Tag: TAM Media Research

  • Recapping 2012

    Recapping 2012

    The year 2012 was an action-packed one for the television broadcasting industry. India began its historic journey with digitisation and the first phase kicked off in November. NDTV filed a landmark case in New York against TAM Media Research and its holding companies Nielsen, Kantar Media and Cavendish Square Holding BV. Broadcasters united to put pressure for creation of a new Broadcasters Audience Research Council (Barc).

    The year also witnessed a slew of deals and marked the entry of two big industrial houses into television broadcasting — Reliance Industries Ltd (RIL) by helping Raghav Bahl‘s Network18 group to snap up ETV and the Aditya Birla Group by acquiring a 27.5 per cent stake in Aroon Purie‘s Living Media, which runs TV Today Network.

    Sahara made an entry into cable TV distribution and acquired Digicable. Network18 Group formed a distribution company, IndiaCast, which will also house the syndication business and exploit content across all media platforms.

    It was the year in which Zee Network completed 20 years, after having pioneered private television broadcasting in India. The year saw a Hindi general entertainment channel Imagine, which was acquired by Turner from NDTV, being zapped, when it slipped below the second-rung Hindi general entertainment channels (GECs).

    The sports genre saw the exit of The Walt Disney Company with News Corp acquiring its 50 per cent interest in their joint venture ESPN Star Sports for $335 million. Sony, which has the rights for the Indian Premier League, launched its first sports television channel. After having agreed to buy Walt Disney‘s interest in ESPN Star Sports, Star India pipped Multi Screen Media (MSM) to bag BCCI media rights till 2008 for a whopping Rs 38.51 billion.

    There was a lot of action during the year in the kids TV genre. Though BBC‘s advertisement free Cbeebies channel exited India citing prohibitive carriage fees, a few kids‘ channels got added to the bouquet. Discovery Kids, Disney Junior, ZeeQ and Nick Jr were launched during the year, which coincided with the beginning of the compulsory shift to digital delivery of television channels in the country.

    Channel launches:

    • Star launches its second Hindi movie channel Movies OK under ‘Ok‘ brand
    • Star launches Bengali movie channel Star Jalsha Movies
    • Star-owned Asianet Communications launches Asianet Movies, the first satellite movie channel in Malayalam
    • Zeel launches Bengali movie channel Zee Bangla Cinema
    • After a football and cricket dedicated channel, Zeel launches its third specialised offering Ten Golf
    • Zeel enters kids genre with ZeeQ, an edutainment channel targeted at 4-14 kids
    • Viacom18 launches its third kids channel with preschool channel Nick Jr
    • Disney launches a full-fledged pre-school offering with Disney Junior
    • Discovery enters kids segment in India with Discovery Kids
    • MSM‘s much awaited sports channel Sony Six makes a debut during IPL
    • HBO partners Eros to announce launch of two ad free channels HBO Defined and HBO Hits
    • Reliance Broadcast Network (RBNL) and European entertainment network RTL Group joint-venture launch their first channel Big RTL Thrill
    • Big CBS, the joint venture between RBNL and CBS Corp, forays into regional TV space with the launch of its fourth channel, Spark Punjabi
    • Leading Gujarati dailies Sandesh and Gujarat Samachar enter television market with the launch of their news channels, GS TV News and Sandesh TV
    • 9X Media launches its international music channel 9XO
    • Softline Creations enters TV broadcasting with Cinema TV
    • Delhi-based production house AAP Media launches Bhojpuri entertainment channel Anjan TV

    Deals:

    • Mukesh Ambani-led Reliance Industries (RIL) marks his entry into media and entertainment space by investing in Network18
    • Media & Investments and TV18 Broadcast through an Independent Media Trust
    • News Corp and The Walt Disney Company end their Asian sports JV ESPN Star Sports with the former taking complete ownership of the sports broadcasting company for $335 million
    • Aditya Birla Group acquires 27.5 per cent stake in Aroon Purie-controlled Living Media, which runs TV Today Network
    • Sahara acquires 90 per cent stake in Digicable for $52 million
    • Sony Pictures Television, the parent company of Multi Screen Media (MSM), makes its regional foray as it agrees to acquire 30 per cent stake in Maa Network
    • Ajay Bijli-promoted PVR buys out promoter stake in Cinemax for Rs 3.95 billion to become biggest multiplex operator in the country
    • Karthikeya Sharma-promoted ITV Media snaps up News X from Indi Media, a joint venture between NaiDunia promoter and CEO
    • Vinay Chhajlani and former Business World editor Jehangir S Pocha
    • After a decade long rocky relationship, the Indian shareholders of MSM exit the television company with Sony Pictures Television (SPT) acquiring 32 per cent stake in MSM for $271 million
    • The Walt Disney Company buys out Ronnie Srewvala‘s stake in UTV Group for Rs 8.05 billion
    • CA Media picks up 49 per cent stake in Endemol India
    • Cisco becomes largest video and content security solutions provider in India with its $5 billion global acquisition of NDS

