People think about spending and not about saving. It could be a counter campaign to do it in Diwali; this has not worked in the past.

    Do you use brand ambassadors?
    No! HDFC Life is a product for the common people. The thought is powerful when you connect to people; they want to see communication where people like them are investing rather than seeing somebody who does not need life insurance but is still talking about it.

    What campaigns have been done recently?
    The last campaign was a rebranding one. You don’t need to spend Rs 3-5 billion for this if you realise the core thing that you need to convey. It is not that overnight you have to change every single collateral and signage. The consumer has to be convinced that your rebranding is actually being delivered on the ground; they look at rebranding more in terms of on-ground delivery rather than on just an image or a design change.

     

    We also did a children’s plan campaign. We used more persuasion which was different from what was done earlier. We explained that while the child is doing fine, seats are limited and competition is severe. Parents need to plan properly; it will help the child reach that goal and get into the institution they like. The aim is to make a parent see that while things are happening normally, they still need to do something.

    As a platform, how has the Rajasthan Royals deal worked out for you?
    We look at associations where there is a good brand fit. In case of Rajasthan Royals, while Shane Warne is the captain, ordinary Indian players who people might not have heard of are given a platform. Warne helps them think like winners. If you look at the premise of believing in yourself, this goes well with our tag line ‘Sar Uthake Jiyo’.

     

    As a team they support youth and some of them have started playing for India. Shane Watson’s career also got revived with this team. It helps youth to think that they can beat world beaters.

    In terms of activation with that IPL franchise, what innovations did you do this time around?
    We brought a social angle into our activities for the home games. We used to take employees and distributors to meet players. We also used players for ads. We gave fans the opportunity to get tickets to enjoy the match and spend time with the cricketers. We took fans for the toss. This was run on Facebook. We also gave tickets to underprivileged people.

    Last year the franchise got into trouble with the BCCI. Did that force you to temporarily change tack in terms of your campaign?
    Not really! The IPL was over by the time these issues came up. The team management kept us informed about the steps they were taking and why they believed that they were in the right. They said that there were no issues and kept us in the loop all the time. We have a one year deal with them.

    Rajasthan Royals has not fared well during the IPL. Are you concerned at any negative brand rub off for HDFC Life?
    No! For a while, they were in the top rung of the points table. You have to look at the core strength of the association rather than one off wins or losses. The youth looks at ‘Sar Uthake Jiyo’ in a different light. The team has more youngsters compared to the previous year. So we came up with the tag line ‘Sar Utha ke Jeene ka Naya Andaaz’.

    How many campaigns do you do in a year and are there new audiences that you have started to address?
    We will do four to five campaigns and are looking at new audience segments. We have done a lot of research on this.

    The rural areas have a lot of potential but the marketing vehicles that work in the major metros might not work there. So how do you connect with those consumers?
    More than just marketing, the basics of the business have to be in place. Insurance is a long term business – and you need to understand the rural area. We do pilots to understand the rural area much more; this has multiple models that have to be run simultaneously.

     

    You need partners like microfinance institutions so that you can reach out to them in a much more cost effective manner. The rural areas consist of the rural rich and poor. You need different products for them while their aspirations are similar.

     

    We are trying to do partner marketing at the moment. We do below the line activities with partners who have the trust factor in that area. The aim is to make the brand relevant and differentiated at a local level. We do things like street plays. We need somebody to carry the message and explain it. That is why below the line activities are important.

    Could you give me examples where experiential marketing has worked for you?
    We do ‘Spelling Bee’ in 35 cities. Children in classes six to nine participate. We have 300,000 children and over 1500 schools taking part. It allows children to understand things like vocabulary and sentence formation. Parents encourage children to do this. It is a good engagement activity. Parents are also engaged in terms of helping the child spell correctly.

     

    Somewhere your brand rub off is also very high. The parent thinks that HDFC Life has brought a competition which they want their children to participate in. Consumer engagement is key for our category. The consumer should keep engaging with you over a longer period of time. What we are seeing is that people buy five to six insurance products over a lifetime.

     

    People like a brand but the decision may be deferred. I need to stay engaged constantly. I may create an engagement now, but later you may buy competition. The engagement has to be done through different methods. That is why we look at a 360 degree approach.

