Tag: Talent

  • Jagran New Media onboards Manoj Mishra as CHRO

    Jagran New Media onboards Manoj Mishra as CHRO

    MUMBAI: Jagran New Media (JNM), the digital wing of Jagran Prakashan, announced a significant leadership appointment by onboarding Manoj Mishra, as chief human resources officer (CHRO). His role:  lead the overall framework for talent, culture, and value system. With over two decades of experience in HR leadership, talent management, culture building and business goals, Manoj brings a wealth of knowledge and expertise to his new role, to drive impactful leadership management and key initiatives for the company, says a press release issued by the company.

    Manoj comes with an extensive background in human resource function, specialising in fostering diversity, equity, and inclusivity within the workplace and building a strong organisational culture. In his new role at JNM,  he will focus on leveraging his unique set of skills and expertise to enhance employee engagement and strengthen the organization’s HR framework. His background as a consultant, and at companies such as Tata Retail, Future group, Landmark group, Walmart, Flipkart and Better Place should hold him in good stead at JNM.

    Elated with his role, Mishra said, “I am thrilled to kick start this new journey with JNM. I will focus on building a diverse and inclusive workplace where different perspectives are welcomed and also look forward to contributing to the growth framework, ensuring the organisation continues its pursuit of excellence.”

    Jagran New Media chief executive officer Bharat Gupta said:  “We are delighted to welcome Manoj to the JNM family. With his elaborate experience, innovative approach, and proven track record in human resources, we are confident he will be invaluable in cultivating a positive and productive work environment. I believe Manoj will be a catalyst in further building on the high-trust, high-performance culture fostering diversity, equity, and inclusivity (DEI) framework within the workplace”

     

  • CSAFF kicks off with a star-studded and diverse line-up

    CSAFF kicks off with a star-studded and diverse line-up

    Mumbai: In its 13th edition, the Chicago South Asian Film Festival (CSAFF) opened on 22 September  with a brilliant line-up of film and talent for the increasingly popular event to be held through 25 September. A kick-off curtain raiser for the festival took place on 16 and 17  September .

    The festival, the largest of its kind in the Midwest, will present over 80 carefully curated independent films, shorts and documentaries in Downtown Chicago, at the Columbia Film Row and at DePaul University’s School of Cinematic Arts. Over 125 film makers and artists have made their way to Chicago for this annual event which will further showcase 27 World Premieres, 23 US Premieres and 30+ Chicago Premieres at this year’s festival.

    “Chicago is developing as a big film production hub,” stated CSAFF festival director Jigar Shah. “Our festival is creating awareness of South Asian diversity here in the Midwest while also bringing this international talent to Chicago to produce this unique, exciting experience.”

    A stellar grand opening to the festival took place on 23 September at the Columbia Film Row. Walking the red-carpet were renowned talents such as Yami Gautam Dhar and Rahul Khanna from India, director Aniruddha Roy Chowdhury, Mostofa Sarwar Farooki, Samiya Mumtaz, Dananeer, Jugal Hansraj along with numerous other filmmakers and talent.

    The opening night feature film in its World Premiere was “Lost” by Aniruddha Roy Chowdhury, starring Yami Gautam and Rahul Khanna. Chowdhury’s previous film, “Pink”, with Amitabh Bachchan and Taapsee Pannu made a mark in Indian mainstream cinema and created discussions around women’s consent.

    Additionally, Mostofa Sarwar Farooki was recognized and presented with the South Asian Film Award (SAFA), for his contribution to cinema. There was a special mention of the documentary “Barefoot Empress” by filmmaker and Michelin star chef, Vikas Khanna and Oscar-winning filmmaker, Doug Roland. The opening night also highlighted the short film, “Gray” by Sakshi Gurnani and Nikhil Taneja, starring actor Dia Mirza and Shreya Dhanwanthary.