    Exits:

    • News Corp exits cable business in India as it divests 17.3 per cent stake in Hathway Cable for Rs 3.58 bn
    • Walt Disney‘s ESPN exits sports broadcasting in Asia following stake sale in ESS
    • News Corp exits news business in India and is in process of selling its 26 per cent stake in Media Content and Communications
    • Services (MCCS), the company that runs Star News (ABP News), Star Majha (ABP Majha) and Star Jalsha (ABP Majha), to JV partner ABP Group
    • Turner ends its expensive date with Hindi GEC space, shutters Imagine TV citing unviability
    • ABP Group exits Bengali GEC space by shutting Sananda TV more than a year after its launch
    • NDTV ends ad sales partnership with News Corp‘s Star India; to handle ad sales on its own

    Government

    • Information and Broadcasting ministry extends the digitisation deadline for the first phase of digitisation in four metros to 31 October
    • Ahead of digitisation, government raises foreign direct investment (FDI) ceiling to 74 per cent from 49 per cent in DTH and MSO biz; FDI limit in teleports and hubs set up for uplinking of television channels also raised to 74 per cent
    • Congress spokesperson Manish Tewari takes charge as the new Information and Broadcasting minister replacing Ambika Soni
    • Arasu fails to get DAS licence for Chennai despite repeated pleas to the government
    • MIB kicks-off the second phase of digitisation covering 38 cities and towns across 14 states
    • Rahul Khullar appointed as the new chairman of the Telecom Regulatory Authority of India (Trai) for a three-year term
    • Former Supreme Court judge Justice Cyriac Joseph appointed as the new chairperson of the Telecom Disputes Settlement and Appellate Tribunal (Tdsat)

    Some other milestones:

    • Star India bids a whopping Rs 38.51 billion to bag the BCCI media rights till 2018
    • Sun TV bags Hyderabad franchise for Rs 4.25 billion, bidding higher than PVP Ventures‘ Rs 3.45 billion
    • BCCI terminates Deccan Chargers franchise agreement followed by a protracted legal battle which ends with Supreme Court finally upholding Chargers termination
    • The Indian Broadcasting Foundation (IBF), the Indian Society of Advertisers (ISA) and Advertising Agencies Association of India (AAAI) form audience research joint body Broadcast Audience Research Council (Barc)
    • New Delhi Television (NDTV) files a lawsuit against TAM and its holding companies in New York Supreme Court for manipulation of viewership data
    • Channel [V] stops airing Bollywood music from 1 July becomes a Youth GEC
    • TV18 and Viacom18 form distribution joint venture IndiaCast to distribute all channels and content of the two companies in India and abroad
    • Congress MP Naveen Jindal files FIR against Zee News for allegedly demanding Rs 1 billion in extortion to go slow on its coverage of Coal scam which leads to the arrest of Zee News and Zee Business editors Sudhir Chaudhary and Samir Ahluwalia
    • Aamir Khan makes his TV debut with Satyamev Jayate, which creates massive buzz in the social media
    • After yearlong negotiations, Sun TV strikes a distribution deal with Tamil Nadu government-owned Arasu Cable TV Corporation
    • Pepsi replaces DLF as the title sponsor of IPL, forks out Rs 3.95 billion to take the rights
    • Youth focussed channel Big CBS Spark transitions into a music channel
    • UTV bindass undergoes makeover, sheds UTV in its name and takes the positioning ‘Rest Less‘
    • MSM CEO Man Jit Singh is elected IBF president
    • History TV18 launches Urdu feed
    • Discovery Science goes regional with Hindi fee
  • Star Plus bounces back, Zee TV in 2nd position

    MUMBAI: Star Plus bounced back to the top position among Hindi general entertainment channels (GECs) in the penultimate week of 2012. It was at number two position in the previous two weeks, with the top slot occupied by Colors.

    In week 51, as per TAM Media Research data for C&S 4+, sourced from Hindi GECs, Star Plus maintained status quo in terms of ratings with 231 GRPs. Its shows like ‘Saathiya Saath Nibhana‘ (5.1 TVR), ‘Yeh Rishta Kya Kehlata Hai‘ (4.6 TVR) and ‘Pyar Ka Dard‘ (3.8 TVR) have seen marginal rise in ratings while others like ‘Diya Aur Bati Hum‘ (4.4 TVR), and ‘Ek Hazarome Meri Behena hai‘ (1.7 TVR) have seen a slight dip.

    Star Plus could see a spike in viewership next week as it is all set to launch its popular celebrity dance show ‘Nach Baliye‘ on 29 December.

    Following Star Plus is Zee TV that added 35 GRPs to its last week‘s tally to register 226 GRPs. The channel had aired Mahasangam (mega episodes) combining two of its daily soaps ‘Sapne Suhane Ladakpan Ke‘ and ‘Rab se Sona Ishq‘ from 17 December to 21 December.

