Tag: Taarak Mehta Ka Ooltah Chashma

  • Raaj S Kaushal appointed series head, Hindi originals at ZEE5, promising new content

    Raaj S Kaushal appointed series head, Hindi originals at ZEE5, promising new content

    MUMBAI: Raaj S Kaushal has joined Zee5 as the series head of Hindi originals from February, marking a significant move for the streaming platform. Kaushal brings extensive experience from his previous roles at Zee Studios, Dice Media, and other prominent media companies.

    His career includes a diverse range of projects, from television series like Taarak Mehta Ka Ooltah Chashma and x to OTT content for platforms like AltBalaji. He has also worked on films, including the critically acclaimed “200 Halla Ho” on Zee5.

    In his new role, Kaushal will lead the development and commissioning of original Hindi content for ZEE5, aiming to create “groundbreaking content.” His experience in various aspects of content creation, including production, screenwriting, and creative direction, positions him to contribute to the platform’s growth.

    Kaushal’s background encompasses both television and OTT platforms, providing him with a comprehensive understanding of the Indian entertainment landscape. He has managed projects across various genres, demonstrating his ability to deliver successful content.

    Zee5’s appointment of Kaushal reflects its focus on strengthening its Hindi originals offering. His experience and leadership are expected to play a key role in shaping the platform’s content strategy.

  • The secret sauce behind long-running Hindi GEC shows

    The secret sauce behind long-running Hindi GEC shows

    MUMBAI: India has a history of long-running soap operas right from Kyunki Saas Bhi Kabhi Bahu Thi to latest ones like Yeh Rishta Kya Kehlata Hai and Taarak Mehta Ka Ooltah Chashma. In the urban market, both the shows continue to remain in the top five programming list of BARC India in primetime slots.

    How is it that these shows are continuing to thrive in the era of seasonal content and high impact limited episode show on OTT platforms?

    The prime reason for their high attraction is the ability to reinvent and stay relevant. A decade ago, when these shows launched, there were no signs of OTT platforms. As the shows progressed, the creators kept changing the plotlines to suit the evolving tastes of the audiences.

    One key reinvention strategy that has kept Yeh Rishta Kya Kehlata Hai on top of the ratings charts is its youth appeal. 
    “We wanted to show Kartik and Niara as real couples and be connected to the reality of life. This was the most calculated risk that I took as a maker. We did not want to sugarcoat reality and keep them perfect. They make mistakes and learn from them and that’s what the audiences like. Imperfection is the new mantra that resonates well with them,” explains Director's Kut Production founder Rajan Shahi.

    Zee TV business head Aparna Bhosle explains that long-running shows are the hallmark of a creative team that truly understands their channel’s audience and tells them stories that hold their attention over a sustained period of time. 

    “Having properties on air that people want to keep coming back to is crucial to any broadcaster as it is this viewer behaviour that defines brand loyalty," she says.

    Sony SAB business head Neeraj Vyas points out that character affinity is one of the key reasons for the popularity of Taarak Mehta. "People watch television not because of the shows, but because of the characters. The characters’ action, relatability and empathy are what drive viewership.”

    Long-running shows also increase the  confidence of advertisers in the show. "Advertisers are interested in reaching out to the largest demographics through our platforms and long-running shows with a dedicated viewership serve this purpose most effectively and hence command a premium," says Bhosle.

    Apart from Yeh Rishta Kya Kehlata Hai and Taarak Mehta Kaa Ooltah Chashma, Zee TV's longest-running show Kumkum Bhagya has crossed 1500 episodes. "Kumkum Bhagya is one of our longest-running shows in the current context. Ever since the show launched in 2014, it has consistently found its place amongst the top five fiction shows across GECs week-on-week," says Bhosle.

    Vyas adds that the new TV channel pricing regime on account of the New Tariff Order (NTO)  has made it essential for channels to have marquee shows with a loyal audience base. Unfortunately, it’s difficult to do that today. The earlier shows are still surviving because they were launched when appointment viewing was the norm and OTT did not exist.

    Shahi concurs  with Vyas on OTT posing challenges. But Star India’s OTT platform Hotstar is aiding the growth of Yeh Rishta. “On Hotstar as well as TV, the show is highly rated. Keen audiences can watch the show early in the morning at 7 am on Hotstar while primetime viewers catch up at night with the family on TV,” he explains.

    Another key aspect has been to keep the production team consistent. Shahi says, "Yeh RishtaKya Kehlata Hai is a success for the entire television industry. In this chaotic and unstable market, keeping the team together and getting the show to stay on course for years is an achievement. Our teamhas 90 per cent of the same unit today since the show was launched. My biggest achievement is to have people who would team up for such a long-running show. Over the 11 years, they have been through phases of setbacks and achievements so to keep up the spirit and morale of the team is a challenge."

    With multiple choices available, producers have a hard task to keep shows running. To compete with shows on OTT, TV shows need to understand changing trends and adapt quickly.
    About the future, Bhosle says it’s not about a show being finite or infinite shows that will determine success. “It is a story that touches a chord, a character that grows on you or that palpable chemistry between two endearing characters that make people return to watch more,” she says.
     

