Tag: Television

  • 92.7 BIG FM and Star Plus join hands for Big Star Entertainment Awards

    92.7 BIG FM and Star Plus join hands for Big Star Entertainment Awards

    MUMBAI: Since last three years, on the New Year’s Eve, Star plus has been honoring the biggest entertainers from television, films, music, theatre and sports. It has not just been popular but also gives a chance to start the year with a good omen. And thus, encouraged by the success of the previous three seasons, 92.7 BIG FM in association with Star Plus is presenting the fourth edition of BIG Star Entertainment Awards.

    This awards ceremony is completely ‘for the people and by the people’ and gives the audiences an opportunity to nominate and vote for their favourite entertainers across fields. This year, the awards promises to be an intensely exciting affair, giving the audience not only a larger than life experience in terms of entertainment and glam quotient but will also herald the most unforgettable New Year extravaganza on Star Plus on 31 December.

    92.7 BIG FM and Star Plus will keep audiences informed of the nominations and conduct a mass voting drive where thousands of people are expected to participate and vote for their favorite entertainers. The dazzling awards ceremony to be held on the 18 December promises to be a star studded affair which will feature the finest of Bollywood and TV entertainers delivering their best performances.

    Speaking about the awards, 92.7 BIG FM business head Ashwin Padmanabhan exults: “We are proud to launch the fourth edition of BIG STAR Entertainment Awards this year. The platform offers people a chance to choose their favorite ‘superstar’ from different fields of entertainment. We thank our partners Star Plus for coming together with us on this property yet again.”

    The BIG Star Entertainment Awards 2013 will be promoted across multimedia platforms which include radio, television, outdoor and digital.

  • Big RTL Thrill presents Driven to extremes

    Big RTL Thrill presents Driven to extremes

    MUMBAI: To set adrenaline rushing of its target audience, Big RTL Thrill, a male entertainment destination on television, this December will be premiering Driven to Extremes.

     

    The three-part programme, available in dual feeds of Hindi and English, will be aired on the 1, 8 and 15 of December and will see Hollywood celebrities like Tom Hardy, Henry Cavill and Adrien Brody along with a motor sport professional, pitting two specially-built vehicles against three of the most difficult roads on earth.

     

    The company said in a statement, “We are extremely pleased to bring Driven to Extremes to the Indian audiences. This show has been critically acclaimed the world over and also has a great fan following, owing the participating celebrities. With the adventurous premise, high drama and excitement quotient, Driven to Extremes comprises of all the aspects that male viewers look for in a great TV show and we are confident that it will resonate well with our audiences and advertisers alike.”

  • Zee TV felicitates good shows of rival channels

    Zee TV felicitates good shows of rival channels

    MUMBAI: Over the last 21 years, Zee TV has entertained its viewers around the world with a variety of shows. The channel that is known to have been a trendsetter has done something remarkable once again. Acknowledging the presence of good shows on other General Entertainment Channels (GECs), at the recently held annual Zee Rishtey Awards 2013, Zee TV gave away the ‘Zee Anmol Ratna Awards’ to three shows on rival channels.

    The three shows that were honored at the awards ceremony by Zeel managing director and CEO Punit Goenka, included Star Plus’ Yeh Rishta Kya Kehlata Hai, Colors’ Balika Vadhu and Sab’s Taraak Mehta Ka Ooltah Chashmah. The channel awarded the shows for their impact of being original, creative and finely crafted works of fiction that continue to entertain audiences on television.

    Punit Goenka felicitating Taarak Mehta Ka Ooltah Chashma

    The awards were given to the people behind these three shows – Rajan Shahi (Director’s Kut Productions) for producing Yeh Rishta Kya Kehlata Hai, Purnendu Shekhar, the writer of Balika Vadhu along with Asit Modi (Neela Telefilms), and Disha Vakharia, the producer and lead actress of Taraak Mehta Ka Ooltah Chashmah.

    Zee’s brand philosophy, Vasudhaiva Kutumbakam, is all encompassing as it embraces everyone in the world as a part of its family. This has been taken one step ahead by the ‘Zee Anmol Ratna Awards’.

    Talking about it, Goenka said: “At Zee Rishtey Awards, we come to celebrate our relationship with our viewers but we also know that our viewers have a long standing relationship with shows from other channels…it’s time to acknowledge them.”

    Excited at receiving the award, Shahi opined: “It is a very big honour to be receiving an award from Zee TV as in my career of 20 years, my best work has been on Zee and after a gap of four years, I am coming back with a new show on the channel.” 

