Tag: Talvar

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • ‘Airlift:’ A dose of patriotism

    ‘Airlift:’ A dose of patriotism

    Stories are at a premium for film scripts, so are the imaginative script writers and, if there are a few around, the makers are not willing to indulge them at premium. No wonder that more often than not, even our superstars fail to carry a film through.

    In quest of new themes, some makers tried with scripts our people dream about; like bringing Dawood back (D-Day) or like assassinating a Pakistani terror outfit chief (Baby). However, these films did not really convince the film buffs; they were daydreams, after all.

    Airlift, hence, is about a real life massive venture of safeguarding 1.7 lakh Indian expatriates in Kuwait when Iran invaded the country in 1990. Makers in search of real life stories have made films like Who Killed Jessica, Talvar, Manjhi, Pan Singh Tomar, Bhaag Milkha Bhaag etc may confuse the event with the last year’s airlifting/shipping Indians out of Middle East.

    While all above named films have been dramatised for film adaptations, Airlift has taken such a liberty by combining the actions of four protagonists of this 1990 Kuwait operation into one hero in Akshay Kumar.

    Akshay is a successful businessman in Kuwait living with his wife, Nimrat Kaur, and a daughter. He has taken to Kuwait and feels very much at home there; India no more means much to him. That is when his world turns topsy-turvy. The long running feud between Iraq and Kuwait climaxes into Iraq’s invasion of Kuwait. Initially, Akshay as well as other expats think it is another usual threat till they see Iraqi troops demolishing Kuwait and killing the locals at random.

    Fortunately for Akshay and others, India is considered a friendly nation by Iraq and the troops have instructions not to harm Indians. Akshay senses the seriousness of the situation and decides to send away Nimrat and his daughter to England till things settle down. But, while driving through the city, he is captured by soldiers. His driver is shot dead. He is presented in front of the Iraqi army general. Again fortunately for Akshay, the general knows him from one of his trips to Iraq when he was in charge of Akshay’s security. He promises help for a consideration.

    As Akshay visits his office, his staff members look at him expectantly and it soon dawns on him that only he and his family can’t run away leaving his people behind. He settles all his staffers and their families in the office premises and, to his surprise, soon discovers that those who have taken refuge in and around his office don’t all belong to his company.

    The situation around makes him a changed man. From a hardcore, self-centred businessman, he has softened up into a caring person; he takes charge of the Indians who have taken shelter with him and plans on getting them out of Kuwait. His contacts are no use in such a situation, only dollar talk is understood.

    Akshay’s efforts to involve the Indian embassies in Kuwait as well as Iraq fail. So do his attempts to involve the Indian government. The lethargic babus don’t want to take the responsibility while the ministers concerned are not even willing to face the one babu who shows concern and appeals on behalf of the 1.7 lakh Indians. But, it is because of that one babu’s persistence that the minister finally approves action.

    Airlift may come as a new story to the audience who generally is exposed to little besides cross border terrorism. For them, the film is informative with the plus being this is a true account. But, that being the case, the film also has a documentary kind of effect, especially through its first part. Post interval, the film picks up pace as the evacuation drama unfolds and comes up with moments, which stir up patriotism in the viewer. Considering the dry subject, efforts are made to keep the script and narrative as tight and short as possible.

    Direction is generally good sticking to ambience of the region. However, the Iraqi shoulders look shabby and un-Iraqi like. The film has a pleasant musical score and, considering the theme, all songs play in the background. Camera work is apt. Dialogue is sharp. Casting is perfect with Akshay being just the star to invoke patriotism. Nimrat does very well as do others.

    Airlift caters mainly to the elite audience. Its opening is fair. The film, however, should pick up over the weekend with 26 January – Republic Day fervour adding to the patriotic quotient.

    Producers: Bhushan Kumar, Krishan Kumar, Nikhil Advani

    Director: Raja Krishna Menon

    Cast: Akshay Kumar, Nimrat Kaur, Purab Kohli, Prakash Belawadi, Kumud Mishra, Avtar Gill

    ‘Kyaa Kool Hain Hum 3:’ About being fools!

    Kyaa Kool Hain Hum 3 is the third instalment of the Kyaa Kool… series from Balaji Motion Pictures, a sex comedy that has proved lucrative for the makers. The idea is titillation bordering on vulgarity.

    Aftab Shivdasani and Tusshar Kapoor are best friends who are doing things together. Tusshar has a problem with colours, which affects his eyes. The pair usually goofs up and is rendered penniless as well as homeless.

    A friend, Krishna Abhishek, throws them a lifeline and invites them to visit him in Bangkok where he makes porn films. His aides and stars are Claudia Ciesla, Gizele Thakral, Andy Kumar and Danny Sura. Tusshar and Aftab are offered to do porn films, which they are reluctant to do at first. But, they need money badly and that makes them change their minds.