    The two shows on Zee TV collectively ran for an hour every day and clocked an average of 4.5 TVR in the week ended 22 December. Zee TV‘s fiction properties like fear Files (2.3 TVR), ‘Pavitra Rishta‘ (3.8 TVR) and ‘Hitler Didi‘ (3.1 TVR) have seen a rise in viewership.

    Taking the number three position among Hindi GECs in week 51 is Colors with 223 GRPs (previous week 239). The channel had launched ‘Jai Jag Janani Maa Durga‘ in the 7 pm slot that debuted with 1.6 TVR on 17 December. The fall in viewership of the channel in week 51 can be attributed to the high-points in the shows like ‘Balika Vadhu‘ and ‘Madhubala‘ in earlier weeks. The two shows had ratings of 4.8 TVR (previous week 5.8) and 3.9 TVR (previous week 4 TVR) respectively in week 51. The other shows of the channel too saw a marginal dip in viewership, while reality show ‘Bigg Boss‘ continues to average 2.5 TVR as in the previous week.

    Sony Entertainment Television lost nine GRPs compared to Week 50 to notch 193 GRPs. ‘Kaun Banega Crorepati‘ continues to gain traction as it rated 3.4 TVR. The channel‘s crime-based properties ‘C.I.D‘ (3.4 TVR) and ‘Crime Patrol‘ (2.7 TVR) too continue to garner viewership. However, its shows ‘Adaalat‘ (1.9 TVR), ‘Kya Hua tera Vaada‘ (1.5 TVR) lost eyeballs. Comedy Circus saw increase in numbers as it ended the week with 3.1 TVR (previous week 2.5).

    Next in the ranking is Life OK, which saw addition of 15 GRPs to its previous week‘s tally to record 144 GRPs in week 51. The channel had aired the maha-episode of Mahadev on 16 December that gave the show the spike.

    Sab, the second GEC from Sony, is just a GRP behind Life OK with 143 GRPs (last week 140).

    Sahara One ended the week with 24 GRPs (last week 23).

  • Star stays No. 1; Colors rules digital for last 4 weeks

    MUMBAI: Star Plus stays at the top based on average ratings for the 10 weeks ended 15 December while Colors rules for the last four weeks after Diwali in the digital homes, according to TAM Media Research data provided by a channel.

    Star Plus averaged 250 GRPs a week in the overall TV viewing universe in the Hindi Speaking Market (HSM, C&S 4+) and 234 GRPs among digital viewers during this period.

    The second in the pecking order shows a different pattern with Colors occupying that position in the TV viewing universe (analogue and digital included) while Zee TV takes that ranking in the digital homes. Colors earns 232 average GRPs (HSM, C&S) and Zee TV 227 in digital.

    Sony Entertainment Television (Set) ranks at number third spot with 215 average GRPs in the overall viewing, while Zee TV ranks no 4 with 192 average GRPs. Sab followed next with 143 GRPs, while Life OK grossed 131 average GRPs in the HSM, C&S, 4+ market.


    Source: TAM data provided by Hindi GECs for HSM, C&S, 4+

    In digital, Colors ranks third with 222 average GRPs followed by Set (167). Life OK and Sab take the next two spots with 133 and 111 average GRPs respectively. Zee TV has shows gains in digital market but the highest position it reached was the No 2 position with 227 average GRPs.

    Data for the 10 weeks was made available by TAM Media Research to the industry on Monday, after being suspended for smooth switchover to digital mode of delivery in the four metros of Mumbai, Delhi, Chennai and Kolkata.


    Source: TAM data provided by Hindi GECs for HSM, Digital, 4+

    The television viewership trends are inferred from the data for C&S 4+ and Digital 4+, made available by television channels.

    How shows behaved in HSM (analogue and digital included)

    There was only one big ticket property launched during this period – Bigg Boss-6. The show that had launched just three days before TAM stopped reporting data on 10 October opened with 4.1 TVR on Colors in HSM C&S (4+). The average rating for the 10 weeks ended 15 December stood at 2.5 TVR.

    Colors wrapped up India‘s Got Talent with 2.9 TVR on 24 November. The channel‘s crime non-fiction property Shaitan-The Criminal Mind debuted with 2 TVR on 1 December. It has also aired People‘s Choice Awards that rated 2.8 TVR on 25 November.

    The other big event that was telecast during this time period is Zee Rishtey Awards on Zee TV that aired on 2 December and collected 4.2 TVR for the channel. The debut ratings of Zee TV‘s newly launched show on Muslim community titled Qubool Hai was 2.5 TVR. The channel had a special property ‘Zee Ki 20th Diwali‘ that aired on 10 November and notched 1.6 TVR.

    Star Plus launched three fiction shows during this period. Its Veera, Khamoshiyaan and Kali made an opening of 2, 2 and 1 TVR respectively. GIMA Awards and Star Dandiya notched 1.1 TVR and 2.1 TVR respectively.

    Set launched one show during these 10 weeks, Anaamika, that opened with 1.3 TVR.

