Tag: Television

  • ShowBox rebrands to connect with young India

    ShowBox rebrands to connect with young India

    New Delhi: ShowBox, the music channel from the house of IN10 Media Network has unveiled its new logo and brand identity to reflect the channel’s evolution.

    The new identity – ‘a music channel for young India which follows its heart’ – will be reflected on the channel and social media starting 16 August. The new logo and the tagline, Dil Ki Sun, mirrors a rising young India that’s high on expressing themselves and represents the emotion of following one’s heart.

    “Today’s generation is very expressive and believes in two-way communication with no bars held back. ShowBox caters to this target group and hence, it was important to resonate that in our programming. Our new identity directly represents our vision of non-stop entertainment to music lovers and our limitless ability to inspire people,” said ShowBox vice president, programming and strategy, Clyde D’Souza.

    Keeping this in mind, the music channel will launch two new interactive shows: Luv U Zindagi, where viewers can vote and comment live on topics related to love and relationships. The love songs and topics are handpicked by the team scanning the social media and viral videos.

    The second show is ‘Reel Top 10’ – A countdown for the Instagram generation where the show will count down the top 10 songs and top 10 reels of the week.
    In the pipeline are many more shows with new packaging and dynamism. The channel also revealed a mascot called ‘Showman’, who will take the viewers through all that’s new on the channel while entertaining them in a different way.

  • Broadcasters to let 12 August deadline on NTO 2.0 pricing slide

    Broadcasters to let 12 August deadline on NTO 2.0 pricing slide

    New Delhi: The action and buzz is gathering pace in the television ecosystem even as the deadline for broadcasters to file the new pricing for their channels under NTO 2.0 is set to expire on 12 August 2021.

    A section of the distribution sector – consisting of DTH operators and cable TV operators –  maintains that broadcasters will have to file their new reference interconnect orders (RIO) declaring their bouquet pricing and the MRPs of their channels under NTO 2.0 by Thursday.

    The latter had approached the Bombay high court in July asking it to stay the NTO 2.0 but it had turned down their plea. The court had given them six weeks to get their acts together even as it had informed the sectoral regulator – the Telecom Regulatory Authority of India (Trai) not to take any coercive action against the broadcasters in the interim. The deadline given by the court to them ends on Thursday and the watchdog can, if it chooses, penalise the TV networks.

    Earlier, the Trai had brought down the MRP for a TV channel from Rs 19 to Rs 12, something which the broadcasters have been protesting against.

    Senior executives from TV networks – under the umbrella of the Indian Broadcasting Foundation – were in meetings all of Wednesday. A senior broadcasting executive told Indiantelevision.com that the Trai cannot and should not take a tough stand against broadcasters as the Supreme Court’s next hearing is scheduled for 18 August.

    The IBF and its member broadcasters had challenged the Bombay HC order which had upheld the constitutionality of the NTO 2.0. On 6 August, the apex court asked them to get back to it with slimmer petitions, and posted the matter for hearing on 18 August.

    “The case is sub-judice, and the Supreme Court will hear it only on 18 August so the matter of “stay orders” does not arise,” said the executive.

  • NDTV records best-ever Q1 with a profit of Rs 13.9 cr

    NDTV records best-ever Q1 with a profit of Rs 13.9 cr

    Mumbai: The NDTV Group has reported over two-fold increase in consolidated net profit to Rs 16.56 crore for the first quarter ended 30 June, marking its best first quarter result in over a decade.

    Its TV news channel-  NDTV Ltd raked in a profit of Rs 13.9 crores in Q1, along with NDTV Convergence, the digital arm of the Group, which has delivered an increase of 41 percent in revenue over the same time last year.

    According to the regulatory filing, the company had posted a consolidated net profit of Rs 7.55 crore in the corresponding period of last fiscal. Its consolidated revenue from operations during April-June 2021 stood at Rs 85.02 crore as against Rs 72.73 crore in the year-ago period. Total expenses stood at Rs 77.92 crore, compared with Rs 64.64 crore a year ago, the company said. The Group’s total liabilities have been reduced by Rs 23 crores in this quarter; bank borrowings are down by Rs 8.7 crores.

