Tag: Ted Sarandos

  • Best of SRK movies now available on Netflix

    Best of SRK movies now available on Netflix

    MUMBAI: What happens when the world’s leading internet TV network becomes the new home for one of India’s biggest film star? In one such deal of providing premium quality entertainment, Netflix and Red Chillies Entertainment (RCE) have announced a tie-up. All the new films starring Indian movie superstar Shah Rukh Khan will be exclusively available to more than 86 million members globally on Netlix.

    This association marks the beginning of a long-term relationship between both companies and the first of its kind with any Indian film production company. 

    “Shah Rukh Khan is the most sought-after actor in the Indian film industry, and has played a huge role in bringing Indian cinema to the world stage,” said Netflix chief content officer Ted Sarandos. “His monicker “King Khan” speaks to his status as a cultural icon and to the incredible popularity of his films among audiences worldwide”.

    The partnership will also give Netflix members both in India and around the world exclusive subscription video-on-demand access to dozens of RCE films as well as new films that will hit Indian theaters within the next three years.

    “Red Chillies is surging ahead in global entertainment and for the first time, our great stories are going global on Netflix all at once and crossing all geographical barriers, waiting to be discovered over the world. No more waiting for our fans wherever they are,” said Khan.

    The first title that will come on Netflix is Dear Zindagi which was released theatrically on 25 November. The highly-anticipated film directed by Gauri Shinde stars Shah Rukh Khan and Alia Bhatt.

    Among other Red Chillies titles available on Netflix will be box office hits including Happy New Year, Dilwale and Om Shanti Om.

  • Pauline Fischer exits Netflix as VP original films

    Pauline Fischer exits Netflix as VP original films

    MUMBAI: Netflix’s Pauline Fischer has called it a day at the streaming service as the vice-president of original films. According to reports, Fischer is leaving her post in order to establish a business consultancy company. She will be transitioning out of the company over the coming weeks, and will remain as a consultant on active productions during this period.

    The streaming service’s chief content officer Ted Sarandos shared his opinion about Fischer’s departure in a statement. Sarandos opined that she has mounted an incredible slate of original films for Netflix and the team is grateful to her for getting this important initiative underway.

    He has also stated that Netflix, in the year ahead, will exclusively premiere David Ayer’s Bright starring Will Smith, War Machine from David Michod starring Brad Pitt, Bong Joon Ho’s Okja featuring Tilda Swinton, Jake Gylenhaal and Paul Dano; Our Souls at Night from Ritesh Batra starring Robert Redford and Jane Fonda, etc.

    Netflix will continue to build its original film initiative to give consumers around the world great new movies to enjoy when and how they want.

    Fischer joined Netflix in 2008 and has worked closely with Sarandos on building the company’s slate of acquired and produced new titles. Among the many projects she has overseen, Beasts of No Nation which reportedly was Netflix’s $12 million purchase in 2015 directed by Cary Fukunaga which coincided with the release on Netflix. She has also played a critical role in the Adam Sandler film The Ridiculous 6 and the Adam Wingard-directed Death Note.

  • Pauline Fischer exits Netflix as VP original films

    Pauline Fischer exits Netflix as VP original films

    MUMBAI: Netflix’s Pauline Fischer has called it a day at the streaming service as the vice-president of original films. According to reports, Fischer is leaving her post in order to establish a business consultancy company. She will be transitioning out of the company over the coming weeks, and will remain as a consultant on active productions during this period.

    The streaming service’s chief content officer Ted Sarandos shared his opinion about Fischer’s departure in a statement. Sarandos opined that she has mounted an incredible slate of original films for Netflix and the team is grateful to her for getting this important initiative underway.

    He has also stated that Netflix, in the year ahead, will exclusively premiere David Ayer’s Bright starring Will Smith, War Machine from David Michod starring Brad Pitt, Bong Joon Ho’s Okja featuring Tilda Swinton, Jake Gylenhaal and Paul Dano; Our Souls at Night from Ritesh Batra starring Robert Redford and Jane Fonda, etc.

    Netflix will continue to build its original film initiative to give consumers around the world great new movies to enjoy when and how they want.

    Fischer joined Netflix in 2008 and has worked closely with Sarandos on building the company’s slate of acquired and produced new titles. Among the many projects she has overseen, Beasts of No Nation which reportedly was Netflix’s $12 million purchase in 2015 directed by Cary Fukunaga which coincided with the release on Netflix. She has also played a critical role in the Adam Sandler film The Ridiculous 6 and the Adam Wingard-directed Death Note.