    Could you talk about the growing importance of OOH for you?
    This has really increased. In metros and mini metros, consumers spend time out of home. TV viewing time has come down. There is innovative media available. Obviously, hoardings have been there for a long time. Airports and stations have OOH media. You have to figure out how you can catch your TG when they spend time away from their home.

    But isn’t lack of measurement a problem?
    This is why it is a support medium. If you utilise it for the right reason and use it to support the main communication, it works well. As a support medium, it gives good ROI. OOH always complements the TVC. I can measure ROI better that way.

    Do you address women?
    In India, most homes have a single income. The male is the breadwinner; women in the working segment are still small and their needs are similar to working men. Their media consumption is similar. The campaign for men works for them also.

     

    We addressed upwardly women through an endowment plan campaign. The only segment that is different from men is the unmarried working woman. Other categories for women are similar to men; so I do not need to do a separate campaign for them.

  • ‘Our aim is to become the currency tool for media research’ : Ormax Media co-founder & CEO Shailesh Kapoor

    ‘Our aim is to become the currency tool for media research’ : Ormax Media co-founder & CEO Shailesh Kapoor

    Ormax Media, the consumer knowledge and consulting firm for the media and entertainment industry, was launched jointly by Vispy Doctor, the managing director of Ormax Consultants, a specialist in qualitative research, and former Filmy business head Shailesh Kapoor in July 2008.

    The company has expanded across categories like television, radio, films, and media agencies. It has launched various tools, which can predict the future of a show or a film.

    The expansion plan includes doing research in the news and South Indian market. The aim is to establish Ormax Media as the currency tool for media research.

    In an interview with Indiatelevision.com‘s Gaurav Laghate, Kapoor sheds light on the research needs in the media and entertainment industry and Ormax Media‘s drive to plug the gaps.

    Excerpts:

    You have worked with companies like Sony, Zee, Zoom and Filmy in roles across marketing, content and business strategy. So what led to Ormax Media?
    The idea was always there, I wanted to start something of my own. And I wanted to set up something which combined the media and entertainment industry where I came from with the marketing and consumer understanding that was always my interest.

    The exciting part is that we are working on multiple categories – like GECs (general entertainment channels), niche channels, movies, radio and digital. So there is a wide variety that makes the learning experience far more dynamic than it would have been in a traditional media role.

    What the company has achieved in these two years?
    Since it has been a new company, the first year focus was on consolidation and the second year was really of growth and expansion into new categories, businesses and clients.

    We started with TV. It was for two reasons – a far more organised industry in the M&E sector and also because of size.

    In 2009 we started with GECs, then moved on to niche channels and radio. During this time, we also started creating specific products.

    How did you identify the need for the product offerings?
    As we met more and more people, we recognised that there were common needs across the category. For example, there was common need for tracking marketing campaigns for TV programmes. This resulted in a tool – Showbuzz.

    You said you are in expansion mode. What all categories are you looking at?
    Initially, we spent time on developing tools, products and methodology. Then our focus was clearly on categories where we had strength. Like Bollywood – so we launched Cinematix. We are planning to launch a structured product of test screening of Hindi movies soon.

    How has the film industry responded so far?
    We have already worked on 7-8 movies in the last six months. And I think for an industry which is still getting used to the idea of research, it‘s a pretty healthy number. Going forward, the film industry will continue to be the focus. First we were trying to get them on board and trying to make them understand the whole idea of research. And we were pleasantly surprised. Once they (film industry) were exposed to this; they were more than willing to receive research in a far more flexible manner.

     

    What are the challenges you have been facing for getting clients?
    The biggest challenge has been to meet more and more people and give them the flavour of what research can give them. And once they get the right flavour and do one project, they certainly understand the importance of it.

    Apart from films, what are the other areas you will be focusing on now?
    The areas which we are going to focus on now are specific categories – like South and news.

    What opportunities do you see in the southern regional market?
    South is a very big market for both TV and cinema industry. The fundamentals of TV and film research are not different. And we have teams in the four southern states.

    And what are your plans for the news industry?
    The news market is one that largely relies on Tam. But at the category level, there may not be any tools and products available. So we are looking at that option.

