Tag: Ted Sarandos

  • Netflix adds ‘Divines’, Anurag Kashyap’s Raman Raghav 2.0 to portfolio

    Netflix adds ‘Divines’, Anurag Kashyap’s Raman Raghav 2.0 to portfolio

    MUMBAI: Netflix has added the critically acclaimed movie Divines to its bouquet at Cannes film festival. The movie will be available to the members exclusively in most of the world later this year.

    Described by critics as one of the best young-adult films to come out of France in recent years, the funny, often suspenseful and emotional drama tells the story of Dounia, a tough but naive teenager who sees getting rich or dying while trying as her most viable option. Set in a ghetto near Paris where drugs and religion reign supreme, Dounia is hungry for her share of power and success. Enlisting the help of her best friend, she decides to follow the footsteps of a respected dealer. When Dounia meets a young sensuous dancer, her life takes a surprising turn.

    Houda Benyamina’s directorial debut received rave reviews from critics and was awarded the Caméra d’Or, an award at the Cannes Film Festival for the best first feature film of a director. Critics heaped praise on Oulaya Amamra’s “breakout” performance as Dounia.

    “We saw Divines before it was award winning, praised by critics and received a standing ovation at Cannes, we immediately recognized it as an extraordinary film and acquired it early on,” said Netflix chief content officer Ted Sarandos. “We’re passionate about bringing our members great films from around the world and thrilled to bring Benyamina’s debut film to our members.”

    “Emotions bring people together and are a reflection of society. Thanks to Netflix, Divines will cross borders and the world will be able to enjoy this universal story of love and friendship,” said filmmaker Houda Benyamina. “I am very happy with the collaboration with Netflix.”

    Netflix members everywhere, except France, will be able to watch Divines later this year. In France, Divines will not be available on Netflix until 2019 in accordance with French media chronology rules.

    Other Netflix acquisitions at Cannes

    Netflix aims to bring the best film, series, documentaries and kids programming from around the world. It has already announced the acquisition of Wheelman, which stars Frank Grillo in a film directed by Jeremy Rush that will have a worldwide premiere on Netflix in 2017.

    Another Cannes film prize winner Netflix members everywhere can look forward to is French director Sacha Wolff’s Mercenary (Mercenaire). The film tells the story of Soane, a young man of Wallisian origin from New Caledonia, who defies his father’s authority to go and play rugby in France. Left to his own devices on the other side of the world, his odyssey will take him on the path to becoming a man in a world where there is a price to be paid for success.

    Other acquisitions from Cannes that Netflix members will be able to watch include:

    Raman Raghav 2.0 – A thriller from ace Indian director Anurag Kashyap. Ramanna, a serial killer fascinated by a psychopath from the 60s, and Raghavan, a young policeman, are waging a battle without mercy. But who is really the one being chased?

    Aquarius – A drama from Brazilian director Kleber Mendonça Filho centered around Clara, a 65-year-old widow and retired music critic who is the last resident of the Aquarius, an original two-storey building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighbouring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death. (Aquarius will be on Netflix in North America, Australia, New Zealand, Asia, Latin America (outside of Brazil) and UK with other regions to be confirmed.)

    The Day Will Come – A Danish drama directed by Jesper Nielsen developed and written by Søren Sveistrup, known from hit shows like The Killing. Set in the 1960s, The Day Will Come centers around two inseparable brothers, Elmer and Erik, who are locked in a boy’s home and engage in a battle against the tyrannical Headmaster Heck to set themselves free.

    Very Big Shot – feature debut of Lebanese director Jean Bou Chaaya. The comedy deals with brothers Ziad and Joe who run a small but lucrative drug-dealing business out of their takeout pizzeria in one of Beirut’s working-class districts. With their youngest brother Jad about to be released from prison, Ziad and Joe plan to go straight, but their supplier is not keen to see his dealers retire.

    Journey to Greenland – A French comedy directed by Sébastien Betbeder. Two thirty-something actors from Paris hit a rough patch and decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenlands. Among the Inuit community, they discover the local customs and their friendship is challenged.

  • Netflix becomes exclusive US pay TV home for Disney, Marvel, Lucas film & Pixar movies

    Netflix becomes exclusive US pay TV home for Disney, Marvel, Lucas film & Pixar movies

    MUMBAI: The global OTT player Netflix has partnered with Disney to broadcast forthcoming titles throughout the summer. Under the pact that was signed three and a half years ago, the streaming service will become the exclusive US pay TV home of the latest films from Disney, Marvel, Lucas film and Pixar with effect from September 2016.