  • Sony Sab to increase focus on fiction genre

    Sony Sab to increase focus on fiction genre

    MUMBAI: Sony Sab, which has till now relied on Taarak Mehta Ka Ooltah Chashma to carry the torch of its vision as a general happiness channel, is all set to launch four new fiction shows. The new weekday and weekend fillers will explore new themes like dramedy, horror comedy and fantasy.

    The programming line-up includes two finite series that will go live on 26 January as a part of the weekend programming – Band Baaja Bandh Darwaza and My Name Ijj Lakhan. Bhakharwadi and BaavleUtaavle are two upcoming weekday shows.

    Sony Sab, Pal business head Neeraj Vyas clarified that Sony Sab isn’t just a comedy channel. “The shows that are coming up are way beyond comedy. Comedy essentially is sitcom. What we are doing now with our stories, plots and content, is creating characters which have a much longer linear part. Tenali and Aladdin are not just comedy,” he says.

    The channel also highlights that its content is unique and not a copy of someone else. He adds, “We may not be main course, we may not have multiple offerings but we are the only dessert in the market.”

    Giving his opinion on the recent TRAI tariff verdict, Vyas says, “My take on tariff is, bring it on. Simply because we are extremely confident that the content is made for N number of people and which is why we see a lot of clones. Today the consumer is going to change. They will get to choose their own channels, which means your product, your offering had better be differentiated and when it comes to that, we are completely unique.”

    Talking about the growth the channel has witnessed, it claims to be the only gainer in MP among paid GECs. The impressions increased by 9 per cent from 18.1 million to 19.8 million over last year. In North Zone, impressions increased by 12 per cent from 60.2 million to 67.6 million. There has been a major gain in Delhi; impressions increased by 24 per cent from 18.9 million to 23.4 million.

    According to the broadcaster, Sony Sab is the highest gainer among H-GECs in the west and observed an increase by 16 per cent from 127.9 million to 148.6 million. In Maharashtra, its impression grew by 23 per cent from 61.5 million to 75.9 million over last year and in Mumbai, it grew by 19 per cent from 29.7 million to 35.3 million.

    The year 2018 was momentous for Sony Sab as the channel registered strong growth numbers in a market that wasn’t growing.  According to Sab, among NCCS AB 15+, the channel was the highest audience coverage gainer and it increased from 36 million to 38 million over last year. NCCS AB Male 15+ increased from 18.8 million to 19.7 million and NCCS AB female 15+ increased from 17.4 million to 18.3 million.  Over the course of last one year, it saw a 10 per cent increase in time spent from 110 minutes to 121 minutes.  

    From an advertising standpoint, the broadcaster also says it grew in various categories such as FMCG, telcos, automobiles and among other multiplied for them. Brand count went up from 203 to 230.

  • TAM week 31: Zee TV and Sab only gainers amongst GECs

    TAM week 31: Zee TV and Sab only gainers amongst GECs

    MUMBAI: Third and fourth position holding Hindi general entertainment channels (GECs) Zee TV and Sab emerged as the only gainers in the GEC category in week 31 of TAM ratings.

     

    While Zee TV went up from 147 GRPs to 153 GRPs, Sab saw a smaller ascend as it went up from 143 GRPs to 146 GRPs. 

     

    On the other hand, Star Plus continued its leadership in GEC category despite witnessing a decline in its ratings. The table topper’s ratings went down from 232 GRPs to 229 GRPs. Second placed channel Colors registered the highest decline amongst all the GECs as it went down from 224 GRPs to 202 GRPs. 

     

    Life OK held its fifth position with 122 GRPs down from 126 GRPs. Sony and &TV spotted at sixth and seventh slot with 103 and 62 GRPs respectively.

     

    On the sports channels’ front, Ten Sports continued its run at the number one spot despite falling down from 25 GRPs to 18 GRPs, whereas cricket specialist from the same venture Ten Cricket secured the second berth with 10 GRPs. Star Sports 2 booked the third slot with 6 GRPs.
     

    Nick led the kids genre in week 31 with 54 GRPs, whereas Pogo garnered 52 GRPs and perched on the second spot. On the other hand, Cartoon Network with 37 GRPs secured the third slot.

     
    Colors’ Mahayudha, Sasural Simar Ka and Swaragini with 3.55 TVR led the tally of top programmes, followed by Zee TV’s Kumkum Bhagya, with 3.52 TVR. Taarak Mehta Ka Ooltah Chashma on Sab with 3.47 TVR held its third berth. Colors’ Meri Aashiqui Tum Se Hi booked the fourth berth by registering 3.44 TVR while Star Plus’ Ye Hai Mohabbatein with 3.12 TVR grabbed the fifth spot.

