Tag: television network

  • Sun TV maintains lead in week 41: Barc

    Sun TV maintains lead in week 41: Barc

    Mumbai: Maintaining last week’s lead at the top position, Sun TV bagged 2844.7 AMA in week 41 (between 9-15 October) according to Broadcast Audience Research Council (Barc) data. Star Plus stood second with 2506.37 (‘000s) AMA, while Star Maa finished third at 2348.62 (‘000s).

    Star Sports 1 Hindi, Star Vijay, Star Utsav, Colors, Sony SAB, Zee Kannada, and Zee Telugu grabbed the remaining slots.

    With weekly AMAs of 512.65, Sun TV led the mega cities. Star Vijay, Star Plus, Colors, and Star Sports 1 Hindi followed.

    The south market was also dominated by the Tamil major at 2837.61 AMA. Star Maa, Star Vijay, Zee Kannada, Zee Telugu were at number two to five, respectively.

    Among the regional markets, Star Pravah was the most viewed channel in Maharashtra/Goa with 1347.61 (‘000s), Star Jalsha (1004.82) in West Bengal, Tarang in Odisha (446.41), Zee Kannada (1540.89) in Karnataka, and Star Utsav in Rajasthan ((224.04) and UP/Uttarakhand (338.4).

  • Hyderabad-based IT engineer arrested for copyright violation of Viacom18’s content

    Hyderabad-based IT engineer arrested for copyright violation of Viacom18’s content

    New Delhi: Maharashtra Cyber Police has arrested a 28-year-old Hyderabad-based IT engineer for alleged copyright violation of Viacom18’ content using a standalone pirated application called Thop TV.

    According to police, the accused named Satish Venkateshwarlu was allegedly relaying and transmitting the network’s content without authorization at a discounted price through a mobile app called ‘Thop TV’, and thus causing a substantial revenue loss to the network.

    The accused was arrested under Sections 43, 66 and 66B of the Information Technology Act, 2000, Section 63 of Copyright Act, and Section 420 and 34 of the Indian Penal Code (IPC). He was produced before the court which remanded him to six days of police custody for further investigations.

    The probe was initiated after Viacom18 filed an official complaint with Maharashtra Cyber against the “rogue, standalone” mobile application, which was relaying and transmitting their copyrighted content such as movies, TV shows and VOD content at a discounted rate, thus causing substantial revenue loss to the company.

    Superintendent of police, Sanjay Shintre said, “After the initial technical investigation, it was noticed that the accused, a highly educated IT engineer from Hyderabad developed a mobile application named ‘Thop TV’ and pirated Viacom18’s content through Telegram, a social media intermediary. The app has lakhs of viewers, including 5,000 paid subscribers, thereby generating massive revenue for the app.”

    Speaking on this development, a Viacom18 Spokesperson said, “Piracy is a matter of grave concern for the media industry and one that needs to be addressed constantly. It is important to acknowledge that digital piracy is a serious offence which causes huge losses to the digital economy. Viacom18 will continue to fight this menace and secure its content through all means available under law. We are grateful to the Office of the inspector general of police Maharashtra Cyber for their constant vigilance and timely support towards curbing piracy and copyright violation.”

  • MTV makes music, again

    MTV makes music, again

    MUMBAI: While it counts as the oldest music television network in Asia and the one brand that has always stood for all things youth, MTV India, Viacom18’s youth entertainment channel, is not one to rest on its laurels.

     

    And so, in a bid to add an exciting new dimension to its youth connect as much as stay ahead in an already cluttered space, the channel has, in collaboration with Soundlogic, an American gadget major that set shop in India two years ago, and Croma, launched a range of music accessories under the flagship brand, MTV Fashiontronix.

     

    The accessories including trendy earphones, Bluetooth ear buds and many more will be exclusively available at Croma stores across the country and on its website.

     

    Speaking on the launch, Viacom 18 senior VP consumer products Saugato Bhowmik said: “We believe in catering to the youngsters and only want to expand our horizons across categories which cater to our thought process, be it related to fashion, gadgets, Bollywood etc.”

     

    About the tie-up with MTV, Soundlogic director Sagar Gwallani said: “After the successful response we got here, we thought of enhancing our reach more among the youngsters. Hence, we collaborated with MTV because of its popularity among the youth and its digital following. The combination of our technical bandwidth along with the channel’s creative edge in the market will help us achieve our goal.”