    There has to be something in the name of story to go on so, Tusshar falls in love with Mandana Karimi. Mandana’s father, Darshan Jariwala, however, wants to meet his daughter’s choice along with his family. Where would Tusshar get a family from? Easy! His porn star team comes to his aid. They all have to present themselves as a traditional sanskari family to Jariwala. This is where the film is expected to generate comic situations with its acting challenged cast, some of which has been imported from Bigg Boss show.

    Hindi comedy is usually about gags stolen from here and there and slaps and lewd expressions aided by double meaning dialogue. This film tries to include all of that.

    Uday Ghadge has directed a Marathi film earlier and assisted David Dhawan on a few films. Dhawan’s flair for comedy does not seem to have influenced him. The film is average in all aspects with even songs being of no help.

    Kyaa Kool Hain Hum 3 will find some audience in youth and single screens.

    Producers: Shobha Kapoor, Ekta Kapoor

    Director: Uday Ghadge

    Cast: Tusshar Kapoor, Aftab Shivdasani, Krishna Abhishek, Mandana Karimi, Darshan Jariwala, Gizele Thakral, Claudia Ciesla, Shakti Kapoor

  • Balaji Motion Pictures ropes in Aman Gill as the new CEO

    Balaji Motion Pictures ropes in Aman Gill as the new CEO

    MUMBAI- Balaji Telefilms Limited has roped in Aman Gill as the CEO of Balaji Motion Pictures. Gill, in his new role, will assume all responsibilities spanning film development ranging from creative, production, marketing, distribution, syndication and will have all division heads report directly to him. He will take up the new position from early December 2015.

    Talking about the new appointment, Balaji Telefilms Ltd. group CEO Sameer Nair asserted, “Aman brilliantly balances creativity with commerce and is most deserving of this position and role. He has vast experience in developing, producing, marketing, distributing and syndicating films in the past with various studios and has worked closely with talent in the agency business”.

    Aman will be serving out his notice period with Junglee Pictures in the interim, where he was the chief content officer since June 2014. In his tenure the company successfully released two of the most critically and commercially acclaimed films of the year Dil Dhadkane Do and Talvar. Gill has also setup in the past, the film talent and literary business at CAA-KWAN from June 2012 to June 2014. He also headed the acquisition and domestic distribution functions at Viacom 18 Motion Pictures.

    Gill started his career with Applause Entertainment, where he was AVP Content. Here he earned his first film credit as an executive producer for Sanjay Leela Bhansali’s critically acclaimed film Black.

    “Aman is a wonderful addition to the management bandwidth we’re building at Balaji. Several exciting projects are already in the pipeline over the next few months, which are in various stages of production and we also plan to scale up our movie business in the coming years. With several very interesting initiatives underway, I believe Aman is the ideal professional to lead the charge”, said Balaji TelefilmsLimited joint managing director Ekta Kapoor.

    Speaking about his new hiring Gill added, “I’m honored that Ekta and Sameer have entrusted me with this responsibility and position. I look forward to work together with a highly talented team to further the formidable brand that Balaji Motion Pictures has built over the years and take it to greater heights.

  • Box Office: ‘Main Aur Charles’ collects Rs 3.65 crore; ‘Pyaar Ka Punchnama 2’ holds fort

    Box Office: ‘Main Aur Charles’ collects Rs 3.65 crore; ‘Pyaar Ka Punchnama 2’ holds fort

    MUMBAI: The pre-Diwali period, considered to be dullest ever at the box office, used to be the exhibitor’s nightmare. The running time was fed with dubbed films or re-run films. The idea was to just minimise the loss.

     

    Come corporate era, no period is considered dull. This Friday, 30 October saw numerous releases; unheard of films with no promotion worth its name. Of course, all to disastrous results.

     

    Among all releases of the week, Main Aur Charles was the most publicised, boasted of known faces in the cast and also went on to bag favourable reviews. Yet, it was the best example of a mis-timed release. A film, which would have ended its opening day with over Rs 3 crore to improve on days to follow, managed barely a crore. Nothing better came its way on Saturday and Sunday that followed. The film ended its opening weekend with approximately Rs 3.65 crore.

     

    On the other hand, Pyaar Ka Punchnama 2 is enjoying an excellent run at the box office, on its own merit as well as some help from poor new releases. The film is a favourite with the youth. It has had an impressive second week with figures of Rs 14.1 crore taking its two week total to Rs 51.9 crore.

     

    Guddu Ki Gun, a curious kind of film, which tries to create comedy out of a silly idea about a young man’s vitals turning to gold, falls flat. The only use the film will have is for future producers troubled by the Film Certification Board, to cite it as a precedent. The film managed about Rs 1.7 crore for the opening weekend. 

     

    Despite critical reviews and a strong word of mouth from the industry, Dibakar Bennerjee’s home production, Titli, is a disaster.