  • Netflix hires Indian origin TV exec Bela Bajaria as content VP

    Netflix hires Indian origin TV exec Bela Bajaria as content VP

    MUMBAI: Even as Netflix has been strengthening its Asia team by hiring locals with Asian and international experience, it has also been bolstering the talent at its HQ.  Last week, the leading global video streaming site, announced that it had roped in former Universal Television (NBCUniversal’s TV unit) president Bela Bajaria as vice-president of content. She is slated to join Netflix from 1 November, replacing Sean Carey, who is leaving the company.

    The London-born-but-raised-in-east-Africa-and-settled-in-Los-Angeles Bajaria is of Indian origin, At Universal Television, Bajaria supervised creative programming for the studio and producing such hit series as Master of None and Unbreakable Kimmy Schmidt for Netflix; Brooklyn Nine-Nine for FOX; The Mindy Project for FOX and Hulu; Superstore for NBC and Bates Motel for A&E, among several others. She developed Gypsy, starring Naomi Watts, for Netflix which will premiere in 2017 as well as Pure Genius for CBS and The Good Place for NBC, which are on the network’s 2016 fall schedules.

    Bajaria has in the past been ranked amongst the top  TV executives in the US when she headed Universal Television.  She left the production outfit  when she had a run-in with executives at NBC Studios for not buying enough content from her company, even though Fox and CBS were.

    At Netflix, Bajaria has been mandated with leading the team focused on TV and film licensing from major U. studios, as well co-production relationships with major US networks. She will also oversee a new team developing original unscripted programs for Netflix.

    Netflix CEO Reed Hastings and chief content officer Ted Sarandos have said time and time again that the company wants to keep showcase the best in class engaging content for its subscribers and a budget of $5 billion has been kept aside for this year to acquire and create content.

    “Bela is a great creative television executive with broad experience and deep industry relationships,” said Sarandos. “Having worked closely with her on Master of None and Unbreakable Kimmy Schmidt, we know we have found the perfect executive to lead this new effort.”

    “I am looking forward to joining Netflix, an innovative company that supports creative vision and fosters risk-taking. Having worked closely with Ted, Cindy and the team, I know they are great creative partners and care deeply about the experience of talent, their partners and their members,” said Bela Bajaria. “They are a dynamic group and I’m looking forward to continue building new partnerships at Netflix with amazing talent and studio and network colleagues.”

  • Netflix hires Indian origin TV exec Bela Bajaria as content VP

    Netflix hires Indian origin TV exec Bela Bajaria as content VP

    MUMBAI: Even as Netflix has been strengthening its Asia team by hiring locals with Asian and international experience, it has also been bolstering the talent at its HQ.  Last week, the leading global video streaming site, announced that it had roped in former Universal Television (NBCUniversal’s TV unit) president Bela Bajaria as vice-president of content. She is slated to join Netflix from 1 November, replacing Sean Carey, who is leaving the company.

    The London-born-but-raised-in-east-Africa-and-settled-in-Los-Angeles Bajaria is of Indian origin, At Universal Television, Bajaria supervised creative programming for the studio and producing such hit series as Master of None and Unbreakable Kimmy Schmidt for Netflix; Brooklyn Nine-Nine for FOX; The Mindy Project for FOX and Hulu; Superstore for NBC and Bates Motel for A&E, among several others. She developed Gypsy, starring Naomi Watts, for Netflix which will premiere in 2017 as well as Pure Genius for CBS and The Good Place for NBC, which are on the network’s 2016 fall schedules.

    Bajaria has in the past been ranked amongst the top  TV executives in the US when she headed Universal Television.  She left the production outfit  when she had a run-in with executives at NBC Studios for not buying enough content from her company, even though Fox and CBS were.

    At Netflix, Bajaria has been mandated with leading the team focused on TV and film licensing from major U. studios, as well co-production relationships with major US networks. She will also oversee a new team developing original unscripted programs for Netflix.

    Netflix CEO Reed Hastings and chief content officer Ted Sarandos have said time and time again that the company wants to keep showcase the best in class engaging content for its subscribers and a budget of $5 billion has been kept aside for this year to acquire and create content.

    “Bela is a great creative television executive with broad experience and deep industry relationships,” said Sarandos. “Having worked closely with her on Master of None and Unbreakable Kimmy Schmidt, we know we have found the perfect executive to lead this new effort.”

    “I am looking forward to joining Netflix, an innovative company that supports creative vision and fosters risk-taking. Having worked closely with Ted, Cindy and the team, I know they are great creative partners and care deeply about the experience of talent, their partners and their members,” said Bela Bajaria. “They are a dynamic group and I’m looking forward to continue building new partnerships at Netflix with amazing talent and studio and network colleagues.”

  • Netflix-iPic Entertainment tie up; to release original films

    Netflix-iPic Entertainment tie up; to release original films

    MUMBAI: The subscription led video-on-demand (SVOD) streaming service Netflix has partnered with iPic Entertainment theater chain to release selective original films. These movies will shown simultaneously on the streaming service and at iPic theaters across the US.