    News is also a big category in terms of revenue. It is a category where the advertiser buying is often based on decisions based not directly on the function of the ratings. Particularly English news channels where many different parameters come into play.

    All your tools basically try to asses and predict the future – cinematix or showbuzz?
    A lot of our work is going into putting tools and analytics in place. We are trying to create ways in which future prediction and future analysis can be made rather than just looking at the past and getting a sense of that.

    Research is not just looking at today and giving feedback at what people are liking or not liking. I think the more important area, where a lot of our energies are focused on, is to predict the future.

    So what all services you offer to clients?
    We have three kinds of products. Syndicated products are owned by us like Showbuzz, Cinematics, Characters India Love, RJ Files. We do them at our cost, irrespective of who is subscribing or not subscribing to it. This is data which is registered and trademarked to us. Whoever subscribes to it, gets it.

    These products are most cost effective for all as they are common to the industry. Multiple people are subscribing and paying for it . It cannot be affordable for someone wanting to do it alone.

    Second is commissioned research, which could be qualitative or quantitative research. These are need based research.

    We also do consulting work, which is specifically beyond consumer research and is more advisory in nature. But it is not our main area of work. We are primarily a consumer understanding firm.

    How much market share are you looking at acquiring in future?
    We hope to be controlling at least 75-80 per cent of the research market in a couple of years. That doesn‘t mean we are going to compete with already established systems such as Tam, Ram etc. We are going to complement the information available through them. So if Tam gives the viewership, we will add value by explaining the viewership understanding. We are more about adding value beyond the measurement systems.

    If some other similar company starts working on the same lines, what will be your plan of action?
    See, eventually, in a category like this, one becomes currency. We have seen that in case of Tam. The second player to come will have a disadvantage. It is difficult to say at this stage who will become currency, but my sense is that till the time other players will come, we will be established as the industry currency. We are moving in the right direction.
  • 2009: Television media can certainly say “Aal Izz Well”By Zeel chief revenue officer Joy Chakraborthy

    2009: Television media can certainly say “Aal Izz Well”By Zeel chief revenue officer Joy Chakraborthy

    In view of the global economic meltdown and its imminent impact on the advertising, 2009 was bound to be a challenging and tumultuous year. But, even as we entered into a rather gloomy 2009, there seemed to be a glimmer of hope that India would manage to insulate itself, at least in part, from the global downswing. And guess what?

    Our 1.1 billion-plus population, which until now has always been perceived as the hindering factor to growth, came to our rescue wherein the consumption of basic amenities of “ROTI, KAPADA & MAKAAN” ensured that organic growth across sectors is not stifled. Top this up with our undying quest for “KUSHI” (or constant up-gradation of our standard of living) which during the 2nd half of the year spurred the growth rates back onto the high single-digit figures.

    In the first half of the year, the fear of an impending downturn led to cost-rationalisation initiatives . . . especially in the sphere of marketing budgets. This resulted in marketers intensely re-evaluating their ad-spends. With focus on sustaining consumption of their products (which was coming from every nook & corner of India), marketers re-visited their basics of reach and frequency.

    Also, marketers adopted a stingy spending strategy. With splurging on high-value flashy media initiatives becoming a luxury that no one could indulge in, it was imperative to gain market shares in a declining market. The FMCG sector increased their ad investment by nearly 30 per cent, but on cost-effective options that yielded them better returns on media investments. This helped them grow their sales by six per cent.

    So, one of the most important positives to have emerged from 2009 is that marketers have realized the true potential of television in terms of reach and cost-efficiencies. With FMCG leading the way and viewing TV more optimistically than print, other sectors such as auto and telecom followed suit.

    So, let’s see how Television has evolved during last year:

    The emergence of Colors not only transformed the Hindi GEC space into a “3-player” genre but, more importantly, provided viewers with varied & diverse content and advertisers with multiple options to reach out to their consumers. This facilitated the genre to grow both in terms of viewership and ad revenue.

    Given the multiplicity of options and lower switching costs coupled with the marketers’ imperative of cost rationalization and reach maximization, “purple” GRPs became their key buying parameter. Broadcasters who quickly took advantage and managed to get their content propositions right reaped the highest benefits.