     

    On the collaboration, Infiniti Retail CEO & managing director Ajit Joshi said: “We sell products like JVL and Bose but today, youngsters want music on the go. It is a religion for them. And when we got an opportunity to address the needs of the youth of the country, we were glad to be part of it.”

     

    MTV will market the new product range through its digital space. “Where do youngsters hangout? It’s cafes, colleges and are always on the digital platform. Apart from us, Croma too will be supporting us on its digital space,” informed Bhowmik, adding that the channel is in the planning stage of launching a marketing plan on its sister channels. “We have all the edge at our disposal and we will be utilizing our sister channels in the future,” he said.

     

    Meanwhile, Joshi opined that the range, priced between Rs 899 and Rs 3999, doesn’t really need marketing as he could predict it would fly off the shelves as soon as youngsters got their hands on it.

  • Raj TV reports flat q-o-q revenue for Q2-2013; 26 per cent lower q-o-q PAT

    Raj TV reports flat q-o-q revenue for Q2-2013; 26 per cent lower q-o-q PAT

    BENGALURU: Television network Raj Television Network Limited (Raj TV) reported almost flat revenue for Q2-2014 at Rs18.35 crore as compared to the Rs18.29 crore reported for Q1-2014. Y-o-y revenue was however higher by 12.3 per cent (about Rs 2.01 crore higher) than the Rs 16.34 crore for Q2-2013.

    Raj TV’s PAT for Q2-2014 at Rs 3.46 crore was about 26 per cent lower than the Rs 4.67 crore for Q1-2014, but 50 per cent higher than the Rs 2.31 crore y-o-y (Q2-2013).

     

    Despite a 23 per cent lower cost of revenues at Rs 5.18 crore for Q2-2014 as compared to the Rs 6.75 crore for Q1-2014 and lower by almost a third (32 per cent) cost of revenue for Q2-2013 at Rs 7.58 crore, higher employee benefits, higher depreciation and amortisation expense and elevated administrative expenses have increased the total expense by about two per cent to Rs 13.09 crore as compared to the Rs 12.85 crore for Q1-2013.  Raj TV’s total expense at Rs 13.55 crore for Q2-2013 was higher by 3.3 per cent as compared to Q2-2014.

     

    Administrative cost at Rs 3.06 crore for Q2-2014 was a whopping 13.5 per cent more than the Rs 2.69 crore for Q1-2014 and almost 26 per cent more than the Rs 2.43 crore for Q2-2013.

     

    Further, the network paid almost 17 per cent higher finance cost at Rs 97.15 lakh (Rs 0.9715 crore) as compared to the Rs 83.34 lakh (Rs 0.8334 crore) for Q1-2014 and almost 28 per cent higher finance cost than the Rs 76.02 lakh (Rs 0.7602 crore) for Q2-2013.

  • Broadcasters delighted; want I&B minister to push through ad cap delay

    Broadcasters delighted; want I&B minister to push through ad cap delay

    MUMBAI: With just a little more than two months left for the 12 minute per clock hour advertising cap to be implemented, the broadcast industry is applauding Minister of Information & Broadcasting Manish Tewari’s recommendation. The minister has reportedly stated that the ad cap deadline should be moved ahead to December 2014 from 1 October 2013 as suggested by the Telecom Regulatory Authority of India (TRAI).

     

    Times Television Network MD and CEO Sunil Lulla feels that the recommendation is in sync with reality. “From a news broadcasters’ point of view, we have put forward similar thoughts many a times with concerned bodies. Considering the difference between cost of production and the revenue generated, it would be better if news broadcasters’ were allowed to self regulate. We hope that the request is heard,” he anticipates.

     

    Similarly, a senior official from the News Broadcasting Association (NBA) agrees and adds, “Look at the cost for each broadcaster;  if he has to increase eight minutes of content per hour that is close to three hours of more content a day. Where will a broadcaster get so much money from when his ad revenue is going down? Even producers are going to demand more money as to produce a minute of content takes up a good one hour. There are 10,000 things that need to be done depending on the final decision…”

     

    The NBA official further elaborates, “As broadcasters we don’t know what to do. Everyone is saying different things, so who do we believe? What if a channel actually starts implementing changes and then they extend the date, it’ll be in a mess.”

     

     “We are happy that he’s understood our problem which is a genuine one and we hope that he will be able to convince TRAI. And we need take a decision soon,” say both the broadcasters.