    “NDTV, with the support of each employee, has worked to mitigate any uncertainty caused by the impact of the pandemic on the economy and all businesses. It thanks its team for their superlative reporting and commitment to providing news as an essential service at this difficult time. Given the economic landscape, the Management will control expenses and focus all efforts on ensuring the Company’s financial position strengthens further,” it said in the filing.

    The company also said that its board has appointed Grant Thornton Bharat LLP (formerly Grant Thornton India LLP) as its internal auditors for one year, with effect from 11 August.

  • Our branded content business has grown three-fold: Discovery’s Shaun Nanjappa Chendira

    Our branded content business has grown three-fold: Discovery’s Shaun Nanjappa Chendira

    Mumbai: The ‘great reset of 2020’ had the media and entertainment industry witnessing one of the most peculiar anomalies ever in history where the burgeoning demand and consumption of content was accompanied by an unprecedented fall in advertising revenues.

    While the English infotainment genre also benefited by the overall growth in viewership, Discovery India registered a near 50 per cent dip in advertising in AMJ 2020 owing to the slump in both ad volumes and ad rates, which, according to Discovery Inc, head of advertising, sales, South Asia, Shaun Nanjappa Chendira “reduced to a trickle” in that period. However, with the picking up of the economy around August-September 2020, the scenario began to ease out. Despite the second wave earlier this year, the entertainment brand has reached a near normalisation of business riding on the back of two strategy pillars – branded content and the hybrid business model.

    Spotting Early Revival Trends – Branded Content & the Hybrid Business Model

    Shaun Nanjappa Chendira was promoted as the head of advertising, sales, South Asia, Discovery Inc in October 2020. That was the time when industries across the board, M&E included, were showing signs of recovery and the opportunities opened up by the pandemic had taken precedence over the challenges posed by it. As the economy began to revive, people resorted to revenge buying giving a much-needed fillip to business across categories. While the spurt in FMCG was expected, two-wheelers and other auto brands were also able to drive sales despite the pandemic. Segments such as telecom and handsets assumed greater relevance.

    “The difference this time around was that brands weren’t looking for visibility alone; they wanted better engagement with the consumers. Because branded content works wonderfully well in that space, we saw our branded solutions business grow by leaps and bounds. Clocking in a three-fold growth since 2019, today it contributes 25-30% of Discovery’s overall revenue,” stated Chendira.

    Commenting further on whether there were new advertisers coming in after the pandemic, he added, “Our client base undergoes a change every year with new categories coming onboard. Recently edtech, pharma and BFSI brands have been quite active on our OTT as well as linear platforms. Another trend we witnessed was that of deeper penetration happening in each category. If there were one or two mobile handset brands advertising earlier, today there are three or four of them.”

    Discovery has created branded content with a number of start-ups, one of the most noteworthy examples being ‘Discovery School Super League with BYJU’S’. It has also undertaken similar projects with Mi India (Feelin Alive Season 2), Oppo (Life Unscene), Hyundai (Emission Impossible) and more.

    The demand for high-impact formats and India-centric content, led Discovery to bringing one of its largest IPs ‘Into The Wild With Bear Grylls” into play during the pandemic. The new episode with Akshay Kumar helped the channel in “getting five or six new clients from across categories on board, thus scaling ad revenues.” Chendira shared that ‘Into the Wild’ has consistently helped Discovery in growing its advertising base.

    Also coming in handy for the media brand was the timely launch of its OTT platform. “We launched discovery+ in March, just before the pandemic hit. From a business perspective, it gave us an opportunity to offer linear plus digital solutions to marketers, bundled as one. The success of this hybrid model has made it a norm for us today and we will continue to push forward in this direction,” asserted Chendira. “However, we do believe that TV is still irreplaceable as the only way of catching a mass audience in the shortest period of time. The large-screen family viewing experience cannot be replicated on digital, which is more about solo viewership, catch-up TV and watching anywhere.”

