Tag: Television

  • Throwback Thursdays: A look back at game-changer ad campaigns over the years

    Mumbai: IndianTelevision.com kicks off its Throwback Thursdays series where we go into flashback mode to revisit brilliant ad campaigns created over the years – one campaign at a time. Be it in Print, Television, or Digital (in the recent past)- the medium is irrelevant so long as the messaging was crystal clear and the execution fantastic.

    And what better campaign to kickstart with, than one considered by many ad gurus as one of the greatest ad campaigns of all times – and one that broke new ground and changed the rules of the game.

    It’s the 1960s ‘Think Small‘ ad campaign for the Volkswagen Beetle.

    Product: Volkswagen Beetle car

    Agency: Doyle Dane Bernbach (DDB)

    Country: United States

    Year: 1959

    Think Small was one of the most famous ads in the advertising campaign for the Volkswagen Beetle, art-directed by Helmut Krone, the copy written by Julian Koenig.

    However, there was nothing small about the campaign’s aspirations!

    Consider this. The first Beetles arrived in the United States in the 1950s. Volkswagen had hired the Doyle Dane Bernbach (DDB) ad agency to create a campaign that would introduce the German car to the US market.

    A lot was working against the Beetle. It was small and plain in comparison to the big, flashy cars that Americans were obsessed with, at the time. Also, it was awkwardly shaped (which later led to it being dubbed the “Beetle”). And to make matters worse for its sellers, this was at a time when following World War II the anti-German sentiment was at a high. The initial reception to the car was expectedly lukewarm.

    Here’s how an ad agency changed the car’s fate.

    In 1960, DDB launched a game-changing campaign called “Think Small”, that promoted the car’s diminutive size as a distinct advantage to consumers.

    The black & white campaign encouraged drivers to “Think Small.” DDB revolved the print campaigns around the car’s ‘small’ form and focussed on minimalism. It contradicted the traditional association of automobiles with luxury and big size, keeping simplicity at its core.

    This is why most of the print ads from this campaign and others that followed had a lot of empty white space with a small, stark picture of a Beetle, followed by a copy that matter-of-factly listed the compact car’s advantages in an irreverent, even self-deprecating manner.

    Each ad that followed in the series stood on its own, highlighting the car’s strengths while not trying to hide its possible weakness. And they were so cleverly done that they left the readers keen to watch out for the next one.

    Even more notably, the ads were modestly unpretentious and emphasised as much on the intelligence, frugality, and essence of the Beetle’s buyer as they did on the car itself. The smart copy asking ‘Do you earn too much to afford one’, is a case in point- implying that don’t let your money (or its excess thereof) come in the way of buying a good car!

    This tone of dry humour became a hallmark of Volkswagen Beetle ads, even later in its Television commercials. The ads effectively made the case for why owning a small, oddly-shaped car (in other words: thinking small) actually made sense, managing to show the consumer the bigger picture.

    And the rest, as they say, is history or rather the stuff that advertising lore is made up of.

    The Volkswagen Beetle Print Ads shook the automobile industry and the marketing landscape of the 1960s and over the next several years, VW became the top-selling auto-import in the US.     

    Doyle Dane Bernbach’s Volkswagen Beetle campaign was ranked as the best advertising campaign of the twentieth century by Ad Age, in a survey of North American advertisements.

    The distinctive but simple print campaign and the equally brilliant ones that followed it, brought widespread attention to the car, imbibing the Beetle in pop culture for years to come.

    It did much more than boost sales and build a lifetime of brand loyalty. The ad, and the work of the creative minds behind it, changed the very nature of advertising, becoming known as one of the most legendary campaigns of all time.

  • ZEE5 to launch new series ‘Dhoop Ki Deewar’ on 25 June

    New Delhi: The countdown to the launch of Zindagi’s third original web series ‘Dhoop Ki Deewar’ has begun. The new series will be launched on 25 June and its episodes will premiere every Friday at 12 noon, ZEE5 announced on Wednesday.

    ‘Dhoop Ki Deewar’ revolves around the void that war leaves behind for the martyrs’ families on both sides of the border. ZEE5 has decided to stream the finale episodes on the Independence Day weekend – a historic day for people on both sides of the Indo-Pak border and South-Asian diaspora globally.

    ZEE5 India, chief business officer, Manish Kalra said, “An opportunity to tell such a powerful yet touching story does not come by easily. Through ‘Dhoop Ki Deewar’, we want to touch as many lives as we can and start a conversation about ‘heart over hate’. At ZEE5, we believe in innovating constantly and look forward to seeing greater success with weekly episodic releases of the show and a renewed launch time of 12 noon.”