     

    But what about other channels/genres? “One shoe for all is what I believe rather than two which might create confusion,” Lulla clarifies.

     

    To put forward advertisers’ viewpoint on the issue, Advertising Agencies Association of India (AAAI) president Arvind Sharma elucidates, “AAAI has always supported the thought implementing the ad cap after we know what is the full impact of digitisation is known.”

     

    However, when we contacted a senior official from TRAI, he told us that they too haven’t received any official “recommendation” from the ministry about postponing the deadline, but have only read about it in new reports.

     

    In May 2013, TRAI had mandated that general entertainment TV channels (GECs) and news channels should reduce their advertising air time per hour from16 minutes and 20 minutes respectively to 12 minutes by 1 October 2013. The reason given by the authority was that the advertising clutter was resulting in a poor viewing experience for TV watchers.

     

    Industry is hoping the minister follows up his suggestion with a formal appeal to the TRAI. “The bullet has left the gun…,” says an official from the Indian Broadcasting Foundation who was caught in surprise by the minister’s statement that TRAI should posptone the ad cap until cable TV digitsation is completed in September 2014.

     

    “We haven’t received any communication from the ministry regarding this. And if we go by the communication we have received in the past few days, there seems to be a conflict,” he says sounding puzzled.

     

    In the past too, there have been many ups and downs in the broadcasting industry. The whole ratings tamasha which went on for a fortnight was resolved when the three stakeholders – Indian Broadcasting Foundation (IBF), Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA) – finally came up with a solution of providing the television viewership in thousands (TVT) to media and public.

     

    We at Indiantelevision.com can only hope that the recommendation doesn’t boil down to another controversy, but has a happy ending. However, one does wonder why the statement was made. Do up-coming elections have anything to do with it? Let’s just wait and watch…

  • ”Economically sensible model is a combination of CPT and correction of income growth’ : Paritosh Joshi- Star India President

    ”Economically sensible model is a combination of CPT and correction of income growth’ : Paritosh Joshi- Star India President

    It’s now a known fact that HLL has pulled its advertising off the Star India Network, but whether a non co-existence and exchange between the biggest advertiser on television and the top rated television network in the country is a healthy proposition for either of the two parties, is the moot point?

     

    Even though TRP rates have declined across the network by 1-1.5 per cent after the implementation of Cas, it is also true that the television universe has grown drastically. And the truth is, Star has been singled out, leading one to question if there is a larger issue at stake here between the two mammoth corporations in this face-off that kicked off in March this year.

     

    Star president advertising sales and distribution Paritosh Joshi says that it is more than just an individual client issue but part of a larger debate for which the industry cannot behave like a cartel because that is unethical.

     

    Presented here are comments made to Indiantelevision.com on the matter by Star India president Paritosh Joshi. Additonally, relevant comments made in earlier interactions with Indiantelevision.com by HLL GM – Media Services Rahul Welde and Zee Network executive V-P Joy Chakraborthy have been provided in an attempt to offer a more rounded overview of the issue.

    Excerpts:

    How do you propose to address the issue that HLL has put the forth through its boycott of the network and rejection of Star’s advertising rate card?
    A solution to this will emerge as a fallout of the understanding of two dramatic developments in television. First the growth in television homes in the Hindi speaking markets of the East, West and North but not the South that is already saturated.

    Secondly, the GDP, which is estimated to grow by 8.9 per cent year on year. However, there is a disproportionate income increase in which the top 60 per cent of the population absorbs this growth. Out of the 120 million TV homes, 70 million are C&S, therefore with the kind of growth in disposable incomes that the country is seeing, the number of C&S homes will grow by twice that rate.

    The aggregate value of television ad sales is likely to see 20-22 per cent Y-O-Y growth. If this is not reflected as an industry then we are under monetized.

    Is CPT is the answer?
    I believe an economically sensible model is a combination of CPT and correction of income growth.

    Should broadcasters be united on this front?
    The industry cannot behave like a cartel because that is unethical. We have to, as individual broadcasters, explain this to the client in a sensible manner and get them to recognize and find merit in the argument.

    But how then do you fill up the bulk of your inventory?
    The Cricket World Cup has in some ways contributed to clients looking for a more reliable, robust and stable inventory. With April to June being a buoyant period with new category launches and the new financial year, there are enough interested clients. We are seeing high activity from the skin care sector, bottled beverages, refrigerated foods and air conditioner brands.