    The festival showcased the World Premiere of the Marathi film “Vaalvi” by Paresh Mokashi, and also screened “Powai” by Kuldip Patel and “Pedro” by Natesh Hegde. The kick-off curtain raiser held on 16 and 17 September featured “A Night of Knowing Nothing” by Payal Kapadia, which won the best documentary at Cannes Film Festival in 2021, “Awakash” by Chittaranjan Giri, “Manikbabur Megh (Cloud & the Man)” by Abhinandan Banerjee and Kekee Manzil, and “House of Art” by Dilesh Korya.

    On Saturday, 24 September , there will be the Centerpiece film – “No Land’s Man”, by Mostofa Sarwar Farooki and Shrihari Sathe, starring Nawazuddin Siddiqui, Megan Mitchell and Eisha Chopra and music by A.R. Rahman.

    “Four Samosas” by Ravi Kapoor will be the closing night film on Friday, 25 September, with the filmmakers in attendance. The film, which recently made a splash at the Tribeca Film Festival, features a popular and talented ensemble cast led by Venk Potula (“Veep”) and Karan Soni (“Deadpool”).

    Also, featured will be the North America Premiere and Marquee film of the festival, Shiv Shastri Balboa followed by a Q&A session with director Ajayan Venugopalan and actor Jugal Hansraj along with legendary actors Anupam Kher and Neena Gupta. CSAFF will also showcase a heart-touching short film, “Perianayaki”, which centers round the story of a Sri Lankan woman in New Zealand, by Bala Murali Shingade.

    The festival has an amazing collection of films from Pakistan too such as “Fatima Jinnah” by Danial Khan, “Stay Tuned” by Ali Ahmed and Dawa by Ariella Khan. It will showcase daring documentaries that will steer engaging conversation among the audience. There are several films and documentaries by upcoming women directors from Canada such as “Marginalizing Minorities” by Dipti Gupta, “Women Beyond Bollywood” by Rahila Bootwala and “This Stained Dawn” by Anam Abbas.

    CSAFF will also showcase local Chicago filmmakers and their films – “Before After”, “Trek to the Top”, “Propinquity”, “Ozona”, the episodic “Stuck in Reality” and more. In addition, the festival will feature films which center on controversial issues of religious prejudices, sexual orientation and bullying. Featured is “Bully High”, written and directed by Bill McAdams Jr., a coming-of-age drama headlined by an exciting young cast of Hollywood newcomers, Aneesha Madhok, Joseph Baena (son of Arnold Schwarzenegger) among many other films.

    “We are so proud of the caliber of the films and the diversity we will be presenting this year, and it is so powerful to be able to showcase it in the theaters,” pointed out Jigar.

    CSAFF will close on Sunday, 25 September  with a ceremony and awards given for best feature, best short, best documentary and documentary short as chosen by the audience. Throughout the festival there will be several event opportunities including discussions, the Filmmakers’ Lounge Series, a Bollywood dance night and Closing night after-party.

  • MSL India announces new appointments to key leadership roles

    MSL India announces new appointments to key leadership roles

    MUMBAI: Publicis Groupe’s strategic communications and engagement firm, MSL India has announced three key leadership appointments, including MSL Bengaluru lead, head of Talent & Culture, and Mumbai lead for FinComm practice. The leadership hires include Ajit Pai as MSL Bengaluru- vice president and lead, Shreela Roy as MSL Mumbai vice president & lead – FinCom practice, and Rajesh Narwankar as MSL India vice president & head of talent & culture.

    The strategic hires signify the firm’s continued endeavour to strengthen client relations and build a dynamic workplace that allows growth for all colleagues, said the company in a statement.

    Commenting on the appointments,  MSL South and South East Asia CEO Amit Misra said, “I am delighted to welcome Ajit, Rajesh and Shreela to MSL. Their collective experience, talent and expertise will be a core ingredient in building a dynamic business environment and furthering our growth. I am confident that their addition to the team will compliment our operations and help us continue enhancing impact for our clients & colleagues.”

    Ajit Pai joins MSL with over 17 years of experience in the PR domain. He will be leading MSL Bengaluru and will be responsible for strengthening client relations in the South. Prior to joining MSL, Pai worked with leading PR consultancies such as Adfactors PR, Edelman, APCO Worldwide and BCW.  