    Netflix’ chief content officer Ted Sarandos has also announced that Netflix original movie Mascots and War Machine will be arriving the same month. While the earlier is a mockumentary on sports mascots from This Is Spinal Tap writer Christopher Guest, the latter is from acclaimed Australian director David Michod and starring Brad Pitt, in the serio-comic tale of the U.S. military adventure in Afghanistan.

    The partnership with Disney will allow Netflix to offer the movies during the same window as HBO and other paid cable channels but after the DVD and Blu-Ray releases.

    It has also added various films that will be available in its catalogue this summer which includes titles like The Big Short, Hotel Transylvania 2, Spotlight, Goosebumps, the Back to the Future trilogy, the Lethal Weapon franchise, Sixteen Candles and The Wedding Planner. Other new additions include Spotlight, the Jurassic Park series and The Fundamentals of Caring.

    Meanwhile, few Disney movies will not be featured on the platform. Movies that will no longer be aired from next month include titles like Hercules, Mulan and The Hunchback of Notre Dame.

     

  • Netflix becomes exclusive US pay TV home for Disney, Marvel, Lucas film & Pixar movies

    Netflix becomes exclusive US pay TV home for Disney, Marvel, Lucas film & Pixar movies

    MUMBAI: The global OTT player Netflix has partnered with Disney to broadcast forthcoming titles throughout the summer. Under the pact that was signed three and a half years ago, the streaming service will become the exclusive US pay TV home of the latest films from Disney, Marvel, Lucas film and Pixar with effect from September 2016.

    Netflix’ chief content officer Ted Sarandos has also announced that Netflix original movie Mascots and War Machine will be arriving the same month. While the earlier is a mockumentary on sports mascots from This Is Spinal Tap writer Christopher Guest, the latter is from acclaimed Australian director David Michod and starring Brad Pitt, in the serio-comic tale of the U.S. military adventure in Afghanistan.

    The partnership with Disney will allow Netflix to offer the movies during the same window as HBO and other paid cable channels but after the DVD and Blu-Ray releases.

    It has also added various films that will be available in its catalogue this summer which includes titles like The Big Short, Hotel Transylvania 2, Spotlight, Goosebumps, the Back to the Future trilogy, the Lethal Weapon franchise, Sixteen Candles and The Wedding Planner. Other new additions include Spotlight, the Jurassic Park series and The Fundamentals of Caring.

    Meanwhile, few Disney movies will not be featured on the platform. Movies that will no longer be aired from next month include titles like Hercules, Mulan and The Hunchback of Notre Dame.

     

  • Netflix snaps up global rights to India’s ‘Brahman Naman’

    Netflix snaps up global rights to India’s ‘Brahman Naman’

    MUMBAI: Netflix has acquired the exclusive global rights of the hilarious coming-of-age comedy Brahman Naman,from Indian indie director Q. 

     

    The film will be available exclusively for Netflix members around the world later this year. 

     

    Set in Bangalore in the 1980s, Brahman Naman follows the exploits of Naman, a quick witted, high school quiz champ who leads his hopelessly nerdy friends on a trip to Calcutta to win a major college prize. Young, smart and full of heart, the trio are determined to win the quiz – and to lose their virginity along the way.

     

    Revered internationally as one of India’s most vital and provocative indie filmmakers, Q’s latest cinematic cocktail takes the classic American teen comedy, sharpens it with bawdy British word play, and hurls it in the face of the establishment with a fresh Indian cast. The film premiered last week at the prestigious World Drama Competition at the 2016 Sundance Film Festival.

     

    Brahman Naman is Indian cinema at its boldest; fast, furious and raucously funny. It’s a movie that will delight adolescents of all ages, and we’re excited to bring this hilarious tale to our members around the world,” said Netflix chief content officer Ted Sarandos.

     

    Written by Naman Ramachandran and produced by Steve Barron and Celine Loop, Brahman Naman is Q’s latest film, following Gandu, Tasher Desh and LudoBrahman Naman stars Shashank Arora as Naman, Tanmany Dhanania and Chaitanya Varad as his sidekicks, and features Vaiswath Shankar, Sindhu Sreenivasa Murthy and Sid Mallya.

  • Netflix snaps up global rights to India’s ‘Brahman Naman’

    Netflix snaps up global rights to India’s ‘Brahman Naman’

    MUMBAI: Netflix has acquired the exclusive global rights of the hilarious coming-of-age comedy Brahman Naman,from Indian indie director Q. 

