Tag: TAM

  • IPL 8 witnesses significant growth in viewership, advertisements

    IPL 8 witnesses significant growth in viewership, advertisements

    MUMBAI: The recently concluded Indian Premier League (IPL) saw a constant growth in each and every segment. As was earlier reported by Indiantelevision.com, this IPL, the ad revenues, at more than Rs 1000 crore, saw a significant fillip as compared to the previous edition. What’s more, IPL 8 also witnessed a significant growth in terms of viewership and advertising.

     

    Television rating auditor, TAM analytics shows that IPL 8 was sampled by 190 million unique viewers, and the time spent by the viewers fetched a nine per cent growth from 45 minutes and 43 seconds in 2015 as compared to 40 minutes and 55 seconds in 2014. 

    The average TVTs saw a growth of 25 per cent, while the TVRs saw 23 per cent growth as the tourney fetched 3.6 TVR this year as compared to 2.9 TVRs last year. Close to 70 per cent of the All India Universe tuned in to watch IPL 8 matches, which is quite identical if compared to the seventh edition.

     

    Apart for viewership, advertising volume also saw a significant growth. While there was only one biscuit brand endorsing last year, this year the number went up to six. The paint section also saw a significant growth as it jumped up from one to five. On the other hand, internet service (B2C and online shopping) category also witnessed an ascent as the number of brands went up to seven this year from four last year. The growth also reflected in the car and jeep category as the figure went up from two to six.

     

    Vodafone continued to be the most prominent brand on the basis of ad volumes purchased during the live telecast. It should be noted that Vodafone was the most prominent brand in the last IPL edition too. Amazon also successfully retained its berth at second position while e- commerce ventures PayTM and Snapdeal replaced Flipkart.com and Airtel at third and fourth place respectively. Vimal Pan Masala grabbed the fifth slot, which was occupied by Big Bazar in 2014.

     

    Click here to see match viewership pattern 

  • Nielsen names Johnson as head of reach solutions in SE Asia, N Asia & Pacific

    Nielsen names Johnson as head of reach solutions in SE Asia, N Asia & Pacific

    MUMBAI: Global performance management company Nielsen, has appointed Craig Johnson to head up its Reach portfolio in Southeast Asia, North Asia and Pacific, including television audience measurement (TAM), radio audience measurement (RAM), Consumer & Media View and advertising measurement (AIS) with immediate effect.

     

    Prior to joining Nielsen in 2006, Johnson spent a number of years working for one of Australia’s national broadcast media owners. During his time with Nielsen he has worked with a broad cross-section of clients around the world including television and radio broadcasters, media agencies, brands and industry bodies. Most recently he has been leading Nielsen’s Watch business in South Africa.

     

    Johnson will relocate to Sydney, Australia.

     

    In his new role, Johnson will focus on driving Nielsen’s leadership in the areas of TAM, RAM, Consumer & Media View and AIS. With a number of major media industry tenders currently under consideration in key markets such as Singapore, Johnson’s extensive TAM experience and expertise will be invaluable in ensuring Nielsen’s ongoing success.

     

    Johnson said, “I am truly excited to be taking on this new opportunity with Nielsen. Rapidly evolving media habits are bringing about significant shifts in how we measure media consumption, and I look forward to leveraging Nielsen’s world-class audience measurement solutions to help our clients in this part of the world to understand and harness these shifts.”

  • Amazon spends Rs 100+ crore to build local connect via ad campaign

    Amazon spends Rs 100+ crore to build local connect via ad campaign

    MUMBAI: In a competitive world where every brand is armed with a killer instinct, connecting and making an impact on the minds of the target audience can be an arduous job.

    In such a scenario, unperturbed by competition, e-tailer Amazon India was all out blazing guns this Indian Premier League (IPL) and invested as much as Rs 100 crore in its latest ad campaign ‘Aur Dikhao,’ which was conceptualized by Leo Burnett India. It may be recalled that before the start of the IPL, Amazon India upped itself as the presenting sponsor of the tourney. The e-tailer was second only to Vodafone in terms of number of slots per match.