    The Road Ahead – Recovery and Growth

    Chendira is hopeful of achieving pre-pandemic revenue levels by the end of 2021. By September, Discovery Inc had started seeing a growth trajectory of 5 per cent which soon jumped to 10 per cent, and the channel was able to recoup a lot of the actual pandemic-hit very fast, driven by the market recovery as well as its product and business propositions.

    “A combination of these helped us in stabilising revenues. The trend carried on until March end, when the second wave and lockdowns came into force. However, with consumers and marketers having learnt to innovate and adopt in response to the challenge, this time the recovery has been fairly quick. There was marked improvement in June and July, and we are expecting things to further normalise in August,” he said, while taking a look at the recovery so far.

    Going ahead, India-centric content, sports, and regional will be the added focus for Discovery India. On the business front, the efforts will be directed towards ‘working more closely with clients and not just agencies’, said Chendira.

    “Discovery’s strength has been in the direct-relationship it has nurtured with brands which has resulted in building credibility and mutual respect over a period of time. This played out to our advantage during the tough times. When marketers started to advertise, we were able to leverage this relationship and thus we could bounce back almost instantly. Our proposition to our partners will continue to evolve in accordance with the market trends,” Chendira signed off.

  • Zee Entertainment’s net profit rises 604% in June ’21 quarter

    Zee Entertainment’s net profit rises 604% in June ’21 quarter

    New Delhi: Zee Entertainment Enterprises’ consolidated net profit rose 604 per cent to Rs 213.8 crore in the quarter ended June 2021 as against Rs 30.37 crore during the previous quarter ended June 2020. The company announced its Q1 FY22 results on Friday.

    Sales rose 35.29 per cent to Rs 1774.98 crore in the quarter ended June 2021 as against Rs 1312.03 crore during the previous quarter ended June 2020. With lockdowns in most states, TV viewership again jumped during the quarter, though lower than Q1 of last year.

    Domestic ad revenues for both Q1FY22 and Q1FY21 were impacted by lockdowns. However, the impact this year was much lower, reflected in 127.9 per cent YoY growth. Compared to Q1FY20, domestic ad revenues were lower by 22.7 per cent.

    In terms of subscription revenue, the network said embargo on pricing change due to NTO 2.0 litigation continued to hurt domestic television pay revenue growth. The 2 per cent growth over Q1FY21 was driven primarily by digital business.

    The programming cost increased YoY as original content production largely continued across the states during the lockdown at alternate locations. Increase in marketing cost on a YoY basis was on account of the release of Radhe and continued investments in ZEE5. The marketing costs in Q1FY21 was lower on account of much lower original content production.

    Lower ad revenues on one hand and increase in costs due to lockdown Rs. 271mn on the other affected EBITDA for the quarter.

    Bengali, Telugu, Kannada and Hindi movies continued strong performance, however, Zee TV, Zee Marathi and Zee Tamil performance was soft during the quarter, indicating headroom for growth in key markets. The company also said it will revamp the programming line-up for Hindi, Marathi and Tamil programming in Q2.

    Streaming platform ZEE5 witnessed 80.2mn global monthly active users and 7.1mn global daily active users in Jun ’21. It recorded a total of 190 minutes’ average watch time per viewer per month in Q1. As many as 11 original movies and shows were released during the quarter.

  • Aaj Tak set to organise ‘Panchayat Aaj Tak’ in UP

    Aaj Tak set to organise ‘Panchayat Aaj Tak’ in UP

    New Delhi: Aaj Tak has announced the latest edition of its conclave – Panchayat Aaj Tak’  – scheduled to begin in Lucknow on Friday.

    The event starting at 10 AM will feature debates and discussions on various burning issues surrounding UP politics ahead of the state assembly elections due early next year.

    Several leaders from the ruling BJP government Iand from other parties like the Indian National Congress, Aam Aadmi Party, BSP, and the SP will be in attendance as speakers discussing the dynamics of civic development, electoral politics, religion, minority representation, and arts and culture in the state of Uttar Pradesh, the network said in a statement.

    The conclave will also see a host of sessions, starting with “Kaun Banega Mukhya Mantri? (Who Will Be the chief minister?)” led by the deputy chief minister of UP Keshav Prasad Maurya, moving to multi-party panel discussions like “Kaun Jaat Ho? (What’s Your Caste?)” with leaders from the BJP, Congress and the SP.