    Punit Goenka felicitating Purnendu Shekar, writer of Balika Vadhu

    Shekhar said: “This award is extremely special.. Balika Vadhu has received various awards but this is the first time that I am taking away an award for the show from a competition channel. This is the first time ever that any channel has done it, and it is none other than Zee and hence proves that they were pioneers, are pioneers and will always be pioneers in the industry. My association with Zee goes back to the days of a very popular show called Amaanat. I have also written the script for another show on Zee called Saat Phere, which was equally big and won equal number of accolades as Balika Vadhu. At Zee, it always feels like I’m returning home.”

    Modi added, “It is a big honour to be awarded by a competitor channel and it just proves that our bond with Zee TV is eternal. I would like to thank Zee and the entire team.”

    Zee Rishtey Awards, 2013 will be telecast on 1 December at 8:00 pm on Zee TV.

  • Sachins farewell frenzy works in favour of Star Sports

    Sachins farewell frenzy works in favour of Star Sports

    MUMBAI: He isn’t called the God of cricket for no reason. Master blaster Sachin Tendulkar certainly has some supremacy that creates magic. His farewell test match has emerged as the highest rated test match on television in India in the last eight years. According to the TAM ratings provided by the channel, the match garnered 1739 average TVTs (TG: C&S 15+, M, SEC ABC) that remains unmatched since 2005.

     

    The two test matches in the India-West Indies series were telecast on Star Sports 1, Star Sports 2 and Star Sports HD1 in English, while Star Sports 3 showcased the match in Hindi. Star Sports network channels together had the maximum channel share across all genres during the six days when the test series was on in terms of overall TVTs generated during the day.

     

    Even online, the Sachin frenzy worked well for the Network. The series was also streamed live on www.starsports.com that attracted 3.5 million unique visitors during the two matches of the India West Indies test series. A Sachin Memory Project that captured Sachin’s 24 years with videos and stories was also launched on the website and has received rave reviews with many regarding it as the best salutation to the cricketer.

     

    The series along with the 360-degree marketing campaign launched around it has made the Star Sports brand really big. Its campaigning involved interesting programming, innovative production, disruptive marketing to add buzz around the maestro’s farewell series. The network also launched three high quality programs to engage deeper with the cricket fans.

     

    Besides, a distinctive “Cheer for Sachin” campaign featuring stars from Bollywood, cricket and television stars calling Sachin fans to cheer ‘Sachin Sachin’ was also popular. Many other on-ground activities were also initiated to make the test series memorable for fans who came together to watch the maestro in action.

     

    Star India head of sports business Nitin Kukreja said, “We are delighted with the ratings. We are humbled that maestro’s farewell series was played on our network and wanted to give him a befitting farewell. I am happy to note that cricket fans have appreciated our efforts. Our strategic investment in the Hindi language feed over the past year or so is now paying us huge dividends. We will continue in our endeavor to promote sports culture in the country.”

  • Final Ind vs Aus ODI garners unprecedented viewership

    Final Ind vs Aus ODI garners unprecedented viewership

    MUMBAI: Beginning today everyone will be glued to their television screens to witness one of the biggest cricketing moment in history. This will be the last time that cricket fans will get to see the master blaster – Sachin Tendulkar – don the Indian colours.

     

    But, that’s not all – cricket as a sport has always been followed as a religion in this culturally diverse nation. The latest viewership numbers that the seventh and final ODI played between India and Australia witnessed proves it.

     

    The last ODI between India and Australia emerged as the highest rated single day TV event in India for the year 2013. According to data provided by Star Sports, the match garnered 55,561 TVTs (CS 15+, M, SEC ABC, All India ) which remains unmatched on Indian television across all genres this year. It also recorded highest time spent per viewer (TSV) across ODIs in 2013 with 101 minutes on both Hindi and English commentary feed on Star Sports channels.

     

    The recently concluded Star Sports India vs Australia ODI series 2013 was watched by almost 43 per cent of the C&S homes.

     

    Speaking on the occasion, Star India head of sports business Nitin Kukreja said, “We are delighted with the viewer traction for the series. There is an upswing of almost 18 per cent in average time spent per viewer per match for the India-Australia ODI series as compared to all India ODIs played in the year 2013.  We are pleased to note the stickiness that Hindi commentary has been able to generate in the HSM markets. This is a clear cut vindication of our strategy of promoting choice of language for the consumer.”