     

    The film will be available exclusively for Netflix members around the world later this year. 

     

    Set in Bangalore in the 1980s, Brahman Naman follows the exploits of Naman, a quick witted, high school quiz champ who leads his hopelessly nerdy friends on a trip to Calcutta to win a major college prize. Young, smart and full of heart, the trio are determined to win the quiz – and to lose their virginity along the way.

     

    Revered internationally as one of India’s most vital and provocative indie filmmakers, Q’s latest cinematic cocktail takes the classic American teen comedy, sharpens it with bawdy British word play, and hurls it in the face of the establishment with a fresh Indian cast. The film premiered last week at the prestigious World Drama Competition at the 2016 Sundance Film Festival.

     

    Brahman Naman is Indian cinema at its boldest; fast, furious and raucously funny. It’s a movie that will delight adolescents of all ages, and we’re excited to bring this hilarious tale to our members around the world,” said Netflix chief content officer Ted Sarandos.

     

    Written by Naman Ramachandran and produced by Steve Barron and Celine Loop, Brahman Naman is Q’s latest film, following Gandu, Tasher Desh and LudoBrahman Naman stars Shashank Arora as Naman, Tanmany Dhanania and Chaitanya Varad as his sidekicks, and features Vaiswath Shankar, Sindhu Sreenivasa Murthy and Sid Mallya.

  • Netflix launches in India; three pricing packages on offer

    Netflix launches in India; three pricing packages on offer

    MUMBAI: In one fell swoop, it is hoping to change the world of audio visual consumption. Netflix co-founder & chief executive Reed Hastings today announced the launch of the Internet TV network or OTT service in 130 countries all over the world at the CES show in Las Vegas. And India figures amongst the list, taking its footprint to 190 nations. 

     

    The price: Rs 500 for the basic service, Rs 650 for the standard package and Rs 800 for the premium one. The Rs 500 tag allows viewers to watch the content in standard definition on one screen only at one time. For Rs 650 viewers get access to HD content and can watch on two screens simultaneously. The Rs 800 package brings in the full monty with subscribers being able to watch both HD and Ultra HD content on four screens at the same time. 

     

    However, the first month is being offered free for trial to new subscribers.

     

    “Today you are witnessing the birth of a new global Internet TV network,” said Hastings in Las Vegas. “With this launch, consumers around the world — from Singapore to St. Petersburg, from San Francisco to Sao Paulo — will be able to enjoy TV shows and movies simultaneously — no more waiting. With the help of the Internet, we are putting power in consumers’ hands to watch whenever, wherever and on whatever device.”

     

    Viewers in India will get to watch Netflix original series such as Marvel’s Daredevil and Marvel’s Jessica Jones, Narcos, Sense8, Grace and Frankie, and Marco Polo, as well as a catalog of licensed TV shows and movies.

     

    While largely available in English in most new countries, Netflix has added Arabic, Korean, Simplified and Traditional Chinese to the 17 languages it already supports. He added that newer languages will be added from hereon.

     

    “From today onwards, we will listen and we will learn, gradually adding more languages, more content and more ways for people to engage with Netflix,” said Hastings. “We’re looking forward to bringing great stories from all over the world to people all over the world.” 

     

    He emphasised that the consumption on Netflix is on the up. “Our 70 million members consumed 12 billion hours of Netflix in Q4 of this year as compared to 8.5 billion last year,” he said. He also announced that Netflix will be adding high dynamic range (HDR) video delivery later this year, adding to the 4K or Ultra HD, which it produces most of its series in currently.

     

    Netflix chief content officer Ted Sarandos revealed that 600 hours of original programming will be delivered to its members in 2016. This will include 31 new and returning original series, two dozen original feature films and documentaries, a wide range of stand-up comedy specials and 30 original kids series — available at the same time to members everywhere. 

     

    Amongst the highlights are The Crown, which is about the young Queen Elizabeth while Baz Luhrmann will be directing a series called The GetDown about New York at a time when its crime scene was crumbling and giving way to the disco,  graffiti and hiphop culture. 

     

    Sarandos explained that Netflix is making a difference to piracy wherever it goes because it does not trap viewers in frustrating business models and linear viewing experiences in which television operates. 

     

    “We deliver all episodes at one go so viewers can watch when they want to watch and we are constantly improving our compression technologies to allow for a better viewing experience. We helped create binge viewing,” he said. 