    Life OK too had aired special properties like Ram Leela that clocked 1.2 TVR on 21 October. Its reality show Hindustan Ke Hunarbaaz opened with 0.7 TVR. The two fiction shows that the channel had launched were Junoon and 2612 that opened with 0.8 TVR and 1.2 TVR respectively.

    Sab had aired special property on Diwali titled Sab Ki Diwali that collected 1.7 TVR on 10 November.

    How movies performed in HSM (analogue and digital included)

    There were lots of movie premieres on Hindi GECs of Indian television from week 41 to week 50 of TAM. Akshay Kumar-starrer Rowdy Rathod that did wonders in box office appealed to the television audience as well as it rated 5.1 TVR in its first airing (21 October 12 pm) on Set. The second airing on the same day at 8.30 pm notched 5.6 TVR.

    The second biggest premiere on Hindi GECs was that of Ek Tha Tiger that aired on Set on 11 November. While the first airing of the movie (12 pm) clocked 3.3 TVR, the second airing (8.30 pm) rated 4.6 TVR.

    Hindi feature film Oh My God, appreciated by not only the audiences but also the critics, had a decent opening on television as well. Aired on Colors on 18 November at 1 pm and 5.30 pm, the movie rated 3.5 and 3.4 TVR respectively. It is to be noted that the film could have rated better but it couldn‘t because the audiences were deviated to news channels on account of Shiv Sena Chief Bal Thackeray‘s death on 17 November. His funeral was scheduled on 18 November and his last rites were aired live on news channels on 18 November.

  • NBA agrees to release of ratings data only from 9 January

    MUMBAI: News broadcasters Association (NBA) has agreed to have resumption of TAM Media Research’s viewership ratings data of all news channels from 9 January, a deferment of three weeks from the 19 December release date fixed earlier.

    However, TAM, the only ratings provider in India, is yet to hear from the industry bodies including Association of Advertising Agencies of India (AAAI), Indian Society of Advertisers (ISA) and the Indian Broadcasting Foundation (IBF).

    One of the industry body members told Indiantelevision.com that discussions are on and no final decision has been made yet.

    Earlier in the day, TAM said in a statement on its website that, “At the request of the Ministry of Information and Broadcasting and in concurrence with the ISA, AAAI and IBF, data of news channels is being withheld. From week 41 of 2012, data for news channels for all markets will be aggregated with ‘Others’.”

    Accordingly, TAM was to release the later on Friday but decided it would first want to have “quick” consent letters from individual news channels (including members of NBA) stating their agreement with their channel’s viewing being clubbed into the category of ‘others’. Others category includes lesser viewed channels like religious channels and shopping channels.

    In a later development, an official with NBA told Indiantelevision.com that the association has “agreed that TAM resume reporting of viewership data from 9 January, including for individual news channels and for the period since 7 October, no individual news channel data be reported.” NBA has a strong weightage with almost all major news networks as its members, but there are a large number of smaller news channels which are not its members.

    Indiantelevision.com has learnt that no conclusive decision seems to have been taken by the other industry bodies till the filing of this report. TAM has played it safe by asking individual news channels to give their consent.

    TAM had suspended ratings of all genres from 7 October after an agreement with AAAI, ISA and IBF. It was to release data for the nine-week period of suspension on 19 December, but was asked by the Information and Broadcasting (I&B) Ministry to not resume reporting television ratings on the prodding of NBA.

    Also Read:
    Why news broadcasters want TAM to defer ratings

    Govt pushes TAM to defer release of TV ratings data

  • Shashi Sinha is BARC TechComm chairman

    MUMBAI: The first step towards making the Broadcast Audience Research Council (BARC) operational has been taken with the formation of the television audience measurement body‘s technical committee.

    IPG Mediabrands India CEO Shashi Sinha has been appointed as the chairman of the technical committee of BARC.

    BARC, constituted in July 2010 under the Companies Act, aims to set up a transparent and credible television audience measurement system in India. BARC would be the umbrella body and television audience measurement service providers like TAM Media Research, a joint venture of Nielsen and Kantar, will function under it for the purpose of providing ratings.

    India TV strategist Paritosh Joshi and Hindustan Unilever head of CMI South Smita Bhosale are members of the committee.

    Sinha said, “Setting up of the technical committee is very important for the pushing of BARC but the board (of BARC) is supreme. The Committee will make all the recommendations in terms of how sampling and other technical things should be done. So it will be a recommendation body but the final decision will be taken by BARC board.”

    BARC is headed by Zeel CEO Punit Goenka as chairman. The board includes six broadcasters, two advertisers – HUL executive director home and personal care Hemant Bakshi and ex-P&G India chairman and managing director Bharat Patel – and two agency executives – GroupM South Asia CEO Vikram Sakhuja and RK Swamy BBDO chairman and MD Sunder K Swamy.

    BARC is 60 per cent owned by the Indian Broadcasting Foundation (IBF) and 20 per cent each by the Advertising Agencies Association of India (AAAI) and the Indian Society of Advertisers (ISA).