     

    Other nondescript adventures like Love ExchangeOnce Upon A Time In BiharMere Sai Ram and The Last Horror fail to find audience.

     

    Shaandaar collections go on a free fall in its first week after an indifferent opening weekend. The film suffers many cancelled shows due to lack of audience as the week progresses. A sheer waste of good star cast and ample funding thanks to a juvenile script and an unimaginative making. The film, which did its best in its four day opening weekend, managed to add a meagre Rs 6.1 crore for the four days after the weekend to show a poor Rs 36.9 crore for its first week. The film may add a crore or so at best for the rest of its run. 

     

    Jazbaa collects Rs 20 lakh in its third week to take its three week total to Rs 23.9 crore. 

     

    Singh Is Bliing adds Rs 10 lakh in its fourth week taking its four week total to Rs 74.05 crore. 

     

    Talvar collects about a crore in its fourth week taking its four week total to Rs 30.55 crore.

  • Box Office: ‘Jazbaa’ collects Rs 14.4 crore in opening weekend

    Box Office: ‘Jazbaa’ collects Rs 14.4 crore in opening weekend

    MUMBAI: Jazbaa, based on the Korean film, Seven Days, is a story that could have been told in a undeviating manner. However, between adhering to the original and Indianising it is ‘lost in translation.’ The film, which is being touted as Aishwarya Rai Bachchan’s comeback film, opened to a meek response at the box office on Friday. However, it improved a great deal on Saturday in comparison to its opening day figures but remained static on Sunday. Jazbaa ended its opening weekend with Rs 14.4 crore, though its real standing will be determined only over next four days after the weekend.

     

    While the film had the advantage of being the one and only release for the week, it had little competition from last week’s two releases,Singh Is Bliing and Talvar. While the first one started losing steam from its first Monday onwards, Talvar has a moderate following and continues to do well within its parameters it posed no threat to Jazbaa after its seven day run.

     

    Talvar, another version of the Noida murder of a 14 year old girl, Arushi Talwar, allegedly by her own parents, generated some amount of curiosity and attracted a decent amount of footfalls. Considering its limited range, the film did fairly well to close its first week with a reasonable Rs 15.5 crore. The powerful media group, one of the makers of this film, is making sure it remains in the news or, to put it fairly, in controversy, so that the film adds a crore or two everyday even in its week two! The film maintained well during its second weekend.

     

    Singh Is Bliing started off well but lost momentum from day two and even further from the first Monday after its release. This action comedy saw the female lead star, Amy Jackson, performing better action than the hero and action star Akshay Kumar, whose action scenes were lame and oft seen before. Akshay’s films have a limit till how much they can score at the box office and this one will stop short of even that limit. The film added Rs 19.75 crore in its four days after a decent weekend to show a figure of Rs 62.15 crore for its first week.

     

    Kapil Sharma’s debut movie vehicle Kis Kisko Payar Karoon maintained well in its second week by collecting Rs 5.1 crore to take its two week total to Rs 43.2 crore.

     

    On the other hand, Madhur Bhandarkar’s Calendar Girls crashes to a meagre Rs 10 lakh collections in its second week to show a tally of Rs 5.2 crore. A major loser.

  • Box Office: ‘Singh Is Bliing’ collects Rs 44.4 crore in opening weekend

    Box Office: ‘Singh Is Bliing’ collects Rs 44.4 crore in opening weekend

    MUMBAI: Singh Is Bliing, an action comedy, gets Akshay Kumar his biggest opening day yet as Friday being a major all India holiday for Gandhi Jayanti. However, the clean sweep on Friday cost the film’s Saturday footfalls as the collections dropped by about 30 per cent. With Sunday being better, the film ended its opening weekend with Rs 44.4 crore.

     

    Talvar earned much appreciation and positive press and despite getting odd show timings, managed a decent paid preview and Friday response. The film, in fact added to its collections on Saturday by word of mouth. With a decent Sunday to add to its kitty, the film collected Rs 9.2 crore in its first weekend. 

     

    Kapil Sharma’s Kis Kisko Pyar Karu was director duo Abbas Mustan’s foray into comedy genre. The film maintained very well through rest of the week after an impressive weekend. It collected Rs 38.1 crore in its first week.

     

    Calendar Girls, Madhur Bhandarkar’s personal formula film, mainly about scandalous content and counting on exploiting woman anatomy, falls flat on its face. The film is slated to have cost four times it should have and promises to be a major loser. After a poor opening weekend of Rs 3.8 crore, it had even poorer run through rest of the week adding a meagre Rs 1.3 crore for the first week tally of Rs 5.1 crore. 

     

    Bhaag Johnny manages a poor Rs 1.9 crore for its first week. Time Out’s collections are very poor, whereas Katti Batti collects Rs 1.95 crore in its second week taking its two week tally to Rs 23.45 crore.

     

    Welcome Back added Rs 40 lakh in its fourth week to take its four week total to Rs 94.3 crore.