     

    Sports broadcaster Star Sports had launched a high-decibel campaign, with the core theme ‘Fight for No 1’; to promote the India Australia series featuring seven ODIs and a T20 match. The high profile series commenced on 10 October and ended on 2 November, just two days before Diwali.
    ODI 4 and 5 of the series were impacted by rain. India won the hard fought contest 3-2 thereby retaining the number one ranking in the ICC ODI Rankings.

  • BAG Films bags Urmila Gupta as additional director

    BAG Films bags Urmila Gupta as additional director

    MUMBAI: The Anurradha Prasad owned BAG Films has been strengthening its senior management. A couple of months ago, it announced the appointment of television veteran Ravina Raj Kohli as an advisor. Today, it informed the Bombay stock exchange (BSE) that it had roped in a new additional director in former DD and Star TV professional Urmila Gupta.

     

    Currently, Gupta is a trustee director at Cinema Capital, an investment advisory company. She is also a producer/promoter at Taal India Communication. Confirming her appointment, BAG Network MD and chairperson Anurradha Prasad says, “We welcome her to the company. She is an old TV hand with a 360 degree experience. She will add a lot of value to BAG.”

     

    Gupta has over 35 years of experience in the media and entertainment sector. She was the head of the India International Film Festival for many years. Later, she joined Doordarshan as deputy director general of its news and current affairs division.

     

    In 1996, Gupta joined Rupert Murdoch’s News Corp as executive director of Star TV group. She headed its DTH operation in India called I Sky B which got dissolved, leading to her leaving the company in 1999. Apart from this, she has also worked with the Indian government for nearly 28 years.

  • Reliance Media Works reports lower consolidated loss y-o-y for Sept 2013 quarter

    Reliance Media Works reports lower consolidated loss y-o-y for Sept 2013 quarter

    BENGALURU: Reliance Media Works (RMW), formerly Adlabs Films and a part of the Reliance ADA group, reported lower consolidated net loss in the July-September 2013 (SQ-2013) quarter as compared to the corresponding quarter of last year. RMW’s total consolidated loss before tax for the quarter SQ-2013 at Rs 121.99 crore was almost half (52.74 per cent) of the Rs 231.31 crore the company had reported for the corresponding quarter of last year (Quarter ended 30 September 2012 or SQ-2012), and almost flat as compared to the loss of Rs 120.09 crore for the quarter ended 30 June 2013 (JQ-2013).

     

    Notes:  (1) The board of directors of the company in its meeting on 11 August 2013 has extended the financial year of the company to March 2014 which has been accepted by the Registrar of Companies. Accordingly the financial statements of the company will be drawn for 18 month period ended 31 March 2014. Hence the various quarter have been referred to as SQ (September Quarter) and (JQ) June Quarter of the respective calendar year (not financial year, since this has been changed once again by the company).

     

    (2) Notes of the attached financial statement must be read along with this analysis.

     

    (3) RMW’s net worth has eroded, however, having regard to revenue visibility of new businesses in film and media services, improved operational performance of exhibition business, financial support from its promoters, further restructuring exercise being implemented etc., the financial statements have been prepared on the basis that the company is a going concern and that no adjustments are required to the carrying value of assets and liabilities.

     

    Let us look at RMW’s other results for the quarter ended SQ- 2013.

     

    Consolidated income for SQ-2013 at Rs 192.54 crore was 11.11 per cent lower than the Rs 216.61 crore for the corresponding quarter last year SQ-2012 and 0.8 per cent lower than the Rs 194.17 crore for JQ-2013.

     

    RMW reported total income from operations for SQ-2013 at Rs 186.63 crore which was about 13 per cent lower than the Rs 214.46 crore for SQ-2012 and 3.6 per cent higher than the Rs 180.16 crore for JQ-2013.

     

    Total expense for SQ-2013 at Rs 238.40 crore was 21.54 per cent lower than the Rs 303.83 crore for SQ-2012 and almost flat as compared to the Rs 238.97 crore for JQ-2013.

     

    RMW paid 20.46 per cent lower distributors share for SQ-2013 at Rs 39.66 crore as compared to the Rs 49.86 crore for SQ-2012, but 8.2 per cent higher than the Rs 36.66 crore for JQ-2013.

     

    Depreciation, amortisation and impairment for SQ-2013 at Rs 37.27 crore was 7.2 per cent higher than the Rs 34.78 crore for SQ-2012 and 4.1 per cent higher than the Rs 35.79 crore for JQ-2013.