  • Digitisation: Consensus eludes broadcasters and advertisers on suspension of ratings

    MUMBAI: Indian Broadcasting Foundation (IBF), Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA) on Monday could not arrive at a consensus on the issue of suspension of television ratings from the four metros after the compulsory shift to digitisation from 1 November.

    The meeting between the three industry bodies and TAM Media Research dragged on for about four hours in the Zee office from the evening hours but no agreement could be thrashed out at the end as it involves commercial interests that tend to differ. The discussions centred around the pros and cons of suspension of TAM ratings that decide on advertising fortunes of television shows and channels.

    An industry source told Indiantelevision.com that the meeting was inconclusive but a decision on the issue would certainly be announced on Tuesday.

    Another source said the broadcasters are asking for eight weeks of non reporting of television viewership data by ratings agency TAM. Advertising bodies are not agreeable but both parties would on Tuesday come to a settlement on the period for non reporting of data. Another area of contention is whether TAM should monitor the data at all while non reporting the findings to the industry and media.

    “It looks like the advertising bodies are agreeable to non reporting of data. It is the period that is still being debated. A joint announcement will be made tomorrow,” the source added.

    The government has suggested to TAM to stop releasing television ratings from the four metros for a short period till the teething problems arising from the switchover to digital delivery of television channels from 1 November are resolved.

    The broadcasters are in agreement with the government suggestion but the advertisers and the advertising agencies have expressed reservations.

  • NY court orders NDTV to file revised lawsuit; WPP, Nielsen dismissal motions to be heard on 14 Dec

    MUMBAI: After a ding-dong battle between news broadcaster NDTV and global advertising major WPP, there is finally something one gets to hear from the New York Supreme Court which will decide the outcome of the legal dispute.

    The New York Supreme Court has ordered New Delhi Television Ltd (NDTV) to file and serve its amended complaint (lawsuit) against television ratings provider TAM Media Research, its owners Nielsen and Kantar and their associate companies by 5 October 2012.

    The court order follows a court-conducted conference call on 31 August between counsels for NDTV, WPP and Kantar (the defendants who have filed for dismissal of the lawsuit filed on July 26), and Nielsen.

    The conference call was held pursuant to a letter application by NDTV requesting a conference with the court to set forth an appropriate schedule for the motions to dismiss by WPP, the intended motions to dismiss to be filed by the Nielsen defendants and the intended amended complaint to be filed by NDTV.

    During the conference call, counsel for NDTV indicated that the broadcaster will investigate whether or not Kantar, IMRB and JWT (WPP group companies) have been improperly named in its lawsuit, as per the claim made by WPP in its petition to dismiss the lawsuit.

    NDTV has filed the lawsuit alleging that TAM and its owners knowingly allowed manipulation of ratings data to favour channels that offered bribes. In response to this, WPP which owns half of TAM through its companies Kantar and Cavendish B V, filed a motion to dismiss the lawsuit on grounds of invalid jurisdiction on 28 August.

    The dismissal motions of both Nielsen and WPP groups will be heard on 14 December 2012.

    Having considered all of the papers and arguments regarding the scheduling disputes, the New York court ordered that:

    1. NDTV file and serve its Amended Complaint on or before October 5, 2012, via electronic filing.

    2. The Moving Defendants file and serve their supplemental motion papers responding to the Amended Complaint, if any, on or before October 19, 2012, via electronic filing.

    3. The Nielsen Defendants file and serve the Nielsen Motions to Dismiss on or before October 19, 2012, via electronic filing.

    4. NDTV file and serve its opposition papers to the Motions to Dismiss and the Nielsen Motions to Dismiss on or before November 16, 2012, via electronic filing.

    5. The Moving Defendants file and serve their reply papers regarding the Motions to Dismiss on or before December 7, 2012, via electronic filing.

    6. The Nielsen Defendants file and serve their reply papers regarding the Nielsen Motions to Dismiss on or before December 7, 2012, via electronic filing.

    7. The return date for the Motions to Dismiss is adjourned until December 14, 2012.

    8. The return date for the Nielsen Motions to Dismiss shall be December 14, 2012.

  • I&B calls AAAI, ISA for meet on 4 Sept over TV ratings issue

    NEW DELHI: The pressure on TAM Media Research, India‘s sole television ratings provider, is just not easing. The Information & Broadcasting (I&B) Ministry has decided to act in response to the NDTV lawsuit against the corrupt television ratings and the demand by News Broadcasters Association (NBA) for its intervention.

    After reportedly asking television ratings provider TAM Media Research and its 50 per cent owner Nielsen to submit a report on the status of the plans to make the ratings system robust, the ministry has convened a meeting with the Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA) on Tuesday, 4 September.

    The meeting with AAAI and ISA is being held amid raging controversy over the credibility of television viewership ratings, after NDTV (New Delhi Television Ltd) filed a lawsuit in New York against TAM, its owners Nielsen and WPP and their officials.

    The meeting is also happening in the backdrop of a delay in operationalising the Broadcast Audience Research Council (BARC), which is to be jointly set up by Indian Broadcasting Foundation, AAAI and ISA.