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    Money is shifting from the big to the small or from the leaders to the challengers

    With HLL always known to be television heavy, what happens in the case of mass channels and niche channels, what strategy would you follow in that case?

    Well, we do spend on niche and mass channels, but with the whole area of fragmentation of audiences with multiple channels emerging, where stickiness is a challenge and competition is high. Now what it really means for us is that segmentation and multiplication of channels provides the opportunity to peg note and talk to the consumer.

    Unfortunately, the costs have increased and given that the overall advertising pie is fixed. The ad pie doesn’t grow because there are more channels, but what is happening is money is shifting from the big to the small or from the leaders to the challengers.

    The growth of channels, we will see an increase in the number seconds, but what is often interpreted is that spends are also increasing in the same proportion. It is of course a big challenge as fragmentation makes the task of planning even more difficult, where agencies will produce software and optimizers making the process more sophisticated. This scenario is good for segmentation, bad for costs. Thus I don’t know whether to call it a ‘happy situation’ because after a point of time your returns become sub-optimal when costs are high. Then that becomes a worry.

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    The big news currently seems to be around how Hindustan Lever is significantly increasing spends on your network. You have even been on record as saying you are looking at a growth of at least 100% on Lever spend in FY08 over FY07? How do you justify that optimism?
    Levers is the biggest client in the television space and we have channels across all genres, Levers is a good client for consumption also because they are perennial clients. There has been rate correction but we have also given them big properties. At the same time, Levers buying process over the last two years has changed, initially they used to buy slots that appeared at a particular time band but now they have started buying quality as well so they would necessarily have to pay for that. Therefore, there has been a jump in ad sales rates this year over the previous year.

    When you say ‘rate correction’ – what do you mean?
    The Zee network itself is very under-priced, so we are continuously correcting our rates. I have over my tenure here (which is two years) revised my rates three times, but no rate correction is very drastic, it’s really a gradual correction.

    After all we are still in a World Cup year and although India is out of the tournament, we will see loads of other cricket action as well?
    As a network, we haven’t suffered at the hands of cricket. However a lot of money is diverted there. But thanks to cricket and sport, I believe that the overall PUT (people utilizing television) will also increase, because of World Cup TV sales will also increase, so the whole space is only going to expand.

    It will eventually benefit us also, but my only concern and what I see as a challenge this year is that the unofficial currency is cost per rating point (CPRP), which has to move cost per thousand (CPT). CPT is more important and with Tam’s expanded panel the absolute number of people watching has increased by 50 per cent and we as an industry should be paid for that. Even more, if you are a listed body you also should subscribe to the CPT model, which will happen sooner or later.

    But how soon do you think the transition from a CPRP model to CPT model will take to materialize?
    The IBF and AAAI have already met on two occasions, the next one is in April. But at the end of the day this shift will benefit all of us. It’s not that it is unfortunate for the client alone, as the television medium continues to grow the cost of programming, distribution, marketing and manpower is increasing every day. With the CPT model the ad rates will go up, infact most agencies buy on CPRP and give it to the client on CPT, but after expansion the minimum rate has increased. The recommendations of these two industry body’s should materialize within a month’s time.

    It has been previously stated that Cas impact only accounts for a 1- 1.5% drop in C&S 4+ level across TV. However, with moves to extend Cas to cover the full metros and then possibly go into other cities and towns this argument cannot be sustained for much longer. How does Zee view this situation and how do you plan to use it to your advantage?
    Cas is here to stay but the thing is that Cas growth was marginal, across the Zee network the drop accounted for 2.5 per cent, which is very less in comparison to the kind of growth that we are experiencing.

    With Cas rolling out further, the pressure from media buyers on rates is only going to go up? Do you see the possibility of many channels, including entertainment channels, going FTA to protect advertising revenues? For instance, Peter Mukerjea’s Hindi entertainment channels will be FTA when it launches…?
    Sometime we really wonder whom the media buyers really work for, the channel or the client. They will always pressurize us. Do you think they deal with rate hikes easily? They will fight for each rupee just as we fight for the same. But that is what makes our relationship so lasting.

  • ImaginAsian TV launches Anime block

    ImaginAsian TV launches Anime block

    MUMBAI: Asian American television network ImaginAsian TV (iaTV) in the US will launch a new two-hour primetime anime block Anime EnerG.