     

    RMW says that it has undertaken an initiative for rationalisation/improvement of exhibition business, under which it is re-negotiating rentals downwards and in some cases exit the properties. Its rental expense at Rs 43.07 crore for SQ-2013 was 11.6 per cent lower than the Rs 48.72 crore for SQ-2012 and 16 per cent lower than the Rs 51.27 crore for JQ-2013.

     

    Segment results

     

    RMW’s film production segment has been the biggest contributors to the loss. This segment reported income of Rs 35.55 crore for SQ-2013 and a loss of Rs 37.62 crore. The film production loss for SQ-2013 was 38.35 per cent lower than the Rs 61.02 crore for SQ-2012 against flat income of Rs 35.35 crore.  Comparatively, revenue for SQ-2013 was 14.6 per cent higher at Rs 41.62 crore, with a 12.13 per cent lower loss of Rs 33.55 crore.

     

    Theatrical exhibition had an income of Rs 138.6 crore for Q2-2013, which was 15.1 per cent lower than the Rs 163.26 crore for SQ-2012 and 8.7 per cent higher than the Rs 127.56 crore for JQ-2013. This segment reported less than one sixth the loss for SQ-2013 at Rs 14.79 crore as compared to the Rs 94.87 crore for SQ-2012 and 39 per cent lower than the Rs 24.25 crore for JQ-2013.

     

    The only profitable segment, television, film production and distribution reported income of Rs 15.49 per cent for SQ-2013 which was 16.9 per cent higher than the Rs 13.25 crore for SQ-2012, but 10.93 per cent lower than the immediate preceding quarter (JQ-2013) which reported income of Rs  17.39 crore. This segment reported profit of Rs 4.37 crore for SQ-2013 which was 19.82 per cent lower than the Rs 5.45 crore for SQ-2012 and almost flat as compared to the Rs 4.34 crore for JQ-2013.

  • Pocket mein TV with Tata Sky Mobile

    Pocket mein TV with Tata Sky Mobile

    MUMBAI: Tata Sky has announced its plans to launch its latest innovation – ‘Everywhere TV’ – as a part of the Tata Sky Mobile.

     

    The ad commercials brings alive the concept of live television on mobile devices.
    The ad films of this innovative service convey the idea of carrying television in your pocket through amusing stories that audience will relate to. Everywhere TV will offer Tata Sky subscribers, a world of unlimited entertainment opportunities that no one will believe till they experience it themselves.

     

    Tata Sky chief commercial officer Vikram Mehra said, “Our research has shown that lifestyles are getting busier in today’s day and age. Today over 60 per cent of the (Tata Sky) population use internet to view videos on their Smart phones and tablets either at home or at office.

     

    Everywhere TV is a unique service for all those valued subscribers who want to keep in touch with their favorite shows and channels that they have subscribed on Tata Sky even when they are on move through their mobile handsets.”

     

    “The commercial communicates how television viewing amongst mature audiences has reached the next level, when ones mobile is referred to as ‘TV’ due to the Tata Sky Everywhere TV,” he added.

     

    Tata Sky’s Everywhere TV will be available this festive season on smart phones with iOS and Android platforms. Along with live television, subscribers can record their favourite content and use the Video-on-demand option which allows one to download from a library of over 2,000 videos. Everywhere TV is the answer to entertainment needs anytime and anywhere…with ‘Tata Sky mobile, Ab TV aapke Pocket mein!’

  • Zee TV Canada goes HD on Telus

    Zee TV Canada goes HD on Telus

    MUMBAI: Zee TV Canada rolled out its HD version today. The number one south Asian women’s network in partnership with Ethnic Channels Group (ECG), Canada’s largest distributor of third language television services, launched Zee TV Canada in HD on Telus Channel number 2318.

     

    Zee TV Canada that was launched in February 2013 and expanded to HD in April 2013 by launching on Rogers, Bell and now goes a step ahead with its launch on Telus.  

     

    The south Asian audience is the fastest growing ethnic segment in Canada today. Zee America’s general manager Sameer Targe said: “As a market leader we have to continuously reinvent and offer more value to our subscribers. Expansion of our HD offering in Canada is in line with the same thought process. Our success in Canada in recent times only reinforces our belief in the Canadian market.”  

     

    “Zee TV Canada in HD redefines the television viewing experience. It is an experience in itself” added president of ECG Hari Srinivas.

