Tag: Tata Sky

  • India lucrative market for 4K UHD STBs: Grand View Research

    India lucrative market for 4K UHD STBs: Grand View Research

    MUMBAI: Here’s a view on the demand for 4K or ultra high definition (UHD) set-top boxes (STBs) in India.

    American research firm Grand View Research Inc has forecast in a new report that India is “poised to emerge as a lucrative market for UHD STBs with the country expected to witness a CAGR substantially higher than the regional (Asia Pacific) average. Several DTH operators such as Tata Sky, Videocon, and Airtel have launched UHD STBs and are attempting to achieve a higher rural penetration with affordable regional packages.”

    The report says that the APAC 4K STB market was valued at just over $50 million in 2015 and will witness a high growth over the next eight years with India leading the charge.

    The Grand View Research Inc analysis states that the global 4K STB market size is projected to reach $7.18 billion by 2024. The growing inclination of the global public towards UHD video viewing can be attributed as the major reason for the 4K STB market growth.

    The demand for media-rich home entertainment services among consumers is increasing and is anticipated to fuel market growth. The growth is further fostered by favourable government initiatives, large-scale digitization programs, and mandatory installation of set-top boxes. Improved standard of living owing to increased purchasing power is positively impacting the industry growth.

    The initiatives undertaken by the Federal Communications Commission for supporting third-party STB manufacturers is paving the way for the expansion of the Ultra High-Definition (UHD) STB industry. The market is anticipated to gain traction in Asia Pacific owing to the strong presence of low-cost set-top box manufacturers, especially in countries such as Korea, Taiwan, and China.

    The increasing penetration of 3D and 4K TVs and escalating demand for large screen displays are fuelling the demand for UHD STBs. Smart features such as STB operability through voice commands given by remote control unit (RCU) is garnering high potential. The computational capabilities of STBs in combination with the advent of quality standards to satiate growing customer expectations have culminated in the STB market growth.

    Further key findings suggest:

    Internet Protocol Television (IPTV) 4K STBs accounted for over 20 per cent of the market share in 2015 and are expected to witness considerable growth over the forecast period. Increasing broadband penetration can be attributed as the major reason for the rise in the market share of IPTV 4K Set-top Box devices.

    The IPTV STB product segment is projected to gain traction owing to benefits such as integration of TV, PC, home phone, and wireless devices offering a high quality of viewing experience to the end-users.

    Key industry participants include ZTE Corporation, SAGEMCOM, Arion Technology, Roku, and Infomir. Manufacturers are emphasizing on UHD STBs incorporated with interactive 4K content to gain a competitive edge in the industry.

    Technology giants such as Apple have managed to make their mark in this competitive industry. The Apple TV device aids the streaming of (Over-The-Top) OTT content and other videos over the internet. The launch of advanced OTT devices such as Google Chromecast media streaming device and Amazon’s Fire TV STBs have opened up new avenues in the industry

  • India lucrative market for 4K UHD STBs: Grand View Research

    India lucrative market for 4K UHD STBs: Grand View Research

    MUMBAI: Here’s a view on the demand for 4K or ultra high definition (UHD) set-top boxes (STBs) in India.

    American research firm Grand View Research Inc has forecast in a new report that India is “poised to emerge as a lucrative market for UHD STBs with the country expected to witness a CAGR substantially higher than the regional (Asia Pacific) average. Several DTH operators such as Tata Sky, Videocon, and Airtel have launched UHD STBs and are attempting to achieve a higher rural penetration with affordable regional packages.”

    The report says that the APAC 4K STB market was valued at just over $50 million in 2015 and will witness a high growth over the next eight years with India leading the charge.

    The Grand View Research Inc analysis states that the global 4K STB market size is projected to reach $7.18 billion by 2024. The growing inclination of the global public towards UHD video viewing can be attributed as the major reason for the 4K STB market growth.

    The demand for media-rich home entertainment services among consumers is increasing and is anticipated to fuel market growth. The growth is further fostered by favourable government initiatives, large-scale digitization programs, and mandatory installation of set-top boxes. Improved standard of living owing to increased purchasing power is positively impacting the industry growth.

    The initiatives undertaken by the Federal Communications Commission for supporting third-party STB manufacturers is paving the way for the expansion of the Ultra High-Definition (UHD) STB industry. The market is anticipated to gain traction in Asia Pacific owing to the strong presence of low-cost set-top box manufacturers, especially in countries such as Korea, Taiwan, and China.