     

    He stated that peer-to-peer torrent downloading via Bittorrent has dropped by 14 per cent in the first six months of the service’s launch in Australia. 

     

     

    A Netflix press release explained that the service is available on virtually any device that has an Internet connection, including personal computers, tablets, smartphones, Smart TVs and game consoles, and automatically provides the best possible streaming quality based on available bandwidth. Many titles, including Netflix original series and films, are available in high-definition with Dolby Digital Plus 5.1 surround sound and some in Ultra HD 4K. Advanced recommendation technologies with up to five user profiles help members discover entertainment they’ll love.

  • Netflix teams with Plan B to produce movie starring Brad Pitt

    Netflix teams with Plan B to produce movie starring Brad Pitt

    MUMBAI: Netflix has teamed up with Brad Pitt’s company Plan B to produce an original film War Machine starring Pitt.

     

    The provocative satirical comedy from David Michôd will be exclusively available to members of Netflix globally and in select theaters next year.

     

    Produced by Netflix and Pitt alongside his Plan B partners Dede Gardner and Jeremy Kleiner, and producer Ian Bryce, War Machine brings together Pitt with Michôd, the acclaimed Australian writer and director. Principal photography is scheduled to start in August.

     

    Inspired by the best-selling book The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan by the late Michael Hastings, War Machineconcerns a four star, “rock star” general whose lethal reputation and impeccable track record vaults him to command the American war in Afghanistan.

     

    War Machine is a rip-roaring, behind-the-facade tale of modern war decision-makers, from the corridors of power to the distant regions of America’s ambitions. Brad and David are a perfect team to make this timely, compelling and entertaining film,” said Netflix chief content officer Ted Sarandos.

     

    “We are so excited to be a part of the inspiring commitment by Netflix to produce cutting-edge content and to deliver it to a global audience,” added Pitt.

     

    Michôd said, “I’m humbled to be making a big, bold movie about the whole sprawling, complex, cumbersome and crazy machinery of modern war and the many lives it touches.”   

  • Netflix to premiere Chris Tucker’s first-ever stand-up comedy special

    Netflix to premiere Chris Tucker’s first-ever stand-up comedy special

    MUMBAI: Actor and comedian Chris Tucker will headline his first full length stand-up comedy special, Chris Tucker Live, premiering exclusively on Netflix on 10 July. Tucker’s stand-up comedy performance will be available to stream in all territories where Netflix is available.

     

    In the special, Tucker returns to the stage he loves and showcases his mind-blowing comedic chops, from his pitch perfect impersonations to his singular on-stage physicality, as he shares his experiences from childhood to the big time. The special was filmed at the Historic Fox Theatre in Tucker’s hometown of Atlanta, Georgia.

     

    “Chris Tucker is a true global movie star and a one-of-a-kind talent whose remarkable energy, delivery and original style make him one of the funniest comedians of our time. We cannot wait to share his distinct and hilarious voice with our members across the globe,” said Netflix chief content officer Ted Sarandos.

     

    “I’m thrilled to be partnering with Netflix, one of the true global leaders in entertainment, on my first comedy special. Before people started seeing me in movies, I was doing standup. It’s always been a part of me, and now I’m excited to share it with my fans around the world,” added Tucker.

     

    Chris Tucker Live marks the first project that Tucker has starred in and produced through his own company, Chris Tucker Entertainment, bringing on board Phil Joanou to direct. 

     

    Tucker is an international award-winning actor and comedian best known for playing the role of Detective James Carter in the Rush Hour film series. He became a favorite on Russell Simmons’ HBO Def Comedy Jam in the 1990s and came to prominence in his first starring role, the 1995 film cult classic Friday starring opposite Ice Cube. In 1997, Tucker was an executive producer and starred in the hit movie, Money Talks with Charlie Sheen.

     

    Chris Tucker co-starred in the 2013 Oscar-nominated film Silver Linings Playbook with Robert DeNiro, Jennifer Lawrence and Bradley Cooper. To date, Tucker has starred in films that have collectively grossed over one billion dollars in box office sales worldwide. Tucker, who is currently on his successful 2015 US comedy tour, has received rave reviews from all over the world, including Asia, the United Kingdom, Australia and the Middle East. Outside of comedy, Tucker is a dedicated humanitarian, spending much of his spare time traveling around the world, doing philanthropic work to make a difference through the Chris Tucker Foundation.