    Research depicts that 35 per cent of the ad spend in 2015 will come from e-commerce ventures. What’s more, the IPL has always been one of the major targets for brands to garner huge reach every season and that’s exactly what Amazon India latched on to in order to gain visibility and traction amongst the audience.

    According to an analysis by Television Audience Measurement (TAM), five out of the top ten brands (on the basis of number of ads during live matches) are from the e-commerce segment. However, besides spending money and buying slots, creative execution is the other aspect that plays a vital role in pulling in customers.

    Speaking to Indiantelevision.com on the ideation for the campaign, Leo Burnett chief creative officer Rajdeepak Das says, “Amazon is already big; bigger than any of its competitors. So while others were trying to establish themselves, we had to take the other route. The task with Amazon was to build a local connect and go ‘desi,’ this is why we went with the ‘Aur Dikhao’ campaign.”

    The ‘Aur Dikhao’ campaign had numerous ad films directed by Chak De! India director Shimit Amin, which illustrated the widely versatile range of products in Amazon’s catalogue. After the wide range message was conveyed and the campaign managed to create a buzz, another sub-campaign #Whattasale was launched.

    “With ‘Aur Dikhao,’ we conveyed the message to consumers about our wide range of products. Now it was time to get them to act and hence we launched whattasale, with the message that Amazon had the range and that they needn’t wait any longer to go ahead and shop. As Indians are always price conscious, we announced the three-day sale where attractive discounts were given. That step was taken to gather some action,” informs Das.

    In a bid to gain some traction on its mobile app, Amazon also shot out a clear-cut message that app user would get added benefits and hence urged people to download its app. With every TVC, multiple messages were delivered to gather action from consumers.

    Not taking the route of celebrity endorsements unlike its competitor Snapdeal.com, who has on board actor Aamir Khan, Amazon’s ads were shot in Indian localities to ensure connect and familiarity amongst consumers. The props used in the TVCs were also very ordinary. While every ad had a television in it, none of them were modern day LEDs or smart TVs. A foot-tapping soundtrack composed by Bollywood music director Ram Sampat complemented the TVCs.

    IPL is a blockbuster event where every second is premium. When asked if it was difficult to create a campaign for an event where the ad rates were paramount, Das opines, “I think it’s easier. Yes, the pressure is there because the event has enormous reach and if you don’t execute the plan properly, it may leave a negative impact for the brand. However, if you successfully execute the plan, your creative piece can spread via word of mouth.”

    Additionally, the placement of an ad also plays a pivotal role in ensuring good reach and interaction. Commenting on the planning and buying, a media expert asserts, “Just making a creative ad or putting huge sum of money does not seal the deal. You have to ensure good placements too. I saw Amazon TVCs at crucial stages of the match. They also increased the frequencies during the ‘whatasale’ campaign, which boomed their sale up. So overall in my opinion, Amazon made worthy use of the money they put in courtesy to their all round efforts.”

    Complementing the campaign, creative veteran and Monozygotic co-founder Rajiv Laxman says, “The entire concept and execution of ‘Aur Dikhao’ was really nice and I like concepts with propounding insights. It’s something all of us know but never thought about. A brand like Amazon, which is always considered as global brand, traditionally struggles to create a local connect and ‘Aur Dikhao’ was a brilliant idea to build local connect because of its simplicity. The execution was also nice. There was no glamour or any celebrity… everyone watching the ad could connect and relate. We go to buy a saree and we say ‘Aur Dikhao.’ We use this term everywhere we go to shop and hence it was a great concept for a brand like Amazon, which lacked local connect.”