    The block will feature anime series from animation distribution company, Geneon Entertainment, a division of Dentsu. Elemental Gelade, Kyoh Kara Maohi, Law Of Ueki, and Gankutsuou: The Count Of Monte Cristo are scheduled to premiere on iaTV’s new Tuesday evening animation block Anime EnerG later this month

    ImaginAsian TV senior VP programming and production David Chu says, “We are very excited to partner with Geneon Entertainment in launching an outstanding primetime anime block populated with series that are fan favorites, all of which will be making their U.S. television premieres.

    “All of the anime series are top quality productions that fit perfectly into iaTV’s strategy of providing the best animation for American audiences.”

    Geneon Entertainment senior VP business development Katsuhiko Tsurumoto says, “ImaginAsian TV is a great destination for Geneon content casual fans appreciate the pop-culture sensibility executed by ImaginAsian, and core anime fans value seeing the original language versions that ImaginAsian can provide so well!”

    In Elemental Gelade after a routine raid, the rookie sky pirate Cou finds a most unusual cargo in his mates’ cargo hold: Ren, an “Edel Reid”, a race prized by humans for granting special combat power to their partners through “Reacting”. He quickly discovers, however, that Ren is even more prized than he expected. The pirate ship is visited by three members of the Edel Reid Complete Protection Agency “Arc Aire”, who try to purchase her. When Cou refuses, the ship is suddenly attacked by a mysterious force, and Cou’s captain charges him with Ren’s protection. Thus starts Cou and Ren’s “journey of love adventure.”

    In Kyo Kara Maoh Yuri Shibuya was living a pretty normal life. That changed the day he was dunked into a toilet after an attempt to save a classmate from a gang of bullies. Instead of just getting a good soaking, he’s pulled in. The next thing he knows, he’s in a world that vaguely resembles medieval Europe . If that’s not odd enough, he’s told that he is to be the next Maoh, the King of the Mazoku, who are coexisting not-so-peacefully with the humans in this world. Now, Yuri has to deal with trying to become a good Maoh, while at the same time attempting to adapt to this land’s customs and culture, all in a world where the tension between the humans and Mazoku is reaching its peak.

    The protagonist of Law of Ueki is Junior high school student Kousuke Ueki. He is picked by a God Candidate, Koba-sen, to participate in a competition where people battle out to become God. Embodied with the ability to turn garbage into trees, Kousuke will be competing against other junior high school students in this selection. This sets the premise for the earth-friendly battle where the students will pit their powers against the rest.

    In Gankutsuou: The Count of Monte Cristo Albert, the son of a renowned general from Paris , makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women, and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris . However, unknown to Albert, his father had once framed the count and took the count’s fiancée as his own.

  • TVHead licenses Tetris for interactive TV

    TVHead licenses Tetris for interactive TV

    MUMBAI: Capitalising on a truly global game phenomenon, TVHead has secured the worldwide interactive TV rights for Tetris – including cable, satellite and IPTV – through 2010. The games-on-demand television network will provide the game to cable and IPTV subscribers as part of its premium offerings.

    With its user-friendly interface and addictive appeal, Tetris is believed to be the world’s best selling electronic game, due to its wide availability on almost every modern computer and game system available.

    “Tetris is more than just a game… it’s a phenomenon with a level of consumer loyalty and awareness equal to top TV programs. Not only is Tetris the number one downloaded wireless game by a large margin, but it has also been incredibly successful on every other platform on which it has been introduced. We are thrilled at the opportunity to provide Tetris to TV audiences because television is the perfect casual games platform. By offering such a consumer-demanded blockbuster, TVHead enables operators to keep their game playing subscribers happy and in front of the TV,” said TVHead CEO and founder Sangita Verma

    TVHead will offer two versions of Tetris: Tetris Classic and Tetris Battle. In the classic Tetris puzzle game, players must clear horizontal rows to score points by creatively rotating and aligning falling blocks while the action accelerates with every move.

    Additionally, Tetris Classic will include high scores, multiplayer and advance play modes. Tetris Battle, a new multiplayer version currently in development, begins when a player submits his or her ‘best of’ game as a challenge to others. Competitors can then select to play against this game—being dealt the same pattern and speed of falling blocks—to see if they can best the score. Highest scores continue to move up the ranks with postings on leader boards and prizes for obtaining high-score benchmarks. Rankings span first local, then regional, and finally national status.

    TVHead is also working with Blue Planet Software Inc., the exclusive worldwide licensing agent for The Tetris Company, to create a consistent multi-platform game experience in which players are able to compete against each other using television and PCs.