    Shreela Roy brings an extensive 15+ years of experience and knowledge in driving multi-stakeholder integrated communications campaigns across banking, financial services & insurance, private equity, real estate, infrastructure & professional services. Prior to this appointment, Roy was director for corporate & financial practice at Genesis BCW. A few clients that Roy has managed include organisations such as Citigroup, Goldman Sachs, Kotak, ICICI Group, DBS, HDFC Life, ICICI Prudential Mutual Fund, JP Morgan, KPMG, Boston Consulting Group, and Vodafone PLC.

    With 15 years of experience in Human Resources, Rajesh Narwankar will lead resource management at MSL and enforce innovative talent movement processes to create a sustainable people infrastructure. His domain expertise lies in talent engagement, HR analytics, performance management and HR Operations. This will be his second stint within the Publicis Groupe ecosystem, as he previously led the same role at Leo Burnett. He has also worked with other organisations including PwC, Edelman & BMR Advisors.

  • Winners of Indian Telly Streaming Awards 2021 announced

    Winners of Indian Telly Streaming Awards 2021 announced

    Mumbai: The last two years have indeed been a hallmark year for the streaming industry with a record number of OTT content being produced across all languages.  Even as the established players bolstered their presence in the market, several new platforms have emerged, creating a host of opportunities for writers, actors, directors to showcase their talent.

    It is this wave of talent that Indiantelevision.com attempted to recognise at the Indian Telly Streaming Awards 2021. The awards are an extension of the first-ever Television Award show – The Indian Telly Awards in India that recognise both on-screen and behind-the-scenes of television in India every year. Considering the evolving situation of the pandemic, the winners of 2021 were announced virtually during an event on Thursday.

    The idea was to honour the best of the streaming industry – business, creative, and talent, and recognise the effort that goes into making premium originals in India. The awards were announced across different categories which included Best Actor, Best Actress, Best animation online first, Best Talk Show, Best Documentary, Best Editor, Best DOP, Best Title Track, Best writer as well as Best Comic.

    The selection was done by an eminent jury which included OML CEO Gunjan Arya, Isspeshal StratCon CEO Ashish Patil, director of photography Dharam Gulati, Dabur head of media Rajiv Dubey, House of Cheer Networks MD Rajiv Nayak, actor Rohit Roy, filmmaker Omung Kumar Bhandula, Ellipsis Entertainment managing partner Tanuj Garg, Jigsaw Pictures founder Rajbish Lal, Contiloe producer Roopali Kadyan, We Log trustee Ravina Raj Kohli, IN10 Media Network VP – Corporate Strategy and development Mansi Darbar, and Milestone Movies director Monisha Singh Katial.

    Here is the list of winners: 

  • BAFTA ventures into India with Breakthrough initiative

    BAFTA ventures into India with Breakthrough initiative

    NEW DELHI: The British Academy of Film and Television Arts (BAFTA) is taking its first steps in India with the global expansion of the Breakthrough initiative, supported by Netflix. This flagship new talent initiative is part of BAFTA’s year-round work to support new talent, operating alongside their awards ceremonies worldwide. BAFTA Breakthrough India will help facilitate the development of relationships between British talent and India’s homegrown creatives.

    BAFTA Breakthrough India is a new international iteration of the highly successful Breakthrough initiative, which has been running in the UK since 2013, China since 2019 and has launched in the USA this year, supporting over 130 emerging talents to date.

    Encouraging creative and cultural exchange between some of the major centres of film, games, and television in these countries, the programme has supported individuals such as Tom Holland, Letitia Wright, Florence Pugh, Jessie Buckley, Josh O’Connor, and Callum Turner. Industry supporters of the initiative in recent years also include actors Oliva Colman, Naomi Harris, Tom Hiddleston and Tilda Swinton, actor-producer Brad Pitt, directors Tom Harper and Barry Jenkins, game designers Brenda Romero and Tim Schafer, and actor-writers Sharon Horgan and Amy Schumer.

    In 2020, BAFTA will identify, celebrate, and support up to five exceptional talents working in film, games, or television in India, through this first-of-its-kind program in the country. By showcasing talent globally, BAFTA Breakthrough aims to turbocharge their career success by offering a bespoke programme of support – helping them to learn more about the industry, overcome barriers to progression, and network globally with people who can influence their careers.