     

  • Leonardo DiCaprio partners with Netflix for release of documentary on endangered gorillas

    Leonardo DiCaprio partners with Netflix for release of documentary on endangered gorillas

    NEW DELHI: Actor Leonardo DiCaprio and his Appian Way Productions shingle have partnered with Netflix for the release of Virunga, a documentary about endangered gorillas on the Congo that the digital network acquired exclusive subscription-video rights to in July.
     
    DiCaprio will serve as an executive producer on the film, which is slated for release on 7 November in theatres in New York and Los Angeles and in all territories where Netflix is available.
     
    In a review earlier this year at Tribeca, the Variety magazine called it a “rousing, must-see work, filmed amid flying bullets and racist conspirators, provides a dramatic front-row seat to a struggle whose moral integrity proves no guarantee against the superior firepower of greed and corruption.”
     
    “Films like ‘Virunga’ are powerful stories that are a window into the incredible cultural and natural diversity of our world, the forces that are threatening to destroy it, and the people who are fighting to protect it,” said DiCaprio, who is himself an environmental activist.
     
    “Partnering with Netflix on this film is an exciting opportunity to inform and inspire individuals to engage on this topic,” he added.
     
    Directed by Orlando von Einsiedel, the film follows an embattled team of park rangers and the endangered mountain gorillas they protect as they are caught in the crossfire of poachers, militia and industry in Africa’s oldest national park.  
     
    “Leo intuitively understands that there is nothing like the power of film to reach people’s hearts and minds,” said Netflix CCO Ted Sarandos.
     
    “With Virunga, we’ll work with Leo to introduce viewers around the world to an incredible, gripping story that will have audiences guessing right up until the final act.”

     

  • I want to restore choice and option for consumers, says Netflix’s Ted Sarandos

    I want to restore choice and option for consumers, says Netflix’s Ted Sarandos

    CANNES: For Netflix chief content officer Ted Sarandos this is the golden age of storytelling. Sarandos was giving a keynote on day two of MIPCOM 2014.

     

    Talking about Netflix and its engagement with the audience, he said, “We have been able to innovate and advance technology that favours the consumer. We have been able to innovate the audience, who are on-demand viewers.”

     

    Netflix which has 50 million paid subscribers in 40 countries, recently launched in France and Germany. Talking about the viewership pattern Sarandos said, “We have been very encouraged with viewing behaviour in France and unsurprisingly, Orange is the New Black is the most watched show in France and Germany for Netflix, in the first couple of weeks and we are excited about it since the shows have not been previously available in these markets.”

     

    According to Sarandos, what works for Netflix is the fact that it caters to the desire of people who have heard about shows, but not been able to see it. 

     

    Netflix offers 70 per cent TV shows and 30 per cent movies, “and that’s the way people watch as well,” he informed.

     

    On his catalogue being small at the time of launch, he said, “What we launch within a new territory is half of the programming that the territory will have in the next 12 months. And we are literally adding content everyday wherever we launch.”

     

    For Sarandos, it is each passing day that gives him the idea of the viewing habits of consumers. “So what you see at the launch is what we know pretty much about the market without even being there and then depending on the viewing behavior, we licence content that people want to see.  So it is an intentional move to launch with less content,” he added.

     

    Netflix also recently launched in Germany and talking about the lessons from the market he said that viewing hours per subscriber was very impressive.

     

    The platform offers consumers the level of choice that they haven’t seen yet. “So while there are a lot of pre-conceived notions, one needs to have dubbed content while also have subtitled programming.”

     

    The platform may also have plans for original French production. “We have found large audiences for existing French content around the world already. We have started working with French animation houses for co-productions,” he said while adding that they have already aggregated a lot of audiences around the world for French shows.  

    So is the business profitable overseas? Answered Sarandos, “We are investing continuously in expansion, we want to be a global company. We are at serious investment phase.”

     

    Sarandos believes that Netflix is a destination for content, for ability to choose and enjoy in one’s own timetable.

     

    The platform which is now also moving into making movies, but doesn’t get involved in writing the script, aims to be active on distribution. “We pick storytellers and let them tell the stories. We don’t dictate creative storytelling,” he said.

     

    Netflix doesn’t want to kill windowing, instead wants to restore choice and option. He also touched upon the point of Netflix’s data analytics. “We use the data to help determine the potential size of the show. The ability to invest in the show was because of the data we had. We didn’t use the data to influence the creative of the show,” he clarified. 

     

    Will Netflix move to sports and news as well? Sarandos quickly said, “It is on-demand that makes Netflix desirable and sports and news are linear events, so we can’t do anything interesting in sports and news right now.”