    With this deal, several reports have surfaced mentioning the red light on rival theater owners.

    The partnership is set to launch from Friday with Netflix’s war thriller The Siege of Jadotville, opening at iPic theaters in Los Angeles the same day it’s released on the streaming service.

    “Consumer choice is a pillar of our philosophy and the unparalleled level of comfort and hospitality offered at iPic made this a natural partnership,” said Netflix chief content officer Ted Sarandos in a statement.

    The movie chain operates 15 theaters with 113 screens nationwide, including in New York, Miami Beach, Houston and Scottsdale, Ariz.

    iPic Entertainment president and CEO Hamid Hashemi added, “ This is a significant game changer for consumers and fans, paving way for a new frontier in shared experience viewing of Netflix entertainment.”

    Netflix has previously released its original films in theaters, like 2015’s Beast of No Nations, bypassing the exclusive theatrical window viewed as vital to many movie chains.

    “Movie theaters are worried. Netflix is already their biggest competitor right now,” voiced Exhibitor Relations analyst Jeff Bock to USA Today. “This represents a direct hit to their business that shakes them to the core.”

    The president and CEO of the National Association of Theater Owners John Fithian has also opined his unhappiness with this practice. “Simultaneous release, in practice, has reduced both theatrical and home revenues when it has been tried. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the film industry’s success is a direct result of a highly successful collaboration between filmmakers, distributors and exhibitors,” said Fithian in a statement.

  • Netflix-iPic Entertainment tie up; to release original films

    Netflix-iPic Entertainment tie up; to release original films

    MUMBAI: The subscription led video-on-demand (SVOD) streaming service Netflix has partnered with iPic Entertainment theater chain to release selective original films. These movies will shown simultaneously on the streaming service and at iPic theaters across the US.

    With this deal, several reports have surfaced mentioning the red light on rival theater owners.

    The partnership is set to launch from Friday with Netflix’s war thriller The Siege of Jadotville, opening at iPic theaters in Los Angeles the same day it’s released on the streaming service.

    “Consumer choice is a pillar of our philosophy and the unparalleled level of comfort and hospitality offered at iPic made this a natural partnership,” said Netflix chief content officer Ted Sarandos in a statement.

    The movie chain operates 15 theaters with 113 screens nationwide, including in New York, Miami Beach, Houston and Scottsdale, Ariz.

    iPic Entertainment president and CEO Hamid Hashemi added, “ This is a significant game changer for consumers and fans, paving way for a new frontier in shared experience viewing of Netflix entertainment.”

    Netflix has previously released its original films in theaters, like 2015’s Beast of No Nations, bypassing the exclusive theatrical window viewed as vital to many movie chains.

    “Movie theaters are worried. Netflix is already their biggest competitor right now,” voiced Exhibitor Relations analyst Jeff Bock to USA Today. “This represents a direct hit to their business that shakes them to the core.”

    The president and CEO of the National Association of Theater Owners John Fithian has also opined his unhappiness with this practice. “Simultaneous release, in practice, has reduced both theatrical and home revenues when it has been tried. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the film industry’s success is a direct result of a highly successful collaboration between filmmakers, distributors and exhibitors,” said Fithian in a statement.

  • Netflix aims at 50% original programming

    Netflix aims at 50% original programming

    MUMBAI: Challenge for few, exhilaration for many. Netflix CFO David Wells has shown a keen interest in expanding its library of original content. The streaming service is driving towards having half the content to be original production over the next five years. The rest will represent licensed TV shows and movies.

    Wells said that they had been on a multiyear transition and evolution toward more of their owned content. Marking a shift in the balance between licensed and commissioned content, the service is already one-third to halfway towards reaching this target.

    According to Wells, the goal for Netflix was to release something that appeals to each individual subscriber. On that front, they had got ways to go across different genres and formats. The nice thing about the platform was that it allows a lot of creative freedom, allowing for episodes of varying lengths.

    It’s been three years since Netflix started making original programming with House of Cards, Daredevil and more recently Stranger Things. In the movie space, the service has Adam Sandler’s The Ridiculous 6.

    Internationally, Netflix aims for about 80 per cent Hollywood content and 20 per cent local programming. Wells said that the exception was Japan, where Netflix bent more toward 50 per cent local content. About having an ad-supported model, Wells said that there was no such immediate plan.

  • Netflix aims at 50% original programming

    Netflix aims at 50% original programming

    MUMBAI: Challenge for few, exhilaration for many. Netflix CFO David Wells has shown a keen interest in expanding its library of original content. The streaming service is driving towards having half the content to be original production over the next five years. The rest will represent licensed TV shows and movies.