    Netflix is the official supporting partner for BAFTA Breakthrough, in the UK, USA and India, providing integral support in the global expansion. BAFTA and Netflix share a joint vision to celebrate and provide opportunities for emerging talent across the world, bringing together international communities across global networks, in order to develop and support stories and voices from different cultures.

    “BAFTA is uniquely placed to facilitate creative partnerships across the moving arts, being one of the only art charities to work across film, games, and television and on a global scale,” BAFTA director of learning & new talent Tim Hunter said. “India is one of the most prolific and accomplished industries and a fascinating centre for the screen arts with lots of creative diversity, which extends far beyond the world-famous ‘Bollywood’. Some of the best practitioners in the world work in Indian film, games, and television – and practitioners from around the world have much to learn from them.”

    Netflix India VP content Monika Shergill said, "Netflix shares BAFTA's vision and responsibility in providing ‘breakthrough’ opportunities to emerging talent. We’re thrilled to extend our support to the programme in India and help amplify our country's new voices. This initiative will meaningfully bring together creative communities across borders, support their stories, unearth raw talent and provide them with recognition on the world stage.” 

    BAFTA will work closely with local cultural bodies and industry in India to reach each sub-region's unique landscape and identify excellent individuals who have shown creative promise in film, games, and television. Participants will be selected by a jury comprising leaders from across India’s moving arts industries. The chosen participants will be offered a year-long support programme from BAFTA and be showcased across India and the UK. They will also receive one-to-one mentoring, guidance sessions, global networking opportunities, free access to BAFTA events and screenings for 12 months, and full voting BAFTA membership as part of Breakthrough. It will enable the chosen talent to connect with and learn from some of the best in the British and Indian creative industries, share their expertise with peers around the world, gaining access to opportunities beyond geographical borders.

    The Breakthrough programme will also be supported by a series of craft masterclasses, which will feature British and Indian talent sharing their expertise and insights with audiences across India and the UK. More details of the Breakthrough Masterclasses programme will be announced.

    Applications for the programme will be announced as open soon.

  • Catch ’em young: Ministry hunts for sports talent

    Catch ’em young: Ministry hunts for sports talent

    NEW DELHI: The Sports Ministry is to set up a Talent Search Portal shortly to give a fair opportunity to talented children from every nook and corner of the country to pursue their dreams of achieving excellence in sports. Jolted by the poor performance of India at the Rio Olympics, the ministry had already begun a process to examine India’s performance.

    The plan is to target talented children of eight years and above.
    Efforts will be made to involve National Sports Federations, corporate houses and other stake-holders in the programme.

    Sports Minister Vijay Goel said in a statement that details of the performance and potential of a child including video and photographs could be uploaded on the portal by children, their parents, relatives, teachers and others on the portal. A format will be available on the portal to capture the key details of the child.

    After due scrutiny, children with potential will be given an opportunity to appear for a battery of tests which could be conducted at the nearest Sports Authority of India Centre and others. Those who pass will be admitted to the training centres of SAI.

    The ministry will also persuade the state governments and others to admit some of such children in their centres. Such talented children who are not able to leave their current places of residence for any reason may be offered a scholarship to help them pursue excellence in sports.

    The portal will allow talented children to stake their claim for support including admission to sports training centres from the comforts of their homes and will simplify procedures. It will be particularly beneficial to the disadvantaged sections of the society.

  • Catch ’em young: Ministry hunts for sports talent

    Catch ’em young: Ministry hunts for sports talent

    NEW DELHI: The Sports Ministry is to set up a Talent Search Portal shortly to give a fair opportunity to talented children from every nook and corner of the country to pursue their dreams of achieving excellence in sports. Jolted by the poor performance of India at the Rio Olympics, the ministry had already begun a process to examine India’s performance.

    The plan is to target talented children of eight years and above.
    Efforts will be made to involve National Sports Federations, corporate houses and other stake-holders in the programme.