    ZEE Entertainment Enterprises Ltd, chief creative officer, special projects Shailja Kejriwal said, “This show is a sincere effort to demonstrate the collateral damage caused by war and a call to viewers from both sides of the border and across the world to introspect the need for peace. We hope the viewers will connect to the show and would love to hear their response as we release fresh episodes week on week.”

    Produced by Motion Content Group and Hamdan Films, written by Umera Ahmed, and directed by Haseeb Hasan, Zindagi’s upcoming original ‘Dhoop Ki Deewar’ is a tale of family and loss with real-life couple Sajal Aly and Ahad Raza Mir in the lead.

  • ZEE Biskope set to launch ‘Talent Camera Action’ season 2

    New Delhi: ZEE Biskope is all set to launch the first-ever virtual talent hunt of Bhojiwood – Talent Camera Action Season-2 on 29 June to mark World Camera Day.

    The campaign that gave viewers a platform to showcase their talents, received an overwhelming response of over 10K entries in just eight days. “It not just yielded a high ROI with a 17 per cent increment in channel reach on the telecast day over the previous two weeks (BARC; BnJ; CS2+, Mon, 29 June 2020, Reach percentage) but was also appreciated with one Gold, one Silver & two Bronze at multiple national & international award forums,” said the channel in a statement.

    The award-winning marketing campaign steps into its second season as ZEE Biskope launches Talent Camera Action Season two on 29 June – Camera Day. Viewers can record a minute video of their talent in dancing, singing, acting, or any other special talent category and send in their entries on ZEE Biskope’s Whatsapp number 8291829134 between 29 June & 11 July. The shortlisted entries will be judged by popular Bhojpuri celebs and winners will be announced.

    The scale of gratification this season makes it again a category first from ZEE Biskope. For the first time, the channel’s Marketing initiative is also facilitating a ticket to Bhojiwood. One winner from each category – Music, Dance, Acting & Special Talent will get a direct entry into Bhojiwood by featuring in ZEE Biskope Originals. With this, Season two offers a bigger opportunity for many Bhojpuri youths who aspire to earn fame through their talent. Not just that, the best entries from every category will also be featured on ZEE Biskope Television & Social platforms and receive a special edition gift hamper from the brand. The videos will be showcased along with the mega winner announcement on  18 July between 12 noon & 6 pm.

    ZEE Biskope has roped in popular Bhojpuri celebrities – action star Yash Kumar & glamour queen Nidhi Jha as the flag bearers of the campaign. The duo will be seen promoting the campaign across TV & digital platforms throughout the journey of the contest. The channel has devised a robust & strategic marketing plan to reach out to the maximum possible audience through TV, digital, radio & print. 

    Speaking on this initiative, Zee Entertainment Enterprises Limited (ZEEL), cluster head, east, Samrat Ghosh said, “Camera Day is a western concept which didn’t have much popularity in the region. However, starting last year, ZEE Biskope curated the occasion with an apt hyper-local quotient that made it not just relevant but even novel for the Bhojpuri audience. The appeal of such novelty evidenced by the overwhelming response received on its debut, motivated us to launch the second season.ZEE Biskope’s viewer engagement drives have witnessed big brands partnering in the past. With a grander scale, this season of Talent Camera Action will offer a wider scope of brand integrations for advertisers to reach out to their relevant audience in the Bhojpuri market.”

    Senior VP, Bhojpuri cluster, Amarpreet Singh Saini said, “Talent Camera Action season two brings two major scale-ups: the gratification of an entry into Bhojiwood & the association of popular Bhojpuri celebs Yash & Nidhi. This is in appreciation of the plethora of talented young individuals in the region who look up to such an opportunity, shelving the limitation in their resources. At ZEE Biskope, we believe in engaging with our viewers to an extent that they feel the ‘apnapan’ with the brand rather than being a mere consumer of commoditized offerings. The brand will remain true to its commitment to extending its entertainment offering beyond the magic of movies.”

    Zee Biskope is available on Airtel (channel no 663), Tata Sky (channel no 1120), DEN Bihar(channel no 840), DEN Jharkhand (channel no 839), DD Free Dish (channel no 31), d2h (channel no 859), Dish TV (channel no 1555), Siti Cable (channel no 214) and Darsh Digital (channel no 189). It’ll soon be available on all other major cable platforms. 