    Sources close to the I&B ministry have confirmed to Indiantelevision.com that the meeting has been scheduled on Tuesday.

    According to a media report, the government has given to TAM 10 days and Nielsen two weeks to reply. The report said the government has also sought information from TAM and Nielsen on generation of viewership data from towns with less than 1 lakh of population and from north-east states and Jammu & Kashmir.

    “This has gone too far,” said the CEO of a media agency, suggesting that the meeting is a fallout of the war of words between WPP and NDTV.

    Leo Burnett chairman of India Subcontinent Arvind Sharma declined to talk on the meeting but referring to the media report said, “I can‘t blame the government for being concerned over what all is happening in media. The long term solution is that via the three players – AAAI, ISA and IBF – creation of BARC should be speeded up. One has to understand that there has to be a reliable, transparent medium. What government wants is similar to what we want and there isn‘t any contradiction.”

    Sharma said TAM has been giving AAAI and ISA progress reports since their meeting on 16 August. During the meeting, TAM had outlined a six-point action plan that included appointment of a security officer and a security agency, expansion in the number of homes with peoplemeters in the six top metros, an industry review of the viewership research processes, independent audit of outlier homes, faster rotation of the peoplemeter homes and setting up of an internal audit team.

    Speaking to Indiantelevision.com, Star India CEO Uday Shankar said: “I am glad that I&B Ministry has asked TAM to explain but how do we know that how many boxes are functional? There is no system of public audit. How do we know that the data which is collected has no uncertainty in that?”

    Shankar further said, “TAM is clouded in secrecy and according to me anything that isn‘t transparent and is under secrecy is subject to distortion and corruption.”

  • Satyamev Jayate notches 4.27 TVR in 6 Metros

    Satyamev Jayate notches 4.27 TVR in 6 Metros

    MUMBAI: Aamir Khan’s television debut show, Satyamev Jayate, has recorded an overall rating of 4.27 TVR (including terrestrial of DD) in the six metros of Delhi, Mumbai, Kolkata, Chennai, Bangalore and Hyderabad.

    The show, launched on 6 May at the 11 am-12.30 pm band, was simulcast on Star Plus, Star Pravah (Marathi), DD National, Star Utsav, ETV (Telugu), Vijay (Tamil), Star Jalsha (Bengali), Star World (English) and Asianet (Malayalam).

    The show reached out to 8.96 million people in the age group of 4+, as per data provided by TAM Media Research.

    In the 4+ market, the six-metro rating stood at 4.08 and the show reached out to 8.15 million people in C&S homes.

    Indiantelevision.com was the first to report the individual ratings of the show on Star Plus and other channels in the respective metros.

    Also Read:

    Aamir Khan’s Satymev Jayate debuts with 3.8 TVR on Star Plus

  • ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    He has been associated with a wide variety of assignments in the domain of media planning and broadcast management. Now he’s buried into hardcore research.

     

    It’s been just over six months since Tam Media Research vice president Pradeep Hejmadi joined the company and when we mention that to him, he seems shocked at how time has flown.

     

    His last assignment was with the kids’ channel Nick. His experience traverses through various media organisations like Turner International, Discovery India, HTA and The Times of India.

     

    Speaking to Indiantelevision.com’s Hetal Adesara Hejmadi dwells on the various issues that concern the television industry today and also on the exciting phase that it entering.

     

    Excerpts:

    It’s been just over six months since you joined Tam, how has the journey been so far and what was the mandate given to you when you joined?

    The journey has obviously only begun but it’s been good fun. Being on the broadcast side, you see one view of the world. There I was doing a whole host of stuff that is quite different from what I’m doing here. So from that point of view it is a refreshing change to come to audience research and to help people to converse with data.

     

    In terms of mandate, the idea was simply to focus on two areas: one is on the needs of the broadcasters and to keep the system abreast in terms of the areas that are emerging as interest areas for the industry per se.

     

    The other mandate is to get people to make decisions on the basis of the information that they have. Some people tend to have a biased approach towards numbers as research sounds like such a difficult animal to manage and tame. Our focus has been to try and make sure that people are able to read audience behaviour and act on it. And hopefully start seeing some response on the basis of what they are doing so that they can get far more structured in the way they go about their businesses.

     

    The environment is pretty crazy as we are operating in a very heterogeneous market and it is not easy to use any information and just act on it. Many a times the devil is in the details so our focus is really to find that devil and help people tame it.

    Can you throw light on the new initiatives that Tam is or will be undertaking and in which areas?

    Not too much of what we do is an industry secret, so I’m sure that you know pretty much everything. The Elite panel is something that is going to be launched and the current panel expansion is also underway. The panel expansion is a nine month process that we started in the beginning of this year. By the fourth quarter of this financial year, we should be ready. We have consulted the industry and many people have told us not to make a mid-year change in the measurement science. So after consensus from the industry, we are looking at January 2007 to switch to the new universe.

    What about the launch of the Elite panel and what according to you will be the data thrown by it in terms of viewership patterns? How much of importance will it hold in the coming days in terms of tracking viewership?