    Current cabinet minister, Satish Mahana will take a session on civic planning such as “Expressway ki Ganga”. Samajwadi Party chief Akhilesh Yadav will lead a session titled “UP Mein Khela Hoi”. Bhartiya Kisan Union spokesperson Rakesh Tikait,will be talking in the session named “Jaat Khadi Karega Khaat!”

    Bhim Army president Chandrashekhar Azad Ravan will be heading a session on Dalit vote blocs while AIMIM Chief Asaduddin Owaisi along with cabinet minister Sidharth Nath Singh will be talking in a session titled “Chunav Ka Dharam Kaanta”.

    The final session of the day will be a keynote speech from chief minister Yogi Adityanath on “Mission 300” and his vision for Uttar Pradesh.

    The event is part of Aaj Tak’s effort to bring nuanced debates to the Indian masses, in order for them to comprehend topical issues in an easy-to-access format. The event will be conducted with all Covid-appropriate protocols in place.

    The event will be broadcast live on the Aaj Tak channel and live streamed online starting 10 AM.

  • Advertisers demand good news on TV

    Advertisers demand good news on TV

    Mumbai: 2020 was a tough year for industries across the board, including media and entertainment.

    Most observers believed that television news would be immune to the killing nature of the novel corona virus. After all anxious TV news viewers were following minute-by-minute updates about Covid2019’s life threatening rampage and the scores of carcases that were piling up in hospital mortuaries or cemeteries and the by banks of the Ganges – in the virus’ wake. However, this quest for covid2019 updates died soon thereafter as depressed and disturbed TV watchers wanted some better tidings. But that was not to be: controversy after controversy made the top news on daily bulletins 24×7. Net result: viewership of news TV went down south, as did advertising.

    Freedom of expression is a cherished and valued fundamental right. Yet, certain news media outlets have often wielded it to cast aspersions, and run media trials and ended up portraying the accused as guilty, thus irking TV viewers even more. Then there are the high-decibel studio debates, which often end up with no conclusion except for some attention-grabbing visuals.

    Many a commentator, politician, socialite and influencer bemoan the dumbing down and degradation of TV news. As do a section of viewers.  Listen to what eye comfort and eyewear ecomm fim Lenskart, media head, Anupam Tripathi. has to say.

     “Negative programming on news channels is bound to affect a certain set of audience that is niche or more mature to an extent.”

    Berger Paints India, general manager – marketing, Sudhir Nair agrees that that the overly dramatised content catalysed viewers to  cut down on TV news during the pandemic, and it was the lack of new content that actually made them switch to digital and social media outlets for the latest. 

    So what is the way out? One way out is to present developments in a positive way, talk about the good that is going on in society and government, focus on how life is getting better, not worse, points out Tripathi.

    “Unlike the DD days when everyone in the family was glued to a television set for any form of content, the younger lot now has the option to switch to another screen. So if the news channels do not take up the challenge of making their programming more positive and interesting, they might lose this audience. It is important to remember that today the competition is not with other genres, it’s with every other device that is selling news,” adds Tripathi.
     
    Nair goes as far as to say that it’s about time that the TV news sector reinvents its programming and the way it approaches news stories. “it would be great if we could see more positive and inspiring stories,” he adds.

    According to most marketers, a news channel must also bear in mind that it too is a brand which has to take care of its goodwill and credibility and provide a safe environment for TV commercials.  In the past there have been examples where advertisers have either individually or collectively announced that they would refrain from advertising on channels that got into unnecessary controversies. Hence the importance of responsible programming.

    Hence, says a marketer, that it’s interesting that some news networks have announced that the new offerings from their stable will present news through a positive lens, not just a critical, doubting one.  Droom CMO Mohit Ahuja welcomes this trend, adding that “news media is among the top three advertising mediums because of its high reach and affinity among our target group.”

    That should be good news for those who are coming up with channels offering good news.