    Wells said that they had been on a multiyear transition and evolution toward more of their owned content. Marking a shift in the balance between licensed and commissioned content, the service is already one-third to halfway towards reaching this target.

    According to Wells, the goal for Netflix was to release something that appeals to each individual subscriber. On that front, they had got ways to go across different genres and formats. The nice thing about the platform was that it allows a lot of creative freedom, allowing for episodes of varying lengths.

    It’s been three years since Netflix started making original programming with House of Cards, Daredevil and more recently Stranger Things. In the movie space, the service has Adam Sandler’s The Ridiculous 6.

    Internationally, Netflix aims for about 80 per cent Hollywood content and 20 per cent local programming. Wells said that the exception was Japan, where Netflix bent more toward 50 per cent local content. About having an ad-supported model, Wells said that there was no such immediate plan.

  • Netflix adds ‘Divines’, Anurag Kashyap’s Raman Raghav 2.0 to portfolio

    Netflix adds ‘Divines’, Anurag Kashyap’s Raman Raghav 2.0 to portfolio

    MUMBAI: Netflix has added the critically acclaimed movie Divines to its bouquet at Cannes film festival. The movie will be available to the members exclusively in most of the world later this year.

    Described by critics as one of the best young-adult films to come out of France in recent years, the funny, often suspenseful and emotional drama tells the story of Dounia, a tough but naive teenager who sees getting rich or dying while trying as her most viable option. Set in a ghetto near Paris where drugs and religion reign supreme, Dounia is hungry for her share of power and success. Enlisting the help of her best friend, she decides to follow the footsteps of a respected dealer. When Dounia meets a young sensuous dancer, her life takes a surprising turn.

    Houda Benyamina’s directorial debut received rave reviews from critics and was awarded the Caméra d’Or, an award at the Cannes Film Festival for the best first feature film of a director. Critics heaped praise on Oulaya Amamra’s “breakout” performance as Dounia.

    “We saw Divines before it was award winning, praised by critics and received a standing ovation at Cannes, we immediately recognized it as an extraordinary film and acquired it early on,” said Netflix chief content officer Ted Sarandos. “We’re passionate about bringing our members great films from around the world and thrilled to bring Benyamina’s debut film to our members.”

    “Emotions bring people together and are a reflection of society. Thanks to Netflix, Divines will cross borders and the world will be able to enjoy this universal story of love and friendship,” said filmmaker Houda Benyamina. “I am very happy with the collaboration with Netflix.”

    Netflix members everywhere, except France, will be able to watch Divines later this year. In France, Divines will not be available on Netflix until 2019 in accordance with French media chronology rules.

    Other Netflix acquisitions at Cannes

    Netflix aims to bring the best film, series, documentaries and kids programming from around the world. It has already announced the acquisition of Wheelman, which stars Frank Grillo in a film directed by Jeremy Rush that will have a worldwide premiere on Netflix in 2017.

    Another Cannes film prize winner Netflix members everywhere can look forward to is French director Sacha Wolff’s Mercenary (Mercenaire). The film tells the story of Soane, a young man of Wallisian origin from New Caledonia, who defies his father’s authority to go and play rugby in France. Left to his own devices on the other side of the world, his odyssey will take him on the path to becoming a man in a world where there is a price to be paid for success.

    Other acquisitions from Cannes that Netflix members will be able to watch include:

    Raman Raghav 2.0 – A thriller from ace Indian director Anurag Kashyap. Ramanna, a serial killer fascinated by a psychopath from the 60s, and Raghavan, a young policeman, are waging a battle without mercy. But who is really the one being chased?

    Aquarius – A drama from Brazilian director Kleber Mendonça Filho centered around Clara, a 65-year-old widow and retired music critic who is the last resident of the Aquarius, an original two-storey building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighbouring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death. (Aquarius will be on Netflix in North America, Australia, New Zealand, Asia, Latin America (outside of Brazil) and UK with other regions to be confirmed.)

    The Day Will Come – A Danish drama directed by Jesper Nielsen developed and written by Søren Sveistrup, known from hit shows like The Killing. Set in the 1960s, The Day Will Come centers around two inseparable brothers, Elmer and Erik, who are locked in a boy’s home and engage in a battle against the tyrannical Headmaster Heck to set themselves free.

    Very Big Shot – feature debut of Lebanese director Jean Bou Chaaya. The comedy deals with brothers Ziad and Joe who run a small but lucrative drug-dealing business out of their takeout pizzeria in one of Beirut’s working-class districts. With their youngest brother Jad about to be released from prison, Ziad and Joe plan to go straight, but their supplier is not keen to see his dealers retire.

    Journey to Greenland – A French comedy directed by Sébastien Betbeder. Two thirty-something actors from Paris hit a rough patch and decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenlands. Among the Inuit community, they discover the local customs and their friendship is challenged.