    Towards this end, while most networks busied themselves in attracting higher GRPs (to become No. 1) by initiating extravagant programmes with high-value celebrities and airing movies, Zee, on the other hand, focused on developing relevant and strong properties which helped us become leaders in “prime time”.

    So, the key to TV sales evolved around developing relevant, cost effective but plain vanilla sales propositions with high service quotient. As such, with our sales approach to optimally monetize these “purple” GRPs, we garnered highest revenue.

    Moreover, with marketers demanding “localization”, regional channels gained acceptance and emerged as key drivers of growth. Our host of regional channels capitalized on this through complementary media propositions to our advertisers.

    A key TV sales imperative emerging from the cost-conscious marketer was the need to leverage “network strength” across genres / markets as compared to offering a proposition based on merely one or two channels. The wider the range of the network’s bouquet, the better the ability to provide a comprehensive package to the marketer and thereby garner maximum share of client spends.

    Despite all the above sales approaches, the two factors which, to my mind, truly provided the only competitive advantage in this hyper-competitive environment are “people” and “relationships”. Broadcasters who stayed away from rampant “right-sizing” initiatives have benefited not only because of highly energized sales but also, more importantly, as it gave them more “feet on the street” whose relationships with clients and agencies could now be leveraged.

    In summation, Indian media (in general) and the television media (specifically) can certainly say “Aal Izz Well” and look forward for another enthralling year of high competitiveness.

  • ’80 to 180 in 2009. And miles to go…’ -Sony Entertainment Television business head Ajit Thakur

    ’80 to 180 in 2009. And miles to go…’ -Sony Entertainment Television business head Ajit Thakur

    MUMBAI: I still distinctly remember the year 2007 when over a coffee table conversation in London, my friend started talking about Indian Idol 3 and CID and that if we are not watching it, we are missing out on good television. I immediately made it a point to watch Idol and was hooked from the word go.

    I remember writing to the producer of the series then on what a great show it was, thanking everyone involved in making the show (I didn’t know anyone at Sony then, for that matter hardly knew anyone in the industry). And an immediate strong bond with Sony Entertainment Television was formed – there is something about the brand that over the years has maintained strong affinity with viewers despite the usual ups and downs… a sentiment many peers echo in the industry.

    And when I was asked to write the yearender on Sony Entertainment Television, I felt both excited and nervous. Nervous because I have been around for just six months at Sony (and broadcasting) and the other contributors are industry stalwarts. Excited because it’s been such an eventful year for us and there is so much to share. So here it goes…

    We started the year at about 80 GRPs and had slipped to No. 5 amongst the GECs (general entertainment channels). We ended the year at about 180 GRPs and much closer to the top GECs than we had been in the last 12 months. We beat everyone’s expectations including some of our own. And this, when we have unleashed only a part of our strategic plans. So that holds a lot more promises for the year ahead (will come to that in a bit). Through the year we launched a number of shows and every time the audience gave us a fair chance. With some we succeeded, with others we faltered but the overriding Sony Entertainment Television brand equity ensured that we kept gaining from strength to strength.

    Through the year we continued to raise the bar on content innovation bringing in fresh, sometimes bold and brave ideas into the rather undifferentiated menu that’s dished out daily. Iss Jungle Se Mujhe Bachao and Dance Premier League were clutter breaking reality shows mounted on a scale never seen before and both created tremendous buzz.

    Entertainment Ke Liye Kuch Bhi karega started a new genre of talent shows and popular demand drove us to a second edition within months of the first edition. Ladies Special was one of the most appreciated daily soaps getting rave reviews from almost everyone we know. Baytaab Dil Ki Tamanna hai and Jeet Jayenge Hum dealt with bold social themes.

    And we started 2010 with the most differentiated slate of shows from YRF. Whether it’s the coming of age Sci fi thriller Seven or the modern look at matrimonial agencies in Rishta.com or the ultimate cops vs. crime thriller, Powder, or the refreshingly “that could be my story” world of Mahi or the super stars show with a purpose , Lift kara De – each one has set new benchmarks in Hindi entertainment content. Not all of these shows lived upto our ratings expectations but every single one stood out amongst the mass menu pushing the envelope every time.