    Amazon India integrated marketing director Manish Kalra had earlier said, “Offering customers a wide choice and a destination where they can find, discover and buy anything that they desire to online has been one of our key strategic pillars. Our selection growth in India over the last 22 plus months of launching our India operation has been phenomenal and today we are able to offer customers a wide choice over 22 million products across hundreds of categories to choose from. We have taken this as an inspiration and used it to show the unending selection of products that Amazon India has to offer through the new campaign. We believe that the term ‘Aur Dikhao’ will resonate with shoppers in India who love to have more choice.”

    “Great clients have played a vital role behind every good work that I have done so far and I must say Amazon is a great client. There are many more TVCs coming up and soon we will also explore new territories. Overall, I am happy with the campaign and the responses that we got so far,” Das concludes.

  • Big Magic Ganga to air ‘Har Mushkil Ka Hal Akbar Birbal’ in Bhojpuri

    Big Magic Ganga to air ‘Har Mushkil Ka Hal Akbar Birbal’ in Bhojpuri

    MUMBAI: With a view to reach out to a larger audience base, Reliance Broadcast Network will be dubbing its Hindi language historical comedy show Har Mushkil Ka Hal Akbar Birbal in Bhojpuri.

     

    The show, which is currently aired on the Hindi channel Big Magic, will now also be showcased on the network’s regional channel Big Magic Ganga in Bhojpuri, from Monday to Friday at 5:30 pm, with a repeat at 9:30 pm.

     

    The channel hopes that the step towards extending its Hindi shows to a regional audience in their language, will bring in larger affinity supported by widespread distribution of Big Magic Ganga.

     

    Akbar Birbal is a fresh comic take on the childhood folktales of Akbar and Birbal that have never been showcased on television before.

     

    Reliance Broadcast Network executive vice president and business head Ashwin Padmanabhan said, “With over 50 per cent market share, as per BARC ratings, Big Magic Ganga is the number one regional channel of Bihar and Jharkhand. The national audience loves Har Mushkil Ka Hal Akbar Birbal and we are sure it will garner a loyal viewership in Bhojpuri as well.”

  • 9X Jalwa registered 25% growth post revamp

    9X Jalwa registered 25% growth post revamp

    MUMBAI: Backed by the revamp process that started post August 2014 with the ‘forever young’ philosophy, 9X Jalwa is moving forward towards becoming a strong force in the television music industry.

     

    As per Television Audience Measurement (TAM) analysis, the channel has seen a 25 per cent growth post revamp in terms of weekly GRPs.

     

    Speaking to Indiantelevision.com about the revamp, 9X Media chief programming officer Amar Tidke said, “Forever young is a philosophy curated out of youth and music lovers who appreciated the revamp that we underwent. That is just the encouragement that we were thriving for. As part of the philosophical change, we have offered our viewers a theme in forever young and so far with the reaction that we have garnered, I must say the progress has been commendable.”

     

    The recently launched rating body Broadcast Audience Research Council India (BARC) placed 9X Jalwa at the second position with average weekly GRPs of 36 right after Mastiii. Jalwa’s sister channel 9XM competing in the same genre, garnered average ratings of 34. When asked if this competition affects the processing, Tidke opined, “Well it is true we are operating in the same genre and we are often asked if one eats into the other’s pie, but if you see, we are two different channels catering to the needs of two different sets of audience and the subtle difference separates each other.”

     

    “Innovations like Hits Forever, Love Forever, Melody Forever, Jalwa Superstar, Vintage, GenX and ClubX garnished the forever young philosophy. Going forward, we will continue the process of creating more such unique bands to keep our audience forever young, which is our main goal,” Tidke added.

     

    ClubX is the recent addition in the catalogue, which is a two-hour music band that airs every Friday and Saturday between 6 – 8 pm. The playlist for this band has been handpicked from some of the best party songs and will include foot – tapping numbers.