  • Niche channels to dominate TV in future

    Niche channels to dominate TV in future

    BENGALURU: At the opening ceremony of the FICCI MEBC (Media and Entertainment Business Conclave) – South, which was held on 29 and 30 October, Ministry of Information and Broadcasting Secretary, Bimal Julka highlighted the fact that digitisation is at a growing trajectory in the country and by the end of the next year we shall all be living in digital homes.

     

    According to data provided by a FICCI Deloitte report on media and entertainment in south India, television constitutes 56 per cent of the market share with Rs 13,470 crore out of the total of Rs 23,900 crore. Digitisation is going to help the segment grow at a CAGR of 20 per cent in the next four years.

     

    While the digital world is changing phenomenally, we wonder how the broadcasting industry is adapting to the change. This, and various other points were discussed in a session on “the broadcasting ecosystem in the digital era” which included BECIL chairman K Subramanian, IBM global services head (media and entertainment) and ED Raman Kalra, Deloitte Coimbatore partner-audit C R Rajagopal, Amagi Media Labs co founder Srinivasan K A and Whats on India COO Sugato Banerjee formed the panelists, while MXM India CEO and editor in chief Pradyuman Maheshwari moderated the session.

     

    The session kick started with Subramaniam highlighting the humongous task that was undertaken in DAS (Digital Addressable System) phase I to install about 75 lakh STBs and led to nearly 95 per cent digitisation in 38 cities. Five out of 38 are in South India, according to the report. He added that in all this DTH had taken a backseat except for Chennai where the DTH penetration is about 40 per cent and digitisation is lagging due to political turmoil.

     

    Banerjee also supported it by saying that phase I and II saw DTH take a step back and digital penetrate strongly in Mumbai, Delhi and Kolkata.

     

    Banerjee also highlighted certain issues that popped up during the process of digitisation. “In a city like Mumbai where people live in buildings, having a cable run through the building is easy. With DTH, the dish needs to be facing the satellite. In places where houses are far away from each other, cost of running the cable from home to home is higher and more efforts are needed. If some of these places don’t even get electricity for hours why would they want to pay for STBs?” he remarked.

     

    There was a time when there was a scarcity of channels but now they are in abundance. According to Banerjee, there are about 700 working channels in the country but it is unrealistic to have so many channels in the digital arena. The rising number of channels has led to narrowing down of viewership. “Five years ago there was no food channel in the country and now there are five. The long tail will give more choice to viewers and fringe channels have benefitted due to digitisation especially in the urban cities,” said Banerjee.

     

    At the same time, the growing number of channels will put pressure on its visibility. “Now, the issue would be to bring one’s channel to viewers notice,” said Srinivasan.
    Viewership will be segmented leading to an increase in the number of niche channels.  “Broadcast is a term that doesn’t seem to suit the current scenario. Now it is time to ‘narrow-cast’,” said Srinivasan.

     

    According to Kalra, their IBM global survey on consumer insight has shown that people don’t want to be categorised in demographics. “Consumers want content tailor-made for them. The biggest challenge in the future will be to get direct content for people and then make them spend for it,” he said.

     

    At the inaugural session of the event, Film Federation of India president Ravi Kottarakara raised the issue of service tax being a big hindrance on the industry. The same was also brought up by Rajagopal at the session. “Not having enough capital is a challenge for the industry to create things. Taxation needs to be looked into as well as interesting financial modules need to open up,” he said.

     

    At the same time, there is also the issue of paying for individual channels in future as consumers are used to paying a small amount for a big pack of channels. But Kalra pointed out that a person who could pay Rs 300 for a movie now, as compared to Rs 25 a few years ago, will definitely have the capacity to pay more for TV.

     

    However, Banerjee chose to disagree and said, “There is a difference between making them pay and the willingness to pay.”

     

    Although carriage fees will disappear in the digitised world, Banerjee said it will reappear in another form of placement fees as to which channel will appear first. According to industry sources, carriage fees range from Rs 3-5 lakhs. The industry also lacks advertising funding as compared to print. “Print has about 2 lakh advertisers but TV has just 12,000,” said Subramaniam.

     

    TV consumption on multiple screens is also set to grow. As on March 2013, 143 million users in India were mobile internet users (according to the FICCI Deloitte report). Its analysis report also showed that video consumption had increased from two hours to three hours from 2010 to 2012. “There will be monetisation of content as more connected devices emerge. Only then we will know which genre is being seen and its statistics,” said Subramaniam.