  • Producers Guild & Times Now settle civil suit over defamatory remarks

    Mumbai: The Producers Guild of India has announced that it has settled the civil suit filed against Times Now over alleged “irresponsible, derogatory and defamatory remarks” against the film industry.

    According to a joint statement from the Guild and Times Now shared on social media, the channel has agreed to abide by provisions of the Programme Code under the Cable TV Networks Rules.

    Four film industry bodies and 34 producers had filed a plea in Delhi high court last year seeking to restrain Republic TV and Times Now from making allegedly defamatory remarks against the Hindi film industry and conducting media trials against its members on various issues following the death of actor Sushant Singh Rajput.

    The lawsuit by four Bollywood industry associations and thirty-four leading producers, including those owned by Aamir Khan, Shahrukh Khan, Salman Khan, Karan Johar, Ajay Devgan, Rohit Shetty, Anil Kapoor, Yash Raj Films and R S Entertainment, had sought that the channels be restrained from interfering with the right to privacy of persons associated with the industry. The associations included the Producers Guild of India, Indian Film and TV Producers Council (IFTPC), Screenwriters Association (SWA), and Cine and TV Artist’s Association (CINTAA).

     

     

    “The Plaintiffs and Times Now are pleased to confirm that they have settled the matter, and the application for settlement along with Consent Terms is pending for acceptance before the Hon’ble Delhi High Court. As per the Consent Terms agreed, Times Now reaffirms its commitment to abide by the Programme Code under the Cable Television Network (Regulation) Act, 1995 and the Cable Television Network Rules, 1994 and undertakes not to publish or air anything that is defamatory to the Plaintiffs (the Hindi film industry) on the Times Now channel,” the statement read, “With this matter settled, the Plaintiffs and the Times Group can look forward to building on their historically cordial relationship.”

  • Actor Mona Singh to return as host with &TV’s Mauka-E-Vardaat

    New Delhi: Film and television actor Mona Singh is all set to return to the small screen as a host with &TV’s Mauka-E-Vardaat.

    Mauka-E-Vardaat is an anthology series of mysterious crime cases. Set against the backdrops of real locations, the show presents various stories of crime incidents, their approach, and methodology. Each story, packed into a daily weekday episode, has a woman protagonist playing an instrumental role in unravelling the mystery of these baffling crimes, said the channel on Tuesday.

    “Hosting a crime-based series is a first for me. The crime genre has always intrigued me, and though I have acted in one, I have not hosted a show of this stature before. The narrator is the show’s backbone and has the onus to bind the viewers with the narrative, which is the storyline. Holding the viewers’ interest and intrigue is the key to sticking them with the story plot till the end. I am also familiarising myself with commonly used words and IPC sections. It is a new experience for me, and I am equally nervous and excited about it.”  

    The channel will soon announce the timings for the show.

  • Cartoon Network fans thank Indian police force in latest campaign

    Mumbai: Kids’ entertainment channel, Cartoon Network’s latest social media campaign- #ThankYouForBeingDabangg has received more than 500 messages of gratitude from across the country, for the Indian police force.

    The unique social media campaign aimed to honour the relentless work of India’s supercops during the ongoing challenge of COVID-19 and was launched alongside the channel’s latest Bollywood-inspired action-comedy ‘Dabangg – The Animated Series’ on 31 May.

    Watch the video montage of the kids’ messages here

    Supported by parenting platform, Momspresso, the initiative saw kids and parents share messages in the form of handwritten notes, drawings, and videos, on social media. Bollywood actor Salman Khan who plays Dabangg’s iconic ‘Chulbul Pandey’ and movie producer and actor Arbaaz Khan also encouraged kids to participate through their social media posts.

    Notable kids’ academy ABCD Dance Factory also shared their messages in their distinctive artistic style via Instagram Reels, set to the ‘Dabangg – The Animated Series’ title track while prompting its students to follow suit. YouTube Kids sensations Aayu and Pihu also participated via their eponymous show and encouraged their followers too, to join in the conversation.

    Speaking on the campaign, South Asia Network Head for Cartoon Network and POGO, Abhishek Dutta said, “#ThankYouForBeingDabangg was launched to collectively pause and appreciate the constant endeavour of the police force during the COVID-19 pandemic. It was heartening to see responses pouring in from every corner of the country, in various ways and multiple languages, like Hindi, English, Tamil, Telugu, Marathi, and more. It brings us immense joy to have created this movement and saluting our fearless heroes.” 