    The increasing penetration of 3D and 4K TVs and escalating demand for large screen displays are fuelling the demand for UHD STBs. Smart features such as STB operability through voice commands given by remote control unit (RCU) is garnering high potential. The computational capabilities of STBs in combination with the advent of quality standards to satiate growing customer expectations have culminated in the STB market growth.

    Further key findings suggest:

    Internet Protocol Television (IPTV) 4K STBs accounted for over 20 per cent of the market share in 2015 and are expected to witness considerable growth over the forecast period. Increasing broadband penetration can be attributed as the major reason for the rise in the market share of IPTV 4K Set-top Box devices.

    The IPTV STB product segment is projected to gain traction owing to benefits such as integration of TV, PC, home phone, and wireless devices offering a high quality of viewing experience to the end-users.

    Key industry participants include ZTE Corporation, SAGEMCOM, Arion Technology, Roku, and Infomir. Manufacturers are emphasizing on UHD STBs incorporated with interactive 4K content to gain a competitive edge in the industry.

    Technology giants such as Apple have managed to make their mark in this competitive industry. The Apple TV device aids the streaming of (Over-The-Top) OTT content and other videos over the internet. The launch of advanced OTT devices such as Google Chromecast media streaming device and Amazon’s Fire TV STBs have opened up new avenues in the industry

  • Live feed of Mother Teresa’s canonisation ceremony on Tata Sky’s Active Devotion

    Live feed of Mother Teresa’s canonisation ceremony on Tata Sky’s Active Devotion

    MUMBAI: Tata Sky, India’s leading DTH service provider, will bring Mother Teresa’s canonisation ceremony live to its subscriber’s homes. Subscribers of the interactive service can watch the ceremony on Actve Devotion (Channel No. 1051) live on September 4 th , 2016 from 1.30 pm to 4pm India time.

    Pope Francis will confer sainthood on her at the ceremony at the Vatican on Sunday, which Tata Sky subscribers will be able to watch at home. Mother Teresa was an icon who embodied God’s tender mercy and dedicated her life to carrying out His work on the streets of Kolkata, offering succour and relief to the poor and destitute.

  • Live feed of Mother Teresa’s canonisation ceremony on Tata Sky’s Active Devotion

    Live feed of Mother Teresa’s canonisation ceremony on Tata Sky’s Active Devotion

    MUMBAI: Tata Sky, India’s leading DTH service provider, will bring Mother Teresa’s canonisation ceremony live to its subscriber’s homes. Subscribers of the interactive service can watch the ceremony on Actve Devotion (Channel No. 1051) live on September 4 th , 2016 from 1.30 pm to 4pm India time.

    Pope Francis will confer sainthood on her at the ceremony at the Vatican on Sunday, which Tata Sky subscribers will be able to watch at home. Mother Teresa was an icon who embodied God’s tender mercy and dedicated her life to carrying out His work on the streets of Kolkata, offering succour and relief to the poor and destitute.

  • SAB TV aims to change female-male skew with HD launch

    SAB TV aims to change female-male skew with HD launch

    MUMBAI: Hoping to redefine the abbreviation of HD from high definition to happiness ka destination is Sony Pictures Networks Television India (SPN) comedy channel Sab TV. The channel is all geared up to launch its HD feed by 5 September.

    Mirroring the prime time programming line-up from its SD channel, the new HD version is to be made available on Tata Sky, Airtel, Dish TV and on cable operators across the country.

    But why did a channel which was launched in 2005 take six years to roll out its HD version? Answering that is Sab TV senior EVP and business head Anooj Kapoor who asserts that it took sometime to launch an HD version as they were upgrading the quality in terms of looks, costumes, sets, etc. Says he, “We did not see any compulsion to get into HD. We wanted to be ready with a string of shows before launching HD. Consistent efforts really ensured that best technical equipment are used for HD which looks good as the rest of the competition. The process is complete now. A different definition of HD, according to me, is very logical as our shows provide comedy and warmth which ultimately brings smiles and happiness to our audience”

    With the male- female skew being 52:48, most of the shows will see female protagonists, says Kapoor. Continuing to resonate the core brand promise Asli Mazaa Sab Ke Saath Aata Hai, the channel has lined up the launch of four to five shows in the next couple of months.