    This was also the year when we revisited our history and brought back shows that have enjoyed tremendous popularity over the years. Aahat season 4 was a runaway success creating a new original programming slot at 11 pm. Comedy Circus 3 ka Tadka definitely had viewers asking for more. Dus Ka Dum continued to be popular in its second season. And yes, the much talked about CID was a key pillar of our plan.

    We put together a plan to further strengthen the footprints of the brand which included bringing back the best cases from CID archives as CID Classic Cases as well as announced the CID Gallantry Awards amongst other ideas that we continue to work on. We got an overwhelming response from audience and CID is today amongst the most popular shows on Hindi GEC. After all, how many shows have enjoyed an uninterrupted run for 12 years!

    Last but not the least has been our focus on people and sharper audience understanding. In this continuously evolving market and changing audience preferences, we have spent a lot more time understanding whats happening out there. And we are building a team of only the best professionals. In total, 2009 was a year of accelerated growth based on a robust mix of innovative content, focus back on existing properties, fixing basics and building foundations for the future.

    The next three years starting 2010 will be about sustainable and profitable growth. We will look to consolidate our position on the back of a formidable content pipeline that we are already building and with a sharper understanding of the ever evolving audience.

    There are plenty of opportunities for Sony as we embark upon this journey. The big one is the tremendous opportunity we have on weekdays and with the daily soap launches lined up in the next six months, we are more confident than ever before.

    Equally important is the fast growing DTH homes. Early data already indicates that Sony enjoys a proportionately larger following within DTH homes which will be a competitive advantage for us. We also have a growth opportunity by extending our hours of original programming vis a vis the competitive set.

    In an extremely competitive scenario, the challenges are no fewer. There are the usual threats from existing competition who are all very formidable as well as newer threats from the emerging entertainment channels like Sab and Bindass. And the biggest challenge will continue to be to never underestimate what the audience demands and deserves.

    So is there a GRP or position we have in mind? We do. However, at this stage its suffice to say that we have a plan and a team that is committed to deliver this growth taking Sony Entertainment Television to a leadership position again.
     

  • CNN-APSA inviting viewers to showcase their creative talent

    CNN-APSA inviting viewers to showcase their creative talent

    MUMBAI: As part of CNN’s association with the Asia Pacific Screen Awards, the news broadcaster is seeking submissions from viewers for their photos or videos that best represent Asia Pacific cultural diversity.

    CNN will bring these awards and the ‘outstanding’ works of the region’s filmmakers to its global audience through a series of television programmes titled ‘Scene by Scene’ to be broadcast in October and November. The works will also be showcased through an edition of the network’s monthly film show, The Screening Room.

    The selected images will be featured in CNN’s ad campaign on print, online and television.

    The Asia Pacific Screen Awards (APSA) acclaim, at a global level, the cinematic excellence and cultural diversity of the Asia-Pacific region. The initiative honours the works of filmmakers across a region representing four billion people, 60 per cent of the global population and 70 countries.

  • ‘If you don’t innovate, somebody else will take it from you’ : Sir John Hegarty – BBH chairman & worldwide creative director

    ‘If you don’t innovate, somebody else will take it from you’ : Sir John Hegarty – BBH chairman & worldwide creative director

    Sir John Hegarty stands tall in whatever he does. Starting Bartle Bogle Hegarty (BBH), of which he is chairman & worldwide creative director, four years into the run the agency was voted Campaign magazine’s Agency of the Year in 1986. Awards galore have seen been following the man who launched the famous Levis “Live Unbuttoned” campaign. In 2007, Hegarty received a knighthood in the Queen’s birthday honours for services to advertising.

     

    At Goafest 2009, Hegarty explained why recession is the best time to be in advertising as it induces innovation and makes change acceptable.

     

    In an interview with Indiantelevision.com’s Tarachand Wanvari, Hegarty talks about the current status of the advertising industry, the need to address the digital medium and the fantastic future of television as people can now watch it from anywhere.

     

    Excerpts:

    How different are the agencies and clients in India as opposed to those in the Western world?
    People always talk about what’s different, but there are more similarities. You really have to understand the complexities of India, the diversity of its culture. You also have to remember that advertising is about converting people, it’s about unifying people. Great ideas unify people, and that’s what you are looking to do. Music’s done it, painting’s done it, films have done it, why can’t advertising do it?