    Sports Minister Vijay Goel said in a statement that details of the performance and potential of a child including video and photographs could be uploaded on the portal by children, their parents, relatives, teachers and others on the portal. A format will be available on the portal to capture the key details of the child.

    After due scrutiny, children with potential will be given an opportunity to appear for a battery of tests which could be conducted at the nearest Sports Authority of India Centre and others. Those who pass will be admitted to the training centres of SAI.

    The ministry will also persuade the state governments and others to admit some of such children in their centres. Such talented children who are not able to leave their current places of residence for any reason may be offered a scholarship to help them pursue excellence in sports.

    The portal will allow talented children to stake their claim for support including admission to sports training centres from the comforts of their homes and will simplify procedures. It will be particularly beneficial to the disadvantaged sections of the society.

  • OMD CEO Stephen Li on why agencies are struggling to retain talent

    OMD CEO Stephen Li on why agencies are struggling to retain talent

    MUMBAI:  Stephen Li’s takeover of OMD’s Asia Pacific business as the new CEO made several headlines in October last year, after former CEO Steve Blakeman relocated to London. After all, Li’s movement from MEC as the CEO for Asia Pacific after a happening 10 year stint in the company surprised many. In addition to launching the sports and entertainment partnership company MEC Access Asia Pacific, Li also handled MEC’s multinational clients in APAC, such as Chevron, Singapore Airlines and Citibank.

    At the same time anticipation grew over his upcoming new role in Omnicom Group’s subsidiary OMD, and his plans for the company in the India market, which is part of his mandate. With a keen eye for detail and a well-seasoned foresight in a new market, Li was the perfect fit to take on a challenging  and dynamic market like India.

    It’s been six months since he took over the role  and now at the edge of his ‘honeymoon period’ in India, Li reflects on the goals he set for himself and the company, the progress he has achieved and the emerging new challenges of working in a market like India.   

    In a candid chat with Indiantelevision.com’s Papri Das, Li shares his fears on becoming too complacent, his plans on upping the ante for the agency’s performance in 2016 and why it is a task to retain good talent within agencies these days.

    Excerpts:

    Q1. What were your initial goals for the India market when you took on the portfolio at OMD?

    Ans: My initial goal in India was to keep the motion going, not to stagnate the progress and keep innovating. From a business development perspective, I wanted to ensure that our global clients who are currently not working with us in India, become clients here as well.  By working with the global teams in London and New York, we wanted to bring those businesses to OMD in India. Though they are old partners, the mandates would be different and the communication would require a completely different treatment in India.

    Q2. Have you achieved the goals you set for yourself for India when you joined office?

    Ans: We are making progress. I have been here in OMD for a little over six months now. I guess you can say in some ways I am coming to the end of my honeymoon period. Now I have got to make things happen. It is beginning to take shape in India.

    Q3. What challenges have you faced in India so far on the path to achieve your vision for the company?

    Ans: The two challenges that we have faced in India are at two fundamental levels. On one side is the eminent question of how do we ensure to keep developing the best possible work. Which is not always easy. Especially when you have clients who sometimes put you in a box as an agency, guided by their’ ‘I want this’,  ‘I want it this way’, ‘I want it by this time’,  ‘ I want it with this much money’. Our ability to innovate within the parameters of the clients requirement, not being  reckless and or not in a way that is totally  counter cultural, or breaks the back every time, but to challenge ourselves creatively for our clients is the real concern in India.

    It is not an India specific problem, it is a universal challenge, to be honest. As a media agency we must challenge ourselves to be more creative.

    Q4. Agencies are swearing by data these days. Does that take away from the creativity you are striving for?

    Ans: In most industry award shows we see media and creative being judged differently. I think that our definition of creativity needs to change as well as data can be applied in a very creative fashion also.

    Q5. Between your global and local clients who are more particular and restrictive about your work?

    Ans: I think it’s not a matter that can be generalised into global and local clients. There are some global clients who are very open to creative innovations and willing to take risks and then you have some local clients that are incredibly conservative. It comes right back to the attitude and mentality of the agency. We have a broad sweeping set of clients from large global conglomerates to very niche eCommerce ones. It is a challenge for us to be doing equally great work across the board.