  • Disney Kids Network bolsters animation slate with two new shows

    Disney Kids Network bolsters animation slate with two new shows

    Mumbai: Disney Kids Network has strengthened its local content slate with the acquisition of two new home-grown animation shows – Bhaiyyaji Balwan and Twinkle Sharma #0007.

    For Bhaiyyaji Balwan, the network has tied with Reliance Animation, which has been delivering IP driven content across multiple Indian languages with the help of latest and licensed technology in animation and VFX. While, Twinkle Sharma #0007 is created by Ssoftoons, a studio known for creating its storylines keeping their viewers’ mindset in mind, and integrating the cultural flavours with a blend of creativity, experience & consistency.

    “Both the shows are set to bring wholesome entertainment for kids and families with relatable characters and a special focus on everyday stories, ” said the network on Thursday. Over the last year, the network has entertained kids and families with a range of local narratives from Gadget Guru Ganesha, Bapu, Guddu along with bringing in new episodes of their existing favourite –Selfie with Bajrangi.

    “At the heart of what we do is tell great stories and introduce memorable characters that appeal to kids and families everywhere. The stories and characters represent our audiences in the best manner – indulging their creativity, imagination and their world. The two new additions in our local animation slate are an extension of this philosophy as we keep adding stories and characters that are varied, distinctive and have the ability to resonate with kids and adults alike. We are happy to be partnering with Reliance Animation and Ssoftoons and will continue to associate with local studios to present many such fresh, unique and best-in- class narratives for our beloved fans,” said a Disney Kids Network spokesperson.

    Set against the backdrop of Gomtipur which is home to a charming young street smart Bhaiyyaji loved by the villagers for his shrewd simple problem-solving abilities. He rolls through the fun and frolic of rural life but works towards the betterment of their village.

    While the second series Twinkle Sharma #0007 is a story of a girl protagonist – the smart and savvy 10-year-old girl Twinkle who seems like an ordinary girl- next-door but always protects her group of seven friends – only through her wit, intelligence and presence of mind.

    “We have been striving to enhance the culture of story-telling by characterising animation in the world of fantasy and with the unique narrative like Bhaiyyaji Balwan, we hope to win the hearts of young audiences across the country,” said Reliance Animation CEO Tejonidhi Bhandare.

    “We have been consistently working towards creating constructive animation content, bringing quality animation that people could easily relate to and that was the vision behind creating a girl protagonist and a hero in Twinkle Sharma #0007. We are really looking forward to associating with Disney Kids Network and presenting our creation through their powerful platform and reach,” said Ssoftoons CEO Sourav Mondal.

  • Digital marketing really worked for us during the pandemic: Super Plastronics’s Avneet Singh Marwah

    Digital marketing really worked for us during the pandemic: Super Plastronics’s Avneet Singh Marwah

    When the second-generation entrepreneur, Avneet Singh Marwah took over the reins of the company, it was still known for manufacturing plastic injection moulds which it started in the 1970s and 80’s. He slowly steered it into what it is today – one of the country’s largest TV manufacturing firms and the exclusive India licensee of global brands such as Kodak, Thomson televisions. It has recently also tied up with the German consumer electronics brand Blaupunkt.

    He started his journey in the company as an assistant manager and made his way through, before taking over the reins of the company from his father, Amarjeet Singh Marwah, the founder chairman of the company. “I worked in almost all divisions – from moulding to assembly line to service, accounting, finance, and sales. I worked on the field itself and spent three to four months in each department,” Avneet said, “In those six-seven years I never had any office or anything.”

    From thereon, there was no looking back for Marwah who went on to change the game and turn the fortunes for Super Plastronics Pvt Ltd (SPPL). Under his leadership, SPPL has now become one of the leading smart TV and home appliance manufacturers, selling top-of-the-charts global brands in India’s booming e-commerce market, via Flipkart and Amazon. Under the brand’s aegis, the European consumer technology brand, Thomson is currently among the ‘Top Five selling online smart TV brands’ in India.  

    IndianTelevision’s Anupama Sajeet had an in-depth conversation with SPPL, CEO Avneet Singh Marwah on the brand’s journey from plastic moulding to being India’s largest contract manufacturing firm & the exclusive licensee of four renowned international television brands. He also spoke about spotting opportunities amid the pandemic gloom, and talked about what it means to be an online exclusive brand, and future plans.