    Everyone’s speaking about the new media. But is the industry, the client ready for it?
    Yes, everyone’s speaking of the industry not being ready and responding to it. I mean, this is probably the most competitive business you can be in. I can start an agency tomorrow – we just started one. It’s not a difficult thing to start an agency. I think agencies are moving as fast their clients allow them. I think that it’s more often that I found that clients often talk a good digital story, but when it comes to actually doing it, they are rather hesitant. Certainly BBH is responding and so is the industry. We are looking at how we put these things together and how we create a roadmap for our client. I think we are doing as much as we can, but we can only be so far in front.

    Are the agencies ready for the new media – technologically and with manpower skills?
    I still think that it’s a developing market and you are looking at how far ahead are consumers. You can look at Japan, I mean they are tech-mad. They live their lives on the mobile. They are texting each other, which is not the case here in India. You have got to look at the market place and see what is it doing and how is it doing it and then respond to that. I think agencies are by and large doing that in India.

    Audio visual is one of the best forms of communication. What do you think is going to happen next – television episodes, internet access, voice communications on the mobile or a hand held device? Are we ready with the content?
    The first thing that we fundamentally believe is that the world’s going to go mobile. There’s no question. You are going to take your devices with you. You will still want to sit down in front of the television at home, you know three hours of cricket, it’s fantastic, I just love doing it. But you are also going to be taking it with you. Television has got a fantastic future if it realizes that people can now watch television anywhere. Imagine if you had a newspaper etched on stones, you couldn’t carry it with you to read. Television is going to have an ever expanding influence in my view, because people love watching it.

    But are we ready with the content?
    It’s very hard to be ready with the content when the audience is not there yet, when they haven’t got the devices. It’s going to take another five to ten years when we have fantastic devices with great screens that give us actual clarity of picture. I have watched bits of television on an i-Phone. It’s brilliant, and I think it will happen more and more, but it won’t stop me watching TV at home.

    If you just narrowcast, then you are not going to be talking to the expanding market. And in a funny way, people talk about narrowcast. The world actually is going broadcast

    People are talking of mobisodes for TV consumption on mobile devices, because one can’t capture facial expressions and fine details on the small screen. Do you think that there is an opportunity to create more mobile-centric television content with which agencies could weave in their ad strategies?
    I think I’d rubbish that. People’s eyes adjust. I have watched a bit of Star Wars on the i-Phone. Of course it’s not the same as watching it on a flat screen television, but, then, that too is not the same as watching it on cinema screen. We are incredibly adaptable and will adjust. You put the device closer to your eyes, so the ratio changes. It’s got to do with entertaining the mind, how you embellish it with sound and visual. We’ll see what people want to watch on the very very small screen and what they want to watch on the big screen.

    Where do you think the industry is headed here in India? I mean during one of panel discussions we had people saying that there is no recession in the industry, despite the fall in ad agencies revenue. Do you think that the industry needs a bigger shock to awaken and realise that they are going down economically?
    I can’t answer that. I think that people are being na?ve if they are saying that there is no recession. There is a recession, a downturn, that is a reality. If they don’t respond to it, they are going to go out of business. As I said before, this is an extremely competitive industry. You don’t need any special training to start an agency, you don’t need any licence. You don’t need a Phd, you just need courage. If you don’t innovate, if you don’t change, if you don’t move forward, somebody else will take it from you. But I think recessions are very good at getting to accept change and that’s what we should be focusing on. I think the advertising industry has a fantastic future.

    Digital has one of the best ways to measure the success of any campaign. For television advertisements, even today people depend on Tam’s peoplemeters which can never give a true reach picture. Yet, marketers are allocating a major chunk of their budgets for conventional media, rather than digital media.
    I consider digital as more than just a medium, it is a whole lifestyle change the way people communicate. I think you have got to be very careful about how you use it. I will quote a little – a very very important quote – ‘A brand isn’t just made by the people who buy it. A brand is also made by the people who know about it.’ That’s a very very important point! That is fundamental to the future. Broadcast – you define broadcast in some sense or another – you won’t convert, you won’t build a fantastic brand. If you just narrowcast, then you are not going to be talking to the expanding market. And in a funny way, people talk about narrowcast. The world actually is going broadcast.