    Q6. Which is the biggest challenge to a media agency right now?

    Ans: How do we continue to ensure that we are attracting and retaining the best talent in the industry’ is the single biggest issue currently in our business.

    Q7. What is holding back media agencies from retaining good talent? Surely, money isn’t a factor.

    Ans: Yes it is more complex than that. I think a lot of aspiring creatives enter the industry with the vision to make ‘good ads’. But the definition of advertising is now so broad you could even be creating communication for brands, whether you work in a media agency or creative agency, or working for  Google or Facebook, or for a digital agency or you can even do a user generated work from your own living room. Also because the ability to create is now so broad that you are no longer forced into a particular profession. Therefore as an agency that means we have to compete with so many different people or businesses for that gene pool of talent.

    Q8. How are you planning to counter this issue?

    Ans: As an agency it is crucial to always be seen and known for doing great work. People don’t come into this business to simply get paid well, but for the satisfaction of doing great work. They want to go back to their friends, family and peers and say, ‘look what I did’. We need to be able to always offer each individual the opportunity to do great work.

    Q9. Speaking of talent, do you think the talent in India is at par with the rest of the world

    Ans: There is a definitely a desire amongst the talent I see in India to push boundaries and be future facing. My question to agencies and also to clients is that are we allowing that talent to really shine, and giving them enough opportunities? When you ask them if they are looking at things from a globally relevant perspective, I would say definitely yes. India is such a connected country in every shape and form. There is very little that happens in the rest of the world that India is not aware of. I don’t think the challenge is in if people have a broad view or education. I think the challenge comes back to us — do we have the guts as agency leaders and marketers to recognize their spirit and creativity and do all we can to nurture them to their full potential.

    Q10. Are you happy with the number of new businesses that OMD media has acquired in the last six months?

    Ans: I am never happy with the amount of new businesses. We can always do better. In terms of OMD India, the opportunities we are getting are good. I want that to be bigger and better, and of course that is not a purely an Indian responsibility. The Indian team really puts its best foot forward to ensure it is leading as much growth as possible domestically in India. But it’s the responsibility of the rest of the OMD network as well to ensure that when it comes to global clients and opportunities, they are brought to India as well. It is happening now, but I want to see more of that. That is part of the priorities for us this year and for 2017 as well. I think having a balance between a top down global growth to a bottom up local growth is very crucial for any big agency.

    Q 11. The marketing scene in India is going through a disruption. How equipped is OMD India to deal with it?

    Ans: We are very much equipped in that area. We are no longer looking at communication as ‘branded content’ or digital activation, but smart and engaging content. What I mean by that is its no longer enough to just entertain, we have to be able to engage audiences or consumers while entertaining them. This starts from having a deep seated understanding of consumer insights. I think media agencies have a head start in this as we already have a comfort around data and systems and processes in place for its analysis.  The comfort also allows us to measure any piece of content that we put out to be measurable. This why I think OMD has an advantage as we are already looking at it not only from the ideation and creating standpoint, but from delivery and measurement as well.

    Q12. What is your target for OMD in India in year?

    I think I have two primary targets for India. Firstly, I was really keen to up the ante when it comes to our award presence and our award successes. Campaigns like the ones we have done for Kinder Joy and Johnson and Johnson have already won a few awards and we hope they will be recognised in few more places as well. That is one of the targets we aim to hit. Secondly, recalling what I said about retaining talent. We plan to continue to challenge ourselves to attract the best people into OMD. That is what I am currently working very closely with the management team to do. We are looking far and wide and not just the media agency side of the business. We are looking across the segment agencies, communication partners and creatives to bring digitally savvy future facing people into the team. I will be back in India often to ensure that it’s on track.

  • OMD CEO Stephen Li on why agencies are struggling to retain talent

    OMD CEO Stephen Li on why agencies are struggling to retain talent

    MUMBAI:  Stephen Li’s takeover of OMD’s Asia Pacific business as the new CEO made several headlines in October last year, after former CEO Steve Blakeman relocated to London. After all, Li’s movement from MEC as the CEO for Asia Pacific after a happening 10 year stint in the company surprised many. In addition to launching the sports and entertainment partnership company MEC Access Asia Pacific, Li also handled MEC’s multinational clients in APAC, such as Chevron, Singapore Airlines and Citibank.