     

    Speaking on the marketing and promotional strategy of the channel, Tidke said, “9X Jalwa follows a 360 degree marketing strategy with interactive attention on social media platform. Also whenever there is a trending topic, which can be converted into a promotional activity, we aggressively push for it like we did with DDLJ, when everyone wanted the movie to not go out of Maratha Mandir. Besides that, we also tie up with different events like Kala Ghoda and Promax BDA. We manage to reach the target audience of brands efficiently because of our exclusive content.”

     

    Cadburys, HUL, Godrej and Reckitt are some of the brands that are closely associated with 9X Jalwa on a regular basis.

  • IPL 8 garners 182 million unique viewers: TAM

    IPL 8 garners 182 million unique viewers: TAM

    MUMBAI: After 45 matches, an analysis by Television Audience Measurement (TAM) signifies that 182 million unique viewers sampled the eight edition of the Indian Premier League (IPL).

     

    The time spent by viewers per match as per data is 45 minutes 4 seconds, which is nine per cent more than the last season of the league.

     

    Average TVTs showed a growth of 23 per cent when compared to the 2014 edition. Till the fifth week, IPL 8 garnered 3.6 TVR, which signifies a growth of 22 per cent. Overall 68 per cent of All India Universe tuned in to witness IPL 8.

     

    The opening bout between Kolkata Knight Rider (KKR) and Mumbai Indians (MI), which garnered 5.4 per cent TVRs, remains as the top viewed match so far in this season of 2015. On the other hand, the game between Sunrisers Hyderabad and Rajasthan Royals registered the least viewership amongst all the matches played so far.

     

    With the playoffs knocking at the door, it remains to be seen whether this IPL manages to create new viewership records.

     

    Click here for overall ratings 

  • TAM week 19: Star Plus, Colors rise; lead Hindi GECs

    TAM week 19: Star Plus, Colors rise; lead Hindi GECs

    MUMBAI: Week 19 data, sourced from TAM (Television Audience Measurement) subscribers for the Hindi GEC’s and other genres for both household and individual category, saw most of the channels on a decline.

     

    Star Plus continued to be the leader both in household and individual ratings with 566 GRPs and 249 GRPs respectively, whereas Colors held the second position in both household and individual ratings with 464 GRPs and 202 GRPs respectively.

     

    Zee TV stood at number three but witnessed a decline from 362 GRPs last week as compared to 340 GRPs this week in the household category and 153 GRPs this week, a decline from 162 GRPs last week in the individual category.

     

    Life OK took the forth position witnessing a decline from 328 GRPs last week to 299 GRPs this week in the household category and 128 GRPs this week in the individual category.

     

    Sab also saw a decline at the fifth position with 268 GRPs in the household category, and remained constant in the individual category with 126 GRPs.

     

    Sony stayed at the sixth position with 215 GRPs in the household category and 97 GRPs in the individual category. &TV also witnessed a decline to 112 GRPs in the household category and in the individual category with 97 GRPs.

     

    Pal saw a decline from 50 GRPs to 39 GRPs in the household category and from 23 GRPs to 20 GRPs in the individual category. Epic witnessed a drop from 14 GRPs to 13 GRPs in the household category and remained at a constant 5 GRPs in the individual category.

     

    The top three channels in the Hindi movie genre were Sony Max, followed by Zee Cinema and Star Gold.

     

    Aaj Tak dominated the Hindi news genre, followed by which were ABP News and India TV.

     

    Click here for details

  • MIB bars BARC from releasing TV ratings data; TAM to continue process

    MIB bars BARC from releasing TV ratings data; TAM to continue process

    MUMBAI: The newly launched television audience measurement Broadcast Audience Research Council (BARC) India has been asked to stop releasing ratings by the Ministry of Information & Broadcasting (MIB) before the issues related to its registration is sorted. Meanwhile the rival auditor Television Audience Measurement (TAM) informed that it would continue releasing rating insights as per schedule.

     

    A statement from TAM said, “For TAM Media Research, weekly TV Viewership data release to the industry will continue as normal. Pursuant to the interim order issued by the Hon’ble High Court of Delhi on 12 February, 2014, 1.7(a), 1.7(d), 16.1 & 16.2 of impugned guidelines have been stayed till the disposal of the Writ Petition 494/2014 (Kantar Matter).”