    Edited excerpts:

    On the origins Super Plastronics and the journey so far

    It’s been 30-years since we forayed into black & white CRT, colour, LCD & now LED televisions. Before that, our work was limited to plastic moulding for television. Currently, we have a couple of LCD brands in our portfolio, about 550 service centres, 24 pan India offices, and 28 warehouses across India. There are three manufacturing plants located in Noida, Una, and Jammu. By the end of the year, we will be shifting to our new fully automated TV manufacturing plant in Hapur, Uttar Pradesh where the target set is 1.5 billion units a year. In fact, we have the second-largest manufacturing plant in India, after LG.

    We began with Kodak in 2016 and offered ‘global technology at competitive prices. In 2018, we launched the French consumer electronic brand Thomson. Now, we have four international brands on board, including the German consumer electronics brand Blaupunkt. SPPL has complete rights to these brands from manufacturing to sales to marketing. There are two parts to it – the first is providing the most affordable TV sets in India and the second category is premium TV sets.

    On what led to the brand’s expansion plans amid the pandemic gloom

    The pandemic actually presented a big opportunity to all the manufacturing units in India. Firstly, the government banned the import of LED televisions’ CBUs (complete build units) last year, which led to a huge spike in the market in terms of the television industry. Earlier, there were a lot of imports happening in televisions. With the decision to ban it, one had to manufacture and assemble them in India. Plus, globally everyone’s looking for an alternative to China. We see this as a great opportunity for us with the government taking a decision on manufacturing all appliances in India. So, apart from television, we are foraying into appliances.

    On the brand’s focus on e-commerce and its region-specific growth

    We are an online-exclusive brand to Flipkart and it’s one of the largest retailers of TV sets in India, with an approximate market share of 44 per cent currently. When we started out about three years back, we had a strong online presence in tier 1 and tier 2 cities, but now we see a huge surge of growth in tier 3 and 4 towns, as well. In fact, in the last one year the maximum growth has happened in tier 2 and 3 regions.

    To be region-specific, the online sales have grown in Tamil Nadu, Karnataka, Andhra Pradesh, Telangana, Delhi NCR and Uttar Pradesh. In the West, Gujarat and Maharashtra, where the latter is among the best-selling states with maximum consumerism in India. In the East, West Bengal is seeing a spike; Assam and Odisha again have a bright future for online sales.

    The advantage of being online-exclusive currently is that we are seeing a 100% YoY (year-on-year) growth for Thomson. Pandemic has led people to move from offline to online even for buying appliances and electronics.

    On SPPL’s marketing strategy to reach out to consumers

    We are primarily marketing through the digital platform- that has really worked for us. At first, we targeted the online customers where the intent of buying is high based on their searches, so the conversion to sales is high. Now, we have started focusing on the customers, who were buying offline to encourage them to buy online and we have seen a lot of first-time e-buyers in the last eight months. We get lots of traction from influencer marketing, social media, google ad words- we have a 360-degree ecosystem in digital marketing.

    Apart from that, our strategic partner is Flipkart and whenever there’s any ATL/ BTLs or TV campaigns during festive season periods they include the SPPL brand name as well – only on those particular days do we target TV. That includes print campaigns too, but the print is in the decline stage right now and we don’t get too many eye-balls via it; this was more so true during the pandemic when sales of newspapers took a hit.  

    On the impact on brand growth and revenue during the pandemic

    We have been an online exclusive brand for Flipkart since 2018. We have seen a 100 per cent year-on-year growth phase. Last year after the first lockdown there was a huge pent-up demand and the whole world was hooked to their screens due to WFH, online classes, and people shifting to OTT platforms due to lack of fresh content on the TV – all of which led to record sales for us. But after the hard-hitting second wave, because of low disposable income, people had reservations about spending on high-value items and electronics. But, there is a huge inflationary demand for televisions in the country that will continue. As soon as the consumer sentiment improves, we will again find a growth pattern.