    The male balance will continue. The shows are tailored in such a way that these appeal to males as well. “We will not erode our core audience of males,” says Kapoor. “We are trying to add to that by wooing some GEC watching audience who somehow have this fixation in head that unless it is led by a female protagonist it is not for females. We are trying to get them on board using that mindset which is a big target audience.”

    He further mentions, “The audiences are mildly skewed towards males which gave us the confidence to increasing the female ratio from 48.”

    The differentiator between the two channels is that the HD version will have certain shows, talk shows, things werein people will be invited to provide information about comedy or the genres that were explored successfully.

    The packaging of the HD version of the channel will also be at its premium best. The swish and swirl of the threads in the shades of blue and purple will give a very fresh look to the channel. The threads signify coherence in the audience’s lives, it’s the thread of relations and love, which bind us all together. This new packaging will also be introduced on the SD feed corresponding to the launch HD channel.

    Attempting to be different and innovative, the channel will launch a show titled Iccha Pyaari Naagin Ki on 27 September at 8 pm. It will present a erstwhile concept of the entire idea of naagin (snake woman) that has been seen so far. It will break all the perceptions about naags and naagins that we have seen on the small screen, reveals Kapoor. Iccha is a sweet and charming character who is sent to Earth for rectifying the negative image of snakes made by humans. The show is been produced by Siddharth Malhotra which will be his first production post his exit from Cinevistaas Ltd.

    The other show that will be launched is Dil Deke Dekho which is a mix of male and female protagonists. It is a romantic comedy of three generations. “We might shoot the title song for our show from the original song in the movie Dil Deke Dekho,” said the channel head while singing the same song. The show will launch on 18 October and is produced by Manish Goswami.

    Parivaar 007 will see two daughter-in-laws and sister-in-laws appear sweet but otherwise are RAW agents with the father-in-law being the boss. The show will be a combination of thrill, action and domestic comedy. Slated to launch on 2 November, it is being produced by Sonali Jaffar.

    The channel is also working with Manish Popat from Saregama for a show titled Gupp Chupp.

    “We are not only working on several concepts but are also giving opportunities to several new producers to come on board with us,” adds the channel head.

    But does that mean its long running shows on the channel like Taarak Mehta Ka Ooltah Chashmah, Chidiya Ghar and Bal Veer will come to an end? Certainly not. According to Kapoor, if the ratings are being delivered consistently and if there is a consistent audience, they will continue. “Certain level of ratings is reached through these shows which also makes the advertisers happy as they get their audience and invest more. So there is no point pulling it out. As revenues and ratings go hand in hand, certain shows see a downfall which shall be relooked.”

    Sab TV primarily being an urban centric channel, will certainly target people who view HD and subscribe to HD channels. “We will target the audience who belong to certain strata within the urban audience. HD specifically caters to this certain segment,” he further adds.

    The advertising on both the channels will be dedicated and differentiated from each other. Advertising will be seen not in the first month but post the channel getting stable the ad push will start. “Once we have gained certain availability, we will have advertisers on board for Sab TV HD. There is a certain pattern with high-end advertising in our mind,” voices Kapoor.

    With several OTT/VOD players coming into the picture with major shows in the rom-com genre, is Sab TV seeing any danger from them? “Digital is a revolution across the world. Any channel is similarly under threat like us. You can’t stop it. Till now limited segments are consuming it which is not threatening the overall business model. There are long term challenges post its penetration but I think the solutions will also be available till that time.”

  • SAB TV aims to change female-male skew with HD launch

    SAB TV aims to change female-male skew with HD launch

    MUMBAI: Hoping to redefine the abbreviation of HD from high definition to happiness ka destination is Sony Pictures Networks Television India (SPN) comedy channel Sab TV. The channel is all geared up to launch its HD feed by 5 September.

    Mirroring the prime time programming line-up from its SD channel, the new HD version is to be made available on Tata Sky, Airtel, Dish TV and on cable operators across the country.

    But why did a channel which was launched in 2005 take six years to roll out its HD version? Answering that is Sab TV senior EVP and business head Anooj Kapoor who asserts that it took sometime to launch an HD version as they were upgrading the quality in terms of looks, costumes, sets, etc. Says he, “We did not see any compulsion to get into HD. We wanted to be ready with a string of shows before launching HD. Consistent efforts really ensured that best technical equipment are used for HD which looks good as the rest of the competition. The process is complete now. A different definition of HD, according to me, is very logical as our shows provide comedy and warmth which ultimately brings smiles and happiness to our audience”

    With the male- female skew being 52:48, most of the shows will see female protagonists, says Kapoor. Continuing to resonate the core brand promise Asli Mazaa Sab Ke Saath Aata Hai, the channel has lined up the launch of four to five shows in the next couple of months.