    Speaking on the initiative DCP, Mumbai S.Chaitanya said, “We are truly grateful for the enormous amount of love we have received from kids across the country through the #ThankYouForBeingDabangg initiative. This was such a thoughtful initiative by Cartoon Network and the creative ways in which the kids thanked us was very touching. We promise to continue being Dabangg for all of you!”

    Co-presented by Chocoliebe Eclairs and Cue Learn along with associate sponsor BritanniaTiger Krunch, the animated version of Bollywood’s sensational supercop franchise airs every day at 12 pm, only on Cartoon Network.

  • ZEE MPCG launches new conversation series ‘Chhattisgarh Ki Baat’

    New Delhi: ZEE Madhya Pradesh-Chhattisgarh has announced a series of events and conclaves called Chhattisgarh Ki Baat, which will be held in various Tier two cities, where both the economy and the society have been deeply affected by the pandemic.

    The channel aims to establish a direct connection with the general viewers through these events & help them raise their concerns. All local and micro-level issues will be discussed and put forward in front of the stakeholders and the policymakers. The initiative will also provide a platform for businessmen and industrialists to put forward their challenges and discuss possible solutions.  

    The first event of the series will start from Bilaspur, the administrative capital of Chhattisgarh on 20 June. Multiple panel discussions and interviews with the policymakers, industrialists, and subject experts will be held on topics varying from the ways to tackle the effect of COVID to the further development of the city. ZEE MPCG will also recognize and honour those people who went out of their way during these tough times and contributed significantly to the development of the state and the region.

    Speaking on the occasion, ZMCL CEO Cluster three, Dileep Tiwari said, “ZEE MPCG has always worked as a bridge between the people of the state and the authority. We felt that at this time when the economy is recovering from the impact of the pandemic it is extremely important to take such initiatives at the city level so that each city and their industries get a platform to connect with the policymakers, discuss their challenges, and have a significant impact on the development of their city.”

    ZMCL, chief revenue officer, Manoj Jagyasi said, “With ZEE MPCG’s wide reach, this initiative will engage the viewers, the leaders, and the facilitators to develop a constructive discussion for the development. We are more than just a news channel, we want to be the ultimate solution provider to our business associates and our viewers. We will take this to 60 cities of MP, CG, UP Uttarakhand, Punjab, Haryana & Himachal. This will be the biggest outreach program done by a network.”

  • MIB amends Cable TV Rules for redressal of broadcast-related complaints

    New Delhi: The Centre has amended the Cable Television Network Rules to provide for a three-layer statutory mechanism for the redressal of consumer’s complaints relating to the content broadcast by TV channels.

    The Cable TV Networks (Amendment) Rules, 2021 was notified in an official gazette on Thursday.

    “The @MIB_India has by amending the Cable Television Network Rules, 1994, developed a statutory mechanism to redress citizens’ grievances & complaints against programmes of TV channels. The @MIB_India has also decided to recognize Statutory Bodies of TV channels under CTN Rules,” tweeted information and broadcasting minister Prakash Javadekar. 

     

     

    At present, there is an institutional mechanism by way of an inter-ministerial committee to address grievances of citizens relating to violation of the Programme/Advertising Codes under the Rules. Similarly, various broadcasters have also developed their internal self-regulatory mechanism for addressing grievances. “However, a need was felt to lay down a statutory mechanism for strengthening the grievance redressal structure. Some broadcasters had also requested for giving legal recognition to their associations/bodies,” said the ministry of information and broadcasting (I&B) on Thursday.

    The amended rules stipulate a three-layer grievance redressal mechanism — self-regulation by broadcasters, self-regulation by the self-regulating bodies of broadcasters and an oversight mechanism by the central government. The rules require each broadcaster to establish a grievance or complaint redressal mechanism, appoint an officer to deal with the complaints, display the contact details of their grievance officer on their website or interface and be a member of a self-regulating body.

    As per the rules, any person aggrieved by the content of a programme of a channel may file his/her complaint in writing to the broadcaster first. “The broadcaster shall, within 24 hours of a complaint being filed, generate and issue an acknowledgement to the complainant for his information and record. The broadcaster shall dispose of the complaint and inform the complainant of its decision within 15 days of receipt of such complaint,” the rules state.

    The complainants can file an appeal with the self-regulatory body of broadcasters if they are not satisfied with the decision of the broadcaster’s grievance redressal officer or the decision of the broadcaster is not communicated to them within 15 days. The complainant may prefer an appeal to the self-regulating body, of which the broadcaster is a member, within 15 days therefrom.