     

    BARC released the first set of data on 29 April, 2015 and had scheduled the release of its weekly ratings every Wednesday. When queried as to whether BARC would release its ratings as per schedule despite notice from the MIB, BARC India CEO Partho Dasgupta told indiantelevision.com, “We are discussing the matter with MIB and are yet to take a call if we will release the data tomorrow.”

     

    As per the guidelines, all TV rating agencies shall obtain MIB’s registration. In the case of BARC, which is an industry-led body, its registration process is yet to be completed and hence the release of ratings would set a wrong precedent, sources in the Ministry told PTI. In an earlier report by PTI, Dasgupta informed that the application for registration was filed in November 2014.

     

    It can be noted that there are numerous stakeholders in BARC who have put in a huge sum of money to ensure that quality ratings are delivered.

     

    It remains to be seen if BARC and the MIB succeed to come to a consensus and release the second set of data as per schedule on 6 May, 2015.

  • IPL 8 sees 27% jump in viewership; KKR vs RCB most watched match

    IPL 8 sees 27% jump in viewership; KKR vs RCB most watched match

    MUMBAI: The eighth edition of the on-going Indian Premier League (IPL) 2015 tournament has seen a 27 per cent jump in viewership from last year according to viewership measurement body TAM.

     

    Moreover, the Kolkata Knight Riders (KKR) match versus Royal Challengers Bangalore (RCB) on 11 May, 2015 is the most watched match so far with 5.3 per cent TVR followed by Chennai Super Kings (CSK) vs Mumbai Indians (MI) bout on 17 May, 2015.

     

    With a mere two per cent TVR, Delhi Daredevils vs Sunrisers Hyderabad is the least viewed match so far in IPL as per TAM.

     

    The data is released for the period of 7 – 25 April, 2015, with the analysis signifying audit measurements of live matches aired on Sony MAX, Sony Six, Sony Aath and Sony Kix.

     

    The first 24 matches of this season were sampled by 163 million unique viewers, while the time spent by viewers per match is 47 minutes and 41 seconds, which is 14 per cent more compared to the previous edition. The TVTs depicted a growth of 28 per cent while the matches garnered 3.9 per cent average TVR. Sixty per cent of the All India Universe tuned in to watch IPL as per TAM ratings.

     

    Click here for detailed list of ratings

  • Sab topples Life OK in individual ratings: TAM

    Sab topples Life OK in individual ratings: TAM

    MUMBAI: While the Broadcast Audience Research Council (BARC) India rolled out its first set of new television ratings on 29 April, the existing ratings body TAM (Television Audience Measurement) released its data for Hindi general entertainment channels (GECS) during week 15 (5 – 11 April) and week 16 (12 – 18 April).

     

    The data indicates the difference between household and individual data in Hindi speaking markets (HSM) without LC1 markets. On CS Household level, Star Plus dominates the chart with 672 GRPs followed by Colors at number two with 483 GRPs. Zee TV stood at number three with 401 GRPs followed by Life OK with 336 GRPs.

     

    Sab at number five recorded 313 GRPs, whereas Sony Entertainment Television (SET) remained at the bottom of the chart with 255 GRPs. The newest Hindi general entertainment channel &TV noted 114 GRPs.

     

    On the CS 4+ individual front, Star Plus continued to lead with 276 GRPs followed by Colors with 203 GRPs, whereas Zee TV recorded 174 GRPs.

     

    An interesting thing to note here was that while Life OK scored more than Sab in terms of household ratings for the two weeks, the latter managed to get more ratings when it came to individual ratings. In household ratings, Life OK scored 336 GRPs while Sab TV scored 313 GRPs, however in individual ratings Sab TV fared better as it scored 141 GRPs in comparison to Life OK’s 135 GRPs.