    The male balance will continue. The shows are tailored in such a way that these appeal to males as well. “We will not erode our core audience of males,” says Kapoor. “We are trying to add to that by wooing some GEC watching audience who somehow have this fixation in head that unless it is led by a female protagonist it is not for females. We are trying to get them on board using that mindset which is a big target audience.”

    He further mentions, “The audiences are mildly skewed towards males which gave us the confidence to increasing the female ratio from 48.”

    The differentiator between the two channels is that the HD version will have certain shows, talk shows, things werein people will be invited to provide information about comedy or the genres that were explored successfully.

    The packaging of the HD version of the channel will also be at its premium best. The swish and swirl of the threads in the shades of blue and purple will give a very fresh look to the channel. The threads signify coherence in the audience’s lives, it’s the thread of relations and love, which bind us all together. This new packaging will also be introduced on the SD feed corresponding to the launch HD channel.

    Attempting to be different and innovative, the channel will launch a show titled Iccha Pyaari Naagin Ki on 27 September at 8 pm. It will present a erstwhile concept of the entire idea of naagin (snake woman) that has been seen so far. It will break all the perceptions about naags and naagins that we have seen on the small screen, reveals Kapoor. Iccha is a sweet and charming character who is sent to Earth for rectifying the negative image of snakes made by humans. The show is been produced by Siddharth Malhotra which will be his first production post his exit from Cinevistaas Ltd.

    The other show that will be launched is Dil Deke Dekho which is a mix of male and female protagonists. It is a romantic comedy of three generations. “We might shoot the title song for our show from the original song in the movie Dil Deke Dekho,” said the channel head while singing the same song. The show will launch on 18 October and is produced by Manish Goswami.

    Parivaar 007 will see two daughter-in-laws and sister-in-laws appear sweet but otherwise are RAW agents with the father-in-law being the boss. The show will be a combination of thrill, action and domestic comedy. Slated to launch on 2 November, it is being produced by Sonali Jaffar.

    The channel is also working with Manish Popat from Saregama for a show titled Gupp Chupp.

    “We are not only working on several concepts but are also giving opportunities to several new producers to come on board with us,” adds the channel head.

    But does that mean its long running shows on the channel like Taarak Mehta Ka Ooltah Chashmah, Chidiya Ghar and Bal Veer will come to an end? Certainly not. According to Kapoor, if the ratings are being delivered consistently and if there is a consistent audience, they will continue. “Certain level of ratings is reached through these shows which also makes the advertisers happy as they get their audience and invest more. So there is no point pulling it out. As revenues and ratings go hand in hand, certain shows see a downfall which shall be relooked.”

    Sab TV primarily being an urban centric channel, will certainly target people who view HD and subscribe to HD channels. “We will target the audience who belong to certain strata within the urban audience. HD specifically caters to this certain segment,” he further adds.

    The advertising on both the channels will be dedicated and differentiated from each other. Advertising will be seen not in the first month but post the channel getting stable the ad push will start. “Once we have gained certain availability, we will have advertisers on board for Sab TV HD. There is a certain pattern with high-end advertising in our mind,” voices Kapoor.

    With several OTT/VOD players coming into the picture with major shows in the rom-com genre, is Sab TV seeing any danger from them? “Digital is a revolution across the world. Any channel is similarly under threat like us. You can’t stop it. Till now limited segments are consuming it which is not threatening the overall business model. There are long term challenges post its penetration but I think the solutions will also be available till that time.”

  • Endemol Shine India’s Abhishek Rege to head films as well

    Endemol Shine India’s Abhishek Rege to head films as well

    MUMBAI: Endemol Shine India has elevated Abhishek Rege as the Chief Operating Officer (COO) for Television & Films. Rege currently leads the television business of the company as COO for Television. One of the leading and most valuable content production companies in India across television, film and digital content, Endemol Shine India is currently the premier content provider in the Sub-Continent, producing over 800 hours of programming annually for the biggest broadcasters across mainstream & regional. The company has also recently forayed into the movie making business and has co-produced films like Brothers, Traffic and Te3n. In his new role, Abhishek will be responsible to nurture and further grow the company’s film business in India, in addition to overlooking Endemol Shine India’s robust Television Business. Abhishek will continue to report into Deepak Dhar, MD and CEO, Endemol Shine India.