    On the plans to be an online exclusive brand for high-value items like TV and washing machines, post pandemic

    We have seen once the customer starts buying online it becomes very difficult for him to come out of it, because of various factors- there are offers that run exclusively online. Both Amazon and Flipkart are creating an ecosystem around it. Plus, there’s a limitation of shelf space when one goes to buy offline, thus one will not find the complete product catalogue in one place, unlike online where you’ll find the complete package in terms of variety. Hence, I don’t believe it will be affected once the lockdowns and restrictions cease.

    We are covering almost every town and city pan India, and now all set to foray into the rural markets too. With regards to product diversification, right now we have introduced air-coolers, before that it was washing machines. We are working on a couple of more product categories that need to be finalised before they can be announced.

    On what sets the brand apart from other local players?

    There are very few brands in India which have a network of more than 550 service centres. In the next few years, we plan to take that number to 800, which will be one of the highest for any television brand in India. Thus, we have a well-established network, which we have developed over the last three years, which is a challenging task for any new brand or an existing Chinese smartphone brand. We cater to 2,300 cities and towns that contribute to over 85 per cent of sales.

    Additionally, we have about 28 warehouses across India, with a door-to-door service which is a huge factor when it comes to spare parts replacement. The delivery period is also drastically cut down when there’s local warehousing with spares, and this gives a huge advantage to customers. Plus, we are one of the few brands which have the capability of doing replacement of TVs from the customer doorstep- even in tier 3, tier 4 towns which most other brands struggle to do.

  • Times Network forays into Hindi news with a bid to create ‘New India’

    Times Network forays into Hindi news with a bid to create ‘New India’

    New Delhi: Making its foray into Hindi news, Times Network on Sunday launched its new channel, Times Now Navbharat HD. The new entrant is being spearheaded by Times Now’s group editor Navika Kumar who will lead the editorial mandate and handle the overall management of the channel.

    The channel will be available across all the leading cable operators, MSOs and DTH platforms including Tata Sky, Airtel DTH, Hathway Digital, and DEN Digital, said the network. It has also launched an extensive outdoor campaign for promoting the new brand with a positioning- ‘Ab Badlega Bharat, Banega Navbharat’.

    “We are not in the race for TRP,” said Times Network MD and CEO MK Anand at the channel launch, adding that ‘Times Now Navbharat’ is part of the network’s effort to convey people’s correct and accurate message to the government and vice versa.”

    “In the world of English news channels, we have been running Times Now with the same resolution for the past 16 years. Issues which we raise at Times Now, they become a topic of discussion among people the next day and reason for a change in the society and political circles. We work tirelessly on such issues and news which are in public interest and also contribute to the welfare of the country and the society. This helps us get TRP organically,” said Anand. “We believe that news has the power to make an impact on our society and also help make it a better place to live in.”

    According to Anand a “new India” will emerge only when key and important issues are raised in a right manner, and also when there is a proper communication between people of the country and the government.

    The channel was launched with seven prime-time shows hosted by Sushant Sinha, Padmaja Joshi, Ankit Tyagi, and Meenakshi Kandwal. The primetime shows include Rashtravad at 5 pm, Log Tantra at 6 pm, Dhakad Exclusive at 7 pm, Sawal Public Ka at 8 pm, News Ki PaathShala at 9 pm, and Opinion India at 10 pm.

    The mega marketing campaign launched across Hindi-speaking markets was conceptualised by McCann Worldgroup India. The network has also unveiled a brand film highlighting the channel’s genesis and brand manifesto written by noted lyricist Prasoon Joshi.

    Apart from print ads in leading English and Hindi dailies, the network has launched an extensive outdoor promotion spanning across 400 sites across 19 cities including Mumbai, Delhi, Lucknow, Patna, Jaipur, Dehradun, Indore, Punjab, Raipur and Varanasi. Kent RO System, Century Ply, Radico Khaitan, Vedanta, Medibuddy, Amrita Vishwa Vidyapeetham, Darwin Platform Group of Companies, Mylab Discovery Solutions, Meghdoot Herbal, Kirloskar Brothers are some of the advertisers currently onboard.