    The Elite panel will be up by July this year.

     

    The way that we have crafted the panel has not been to bring out any nuance but to focus on a segment. Everyone wanted to have an audience profile, which is the top end of our entire market structure. So in Mumbai and Delhi, we are now going to have a panel, which will represent the behaviour of the top three or four per cent of the population.

     

    Our focus has been to use all the quantitative data that we can get and construct that profile in such a manner that it robustly segments the elite from the national panel. Again we have a whole set of variables through which we have been successful in bringing that point out.

     

    In terms of behaviour, once the panel is up people will see what happens. There are a lot of myths and that is a constant in any industry. But once the panel is up people will be able to see the reality as it is.

     

    Obviously, given that the elite are the top three or four per cent of the population will have a different lifestyle and it will reflect in their media consumption as well. Right now we don’t have the panel up so I can’t even force a guess as to what the panel will throw up. But it should be very interesting and the industry is very keen on getting that kind of information.

    Which are the broadcasters who are specifically interested in the elite panel?

    Surprisingly, all the broadcasters are interested. For the Hindi general entertainment channels, the aim is to talk to everybody and they don’t want to exclude the elite. English entertainment channels are also very keen because they feel that the core component of their viewership is the elite. But a lot of these feelings and aspirations that broadcasters have at present are driven by perception. But as the data comes out we will be able to find out the reality.

     

    A few of the things that we have seen is that for the elite the segmenting elements in terms of defining them differ by market. For example, in Delhi, the definition for elite was a much trickier one than it was for Mumbai. But now for both the markets we have been able to arrive at variables that describe that segment very well.

    ‘In the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands’

    So the elite panel will be only in Delhi and Mumbai?

    Currently we are looking at only these two cities for the elite panel.

    With new delivery platforms like IPTV and mobile TV coming in this year and also keeping in mind the new DTH platforms launching, is Tam undertaking any research in these areas?

    We have just done a penetration study, which has brought out estimates of what the DTH number is for households, the small number of the addressable conditional access boxes that are there and also what the current incumbent players have in terms of market share.

     

    Those numbers are already in place. The fact is that in the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands. The large sample needs to be touched, collected and reported in a very short period of time. We were able crack that by using the IMRB household panel, which has shown very interesting numbers. As things pan out, we will be working towards getting the universe estimates updated more frequently. We will also be able to understand the rollout of this phenomenon in different markets in a very different manner.

    Is this a difference of viewership of people watching DTH and those watching C&S?

    At the moment we don’t know because we are not measuring DTH. To us the mandate from the industry was to measure any phenomenon which had a market share of five per cent and above. If any phenomenon was below five per cent of a market then there is no point in measuring that.

     

    So from our point of view we have been doing establishment surveys to measure a phenomenon. So if CAS or DTH becomes five per cent of the market then we will have to report on it.

    So are you saying that DD Direct and Dish TV DTH subscribers do not add up to five per cent of the market?

    No it is not five per cent of an individual market.

    Once Tata Sky and Reliance launch their DTH, will Tam begin measuring viewership on DTH?

    Once DTH arrives and reaches a five per cent critical mass, we will begin measuring it. Now whether it is pre or post the launch of Tata Sky DTH is immaterial.

    If you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out

    What will be the difference in the backend infrastructure for measuring DTH?

    There will be a difference because these signals are digital. Currently, primarily because the market is analog is nature, we had meters which worked on analog. Now we’ve brought in state-of-the-art TVM5 meters which can measure DTH and any digital and IPTV signals. These are the meters that we will be deploying for measuring viewership on DTH.

     

    So the elite panel will be on TVM5 meters and also all the metros will be moving to TVM5 meters.

    What according to you is going to be the impact on programming content after the launch of these new platforms?

    This is a very interesting question you raised. There is one aspect of what DTH providers will do to justify a person to shift from cable to DTH. And there is another part of the picture, which is what the consumer will do once the new DTH platforms are launched.

     

    DTH platform players have already realized that to drive people to take a box or dish and to go through the motion of having a one on one relationship with the service provider, they will have to add some value over the basic tier. So from their point of view, they are trying to build and aggregate as much content and provide as much variety as possible. Whether consumers will watch or not, we will know once we know what content has been aggregated.

     

    It will be a game of wait and watch to find out whether tastes will change. But the fact is that tastes changed when we shifted from terrestrial to cable and satellite. So going by that, tastes should change with DTH coming in but how much and by what measure will have to be seen.

     

    Obviously some rules of the game will change. For instance, currently distribution does play a very critical role. At that time, the kind of TV sets will not matter because all these households will be remote households by default because they will switch channels off the set top box (STB). All of these households will get all the channels on the STBs provided they pay for them. So it will become television neutral and also cable bandwidth neutral.

     

    In one sense it becomes a level playing field across consumers. Now if you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out. I have a feeling that over a period of time people and their tastes change. So you will see a change in behaviour but over what period of time and will it be an easy or painful switch-over will be ascertained by various constituents.