    At the same time anticipation grew over his upcoming new role in Omnicom Group’s subsidiary OMD, and his plans for the company in the India market, which is part of his mandate. With a keen eye for detail and a well-seasoned foresight in a new market, Li was the perfect fit to take on a challenging  and dynamic market like India.

    It’s been six months since he took over the role  and now at the edge of his ‘honeymoon period’ in India, Li reflects on the goals he set for himself and the company, the progress he has achieved and the emerging new challenges of working in a market like India.   

    In a candid chat with Indiantelevision.com’s Papri Das, Li shares his fears on becoming too complacent, his plans on upping the ante for the agency’s performance in 2016 and why it is a task to retain good talent within agencies these days.

    Excerpts:

    Q1. What were your initial goals for the India market when you took on the portfolio at OMD?

    Ans: My initial goal in India was to keep the motion going, not to stagnate the progress and keep innovating. From a business development perspective, I wanted to ensure that our global clients who are currently not working with us in India, become clients here as well.  By working with the global teams in London and New York, we wanted to bring those businesses to OMD in India. Though they are old partners, the mandates would be different and the communication would require a completely different treatment in India.

    Q2. Have you achieved the goals you set for yourself for India when you joined office?

    Ans: We are making progress. I have been here in OMD for a little over six months now. I guess you can say in some ways I am coming to the end of my honeymoon period. Now I have got to make things happen. It is beginning to take shape in India.

    Q3. What challenges have you faced in India so far on the path to achieve your vision for the company?

    Ans: The two challenges that we have faced in India are at two fundamental levels. On one side is the eminent question of how do we ensure to keep developing the best possible work. Which is not always easy. Especially when you have clients who sometimes put you in a box as an agency, guided by their’ ‘I want this’,  ‘I want it this way’, ‘I want it by this time’,  ‘ I want it with this much money’. Our ability to innovate within the parameters of the clients requirement, not being  reckless and or not in a way that is totally  counter cultural, or breaks the back every time, but to challenge ourselves creatively for our clients is the real concern in India.

    It is not an India specific problem, it is a universal challenge, to be honest. As a media agency we must challenge ourselves to be more creative.

    Q4. Agencies are swearing by data these days. Does that take away from the creativity you are striving for?

    Ans: In most industry award shows we see media and creative being judged differently. I think that our definition of creativity needs to change as well as data can be applied in a very creative fashion also.

    Q5. Between your global and local clients who are more particular and restrictive about your work?

    Ans: I think it’s not a matter that can be generalised into global and local clients. There are some global clients who are very open to creative innovations and willing to take risks and then you have some local clients that are incredibly conservative. It comes right back to the attitude and mentality of the agency. We have a broad sweeping set of clients from large global conglomerates to very niche eCommerce ones. It is a challenge for us to be doing equally great work across the board.

    Q6. Which is the biggest challenge to a media agency right now?

    Ans: How do we continue to ensure that we are attracting and retaining the best talent in the industry’ is the single biggest issue currently in our business.

    Q7. What is holding back media agencies from retaining good talent? Surely, money isn’t a factor.

    Ans: Yes it is more complex than that. I think a lot of aspiring creatives enter the industry with the vision to make ‘good ads’. But the definition of advertising is now so broad you could even be creating communication for brands, whether you work in a media agency or creative agency, or working for  Google or Facebook, or for a digital agency or you can even do a user generated work from your own living room. Also because the ability to create is now so broad that you are no longer forced into a particular profession. Therefore as an agency that means we have to compete with so many different people or businesses for that gene pool of talent.

    Q8. How are you planning to counter this issue?

    Ans: As an agency it is crucial to always be seen and known for doing great work. People don’t come into this business to simply get paid well, but for the satisfaction of doing great work. They want to go back to their friends, family and peers and say, ‘look what I did’. We need to be able to always offer each individual the opportunity to do great work.