    Abhishek has been pivotal in driving growth for the television business at Endemol Shine India by developing franchises of high performing contents/shows, implementing regional diversification and ensuring strategic presence in production across most of the key markets in India. An accomplished professional with an in-depth knowledge in all aspects of the media industry, Abhishek has a proven success record and is proficient in leveraging comprehensive markets and industry knowledge to ensure high momentum business growth, build a high performance team and forecast future business needs. Abhishek is an empowering leader skilled in attracting and retaining industry talent, building positive employee relationships and tailoring management style to accommodate diverse personalities, skill sets and experience levels.

    “Having worked with Abhishek closely for many years, I have great confidence in his understanding and capabilities of the business. Leading such a diverse portfolio in today’s dynamic environment is a mammoth task. Under Abhishek’s able leadership our television business continues to grow and I am confident that he will also evolve our burgeoning film business”, said Deepak Dhar, MD & CEO, Endemol Shine India, about the new appointment.

    “I am delighted to have the opportunity to spearhead the film business for Endemol Shine India. By venturing into films, we have embarked on an ambitious growth path, not just from a business perspective, but also as creative professionals. I look forward to working closely with Deepak to grow the business further.” said Abhishek Rege.

    Prior to Endemol Shine, Abhishek was a Director of Business Operations for Viacom 18 Media Pvt. Ltd, New Jersey, USA and was responsible for its revenues and subscriptions by spearheading strategic, multilingual and local marketing campaigns. Abhishek started his career at Star India where he played a key role in scheduling and acquisition of content for the International beams and for the premium channels for the Tata Sky DTH service in addition to handling key commercial and compliance roles for the STAR channels.

  • Endemol Shine India’s Abhishek Rege to head films as well

    Endemol Shine India’s Abhishek Rege to head films as well

    MUMBAI: Endemol Shine India has elevated Abhishek Rege as the Chief Operating Officer (COO) for Television & Films. Rege currently leads the television business of the company as COO for Television. One of the leading and most valuable content production companies in India across television, film and digital content, Endemol Shine India is currently the premier content provider in the Sub-Continent, producing over 800 hours of programming annually for the biggest broadcasters across mainstream & regional. The company has also recently forayed into the movie making business and has co-produced films like Brothers, Traffic and Te3n. In his new role, Abhishek will be responsible to nurture and further grow the company’s film business in India, in addition to overlooking Endemol Shine India’s robust Television Business. Abhishek will continue to report into Deepak Dhar, MD and CEO, Endemol Shine India.

    Abhishek has been pivotal in driving growth for the television business at Endemol Shine India by developing franchises of high performing contents/shows, implementing regional diversification and ensuring strategic presence in production across most of the key markets in India. An accomplished professional with an in-depth knowledge in all aspects of the media industry, Abhishek has a proven success record and is proficient in leveraging comprehensive markets and industry knowledge to ensure high momentum business growth, build a high performance team and forecast future business needs. Abhishek is an empowering leader skilled in attracting and retaining industry talent, building positive employee relationships and tailoring management style to accommodate diverse personalities, skill sets and experience levels.

    “Having worked with Abhishek closely for many years, I have great confidence in his understanding and capabilities of the business. Leading such a diverse portfolio in today’s dynamic environment is a mammoth task. Under Abhishek’s able leadership our television business continues to grow and I am confident that he will also evolve our burgeoning film business”, said Deepak Dhar, MD & CEO, Endemol Shine India, about the new appointment.

    “I am delighted to have the opportunity to spearhead the film business for Endemol Shine India. By venturing into films, we have embarked on an ambitious growth path, not just from a business perspective, but also as creative professionals. I look forward to working closely with Deepak to grow the business further.” said Abhishek Rege.

    Prior to Endemol Shine, Abhishek was a Director of Business Operations for Viacom 18 Media Pvt. Ltd, New Jersey, USA and was responsible for its revenues and subscriptions by spearheading strategic, multilingual and local marketing campaigns. Abhishek started his career at Star India where he played a key role in scheduling and acquisition of content for the International beams and for the premium channels for the Tata Sky DTH service in addition to handling key commercial and compliance roles for the STAR channels.