     

    From our perspective, we need to have measurement that is representative and precise. We need to have people understanding what is coming out of this system so that they can then funnel it back.

     

    We are actually at the doorstep of a very interesting phase. In six to eight months’ time we will start seeing some things changing.

    What are your views on conditional access system (CAS)? How is it going to impact the industry if and when it comes into place?

    From a long term perspective it is obviously good for the industry. Nothing happens very easily. We know the resistance to change that we as human being have. On CAS it has got into a kind of a mess and has had a bad history. It also got much politicized and hence because of that and a whole host of things, it has made life difficult for CAS.

     

    But I think once DTH rolls out and channels announce their pricing for DTH, it will help CAS. It is very good that we have a body like the Telecom Regulatory Authority of India (Trai), which has put in certain norms to help platforms iron themselves out. So in their regulation the ‘must provide’ clause has been put in and pricing parity has been brought in so that channels can’t have different pricing for different platforms. This will help CAS and DTH.

     

    Intrinsically there are some issues with CAS. One of them is inter-operatibility. As far as CAS is concerned, if you stay in Chembur and then move to Churchgate, you might not be able to use the same box. Whereas this problem does not arise in DTH.

     

    In Chennai, for example CAS did not fly because the tastes of that market is very different. Also the popular regional channels are all free to air. So the number of people who were ready to pay for that box was very small. But in a lot of other markets, most of the Hindi entertainment channels are all pay. As long as they don’t buckle because of advertising revenue pressures and stay pay, they could fuel growth of CAS.

    Tam has been tracking viewership in Chennai, where CAS has been implemented. What have been the learnings from there?

    CAS penetration is very low in Chennai. The pricing is very exorbitant. For instance, initially, the channels that were on STBs and were of interest to the mass population were kids channels and English entertainment channels. If you added up all those channels on an a la carte rate, the cost of the box was four times the cost of annual subscription for these channels. Now that’s prohibitively expensive.

     

    In that market, it was a first launch, so it is understandable if Sumangali might have adopted the strategy of not wanting to price it down that much. But obviously the value proposition was not that compelling. This is not the case with a lot of northern and western markets. In these markets a lot of Hindi content is pay, which has appeal. Therefore it might drive the box much faster than it did in Chennai. So Chennai is really an exception.

    Going forward, what according to you are the issues that broadcasters will face in the coming years with new technologies launching? Do you have any words of caution for them?

    I don’t have any word of caution for them mainly because of one reason – I don’t see any threat, I only see an opportunity in the way things are happening. Consumers have consumed channels for a while and they like the programming they watch. The positive thing that is happening now is that a broadcaster is seeing an opportunity in a disguised form of various distribution routes.

     

    If broadcasters see that as an opportunity and seize it, it might be a lot more good news for them than what it seems to be, with certain reservations. If you get your pricing right; if you make sure that as a broadcaster you are not biased towards a distribution platform, it is only going to be better because there are issues with the kind of TVs in a household and in what kind of analog frequency band is there with cable. Plus there are issues with the number of people you can serve with one cable system. All of these will cease to exist with DTH.

     

    A consumer will start making a choice and give their preferences, whereas broadcasters will be able to solidify the product over a period of time. So that revenue line will become a far more solid line.

     

    Obviously, there will be a painful and uncertain phase but that is there everywhere. People will have to learn to deal with it but it will take a slightly longer time. Consultation can work much better than confrontation in many a situation. At this stage people in the industry need to communicate more effectively… forget strategy and that’s what will help them.

    Do you see any other major event impacting the television industry this year?

    If I say yes, I might be wrong. If I say no, I might be wrong too. I really don’t know. I think the days ahead are going to be fun as all the different genres are reinventing themselves in order to get a lion’s share, whether it is music, kids, regional or Hindi general entertainment channels, all of them are rethinking their approach.

     

    I don’t know what else will be big this year, but religious channels are catching up big time. Sports is going through the roof in terms of the number of events. With so much of cricket, I’m not sure whether it will have that novelty value. It will have mass appeal but whether all masses will run for it will be worth watching.

    What are the genres that will work this year? Will reality shows still rule the roost?

    Reality is a very broad term, it’s like saying – serials, which brings everything under one category. But within reality we have seen only a few things happening. Reality has its pluses and minuses, you can’t overdo reality and start running it like a soap as it tends to become boring. It needs to have that ‘Wow’ factor.

     

    Also notable is the fact that unfortunately all the sequels of reality have not done that well. So it also tells you something about such programming. But there is a growing appetite for it from the consumers’ side. So from that point of view it will stay… in what form and format, we will have to see.

     

    If you see the number of people going to Mipcom from India, you know that reality is not going anywhere. Over a period of time things will start ironing out in the reality genre.

     

    In reality a unique concept, which is executed well gets you walk-ins faster than a soap. For anybody who wants a shot in the arm, reality is the quick fix solution. But then, they need to have a solid strategy to retain that new audience and capitalise on it.