    Q9. Speaking of talent, do you think the talent in India is at par with the rest of the world

    Ans: There is a definitely a desire amongst the talent I see in India to push boundaries and be future facing. My question to agencies and also to clients is that are we allowing that talent to really shine, and giving them enough opportunities? When you ask them if they are looking at things from a globally relevant perspective, I would say definitely yes. India is such a connected country in every shape and form. There is very little that happens in the rest of the world that India is not aware of. I don’t think the challenge is in if people have a broad view or education. I think the challenge comes back to us — do we have the guts as agency leaders and marketers to recognize their spirit and creativity and do all we can to nurture them to their full potential.

    Q10. Are you happy with the number of new businesses that OMD media has acquired in the last six months?

    Ans: I am never happy with the amount of new businesses. We can always do better. In terms of OMD India, the opportunities we are getting are good. I want that to be bigger and better, and of course that is not a purely an Indian responsibility. The Indian team really puts its best foot forward to ensure it is leading as much growth as possible domestically in India. But it’s the responsibility of the rest of the OMD network as well to ensure that when it comes to global clients and opportunities, they are brought to India as well. It is happening now, but I want to see more of that. That is part of the priorities for us this year and for 2017 as well. I think having a balance between a top down global growth to a bottom up local growth is very crucial for any big agency.

    Q 11. The marketing scene in India is going through a disruption. How equipped is OMD India to deal with it?

    Ans: We are very much equipped in that area. We are no longer looking at communication as ‘branded content’ or digital activation, but smart and engaging content. What I mean by that is its no longer enough to just entertain, we have to be able to engage audiences or consumers while entertaining them. This starts from having a deep seated understanding of consumer insights. I think media agencies have a head start in this as we already have a comfort around data and systems and processes in place for its analysis.  The comfort also allows us to measure any piece of content that we put out to be measurable. This why I think OMD has an advantage as we are already looking at it not only from the ideation and creating standpoint, but from delivery and measurement as well.

    Q12. What is your target for OMD in India in year?

    I think I have two primary targets for India. Firstly, I was really keen to up the ante when it comes to our award presence and our award successes. Campaigns like the ones we have done for Kinder Joy and Johnson and Johnson have already won a few awards and we hope they will be recognised in few more places as well. That is one of the targets we aim to hit. Secondly, recalling what I said about retaining talent. We plan to continue to challenge ourselves to attract the best people into OMD. That is what I am currently working very closely with the management team to do. We are looking far and wide and not just the media agency side of the business. We are looking across the segment agencies, communication partners and creatives to bring digitally savvy future facing people into the team. I will be back in India often to ensure that it’s on track.

  • ZenithOptimedia gets on board Saswati Sinha as HR head

    ZenithOptimedia gets on board Saswati Sinha as HR head

    MUMBAI: ZenithOptimedia Group has appointed Saswati Sinha as head of talent and human resources, India. Based out of Gurgaon, she will be taking charge of ZenithOptimedia Group’s pan India operations including ZenithOptimedia, Performics, Resultirx, Newcast and Ninah.

    ZenithOptimedia India group CEO Anupriya Acharya said “Given our growth journey, diverse offerings that need both specialists and integrators and the fast evolving media market with shortage of skilled talent, we needed to accelerate our talent and training agenda. Saswati’s experience in different industries and geographies spanning Media, Advertising and ITeS and a strong understanding of managing growth and training requirements in the new world made her the perfect choice for this role. Am glad she has chosen to join us.”

    Sinha on her appointment commented, “I am very excited to join ZenithOptimedia as I believe talent intensive industries are places where Human Resource function has a critical role to play. ZenithOptimedia believes in people and building a strong culture of values, performance and realize the importance of nurturing talent. I am looking forward to a positive journey.”

    Sinha joins ZenithOptimedia Group with more than 16 years of experience in the field of human resource development and has worked with companies like JWT, Evalueserve and Cyber Media. Her last assignment was at Cheil Worldwide SW Asia where she was the HR head for the region and as part of the major growth journey she on-boarded teams of diverse skills spanning from retail, digital, media, activation, mainline and developed talent programs across the region.