    The self-regulating body will be required to dispose of the appeal within 60 days of the receipt of the appeal, convey its decision in the form of guidance or advisory to the broadcaster, and inform the complainant of such a decision within 15 days. “Where the complainant is not satisfied with the decision of the self-regulating body, he may, within 15 days of such decision, prefer an appeal to the central government for its consideration under the oversight mechanism,” said the rules.

    The Advertising Standards Council of India (ASCI) will hear complaints regarding the violation of the advertising code, take a decision within 60 days of the receipt of a complaint and communicate the same to the broadcaster and the complainant.

    According to the amended rules, there may be one or more self-regulatory body of broadcasters, provided that every such body shall be constituted by a minimum of 40 broadcasters. The self-regulating body shall, after its constitution, register itself with the central government “within a period of 30 days from the date of publication of these rules, or within 30 days from the date of its constitution, whichever is earlier,” the rules stipulate.

    The government will set up an Inter-Departmental Committee (IDC) to take up the hearing of matters “arising out of the appeals against the decisions taken at Level I or Level II of the grievance redressal mechanism”. It will also hear complaints referred by the central government.

    According to the ministry, the notification is significant as it paves the way for a “strong institutional system for redressing grievances” while placing accountability and responsibility on the broadcasters and their self-regulating bodies.

    At present there are over 900 television channels that have been granted permission by MIB all of which are required to comply with the Programme and Advertising Code laid down under the Cable Television Network Rules.

  • May’21 ad volume 64% higher than last year : BARC

    Mumbai: Television continues to stay strong and resilient as a medium of advertising amid the second wave of the pandemic. Despite a marginal dip in April 2021, ad volumes in May 2021 have witnessed a 64 per cent growth as compared to May 2020, said Broadcast Audience Research Council (BARC) in its latest THINK report for May, 2021. The growth numbers remained at par with 2018 and 2019.

    In a piece of good news for the broadcasters, out of the total of 2142 advertisers in May 2021, as many as 1,347 (63 per cent) were new advertisers. The FMCG category continued to dominate ad volumes with 72 per cent share, followed by ecommerce, with 10 per cent share in May.

    “2021 began on a high note for television Ad Volumes. Moreover, it attracted over 60 per cent of the total advertisers in May this year, indicating that advertisers continue to bank on the medium. With lockdown easing up and upcoming big events, we expect TV Advertising to remain strong this year,” said BARC India Head – client partnership and revenue function Aaditya Pathak.

    Regional genres bounce back

    Advertising on GEC and movies genre continued to grow and both the genres outperformed the same period for the previous three years. While GECs witnessed a growth of 74 per cent, over last year, movies genres saw a growth of 76 per cent compared to May 2020.

    Owing to the increasing consumption of regional content, advertising on South language GECs registered a staggering growth of 103 per cent while the rest of the Regional GECs witnessed 53 per cent growth in May 2021 vs May 2020. South Movies and Regional Movies channels witnessed 85 per cent and 129 per cent growth for the same period.

    Steady growth of Top 10 advertisers

    While over 70 per cent of advertising was dominated by the Top 50 Advertisers in May, the Top 10 advertisers had the highest share of 54 per cent since 2018. Advertising by the Top 10 advertisers continues to see steady growth.

    Growth observed in ad volumes in the first quarter of 2021 has evidently seeped into the ongoing second quarter of the year, despite state-wide partial lockdowns being implemented in various parts of the country. Moreover, the growth witnessed in May 2021 reinforces the strength and robustness of television as a medium.

  • Republic announces global service R. Global

    Mumbai: Many have tried. Most have failed. But the Arnab Goswami-led Republic Network is not letting that get in the way of its ambition to go global. On 16 June, it announced on Twitter that it is expanding its expanding Republic internationally with R.Global, without revealing whether it would be a TV channel or an online service or a streaming service.

    However, what it did say is that it is hiring more than 120 journos across the globe to “deliver world class content and investigation to our viewers. Arnab is personally committed to the expansion of Indian media in the global market. R. Global is a first step in that direction. With R. Global, Republic will take its international network to another level.”

    The news service stated that it was going to hire 100 digital professionals across tech, content and product teams. The company disclosed that it has seen a 600 per cent digital growth and increase in traffic.

    Additionally, it highlighted that “it is set to deliver a game changer product on air and online with an all-new look and feel with unmatchable content line up.”

    And in true Arnab style it ended the thread by saying: “We are bigger, louder and fiercer! #RepublicIsTheNews and the people of India are on our side. With R. Global, a whole new look, unparalleled journalism, digital expansion and deep reportage, Republic is set to change the news. All over again.”