     

    Click here for the full list of top programs

     

    Click here for the full viewership analysis

  • TAM week 30: Despite ratings drop Star Plus holds numero uno spot

    TAM week 30: Despite ratings drop Star Plus holds numero uno spot

    MUMBAI: Star Plus’ drop in TAM ratings continues as the table topper descended from 237 GRPs to 232 GRPs in week 30. On the other hand, Colors garnered 224 GRPs in week 30, up from 204 GRPs.

     

    Zee too witnessed a slight descend in its ratings as it was down to 147 GRPs compared to 152 of last week. Sab held on to its number four slot over Life OK with 143 GRPs while the latter garnered 126 GRPs. 

     

    A moment of respite came in for Sony Entertainment Television as its ratings went up to 111 GRPs from 107 GRPs. &TV also observed slight improvement in ratings as it went up from 65 GRPs to 67 GRPs.

     

    Ten Sports continued its run at the number one spot in the sports genre with 25 GRPs, cricket specialist from the same venture Ten Cricket secured the second berth with 12 GRPs. Sony Six booked the third slot with 6 GRPs.

     

    Nick led the kids genre in week 30 with 53 GRPs, whereas Pogo garnered 49 GRPs to sit on second spot. On the other hand, Cartoon Network with 35 GRPs secured the third slot.

     

    Zee TV’s Kumkum Bhagya, with 6.35 TVR led the tally of top programmes, followed by Taarak Mehta Ka Ooltah Chashma of Sab with 3.59 TVR. Colors’ Meri Aashiqui Tum Se Hi booked the third berth by registering 3.55 TVR.  Star Plus’ Ye Hai Mohabbatein and Saathiya Saath Nibhana sat at number four and five with 3.37 and 3.36 TVR respectively.

  • Star Plus and Colors rise in individual data in TAM TV ratings wk 25

    Star Plus and Colors rise in individual data in TAM TV ratings wk 25

    MUMBAI: In the week 25 of TAM TV ratings, the ranking order of the Hindi general entertainment channels (GECs) remained unchanged. The only channels to gain were Star Plus and Colors with the former registering a significant rise in viewership.

     

    Star Plus retained its leadership position among the Hindi GECs and scored 252 GRPs, up from 241 GRPs in individual data in the previous week. Colors at number two recorded 213 GRPs, up from 210 GRPs in individual data. Moreover, Life OK retained its viewership data with 141 GRPs.

     

    On the losers front, Zee TV stayed steady at number three with 154 GRPs, down from 167 GRPs. Sab dipped from 144 GRPs to 141 GRPs in the week 25. Sony Entertainment Television (SET) too witnessed a marginal drop in the ratings and clocked 117 GRPs, down from 119 GRPs. &TV managed to remain stable with 68 GRPs in individual data.

     

    Talking about the top 10 shows, Star Plus’s Ye Hai Mohabbatein, Saathiya Saath Nibhana and Yeh Rishta Kya Kehlata Hai are the three most watched shows in the genre that rated 3.82 TVR, 3.81 TVR and 3.72 TVR respectively.

     

    Zee TV’s Kumkum Bhagya stood at number four with 3.57 TVR followed by Star Plus’s awards property – Star Parivaar Awards on 14 June which fetched 3.57 TVR. Sab’s Taarak Mehta Ka Ooltah Chashma occupied the sixth spot with 3.43 TVR.

     

    However, Colors had four of its shows in the list. Indias Got Talent-Ab Hunar Dega Jawaab  at number eight registered with 3.2 TVR followed by Meri Aashiqui Tum Se Hi which closed the week with 3.03 TVR.  Chakravartin Ashoka Samrat at number nine clocked 2.9 TVR while Udaan at number ten scored 2.87 TVR.     

         

    Click here for the full individual data report

  • ‘Taarak Mehta Ka Ooltah Chashma’ launches digital campaign to promote PM’s Swachh Bharat Abhiyaan

    ‘Taarak Mehta Ka Ooltah Chashma’ launches digital campaign to promote PM’s Swachh Bharat Abhiyaan

    MUMBAI: ‘My Clean India’ campaign is a nationwide initiative launched by Prime Minister Narendra Modi, who selected nine notable public figures to propagate this campaign, including the entire team of Taarak Mehta Ka Ooltah Chashma (TMKOC).

    After inspiring the audience via the show, wherein the characters visited slum areas to teach residents the importance of cleanliness and the process of cleaning, now TMKOC is starting a contest with the aim to involve viewers and fans to take up the initiative for a clean and healthy India.

    To participate, people can log on to the website www.tmkocmycleanindia.com and share images of their contribution to the ‘TMKOC My Clean India’ campaign. In the following manner:

    iSee – iClean – iMakeMyIndiaClean : If your surroundings are unclean, take a picture and upload it to the website’s iSee section. If you choose to clean your surroundings, take a picture during the act and upload it to the iClean section. After your surroundings are clean, take a picture and upload it to the iMakeMyIndiaClean section.

    Winners stand a chance to be felicitated by their favourite TMKOC stars in Gokuldham!

    This is just the beginning of the larger activity planned by Neela Tele Films and the team of TMKOC.

    The show is produced by Neela Tele Films; conceived and designed by Asitkumarr Modi.